#patent act
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einfolgetech · 15 days ago
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Patent Act Essentials for Innovators and Enterprises | Einfolge Technologies
Einfolge Technologies provides expert insights and advisory services on the Patent Act to help innovators, businesses, and legal professionals navigate the complexities of patent law. Our team interprets key provisions, filing requirements, and compliance obligations under national and international patent acts. We support strategic IP decisions, ensure legal alignment, and empower clients with the knowledge needed to protect and enforce their patent rights effectively.
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mykhuranaandkhurana-blog · 1 year ago
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Section 33 of the Patents Act plays a crucial role in delineating the scope and limitations of patent rights. This pivotal section addresses various aspects
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ipandlegalfilings · 2 years ago
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A Patent is said to be an Intellectual Property Right (IPR) which grants a legal right to the owner of an invention or innovation to have the sole and exclusive right to exploit a new creation. 
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moritashie · 1 year ago
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Peter: If I were Peralta, would that make you Holt?
Tony: I'm not gay.
Peter: Wait you're not?
Cue cut scenes from the past few weeks, sitcom style, showing Rhodes and Tony acting very homoerotically
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familyofpaladins · 6 months ago
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Possibly getting a new phone e this morning
So now I gotta go Mark For Later the 62 open ao3 tabs I have
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flow2024 · 6 months ago
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I wish you would write a fic about irreconcilable artistic differences on a movie set between Joe and Nicky.
not really irreconciliable as in not solvable at all but you know i had fun with this
Joe squeezes his eyes shut, covering his face with both hands, and leans forward. His shoulders tremble uncontrollably. He takes a short, sharp breath, and another, and another, but he can’t quite seem to get enough into his lungs. There’s a lump in his throat and a weight in his stomach. He leans forward with a low, wounded sound and–
“Cut,” Nicky says softly. Then, because it takes Joe a second to hear him: “Joe, stop.”
Slowly, Joe raises his head. Wipes at his eyes and takes a few deep breaths to steady himself. Nicky’s already up, frowning ever so slightly as he looks at the camera. 
“What is it this time?” Joe manages. His voice is hoarse; he has to clear his throat once or twice. Nicky doesn’t look up. The clock on the nightstand reads 01.34, but Nicky’s changed it a few times over the course of the shoot. He has no clue what time it really is, only that it’s dark outside.
It’s just the two of them in the room. Nicky had wanted to keep this one small, just him and Joe and the camera. The apartment they��re in is nice, if a little empty, though Joe supposes that’s the point. They’re in the bedroom, Joe sitting cross-legged on the bed, shirtless, sheets bunched up over his lap, a phone lying on the nightstand behind him. One entire wall of the room is taken up by a floor-to-ceiling window which lets the moonlight in, though there’s a few low lights set up behind Nicky to send bars of silver light across the bed, because the natural light hadn’t quite been strong enough for the effect Nicky wanted. It’s otherworldly; it’s beautiful. 
Nicky still isn’t looking at him, so Joe says again, “What?” It comes out a little harsher than he means it to, but it gets Nicky’s attention.
Nicky runs one hand through his hair. Joe can’t see him well, not with the light behind him and the shadows in the room. “I don’t know,” Nicky says. “It’s missing something.”
Joe has worked with Nicky enough times before. It’s not that he doesn’t like working with him - they’re friends - but he can’t fucking read him, and so after the sixth take of the same scene he can’t help but take it a little personally. 
Joe reaches for the bottle of water hidden just under the bed and takes a long drink, mostly to keep himself from snapping. What time is it? “I can try again, but I can’t do this indefinitely, Nicky.”
“I know, I know,” Nicky says, fidgeting again with the camera, “it’s not you, it’s just–” 
“What else could it be?” Joe interrupts. He’s not stupid. This scene doesn’t work if he can’t get it right, which means the entire film doesn’t work if he can’t get it right. More than anything else, this one depends on him. No music, no camera movement, no dialogue, nothing but him and the camera. And he wants to do it right, he loves this project almost as much as Nicky does, but there’s a hollow feeling in his chest and he’s spent the last however-many-hours having a near-complete breakdown over and over again and it’s still not right. And Joe doesn’t know what it is he’s doing wrong.
“I don’t know,” Nicky says quietly. Now he is looking at Joe, and Joe can’t tell if he’s disappointed, or angry, or – or what. He’s perfectly expressionless, as always. 
Joe loves this job. And he wants to get this right. But it doesn’t mean it’s not one of the hardest things he’s ever had to do, and he’s tired.
“I don’t have much more left in me, Nicky,” he says, and this time he does snap. He wipes at his eyes again, can’t look at Nicky. He’s supposed to be making himself vulnerable, above all in this scene, but suddenly he can’t stand the way Nicky’s looking at him. “Pass me my hoodie.”
“Joe–”
“I can’t. I can’t keep doing this.” He kicks the sheets off and gets tangled trying to do it, grabs his hoodie when Nicky offers it, pulls it over his head in one fluid motion and gets out of there as soon as he can. Thankfully, there’s only Andy and Nile in the other room, Andy lying back on the couch with her feet up and Nile perched on the arm of it. They both look up at Joe as he enters, both look like they’re about to ask, and Joe can’t stand it, can’t be in here a second longer, can’t–
“We are done for the day, I think,” Nicky says behind him, startling Joe. He hadn’t realised Nicky was there.
Andy raises an eyebrow, but doesn’t argue. It’s already the second day of trying to shoot this scene: they’re running the risk of falling behind schedule. 
“We’ll find something else to do tomorrow,” Nicky says. “I’ll look over everything tonight. We will try this again on Monday.”
Andy and Nile look at each other. Nile shrugs. 
“Get some rest, Joe,” Nicky says. 
Joe shoves his hands in his pockets and doesn’t say a word.
–--------------------------------
He doesn’t get called in the next day at all, and he doesn’t interrogate it too closely. Takes the day off, pretty much, because they’ve only really got one scene left to film, and there’s not much more he can do for that. Nicky had wanted to leave it to the last, and Joe had agreed, at the time.
At about nine pm, someone knocks on his hotel room door, which is unusual on a day where they don’t have a night shoot to do. When he opens it, Nicky is on the other side. Joe lets him in without a word. 
“I wanted to apologise,” Nicky says, standing in the middle of the room and looking as uncomfortable as Joe’s ever seen him. “For last night. I was pushing you too hard, and I should not have done.”
Joe closes the door behind him. Nicky fidgets with the sleeve of his hoodie. 
“Sit down,” Joe says. 
Nicky does, settling himself on the edge of Joe’s bed, not quite looking him in the eye. Joe joins him, after a moment. 
“At the risk of sounding cliche,” Nicky says, “it’s not you, it’s me.”
Joe laughs, mostly because the phrase sounds so strange coming from Nicky and also because out of everything he’d thought Nicky might say, he hadn’t expected that. 
Nicky smiles slightly, too. Then he gets up and heads for the minibar. “Mind if I have a drink?”
Joe shakes his head. Nicky gets out a little bottle of wine, glances at the label, and takes a swig straight from the bottle without bothering to get a glass. 
“I can’t seem to get it right,” Nicky says. “You know I wrote almost fifteen different versions of that scene?”
The scene in the script itself is barely a page long. “No,” Joe says. 
Nicky nods. Rubs a hand over his face. “I wanted it to feel real. I thought if I could get it right, it would… help, somehow. I don’t know.”
It’s the exact same reason Joe said yes before he even read the script, when the whole thing was just an idea in Nicky’s head, when they were talking about it over drinks at Andy’s and Joe was in love with the idea almost immediately. He knew exactly why Nicky was writing it; he knows, now, exactly why it needs to be right. But at the same time – “I don’t know if that’s possible, Nicky.”
Nicky sighs. “I know.” He crosses back over to sit beside Joe again, takes another drink from the bottle. “But there is something missing, and I cannot seem to find it. And so it does not feel real. And I know this is not easy for you.”
“It’s not,” Joe says plainly. 
“But you know,” Nicky continues, “I could not have trusted anyone with this but you. If you had not said yes, I would not have done this.”
That, Joe didn’t know: he knows he’d been Nicky’s first choice, but he’d assumed that’s because they know each other well enough already. But it makes sense: the reason Nicky wrote the script is the same thing they’d bonded over. 
Even still, it’s a lot. “I don’t know if I can do it the way you want,” Joe says. 
Nicky looks up at him from where he’s been running his fingers over the label on the bottle absentmindedly. “If you want to stop, I can–”
“No,” Joe says quickly. “But I don’t think it’s ever going to be exactly the way you felt.”
Nicky looks away. “It is a lot to ask,” he says. “I know this.”
Joe doesn’t think; just reaches over and takes Nicky’s hand. “I know,” he says. “Trust me.”
Nicky takes a deep breath. Then he nods. "Okay."
#neon answers#materassassino#neon writes#the old guard#kaysanova#DIRECTOR'S COMMENTARY (me): not at ALL a realistic portrayal of anything actually but this is about the vibes#this was originally gonna be a 2 person scene where both of them were actors#but a i dont know shit abt acting ive never done it. i HAVE however been a director all of one time which didnt really relate to this but#its more than 0 experience. anyway i was thinking about the level of trust in that relationship#i.e. joe trusting nicky to let himself be entirely vulnerable on camera like that and trusting that nicky knows what hes looking for#and in this case nicky trusting joe to take care of a story that is heavily based on his own experience#this isnt long because i drafted it at 1am then wrote the rest while ignoring my essay but . nicky cant quite let it go and joe cant manage#to let himself break down completely on camera like that. presumably after this they get it in one take#joe wins several awards and the film does super well. or it doesnt thats not the point#its abt making something to deal with personal experience#the film in question being about rebuilding yourself after moving to a different country with no ties left to where you came from#+ the scene here being a post-phone call/rejection of phone call meltdown in which the loneliness gets to be a bit much#in my head nicky never went through this Specifically but it's more of an externalisation/dramatisation of something that did happen.#anyway you know early tog metas abt joe being the more overtly emotional one and nicky acting as a balancing force bc joe feels stuff for#both of them. or maybe i made that up. anyway thats what this is#ten points if you can work out my Cinematic Influences#they are patently obvious i think
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feartohate · 3 months ago
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trying to imagine what anakin's upbringing would've been like in my sith-born au bc like. it's not like the jedi, where they are still actively raising the younglings and hitting key developmental milestones. there's structure, age-specific socialization- little anakin didn't have that !
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t4tails · 10 months ago
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Talking about dolls, what are your thoughts on the Barbie Dreams Besties?
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theyre cute... i like their proportions, hair, and faces, but their outfits, especially the blue and purple ones feel really tacky and cheap. i probably wont but if i were to get any, itd definitely be the red one.
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regicidal-defenestration · 10 months ago
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I think we should all stop talking about generative AI being used to produce (typically visual, in these debates) works until we can agree that "is AI art real art?" is the wrong question to be fighting over
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falderaletcetera · 21 days ago
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me: caves and starts daydreaming this self-indulgent vampire situation properly, even though that means I'll occasionally have to stop what I'm doing and write things down
me, several hours later: five hundred words of this person tentatively reckoning with the fact that the vampire cares about them enough to take off their work boots when they conk out on the guest bed because they were already knackered and overstimulated when the vampire called them up for a meal.
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einfolgetech · 22 days ago
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Einfolge Technologies offers comprehensive patent search services to help clients assess the novelty, patentability, and legal risks of their inventions. Our experts conduct thorough searches across global patent and non-patent databases to identify prior art and existing technologies. This enables inventors, businesses, and law firms to make informed decisions, strengthen their IP strategies, and avoid potential infringement issues before filing a patent application.
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zestyzigzagoon · 5 months ago
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We are so back with chapter three. Maybe not by Sunday night like I had hoped, but we are back nonetheless. Here's a little snippet below :) this scene takes place approximately ten seconds before something gloriously dumb happens.
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kindaorangey · 10 months ago
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also like i keep reading fics where people try to spin daniel's turning as something he was sort-of into, and that he sort-of consented to it (although with his life being threatened he could never consent fully, yanno) and also it tends to be intermingled with him and armand having sex and like. i know im a killjoy for saying this but i really hope in canon it isn't like that. like the turning is this massively violating and cruel thing and honestly i think it'd be a lot more interesting for it to be one more issue the two of them have to move past before they have any sort of relationship with each other
#iwtv#armandiel#like daniel Does Not Like armand at the end of s2. hes very fascinated by him but that fascination is second to his fear and repulsion#i want them to work through their issues with each other a bit before dm happens. in fact i want them to clash a bit more#and THEN keep being drawn to each other and THEN for dm to happen#though it is interesting. every time i watch the last scene of s2 and i see daniel say 'fucking asshole' i laugh bc#it really seems like he's calling armand an asshole for disappearing. and not for turning him#lmao#like they need to reconcile. and that reconciliation can and should include a patented daniel molloy bitchslap at the very least#please.... dm in the books has the turning as an act of kindness and love. but its flipped in the show#i really dont think you can spin it as something daniel welcomed in the show despite the fact he was begging for it in the book#okay im gonna yap some more#i also like the chase/reverse chase trope#i think itd be kindof gas if armand let daniel go and then stalks and hunts him like in the books#in fact i think thats the only scenario where daniel couldve consented to the turning. like if he has time to breathe and warm up to#armand and the idea of being a vampire#and vice versa that armand warms up to daniel and then the whole 'out of spite' thing at the end of s2 was just what louis assumed#or what daniel tells him. or whatever#and the reverse chase where armand turns daniel and disappears and daniel tracks him down#that ones my fav lowkey#but the chase in any form is very good fun#thunder rambles
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schwazombie · 2 months ago
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As I near page 350 I must admit I am beginning to think that Darkness and Hope isn't one fanfic but rather many stacked up on each other wearing a trench coat
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fvckw4d · 10 months ago
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In case anyone was wondering how adult sites are dealing with some states in the US trying to force websites with "sensitive material" to verify the age of every single fucking visitor, many have started either forcing users to sign up for an account and show a picture of their ID or, if they don't have the pull or staff for that, fucking using AI to check webcam footage of your face and having it guess your age.
No I'm not joking. We live in hell.
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regicidal-defenestration · 1 year ago
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Upon reflection I think I know too much about copyright law for my own good
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