#poser software

[twiglet192]

Enter a world where fantasy and feline friends collide. Introducing "Fantasy Ladies with their Cats" - a whimsical collection that will enchant cat lovers and fantasy enthusiasts alike. 🐱✨

If you like my art you can download it for free at

www.alessandragemmo.com

[bitchfitch]

the year long evolution of Divorced Dog's poser.

[phoenixiancrystallist]

Month 12, day 16

Some animation work done, plus set up a couple references for a thing I did awhile ago that I want to refine :3

Program used for the references is called Magic Poser and I had to pay $10 to be able to have more than one character to play with, which is slightly annoying bc when I first got it I could do that for free and had to pay for three or more but adjkflaj;asj capitalism 🙄

[mr-orion]

Idk who needs to hear it but if you have Aphantasia you can absolutely do character art. Don't let it discourage you. Especially since a good portion of art advice won't fit you and will leave you feeling like its your fault.

I have Aphantasia, its super hard to put characters in poses from my mind. I cannot draw cartoons or exaggeration well, its very hard because I do not see the drawing until it is on the page. I use so many construction lines and blocks of color and always need a reference to base my character poses on. I cannot imagine things artistically before they're on the page and it is super frustrating.

You can still do it with Aphantasia though, it just takes practice. So many of your sketches without references are going to look awful despite you knowing the proper proportions of the human body, it doesn't mean you don't know what you're doing.

It just means you need to give yourself extra help. You're not lesser or bad for not being able to draw on a whim or not having these intricate details. Trust me, I've struggled with thinking that.

The best thing you can do to work with it is collect so many references, use a pose software (like magic poser), and absolutely screenshot and collect art that has a creative element you struggle with. (For me its color, backgrounds, and splash text.) Also, maybe practice abstract art. You have a brain unhindered by a visual expectation, I recommend it. For me I like to do surrealist/abstract pictures of water and space. It takes technical skill but everyday is a good day to start practicing.

Having Aphantasia is a neutral thing. It's not bad or good, it's just there. That bad part is not acknowledging that you work differently so you need to adapt differently.

[pillowfort-social]

Generative AI Policy (February 9, 2024)

As of February 9, 2024, we are updating our Terms of Service to prohibit the following content:

Images created through the use of generative AI programs such as Stable Diffusion, Midjourney, and Dall-E.

This post explains what that means for you. We know it’s impossible to remove all images created by Generative AI on Pillowfort. The goal of this new policy, however, is to send a clear message that we are against the normalization of commercializing and distributing images created by Generative AI. Pillowfort stands in full support of all creatives who make Pillowfort their home. Disclaimer: The following policy was shaped in collaboration with Pillowfort Staff and international university researchers. We are aware that Artificial Intelligence is a rapidly evolving environment. This policy may require revisions in the future to adapt to the changing landscape of Generative AI. 

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Why is Generative AI Banned on Pillowfort?

Our Terms of Service already prohibits copyright violations, which includes reposting other people’s artwork to Pillowfort without the artist’s permission; and because of how Generative AI draws on a database of images and text that were taken without consent from artists or writers, all Generative AI content can be considered in violation of this rule. We also had an overwhelming response from our user base urging us to take action on prohibiting Generative AI on our platform.  

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How does Pillowfort define Generative AI?

As of February 9, 2024 we define Generative AI as online tools for producing material based on large data collection that is often gathered without consent or notification from the original creators.

Generative AI tools do not require skill on behalf of the user and effectively replace them in the creative process (ie - little direction or decision making taken directly from the user). Tools that assist creativity don't replace the user. This means the user can still improve their skills and refine over time. 

For example: If you ask a Generative AI tool to add a lighthouse to an image, the image of a lighthouse appears in a completed state. Whereas if you used an assistive drawing tool to add a lighthouse to an image, the user decides the tools used to contribute to the creation process and how to apply them. 

Examples of Tools Not Allowed on Pillowfort: Adobe Firefly* Dall-E GPT-4 Jasper Chat Lensa Midjourney Stable Diffusion Synthesia

Example of Tools Still Allowed on Pillowfort: 

AI Assistant Tools (ie: Google Translate, Grammarly) VTuber Tools (ie: Live3D, Restream, VRChat) Digital Audio Editors (ie: Audacity, Garage Band) Poser & Reference Tools (ie: Poser, Blender) Graphic & Image Editors (ie: Canva, Adobe Photoshop*, Procreate, Medibang, automatic filters from phone cameras)

*While Adobe software such as Adobe Photoshop is not considered Generative AI, Adobe Firefly is fully integrated in various Adobe software and falls under our definition of Generative AI. The use of Adobe Photoshop is allowed on Pillowfort. The creation of an image in Adobe Photoshop using Adobe Firefly would be prohibited on Pillowfort. 

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Can I use ethical generators? 

Due to the evolving nature of Generative AI, ethical generators are not an exception.

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Can I still talk about AI? 

Yes! Posts, Comments, and User Communities discussing AI are still allowed on Pillowfort.

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Can I link to or embed websites, articles, or social media posts containing Generative AI? 

Yes. We do ask that you properly tag your post as “AI” and “Artificial Intelligence.”

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Can I advertise the sale of digital or virtual goods containing Generative AI?

No. Offsite Advertising of the sale of goods (digital and physical) containing Generative AI on Pillowfort is prohibited.

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How can I tell if a software I use contains Generative AI?

A general rule of thumb as a first step is you can try testing the software by turning off internet access and seeing if the tool still works. If the software says it needs to be online there’s a chance it’s using Generative AI and needs to be explored further. 

You are also always welcome to contact us at moderation@pillowfort.social if you’re still unsure.

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How will this policy be enforced/detected?

Our Team has decided we are NOT using AI-based automated detection tools due to how often they provide false positives and other issues. We are applying a suite of methods sourced from international universities responding to moderating material potentially sourced from Generative AI instead.

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How do I report content containing Generative AI Material?

If you are concerned about post(s) featuring Generative AI material, please flag the post for our Site Moderation Team to conduct a thorough investigation. As a reminder, Pillowfort’s existing policy regarding callout posts applies here and harassment / brigading / etc will not be tolerated. 

Any questions or clarifications regarding our Generative AI Policy can be sent to moderation@pillowfort.social.

[remidiy]

We Don't Gatekeep Art Resources | A Comprehensive List

Here's a list of some of the tools/sites I currently use or have used previously for works/studies. I'll separate it into Software/Utility, Reference, and 'Other' which will be just general things that could help you map out things for your experience with art. **[Free highlighted in pink, paid highlighted in green. Blue is variable/both. Prices Listed in USD]**

Software/Utility:

2D

Krita Painting app (PC) (my main digital art software on PC for 5+ yrs)

Clip Studio Paint [PC] [CSP 2.0+ allows for 3d modelling within the painting app and a lot of other cool features] [apparently allows up to 6 months free trial]

Procreate (12.99) [iPad/iPad Pro] (the GOAT)

Artstudio Pro [iPad/iPad Pro] (An alternative to Procreate if you enjoy the more traditional art app layout) -- I find this app handy when Procreate is lacking a feature I need, or vice versa. (you can easily transfer files between the two, but keep in mind Procreate's layer limit)

2D "Collaborative Painting/Drawing apps"

Magma Studio

Drawpile

Discord Whiteboard

Gartic Phone (Pretty decent for 2d animation practice, but has a hard limit on frames)

3D

Blender [3D Modelling, Sculpting + Layout] (PC)

Sculptris [PC] (it's an old unsupported version of Zbrush, but can help to get ideas out, and functions better than browser sculpting apps

Nomad Sculpt [iPad/iPad Pro] ($20) Works pretty well if you prefer a mobile setup, but it is a bit intense on the battery life and takes some getting used to

References + Study

Magic Poser [ PC and Mobile ] Has both free and paid versions, I've made do with just the lite version before

Artpose ($9.99) [Iphone + Steam]

Head Model Studio [IPhone] A 3D head, with both a basic blockout version for angles, and a paid version with more detail

Cubebrush [simply search "[keyword] pose reference pack"], they usually have good results + they frequently have sales!

Line of Action [Good for Gesture practice + daily sketching], also has other resources built in.

Quickposes Similar to Line of action, more geared toward anatomy

Drawabox | Perspective Fundamentals Improvement modules (Suggested by @taffingspy )

Sketchfab, this skull in particular is useful, but there is other models that can help you study anatomy as well.

Pinterest can be good, you just have to be careful, usually you're better off just finding reference pack if you have the money, sometimes certain creators have freebies as well

Artstation Marketplace can be decent [make sure to turn on the Aye-Eye filter so it doesn't feed you trash], a colleague of mine recommended this head model for practicing facial blocking, there is also this free version without lighting.

Local Art Museums [Unironically good for studying old "master work" if you're into that, or even just getting some inspiration]

Brushes + Other Useful software:

I personally have used both of these brush packs before making my own

(I actually don't know how to share my daily brush set because I frequently switch between Krita, Procreate, and ASP, but once I figure that out I'll be sure to do that lol)

Marc Brunet's Starter brush pack [Technically free but supporting him for this if you like it is ideal, there's some good brushes]

Dave Greco Brush Pack [$3]

Gumroad in general is a good place to find brushes and art resources. *Note; for Krita specifically, brush packs are a bit weird, so it may require you to find different packs, or import them in a particular way

PureRef [PC] - Reference Compiler/Moodboarding

VizRef ($3.99) [iPad] - Moodboarding/Reference Compiler

Artist Youtubers/Creators that helped me improve/guide me along as a self-taught artist from when I first started digital art to where I am today:

Proko

Marco Bucci

Sinix Design

Sycra

Hardy Fowler

Lighting Mentor

Winged Canvas

Moderndayjames

Swatches

Chommang_drawing

Marc Brunet (YTartschool)

+ Observing a lot of speedpaint art by people whose work I enjoy on social media/youtube, trying to dissect their processes

If you've gotten this far, first of all, congrats, you can read a lot, and second of all, thank you for reading and I hope this helps! I'll continue to come back and update this if I find any new resources in the future, or if my processes change :)

Much Love,

-Remidiy

[currantlee]

A few comments on a recent post about RWBY I made got me thinking about something. Basically, I think that Rooster Teeth – and possibly by extension its parent companies – have artificially inflated RWBY as a media project and franchise rather than letting it grow organically. Therefore, it became a bubble that was bound to burst at some point. RWBY might never have been a profitable IP, which might be very relevant for its future.

This is not a problem that arose after Monty Oum‘s passing, I feel like this was already coming before that. Shane Newville‘s open letter (which absolutely comes from an emotional, mentally unwell state of mind, but has had many of its contents confirmed over the years, even beyond being one of the first descriptions of the toxic work environment at Rooster Teeth) makes a few points that support this impression. Whether you agree with the letter or not, you cannot deny that the first two volumes of RWBY, while they also had merch accompanying them and stuff, were not produced following industry standards – starting with the 3D software used, Poser Pro (Monty Oum‘s preferred tool for animation). This led to some really creative animation work that, while not always high-quality by industry-standards, was certainly pushing boundaries. It was creative and it worked for what RWBY was: a passion project created by someone who saw animation as his strongest suit – as his preferred medium to tell a story. I‘ve seen a lot of people claim that Monty Oum wasn‘t a writer, and while that‘s true, I feel like the implication of that statement is always that he couldn‘t tell stories on his own. I don‘t think that‘s true. I think Monty Oum was a great storyteller when it came to expressing certain things through animated action scenes. It‘s just that he wanted to tell a story that included more than just that and a few lines of dialogue – which is where Miles Luna and Kerry Shawcross come in, two at the time very inexperienced writers (who possibly had a fallout with Monty Oum over creative differences later), as well as some talented folks – people like Shane Newville. They were chosen to work on this because Monty Oum acknowledged their potential and liked to work with them, and I feel like that created an environment where they were really allowed to flourish. Volumes 1 and 2 are certainly not flawless, but I feel like I can tell the people making it had fun.

To Rooster Teeth however? I think RWBY (and by extension, Monty Oum as a creator) might have been little more than assets to them. RWBY was first created around a time when RT first tried to be more like, well, an actual company. At least from 2014 onward, but possibly even earlier than that, this included an effort to conform to industry standards more, mostly in order to be able to hire more people – very visibly so in RWBY in the form of the switch to Maya (my opinion about that is, the way they did it didn’t do RWBY any favors at all). I think they saw RWBY and Monty Oum as an opportunity to appear… More important, bigger, than they ever really were.

So what did they do? Again, I kind of have the feeling that they “upscaled” RWBY to a size where it appears like this big thing, but it became far too much to handle. Essentially, they created a mock giant, or a metaphorical quasi-star: something that can appear big from afar, but is actually very small / unstable (and if we go with the quasi-star metaphor, disturbs all of its surroundings). This is what I mean when I say that RWBY was a bubble bound to burst, because no star lives forever – and quasi-stars can only exist under very specific, very unstable conditions (I linked a Kurzgesagt-video in case you’re interested what exactly a quasi-star / black hole star is / was, cosmology is so fascinating IMO). Once these conditions exist no longer, they both fall apart and collapse into the black hole that is their core at the same time.

My main argument for this is that RWBY was essentially a huge money sink for RT (Source: Barbara Dunkelman’s unprofessionalism). They pumped so much money into this… Perhaps even more than they ever made from it. While this isn’t 100% confirmed, it is very much possible (and IMO not exactly unlikely) that RWBY was never profitable — which it might have been if RT hadn’t been so hellbent on creating the illusion of a multi-million-dollar franchise.

This is purely speculative, but this might also be why Volume 10 was never greenlit. We know that Volume 9 was to a significant part funded by Crunchyroll and in fact would not have been possible without them (probably because RT was already out of money at this point). They might have bought into this mock giant, then realized they had pretty much been scammed once Volume 9 aired. This might have led to Crunchyroll’s unwillingness to fund another season for something they knew now was effectively a money sink. Since RT at this point lacked the funds to produce Volume 10 alone and therefore was dependent on investors like Crunchyroll and Warner Brothers… Volume 10 was never greenlit, no matter how hard they attempted to get their fans’ hopes up and start a hashtag campaign on social media (as far as I remember, that was started by Rooster Teeth, not the fans. I don’t have my Twitter account anymore though, so I can’t check). Again though, this is speculation.

The worst part? This refusal of RT to just… Downscale RWBY again, this determination that it had to be this huge franchise… Was all put on the backs of the creatives working on it. We know at this point, from multiple sources, that RWBY and other RT productions have had an incredible amount of crunchtime, working overtime, employee abuse, … going on behind the scenes, which seems to only have gotten worse after Monty Oum’s passing. At the end of the day, all RT does and has ever done is blame others for their incompetence. Like, no shit, I’ve seen fans claim that it’s the FNDM’s job to “keep the show alive” (particularly in the light of #GreenlightVolume10), which… No, that’s not the fans’ job. It’s the job of the company who has been entrusted with this beloved IP, and said company has proven to be utterly incompetent on multiple occasions, which is unfortunate, but a sad reality for all those who love RWBY. And while Rooster Teeth has never directly said such a thing, they have certainly implied it and taken advantage of the existing sentiment within their fanbase, as well as their parasocial relationship with it (again, see #GreenlightVolume10 for reference).

To clarify, I’m not saying none of this would have happened if RT didn’t insist on making RWBY this big franchise (and biting off far more than they could chew in the process) – again, RT was far too notoriously incompetent at everything a company should manage – but I do think it might have played a role. It also isn’t an excuse for all the employee abuse. Again, what they should have done is downsizing the project, not inflating it further and further.

If I’m not somehow completely in the wrong (because IMO this just makes way too much sense to not be at least partially true – but let’s face it, a lot of this is just me connecting dots, and there is always a chance I’m connecting them wrong, even though I don‘t think so), then it kinda blows my mind that there are still people who believe in this scam. Though I will say, emotional attachment can do that to anyone. If anything, I’m honestly sorry that those folks lose something that means so much to them, and that false promises were made to them.

At the end of the day, the story of RWBY (the “franchise”) is twofold. It’s a story about an incredibly talented creator who passed away far too early, who was given the incredible opportunity to make his dream come true. It’s a story of people he trusted taking up his torch, and maybe getting lost in the dark along the way. It’s an inspiring story regardless, and I hope to see it continued at a downsized scale so it can grow organically, preferably in the hands of an indie animation studio like Dillon Goo (🤞)

But it is also a cautionary tale to both creatives and companies who employ them, a tale about false promises, abuse of both employees and fans, as well as how to not run a project. Don’t blow your thing out of proportion too early, don’t create a mock giant / metaphorical quasi-star. Let your ideas and projects grow and flourish organically and sincerely.

[beargirlstink]

i don't know shit about the piratesoftware drama but i didn't trust him ever since i learned he didn't even like software piracy. like why even bother with the username if you're gonna be such a fucking poser about it

[twiglet192]

VIRTUAL WORLDS OUT OF YOUR WINDOW!

With our futuristic windows, you and your beloved cats can escape to infinite virtual worlds. The possibilities are endless!

Today's editor choices are:

Martian Desert, Alien Planet, Underwater Scenery, and Outer Space Adventure.

[falgaia]

I checked out JuiceFX thanks to that post and impulse-purchased a bundle it was in...

I'm curious, for the gijinka designs and such, do you have a design all planned out beforehand, or do you make it up as you go?

hi, glad to hear I could point someone towards JuiceFX! I'd also really recommend looking into Spritemancer these days, it's made by the same dev and is sortof a collection of a bunch of his animation tools that he's created over the past few years. It has most* of the features that are in Juice FX, albeit in a different presentation format, but the biggest pull of the software is its ability to work with more than 8 layers at once by far lol. My most recent animated piece was juggling ~60 in one project by the time I was done with it, lol. In regards to the gijinka designs, thanks for asking! It really depends on the design, but more often than not I have a few rough elements and forms planned out in advance with the help of some thumbnailing sketches and figure out the rest of the details as I go. Pixelart and nupastels share a similar limitation in that they are both media that doesn't do well with overly finnicky details, so a lot of my early design work tends to leave those out and focus on shapes and volumes that I can block out in a poser app like Magicposer with relative ease. Generally I prefer to do a sketch if working with poser apps after the posing to block out a few of the details prior to rendering, but sometimes I will just skip the step to save time. I was able to find some of the early pose explorations for the Sandslash cultist, so I included those below for reference.

hope this was informative, and thanks for the ask!

[bitchfitch]

Hello! I just saw that sketch you posted today with Vincent and Lino and I couldn't help but notice the 3d background elements. It looks like you might use Clip Studio (I do too!) and if so I was just wondering if you had any tips on how to get started using their 3d modeling tools?? I've only ever used the drawing and animation portions of the software and would LOVE to start branching out into backgrounds, but I've always found it a bit daunting since I've never done anything 3D before haha. Feel free to disregard if you want, love your art btw!

I actually use a phone app called magic poser :>

Anyways, here's the Tips.

1. It only has to look good from 1 angle. pick that angle when you start and don't let go of it

2. think about how the characters would move through the space as you set it up. and what the scene like means. what it conveys and such. Like. Vincent is blind and was obviously born blind but you could see all the picture frames in that render, many of which being far higher up than a man with his proportions could actually get to to put up. That tells you something about the space and his history with it. thats the sorta like. Thought environments related to your characters need to Feel like they mesh and are unique to you and them.

3. Right angles are your enemy. If it can be skewed. Skew it. if it can be slightly tilted this way or that. Tilt it. real spaces aren't perfect IKEA displays. and it makes everything Feel more right than if you keep everything rigidly on angle. Though. Note that if you Want to convey ridgity or over perfection or stiffness then you thats a Great way to do it.

4.But depending on your style the skewing might look wrong. you'll find what Feels right and learn to discard all the useless bullshit rules randos on the Internet (like me) tell you the more you get in the mud and fuck around, so fuck around. Find the limits find the weird shit, Make weird shit. and give yourself permission to learn by breaking your tools to know what they can do for you.

[princess-of-the-corner]

One thing to note about RWBY is that it REALLY "grew the beard" over the course of its runtime.

Volumes 1-3 were animated in Poser (software that wasn't intended for use in animation), with rougher backgrounds and more simplistic writing related to complex themes. They were also only ever intended to be an extended prologue to the ACTUAL show, with the Big Twist of the Volume 3 finale being that the climax was actually just the inciting incident to the show's ACTUAL conflict.

Starting from Volume 4, the crew switched to Maya (software that's intended for use in animation), got better at writing more complex topics (the White Fang is treated more sympathetically than in the "Beacon Arc"), and Jaune was actually an interesting character for the entirety of the "Anima Arc" that lasted from Volumes 4-6.

Volume 7 is probably the best season of the show (I don't have a Crunchyroll account and so I haven't had the chance to watch Volume 9 in its entirety yet, even if I know what happens there). It deconstructs the whole "America Saves the World" trope with Atlas, and has some pretty good political satire that wound up being eerily prophetic. Also, Robyn Hill is one of the best characters the show has ever introduced.

Volume 8 contains both the best and worst moments of the series. V8C1-V8C11 features some of the best storytelling and most tense action from the franchise ever, but V8C12 has the overall message of "Okay but, the people who dehumanized Penny over her mechanical body KINDA had a point, let's fix what isn't broken!", V8C13 is a pretty descent villain episode, and V8C14 is by far the most offensive piece of media I've ever been subjected to. But still, up until those last three episodes, it was basically flawless.

I've heard Volume 9 is pretty good, but I'm side-eying everything involving Jaune because I honestly DESPISE the direction they took his arc in. But if we ignore EVERYTHING related to Jaune's role in the Volume, I like basically everything I've heard about it.

RWBY: After the Fall is a very good spin-off novel focused on popular side characters Team CFVY and shows what they've been up to since the Fall of Beacon in Volume 3. it also has a really interesting gimmick, as every other chapter is a flashback to something that happened in Team CFVY's past, further fleshing out their minor roles in the show.

RWBY: Before the Dawn is actual garbage. Sun's character arc (wherein his hypocrisy from the show is actually acknowledged and challenged) and Coco's and Velvet's shiptease are probably the only redeeming qualities. Taking this book into account actually makes Ironwood's reluctance to call Vacuo for help look REASONABLE. 2/10.

RWBY: Roman Holiday is a prequel novel focused on Roman and Neo, but Neo is the true protagonist here. The first few chapters leading up to their first meeting alternate between their perspectives, with the book being largely Neo focused after they finally meet.

RWBY: Fairy Tales of Remnant is an anthology of in-universe fairy tales. You can read it at any point in the series, but the further into the series you are when you read it, the more hints to RWBY's overarching plot you'll notice. While all of the Fairy Tales are works of fiction, some of them are dramatizations of actual events in the shadow war that RWBY's plot revolves around.

RWBY x JL: Super Heroes and Huntsmen is a 2-part film series wherein Team RWBY teams up with the Justice League. Part 1 features the Justice League visiting Remnant (kinda) during the events of Volume 7, and Part 2 features Team RWBY visiting DC Earth after the events of Volume 9.

There's also some ambiguously canonical comics published by DC, as well as 2 explicitly non-canon RWBY/DC crossover comic series. One features alternate versions of the Justice League cast who were born on Remnant, another features Remnant and DC Earth fusing due to Salem tricking Lex Luthor into helping her by playing off of his hatred of Superman. Neither of these crossovers are in continuity with the crossover movies.

Fascinating actually

[piratesexmachine420]

I think it'd be funny to create an "AMS-official"* in the style of all those other operating system gimmick blogs but I think I'd run out of content too quickly, and then everybody would out me as a poser because I don't have a v200 or TI-89ti†, and I wouldn't even be able to fall back on gay hornyposting because that'd out me as a poser too--I'm not gay or horny. Maybe one day.

*Advanced Mathematics Software--the operating system for TI's 68k-based graphing calculators I've been rambling on about the past few days †or for that matter a TI-89 HW1, or the extremely rare TI-92 II, or any of the TI-92 expansion modules (e.g. TI-92+ HW1, TI-92 E, etc.), or a TI ViewScreen 92, or a TI Presenter, or a TI-89 VSC, or a TI-89ti VSC, or a Calculator-Based Laboratory (1 or 2), or a Calculator-Based Ranger (1 or 2) or a-- *a sniper takes aim and kills me before I can go on any longer*

[delhe-dalim]

Do you have any advice for someone just starting out with digital art 🤌

Here are some general tips!

I'd say you should do warm up sketches and look up for references so you can study composition, color, lighting, etc. Also explore drawing softwares to see which you are most comfortable with, as well as brushes or textures! And if you want to study a specific pose, you can use websites with 3D models such as magic poser or pose my art if you want to learn something specific, tutorials on youtube are also quite useful:) And don't forget to have fun in the process, look at everything with curious eyes!

[fugu-in-f]

Team Ninja's Nioh had a guy you could literally feed poop to

And soulslike competitor From Software (posers) were like 'shit man we gotta get in on this' and then made their own poop guy and he's so crucial that he's part of the opening spiel for Elden Ring

and you can't even feed the loathsome dung eater your extra poop

come on, From, do better

[astral-mariner]

I know my drawing style is more "realistic," but I don't use any one reference for any of my pieces. I'd post them if I did! I use a lot of different elements from different paintings and images. Or different stills from a video at different points (spicy videos...).

Often, my trick is pasting them as a layer in my drawing software (I use Ibis Paint---current favorite brush for sketching and line art is the pointillism brush) and then looking at them as I draw. I also like some of the 3d model poser apps to help with proportions and foreshortening, but it's a good idea not to rely on those too heavily because your figures won't look as organic and natural. Great resource for the rough sketch phase, though. Things like expressions, hand gestures, clothing folds, hair, and how muscles flex in different poses are all things you have to practice. I also take a lot of cues from how manga indicates various emotions.

Still feel like a total poser and not a real artist, lol. I see people do these amazing pieces without references just because they've studied and practiced that much, and I'm in fucking awe. But I also know that many of my favorite artists use lots of references too.