#post war abstraction | Explore Tumblr posts and blogs

eye-of-enigmatic-thought · 6 months ago

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HEY! As you may have read on this sheet, I am gonna start doing commissions to help support my friend @sfaamq10, who is a Palestinian mother stuck in the war and is trying to get her and her family to escape genocide! She is vetted by 90-ghost here*, if you do not know who 90-ghost is, he is a Palestinian that vets legitimate fundraisers, he has had his blog for many years and has posted about Palestine for a long time before this war.

If you send me proof that you've donated to her, I will draw art for you in turn! Because her fundraiser is in USD, all the prices here will be in USD. Even if you are not interested in my art, I still ask consider supporting her!

You can send and make a commission in this google form here, terms are also included.

And you can donate to Safaa here

*The account despite being deactivated is also Safaa and she has since changed her GFM to Chuffed due to issues with the former, but I can vouch that this is the same person and that you should donate to her Chuffed rather than GFM.

If you can't read the sheet above, the information and prices are also listed under this cut!

I Will Draw:

-Human/Furry/Monster/Robot/etc

-Mild Nudity (pinups/body refs/etc)*1

-Scenery

-Gore

I Will NOT Draw:

-Explicit NSFW/Fetish*2

-Complicated Machinery

-Hateful Imagery

*1 You must also be 18+ to commission any nudity.

*2 I debate if I'm okay with this, as theoretically I don't mind working with mild fetish art, but I'd rather wait until I have more experience, sorry!

Manga styled icon/avatar/pfp - $5 each

Because the minimum amount that can be donated is 5$, I can in turn give a easy-to-make manga styled avatar drawing! These will be the cheapest I can offer and you are free to ask for multiple so long as youve donated the appropriate amount. ($5 x 2 = $10 = 2 icons.)

Portraits & Figures

____________Graphical__/__Painterly

+1 Bust______$10.00______$20.00

+1 Halfbody__$15.00______$35.00

+1 Fullbody__$20.00_____$45.00

Note: '+1' refers to the amount of traits a commission can have and how much it may cost altogether.

Example: A piece with two graphical fullbodies would be $40.00 altogether

Landscape & Backgrounds

____________Graphical____Painterly

+1 Simple____$10.00______$20.00

+1 Partial____$20.00______$45.00

+1 Complex__$35.00______$65.00

Simple refers to quick and abstract backgrounds.

Partial refers to simple scenes that may use props.

Complex are entire scenes, and the amount of detail may affect the price, please discuss with me to confirm the price before you donate if you want something complex.

Character References

____________________________Graphical__/__Painterly

+1 Fullbody__________________$20.00______$45.00

+1Expression/Detail__________$10.00_______$20.00

Note: Remember the '+1' prices, these two examples would cost more than the listed prices here!

Contact me:

Instagram: Scarfasaurus

Furaffinity: Scarfasaurus

Tumblr: eye-of-enigmatic-thought

Email: [email protected]

#my art #commission #art commissions #commissions open #commissions #art commission #commission open #charity commission #fundraiser #palestine #free palestine #palestine gfm #palestine fundraiser #charity #please share #chuffed #gofundme #gfm

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mesetacadre · 8 months ago

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107 years ago today an organized group of workers in the Russian Empire decided they had had enough of war, misery, the oppression of women, and of a corrupt democracy that had promised much and changed nothing, the Tsar still in his palaces, the workers still giving their life for a cause foreign to the working class of Europe and the world. Most bolsheviks were industrial workers, with an insufficient formal education, precarious salaries and conditions. The working class in the Russian Empire had tried liberal democracy, had seen its hipocrisy in the months following the election of the provisional government, and understood their historic goal of progressing further beyond the democracy of the landowner, businessman and aristocrat. It wasn't the first time the proletariat had attempted to take power, both worldwide and in the Russian Empire, but this time they were ready, educated, an organized enough.

The armies of 14 imperialist powers combined could not stop the will of a mass of workers that had realized their worth, their potential, and most importantly, their dignity. They no longer had to bow down to paternalism, electoralism, and the capitalists to whom they sold their labor, no armed intervention, no amount of propaganda, no adventurist distraction, could take away from that fact. This isn't a fantasy, it isn't idealistic, it's a historical fact, that revolutions are possible, have happened, succeeded, and that the opportunity presents itself sooner than most expect. The only task at hand is to organize towards it. Agitation, education, an actual dual power structure predicated on a unified will, not on voluntarism and horizontalism.

I understand the topic at hand for the last 2 days and many more to come will be the results of the US election. But the US is not the only liberal democracy that increasingly creates disappointment among the social majority. After all the posting about the various liberals that make up the US electoral environment, it is imperious that nobody falls into despair. Not in a self-care way, not in the way most left-liberals have been talking about, referring to an abstract sense of "preparing", but because of the simple necessity for this election to further erode any popular faith in reformism, whether it's Trump's reforms, Harris' reforms, Bernie's reforms, or Stein's reforms. Wallowing in despair is as useful as placing yet more stake into whoever is wheeled out next to promise even less, in what will most certainly be also called the most important elections of our lifetimes.

Return to the working class of the Russian Empire, of a fractured and hungry China, to the colony of Indochina, to the plantation island that was Cuba. And I urge you to exercise some perspective. These masses of people had suffered more than you for longer than you. Nobody's asking you to feel guilty about your economic position in the world, we're asking you to realize that, for as long as there have been modes of production predicated on the exploitation, division and discrimination of a producing class, there have always been options, better options than sinking into despondent depression. They have managed to cast off their yoke and build towards a society not based on exploitation. They're not utopias, and mistakes have been and will be committed, but they all realized and understood that it's better to commit our own mistakes, than to toil under the rational oppression by another class for any longer.

#seriousposting #I have comrades in my party who began their activity as communists before the USSR fell. they're still going and are as convinced as ever

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thewriteadviceforwriters · 11 months ago

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The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors.

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oh-no-its-bird · 5 months ago

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Ok so, thinking about this post, specifically the "dumb au where the Uchiha just really like Kakashi for some reason (clan stuff??)" part, and it got me thinking;

AU where the Hatake's have a reputation for being "good luck charm" to the point where some clans view them as genuine symbols of prosperity, and marrying one / getting one to join your family in some way is supposed to bless you, your family, and your fields for as long as they remain yours

Maybe their white chakra specifically is actually some sort of good luck thing? Idk, but like, there's that abstract idea.

"The Hatake, with their steely hair and blessed white chakra said to bless any fortunate enough to see it"

Could totally mash this in with the Sexyman Sakumo agenda and say part of his insane popularity was bc of the rumors about how his bloodline limit is supposed to give fortune to any who might tie him down

Oooo what if after his mission gone wrong, the rumors and reputation twists and suddenly people are saying no, they got it opposite, the Hatake's bring bad luck

Then Sakumo offs himself and Kakashi suddenly has to live with the reputation of being a bad luck charm

Could be fun.

Anyways, rewinding:

Gonna think ab the warring states with this idea first.

So, half Hatake Tobirama, right? Senju Butsama marrying a Hatake woman would be such a power move for him,,,

Oh my god wait ok: Something about the Senju clan and their planty stuff, then marrying a Hatake woman said to bring prosperity to their "clan and crops" is so good.

And then she also goes and proves it right by popping out the first mokuton baby in forever

So fun !!

I like the idea that their luck is said to specifically be in their white chakra, so like. None of the Senju boys being born with white chakra and their dad being upset by it bc that means the luck wasn't passed down. But Tobirama, being an albino, looks pretty Hatake so maybe some of the charm passed onto him...?

(It hadn't, but there's some fun to be had in the belief that it had.)

Tobirama never marries in part because he has no interest in it, and in part because many of those who approached him only wanted him for his supposed 'Hatake Luck'

You could so easily turn this into sort of a parody to a blessed eyes au by rolling with Tobirama having the social flex of being a Hatake, a good luck charm in human form.

Skipping back ahead to Kohona back to Kakashi— umm supposed "bad luck" Hatake Kakashi (to the general population of Kohona) being fuckin pspsps'ed at by the older clans who know Hatake's are good luck and are so trying to get him to join their clan (and bring them luck)

He's an orphan now!!! That means he's free realestate!!! Pspsps cmere little boy come let the nice old clan people adopt you teehee <3

This was meant to be a funny silly lighthearted thing but I can see several ugly paths to take with that actually. Let's stick to lighthearted fun for now tho

Ummm Obito actually survives the rock fall bc of Kakashi's Hatake luck, pass it on. He so should have died but he didn't and it's bc of Kakashi taking him as his "best friend" and suddenly boom, luck.

Ooo maybe when they swap eyes, uh, yk, Kakashi's eye has a bit of white chakra in it and now it's in Obito.

So now Obito suddenly has this double conundrum of "physically has a Hatake's white chakra in him (in his eye, even, which is a culturally and spiritually significant body part to highlight)

And he's considered family by Kakashi, who Kakashi thinks of (and unknowingly sends good luck towards) every day,,,,

Obito's plans keep going so well even when he does a half assed job at them bc of the fucking Hatake blessing Kakashi unknowingly placed on him, pass it on

Alternativley: silly fluffy 'everythings good and nothing hurts' au that's just older Kakashi being aggressively pursued by people both bc hes hot and also the Hatake luck.

Mothers want to adopt him to get him into their clan and fathers want to fuc—

Sorry what was I saying?

Anyways

Good luck charm Kohona sexy man Sakumo and his son Kakashi who grows up into a good luck charm Kohona sexyman himself....

Hatake good luck charm au. Make it happen. I believe in us

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tadc-harlequin-au · 1 year ago

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"Greetings. Please, do enjoy your read, with the official Masterpost of..."

The Marvelous Mechanical Harlequin AU!

Looking for this AU's game counterpart? You can go to The Souls-like AU Masterpost for that!

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INTRO ANIMATIC:

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The long-awaited official masterpost of the Harlequin AU is now here! You'll find everything there is to know about the AU, all in here.

Please note that all of it is still a WIP! And this is NOT an RP blog! ══════☸☸☸════════════☸☸☸══════

CHARACTER ROSTERS & DESC.!

Main Cast:

Supporting Cast:

"The names have the link to the full character biography attached to them. Please note that some aspects of it are still incomplete, (or may even be outdated) for story purposes."

Pomni, The Last Harlequin: |•| Caine, The Puppetmaster:

Coming soon!

Ragatha, The Artifact Collector |•| Jax, The Mischievous Trickster

Lady Gangle, The Bashful Slithery Chronicler:

Z, The No-nonsense Housesmith:

Kingr, The Helpful King:

BOSS ROSTERS, OFFICIAL STORY/LORE SNIPPETS, NON-CANON TIDBITS and FAQs BELOW THE CUT!

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BOSS ROSTERS:

The Lady of Forgotten Memories |•| The Skirmish General |•| The Last Formidable, Imposing Structure |•| The Mischievous Trickster Automaton |•| The Maddened Princess of the Theater |•| Bladed Beast of Steel and Shadows |•| The Pierrot of the Carnival Funhouse |•| The Celestial Twin Entertainers |•| Bandits of the Confectionary Highlands |•| Former Warden of the Labyrinth |•| Overlooker of the Confectionary Highlands |•| The Abstraction |•| Duchess of the Mildenhall Cliff's edge House |•| Proud Queen of the Gatherers |•| The Patriarch of Puppets |•|

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OFFICIAL STORY:

"Thrilling Order Of The Hunt" comic |•| Stalemate (fic) |•| Touch-Starved (Post-boss!Ragatha)

OFFICIAL LORE SNIPPETS:

The Charmer, The Catalyst and The Inventor |•| Memory#1 |•|

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OFFICIAL ARTWORKS:

Coming soon!

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LORE-RELATED ASKS:

You can go here for that!

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NON-CANON:

"Come Back To Me." (showtime, ao3) |•| Cade, The Miracle star (Showtime fankid) |•| Anya, The Little sensitive Poppet (Jesterdoll fankid) |•| The Lady of Forgotten Memories' defeat |•| Who Broke It (Harlequin AU edition) |•| The Hole (Harlequin AU edition) |•| "Chandelier" fanart (fanfic, suggestive ⚠️) |•| Morning routines |•| ⚠️The Puppetmaster's Trophy Harlequin (dark themes, nihilistic/no happy ending)⚠️ |•|

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FAQs!

"Now, what exactly is 'The Marvelous Mechanical Harlequin' AU?"

Well I'm glad you asked! The Marvelous Mechanical Harlequin, or "Harlequin AU" for short, is a grimdark sci-fantasy story about "Puppets", whom are soul-infused robots, trying to regain their lost humanity in a broken world.

It follows Pomni, a short-tempered Combat Harlequin, as she explores the city of Circuits with the aid of Caine, The Puppetmaster.

However, as the story progresses, Pomni not only realizes that there's more to the grand scheme of things as she explores more and more, she also uncovers The Puppetmaster's story, and what secrets he may be hiding.

"How do the boss fights go down in the story?"

Action-packed, fast paced, involves a lot of dying on Pomni's part.

Even though this is inspired by a Souls-like, the boss fights go down more so like a mixture between Cuphead, Shadow of the Colossus, and God of War (2018/Raganarok). Mostly God of War.

"Are there going to be canon ships in this AU?"

Yes! The AU is very Showtime (Caine x Pomni) centric, and some of the story aspects of the AU are heavily surrounded on that. There is a bit of Jesterdoll (Pomni x Ragatha) in it, too.

Aside from these canon ships, all is fair game. The Puppets don't have ages seeing as to how they are robots (and were already adults prior to their conversion), so the possibilities are endless.

"Can I make fanarts/fanfics/make original content for your AU?"

Why, of course you can! In fact, I would REALLY love to see it, as long as it complies with my personal boundaries below. So don't be afraid to tag this blog, or @iamespecter in your posts if you want me to see it!

"What are the boundaries of the AU?"

Go wild! The AU's rating is pretty mature, if it wasn't obvious already for it's grimdark genre.

However... I would like to ask that if you would like to make something dark even for my standards for this AU (i.e non-con or dark kinks), all I ask is that you don't show it to me. I personally do not like it, and do not vibe with it.

"What are your thoughts about NSFW surrounding the AU?"

Suggestive content and NSFW is allowed! I am an adult, and I personally enjoy them. (I think I'll make a blog for the more... spicy things.)

Even I make suggestive content for this AU.

HOWEVER! Please tag it properly with "cw suggestive", "tw suggestive", "tw nsft" and various other tags for people who do not wish to see them, or are minors. I can't keep track of everything try as I might, so it'll be up to you to be a decent person, which I know you will be.

"I don't like showtime, but I find your AU interesting. Will that be a problem?"

For you, it might be. The story leans heavily around Pomni and Caine's relationship as a whole, and I'm sorry. I'm just really soft about them.

"Will this be anything like the original TADC?"

Yesss...? And no...? It takes a lot of creative liberty and inspirations from various medias.

⚠️ This masterpost is still under construction! Please excuse the technical difficulties. ⚠️

In the meantime, I hope you had a fun read nonetheless! Things will get updated overtime. - Ziku/IAmESpecter

#tadc #tadc au #tadc harlequin au #harlequin au #the amazing digital circus #the marvelous mechanical harlequin au #pomni #caine #masterpost #masterlist #caine x pomni #pomni x caine #tadc showtime #showtime ship #showtime tadc #showtime shipping

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