#rune problems

[trubbish-stanblog]

CAN I FUCKING HELP YOU.

[luck-of-the-drawings]

JUST ROLL WITH IT: PRIME DEFENDERS - EPISODE 12: FESTIVAL OF FEAR

part of a thumbnail project hosted by the lovely wonderful GREF (that link goes to the twitty post, heres the pdf for ur own viewing tho)

THIS WAS VERY FUN! THANK U FOR ALLOWING ME TO JOIN AND PLAY.

[viktorarcanedeservesbetter]

tbh I don’t think therapy would have fixed Jayce and Viktor lmao. maybe would have softened their self-destructive tendencies but there’s no fixing that co-dependent relationship. Heimerdinger Mel and Sky are told “yeah, I can help treat their individual depressions but nothing is gonna reduce their co-dependency. I’m pretty sure separating them makes it a lot worse for not only them but much worse for everyone else. for everyone’s safety I suggest they’re not allowed to be more than a buildings length away from each other and even that is pushing it.” That therapist then quits on the spot cause now they’ve literally seen everything.

It’s like that scene in Brooklyn nine nine where all the physiatrists are observing and talking with Gina but instead it’s a whole crew of therapists and neurologists and physiologists trying to find out how these two men literally mind-melded together. They go to couples therapy but it’s literally just individual therapy held together because why tf not it’s the only way to get them to go.

[not-ishmael]

A Revised (not so) Brief Study Into The Nature Of Deltarune

Disclaimer: This is a revised version of a theory I came up with back in 2022, having played just the first two chapters. Now I'll take into account chapters 1 to 4.

TL;DR:

For some time I've been quite intrigued by the appearance of some very particular leitmotifs that Undertale's and Deltarune's OSTs have in common. This took me down a rabbit hole that brought me to the realization that it's quite possible that DR Sans and UT Sans are one in the same, and the Reset Theory on Deltarune is probably right.

This forces me to believe that Deltarune is a prequel from the perspective of the characters, and a spiritual sequel from the perspective of the Soul/Player.

The Pre-Sequel Theory

First and foremost, pardon my English. It's not my first language and sometimes I mess up.

Secondly, this is a LONG post. There's a lot –a LOT– of text and no images at all to ease the reading. I advice jumping into it only if you don't have anything better to do for a bit. The PDF I first wrote this on is 6 and a half pages long.

Index:

Motivations.

Clues in Undertale.

Clues in Deltarune.

The Delta Rune.

Blood.

Conclusions.

Problems with the theory.

1 Motivations:

I've always been fascinated by soundtracks and ever since Undertale came up, its soundtrack wasn't an exception.

More recently I've been a bit more focused on the leitmotifs that Toby Fox uses in both Undertale and Deltarune. As many people noticed, they share a lot of common themes. For many of them it's easy to understand why (for instance, for common character's themes, like Sans', or the theme for Justice) but for some others it's not that simple.

Assuming that this commonality in themes was proof of a direct relationship between the games, I tried to study its nature and what elements outside the soundtrack can be used as evidence of this connection. This brought me to Sans ,because of course it did.

Trying to validate these assumptions took me down the rabbit hole that theory crafting around Sans has always been, and the musical side of my reasoning ended up being but as small part of the whole proofing. Regardless, I'm quite happy with the result, albeit it's not free of problems that I'll address and discuss at the end of the post.

With that out of the way, let's begin by talking about small details that Undertale gives us, and how it hints us that its past is somehow connected to Deltarune:

2 Clues in Undertale:

There’s a lot of non-music related hints that point towards a possible connection between both games in Undertale. Here's a summary of all the hints found within this game:

To begin with, there's what we know about Sans' backstory:

Both him and Papyrus appeared one day in Snowdin, seemenly out of nowhere.

In Sans’ lab there’s a broken machine and a poorly drawn picture of 3 people we don’t recognize, with the words ”don’t forget” written on it.

Sans insists a lot about about how he gave up trying to go back (somewhere, sometime, or both).

On the other hand, there’s the famous Gaster’s Entry 17, that could imply some knowledge of the Dark Fountains by the former Royal Scientist. Another Gaster related piece of evidence is goner Clam Girl. Soon before the release of Deltarune Chapter 1, in the Switch version of the game, Clam Girl would turn into a goner and say that the time to meet this Suzy ”... is fast approaching”, before disappearing with the sound Mystery Man makes when disappearing himself. Although Suzy is not written the same way as Susie, there’s no reason to believe that Clam Girl is not talking about Deltarune’s Susie. This not only hints to Undertale and Deltarune being connected, but to Gaster being behind the whole connection, since she turns into a goner sprite and disappears the same way Mystery Man does. I know Mystery Man is not confirmed to be Gaster, but it’s definitely related to him in someway.

There must be something going on with Papyrus as well, since he’s Sans’ brother and comes to Snowdin with him, but in Undertale he doesn’t seem to be as knowledgable as Sans. Since Papyrus doesn't bleed, as does Sans, maybe they're different in some way, and don't share as big a past as previously thought.

2.1 Sans’ lines during combat:

During the fight against Sans, nearing the end of the Genocide Route, we get some snippets of his backstory within his lines of dialogue. He begins, after the Player’s first attack, by saying:

our reports showed a massive anomaly in the timespace continuum. timelines jumping left and right, stopping and starting...until suddenly, everything ends. heh heh heh... that's your fault, isn't it?

We don’t know who is he working with, but it seems they know very well about the power to control the timeline, since they were monitoring it.

Sans continues with:

knowing that one day, without any warning... it's all going to be reset.

look. i gave up trying to go back a long time ago. and getting to the surface doesn't really appeal anymore, either. cause even if we do...we'll just end up right back here, without any memory of it, right?

to be blunt...it makes it kind of hard to give it my all.

In these lines we get a bit more information. Sans is –understandably– depressed about the whole reset situation, but mentions ”going back” to somewhere. We know it’s not somewhen because he doesn’t remember earlier timelines –besides the occasional déjà vu– and it’s not the Surface, since he mentions it right after that line. So, where else would Sans be trying to go back to? It can’t be anywhere in Undertale's universe, since he can move freely through the Underground –even through teleportation– and he specifically states that it’s not the Surface. Thus, it can only mean somewhere outside this universe.

A bit after that he continues with:

all i know is... seeing what comes next... i can't afford not to care anymore.

What does he mean by ”seeing what comes next”? He doesn’t know the future, nor what the Player did in other timelines. So, what is he talking about? Back in 2022 I had no clue what he could be referring to. Now I'm inclined to think of the Roaring, or the End of the Prophecy.

2.2 Sans’ secret lab:

After Sans gives the Silver Key –which happens to be a reference to a book about timetravel by H.P. Lovecraft– to the Player we can access his Secret Lab, hidden underneath his house. Inside of it we find:

A covered up broken machine.

Blueprints for a machine written in un- readable symbols.

A badge.

A photo album with:

A picture of Sans, happy, with other people the Player doesn’t recognize.

If the Player already fought Asriel: A second picture appears, showing Sans, Frisk and their friends.

After the v1.001 patch of the game, if the Player has talked to Clam Girl and knows of Suzy, from the back of the photo album sticks out a poorly drawn picture of three smiling people with the words ”Don’t Forget” written on it.

The first three items, although interesting, don’t give us much to work with. The machine is covered up and the blueprints are unreadable. The badge could become another huge hint in the future, if during Deltarune’s festival Sans happens to win a badge for winning at something. But this is purely speculation so I won’t be taking it into account –for now–.

The pictures and the drawing, on the contrary, give us much more information. Let's discuss them a bit more in depth:

2.2.1 The photo album:

By the time the Player gets the Silver Key, possibly after the battle with Asriel, they (and Frisk) have met every main character in Undertale’s story. Thus, the people in the first picture, who neither the Player nor Frisk recognize, can’t be anyone we know. They could be random people from other places in the Underground Frisk hasn’t met –although, from a storytelling perspective, this doesn’t make much sense– or they could be from Deltarune's universe -which makes a lot more sense storywise-.

Furthermore, there’s the poorly drawn picture. Since this picture only appears after talking to goner Clam Girl, a character heavily tied to Deltarune -specifically, to one Deltarune Character-, and it has the words ”Don’t forget” –words that don't mean anything special in Undertale, but are extremely important an present in Deltarune from the very beginning– written on it, it’s safe to assume that the three poorly drawn characters are a trio from Deltarune. Due to Frisk not recognizing them, they have to be characters that only appear on Deltarune. What trio of characters do we know from Deltarune that fit these characteristics? I’m fairly sure Kris and Susie are two of the three, but the third is a bit more complicated. My first suspect was that it was Ralsei but, since he’s a darkner and he can't go into the lightworld, it can't be him. My other candidate are either Noelle or Dess, since Berdly dies in the Snowgrave route of Chapter 2 –and Toby Fox likes to keep all possible endings as canon– and we don’t know of any other important lightners that don't appear in Undertale as well.

2.3 Darker, yet darker:

Gaster's Entry 17 states:

ENTRY NUMBER 17, DARK, DARKER, YET DARKER, THE DARKNESS KEEPS GROWING, THE SHADOWS CUTTING DEEPER, PHOTON READINGS… NEGATIVE THIS NEXT EXPERIMENT, SEEMS VERY, VERY INTERESTING… WHAT DO YOU TWO THINK?

At the beginning of Chapter 3, Ralsei explains to Susie that the Dark World is what happens to reality in the total abstence of light. When it's darker than dark. Darker, yet darker. So dark you could take away the light that wasn't there: photon readings... negative.

It's now that we can say, with absolute certainty, that Entry 17 talks about opening a Dark Fountain within Undertale's Universe. And Gaster, to whom we talk to outside the Deltarune chapters, is responsible for it.

I don't really like to get into Gaster while theory crafting. Sans is enough of a controversial rabbit hole for me. But after Ralsei's exposition in Chapter 3, I can't look the other way.

The connections between WD Gaster and Sans run deep. Not only are they 2 out of the 3 characters whose speech is characterised by the font that names them, but UT Sans' infamous attack is called "Gaster Blaster". Furthermore, it's known that Sans and Alphys shared a past, and Gaster could be this missing link between the two of them. Could it be that Gaster is referring to them at the end of Entry 17? Hard to say, and we can only speculate. But it would make sense that Sans, if he had come from Deltarune's Universe, would try to study Dark Fountains with the Royal Scientist and his pupil, as well as the passage of time, as evidenced by his comments during the fight against him at the end of Undertale's Genocide Route. It would also explain what he meant by "i gave up trying to go back a long time ago". He gave up researching the Dark Fountains after Gaster was consumed by the experiment and scattered through time and space.

3 Clues in Deltarune:

Back in 2022 I had only played Chapters 1 and 2, a quarter of the game. Even though this wasn't much content to work with, the leitmotifs Toby Fox used gave us a lot of information.

3.1 A brief introduction to leitmotifs:

*This part is skippable if you know what a leitmotif is*

For those who don’t know, a leitmotif is a small piece of melody that appears many times in a composition, and is associated to a character, a place, or an idea. Examples of this are the main themes of characters: a simple, recognizable melody that is associated to a specific character. For instance, the main melody in Nyeh Heh Heh!, which would be Papyrus’ leitmotif, or the common themes in Spear of Justice and Hammer of Justice, which would be Justice's leitmotif.

Soundtracks are rigged with leitmotifs, and neither Undertale’s nor Deltarune’s soundtracks are an exception. Since each one is associated to a specific character, place or idea, the use of the same ones in both games is something to keep in mind.

3.2 Leitmotifs that appear in both games:

The first song that plays inside Deltarune's , in Chapter 1, is Beginning, which has 2 leitmotifs in it: Once upon a time –from Undertale–, and Don’t Forget, –from Deltarune–. This second leitmotif appears in several other songs in all chapters.

The song that plays in the menu after you finish Chapter 1 is called Before the Story, which has the exact same melody as in Once upon a time. This leitmotif is one of the most –if not he most– used in Undertale’s soundtrack. For me, it’s kind of the ”Undertale theme”, for how much it appears in the game –same as Don't Forget would be Deltarune's theme–.

There are some other Undertale leitmotifs in Deltarune’s OST that I won’t be taking into consideration. These are the character’s leitmotifs, like Sans’, and other that represent important emotions like Determination, Justice, Despair and Hope –These leitmotifs are a bit difficult to recognize if you’re not deep into the music side of the games. Determination can be heard, among others, in Undertale’s Determination and Deltarune’s Rude Buster; Despair corresponds to the melody in Undertale’s Burn in Despair, and appears in Your Best Nightmare, Vs. Susie, at Queen’s basement, right before the Spamton NEO fight, and again in Chapter 3's Bit Roots; Justice is heard in Undertale's Spear of Justice and in Deltarune's Hammer of Justice, and Hope is sometimes called ”Snowdin’s theme”, which is used in Undertale’s Snowdin Town and Hopes and Dreams (thus why I prefer to call it Hope’s leitmotif) and in Deltarune’s A Town Called Hometown–. These leitmotifs being in both games is to be expected, since they either represent common characters or common emotions to both games, and Toby likes to reuse leitmotifs from old projects, so they're not really relevant to the theory.

Going back to the theory, the use of the words ”Don’t Forget” as a title for the most present leitmotif in Deltarune is a bit on the nose, taking into account the poorly drawn picture in Sans’ Secret Lab. The soundtrack acts as a constant reminder to not forget –pun intended– that drawing. But this isn’t the only insinuation Toby left in the game’s music. There’s another, much obscurer, clue: the name of the song Before the Story. Since it plays at the menu only after you play Chapter 1, it can’t be referring to ”before the story” of Deltarune, since that story has already begun. So, what if the Story is Undertale’s? If so, since it uses the most important leitmotif of Undertale in a song called ”Before the Story”, this would imply that Deltarune’s story happens before Undertale's.

Back in 2022 this was enough proof for me to be convinced of this theory. And yet, in 2025, it rained.

3.2.1 It's Raining Somewhere Else.

What is there to say about this. What is there to add. In 2015 Toby told us that It was Raining Somewhere Else. Ten years later he showed us where.

In Undertale this song is directly related to UT Sans' relationship with UT Toriel, and how this friendship is the reason he helps us throught the Underworld. In Deltarune, however, this songs plays after we leave the Church at the end of Chapter 4, on the way home. Nevertheless, it's back home that we learn of the friendship DR and DR Toriel have.

Not only the titles, not only the melodies –althought in Deltarune it sounds distant, almost like an old memory brought back by the smell of the rain–, but the context of these two songs connects them between games. Moreover, a slowed down version of the song can be heard at UT Sans' Secret Lab, as if the "Don't Forget" message inside it wasn't enough of a giveaway.

3.3 Non-musical clues:

How the Player interacts with the world seems to also imply a connection between games. Specially those lines that point to the Player knowing characters –or things about characters– that Kris doesn't know yet. For example, the first time we meet DT Sans there's the option to tell him that we're happy to see him again, something that makes sense for a Player that has already played Undertale, but doesn't for two characters who just met, as Sans points out.

This in and of itself is not enough to prove that the games are both a direct sequel and prequel of each other but, in combination with everything else, it heavily add to that idea.

Besides these interactions, which could be taken just as silly easter eggs, like the annoying dog appearances, there's another non-musical clue which brings us back to UT Sans: the Warp Doors, which look just like UT Sans' bedroom door, fire animation and all. What's more, Mystery Man's door in Undertale uses the same sprite as well.

I'm certain that Undertale's Underworld is not a Dark World, since there are no Dark Fountain to be found, nor darkners, the style of the menu is the same as in Deltarune's Light World, and to break The Barrier you need 7 souls, not just one. This complicates things, for the Warp Doors only appear inside Dark Worlds in Deltarune. But then again, in Deltarune, monsters seem to only possess magic powers inside Dark Worlds, while in Undertale all of them have this gift.

4 The Delta Rune:

Both the appearance of the Delta Rune in the two games and its name are big indicators of the connection between games. Even though in Undertale it’s not well known what its original meaning was, there’s a prophecy that sounds remarkably alike to that of the Delta Rune Legend from Deltarune. In Undertale there are two interpretations: either the Angel will murder all monsters, or free them all from the Underground. Additionally, in Deltarune, the Legend Ralsei tells us says that the Angel is to be defeated by three heroes: two lightners -a human and a monster- and a darkner.

Since the Delta Rune is older than written history in Undertale and it’s original meaning was lost to time, that one of the 2 interpretations for this symbol is so close to the Legend Ralsei gives us, with an evil Angel instead of a benevolent one, could mean that, originally, both Runes had the same meaning behind.

5 Blood & Magic:

Back in 2022 this part of the post began with:

TL;DR: As always, blood seems to be the biggest issue around Sans’ theories. To summarize, unless we get undeniable proof that DR monsters do bleed in some way before turning into dust, UT Sans bleeding could be a huge weak point for this theory.

Welp. We got it. Susie bled.

It’s fair to say that UT Sans does bleed in Undertale's Genocide Route, before turning into dust outside the screen. And he’s the only Undertale monster that does. We know he bleeds because he does it from the mouth, as well as the ribs, far from where the Player cuts him, which would only happen with regular bleeding around a digestive system rather than with ketchup stored within his rib cage.

Three years ago this was a huge nuisance, but now, knowing that a Deltarune monster can and does bleed, it' becomes another huge piece of evidence for this theory.

However, there's an issue. At the end of Chapter 1 a monster –not The Monster Kid– asks Kris if it hurts to be made out of blood, implying that other monsters don't bleed. This looks to be in direct contradiction to what we see Susie say (i.e. "Everybody bleeds") and do. As of now, I've no idea how to explain this line of dialogue.

5.1 Magic:

Deltarune monsters having magic powers is a highly debated topic. Nevertheless, Sans does teleport in Chapter 4, appearing both at his shop and at the Cattenheimer's home. Furthermore, it's implied that Catti holds some magical powers, which makes it all the more interesting that Sans teleports to her front yard.

6 Conclusions:

With all this in mind, I’m quite sure that, at the end of Deltarune, Sans will end up being stuck in the Undertale universe, possibly using the machine he keeps covered up in his lab. Since Papyrus doesn’t seem to be much different to any other monster in the Underground I don’t think he comes from Deltarune’s universe, so I fear a tragic end for that Papyrus, specially after his dissappearance after Chapter 3.

This ending would make sense of the whole ”Your choices don’t matter” thing. The Weird Route seemed to contradict this statement but, if just Sans is going to Undertale, whatever you do on Deltarune’s Universe won’t matter to Sans’ end. Undertale’s story is already written and the end we got will remain untouched, as Toby said. It also implies that our actions don't matter to Deltarune's end either.

We now know that the End of the Prophecy is a tragic one, as evidenced by Ralsei being terrified of what's to come, and Susie being enraged and in denial. A tragic end would also align with Sans' depression in Undertale, and him being the only one to come from Deltarnue's universe.

But, if Deltarune is a prequel, how is it that the Player recognizes the characters that both games have in common, and it’s advised that the game is played after Undertale? I believe that Deltarune is a prequel from Sans’ perspective, and a spiritual sequel from the Player’s. The Player, being the meta-being that it is in both games, doesn’t need to abide by the same temporal rules the characters are forced to follow. Thus, there's no contradiction in Deltarune being a prequel to Undertale. A Pre-Sequel.

7 Problems with this theory:

UT Papyrus seems to not know anything about his brother’s possible past in another universe, and acts as if they had been together since forever. They both appeared one day in Snowdin and his past seems as mysterious as Sans’, but they can’t be directly related since Papyrus doesn’t bleed.

There's a contradiction between Susie bleeding and the monster kid asking Krist if it hurts to be made out of blood.

I don’t know how will Sans get to Undertale’s world (my guess is Gaster, but he’s a bit of an easy-way-out in theory crafting).

Grillby’s. Sans’ convenience store, ’Sans, appears to have the same façade as Grillby’s in Undertale, with the name of Grillby rubbed off. This small detail is a possible proof against the sequel thesis, albeit it could just mean that Hometown had a Grillby’s before Sans’ convenience store and it closed down for some unknown reason.

Although some problems still remain, the list of issues with this theory has been greatly reduced after playing chapters 3 and 4. Furthermore, we now have great new pieces of evidence that point directly towards a connection between games.

[bladehorror]

None of the modern terts we have work well with any of the genes we've been getting since like Flaunt and Flair. They either make the dragon look too busy (thylacine, koi, crackle, flecks, polkadot, wish), hide key parts of the primary genes (underbelly, points, scales, etc), barely make a difference (sparkle, spines) or just have always been extremely situational (looking at you, Peacock and Soap). We DESPERATELY need tertiary genes that can balance out the business of the new genes while adding to the appearence of the dragon in a significant way.

[raqi-marr]

in the affini compact playing runescape would be banned. there's no floret cut version of it it's just vaporized outright

[winesharksea]

kit is the worst shadowhunter and by that i mean people will literally be committing crimes or making illicit deals right in front of him and he's like lol i don't care 👍 you guys want some of these gummy shark candies?

[problemglyphs]

[GRANDMOTHER HYPOTHESIS]

04/03/2015 17:00:06

I want to be respected by my peers and idols, and looked up to by a mass of novices. I want to be the kinda person people try to impress, like, and be liked by. I want to be popular.

[dayntee]

I started Rune Factory: Guardians of Azuma and haven't fallen in love with anybody yet.

But when I do...

[mustbemosstaken]

*looks in on Bound for the first time in a while and sees Vast and Rune again*

Awwwww… they’re so fundamentally unhealthy together and their entire relationship is built on lies… I love it they should keep kissing.

[runeberry]

kinda wanna kick and scream and throw a tantrum kinda wanna run away and join the circus

been trying to be kind to myself all day while the anxiety has been battering at my mental walls and like I'm just so tired I don't want to have to keep fighting to be happy and secure in my life but I'm also not going to stop doing that, I just want something to be easy for once

[runefactorynonsense]

Melotober - Day 11 - Dream

Chosen Earthmates

[canvaswolfdoll]

i'm most of the way through autumn village now (trying to take my time, so much to do in the game, other real world responsibilities)

and i am happy to report that guardians of azuma is the best executed rune factory spinoff game, in that everything works for the game they wanted to make and i'm satisfied with all of it.

especially the farming mechanics. they found a compromise between tod's automated fields and the agency most players want in their farm game.

the town building and customization is also interesting, though i wouldn't want it in the main series. placing buildings and decorating is good and interesting in this game, but it's also a lot of work that isn't what i normally want in my adventure-farmer games. and the npcs that fill in the villages are a level of abstraction that doesn't quite work for normal rune factory's 'everyone in town has a name and personality and likes gifts' style that i enjoy.

plus, the buildings take up space i could use for fields. the farm is important to me.

but i'm also not a fan of customization in games with narrative (ie, i don't like player character customization because it's a major obstacle to writing them with agency in the plot)

the actual system would be good for placing decorations and arranging furniture, though. guess i don't want to literally build a town going forward.

it's also disappointing i can't go into people's homes.

however, the bonds system and relationship track, the skill trees, and getting recipes from exploring the world are all things i would love to have as mainstays.

also, the female romance options are visually perfect. they've leaned way off the baby faces, there's no loli option this time, their heights and proportions vary, and the personalities aren't all 'generic nice girls, plus whatever scarlett and ludmilla have going on'.

basically, all my complaints are in the neighborhood of 'i like it as a one-off novelty, but i don't want this flavor all the time'

[lokavisi]

Rune Meditation - Nauthiz

Odin met me in the same field I was in for my uruz meditation. (This field makes appearances in future meditations, too.) The field was largely barren. The soil was dry and small tufts of brown grass littered the area. The skies were dark grey. There were a few sparse trees in the distance and no animals to be found. Odin spoke of a spark to help create what was needed for life to return. (It brought to mind the Magician card in my Universal Monsters deck with Dr. Frankenstein on it, who quite literally used sparks to return something once dead to life.) Odin talked about how the field was once full of life and could be again. But in order to revitalize it, we have to assess what it needed/what is lacking. If you don't know what the lack is, you can't properly address it. Any treatment is only a temporary solution if it doesn't get to the root of the issue.

He then showed me an image of someone sitting in a recliner, relaxed, looking out the window at kids playing in the street. I interpreted this in two ways: 1. A lack of war means peace. Peace after the sacrifices of and loss sustained during the war. Lives paid for the comfort of others. 2. A false sense of peace - ignorance at the cost of your soul. "Freeing" yourself through denial.

At this point, Odin asked me what I was lacking in this meditation, and reminded me that I already have what I need to deal with this lack. I just have to use it.

[simplegenius042]

Music Monday, Fallout OC Sheet & Enemies Meme

Tagging @imogenkol @inafieldofdaisies @voidika @cloudofbutterflies92 @josephseedismyfather @direwombat @noodlecupcakes @socially-awkward-skeleton @adelaidedrubman @raresvtm @derelictheretic @cassietrn @aceghosts @davrinsgriffons @shallow-gravy @strangefable @statichvm @carlosoliveiraa @g0dspeeed @wrathfulrook @starsandskies @ladyoriza @la-grosse-patate @thewanderer-000 @omen-speaker @alypink @shellibisshe @josephslittledeputy @skoll-sun-eater @afarcryfrommymain @strafethesesinners @turbo-virgins @florbelles @minilev @justasmolbard @softtidesworld-deactivated20241 @yokobai and @seedsplease + anyone else who want to join.

Alright last two Five Nights at Freddy's songs for this little spout of FNAF resurgence. Anyway, music for The UnTitledverse and The Silver Chronicles with templates for OCs from A Radioactive Calamity Of Love, Bombs & Gore and An Old Ballad Of Chance And Ember Hearts Trilogy. You can listen and view these below the cut:

First song is for my FNAF WIP More Than Bargained For? and it is a remix song for the Ruin DLC of Five Nights at Freddy's: Security Breach made by my one of my favorite artists The Stupendium (who previously made a FNAF: SB song). Anywho, plot relevance. Unless the next game(s) come out, the Security Breach and Ruin DLC (plus FNAF VR: HW2) are intended to be the last section of the "Lena finally destroys the Mimic and takes down Fazbear Entertainment" arc, and after that will be the "let's all get healthy coping mechanisms and therapy" epilogue. At this point, Lena's done with this shit, like, this is the culmination of everything she's had to do and go through just to finally put a final end to this tragedy, just like Henry and Mike would have wanted. For her efforts at the Pizzeria Megaplex, she gets a little brother in Gregory, a little sister in Cassie, new animatronic friends rocking their aesthetics and gives Vanessa a sapphic awakening. Her girlfriend Cassandra's going to be thrilled. [Cassandra be like: "Ah yes, just me, my girlfriend, her new gremlin brother and sister that she adopted, the alien shapeshifter she befriended with his android girlfriends, the queer mall cop she saved from the serial-killing bunny-looking malware, an animatronic daycare attendant struggling with self-identity, and the 2,000 pound bear, chicken, wolf and alligator animatronics that slay the 80s vibe... truly winning in life."] Anyway song below:

"So you're trapped after dark in the park and you're tasked with surviving the night So your ma and your pa have departed the party and left you to fight So hang tight, to the tickets you've won And your toy laser gun Set your Faz-watch to 'fun' 'Cause it's hide and seek hunted By musical monsters Ain't that what you wanted? You came for some games and a bite The doors have all been closed but the stage has been set So on with the show, no escaping it yet The night is still young and the fun's just begun You've been played like your grave of arcade cabinets

When you've gates stormed by gators and wolves at the door When the power is down, you can't bear any more When each tick of the clock has you checking your watch And the chicken is watching you hungry for gore Oh, the fun that's in store! (Oh, the fun that's in store!)

Come get a pizza the action You want a pizza the action A tasty pizza the action You want a pizza the action

So come pick your destiny off of the menu (Fate won't wait 'til the sun comes up) Or be laid to rest in your favorite venue (Arcade to arcade, crust to crust) In this amusement park you are the Super Star We know that you'll go far but you must choose your path Those neon tubes cast shadows on a truth so dark It's up to you to battle its putrid heart So savor the taste of your last pepperoni (You've got a party pass to a backstage tour) 'Cause you're taking the stage for one night only (But will dawn chorus be your encore?)

Perhaps it's your birthday? Or your graduation? We're always the first place for a celebration Now maybe you've heard say, of some violations But it's not since Thursday we've had strangulations The go-karts are revved and the ball pit's been cleaned Montgomery's ready to tear up the scene Roxy's got the rock that's just got to be seen Just as soon as Chica's cleaned out the canteen Hear the cry of the fans as we strike up the band Now the time is at hand for the tightest of jams 'Cause it's tiny and cramped where you're hiding but Vanny Won't find you when crammed inside our leading man

When you've gates stormed by gators and wolves at the door When the power is down, you can't bear any more When the sun's gone away but the moon's come to play A more punishing game till the break of the dawn Oh, the fun that's in store! (Oh, the fun that's in store!)

Come get a pizza the action You want a pizza the action A tasty pizza the action You want a pizza the action

Darkness falls across the mall And metal mascots stalk the halls More murderous with each defect And out to prowl the pizzaplex And whomsoever shall be found By S.T.A.F.F Bot hoards that roll around Must then escape the bunny's wrath Or rot inside a stomach hatch The air is filled with pungent reek Of robots oiled in pizza grease And terror's bathed in neon light Are on the hunt to grab a bite For no amount of birthday cake Piñatas, games or fanfare Will help a lonely child survive The night at Freddy Fazbear's..."

Okay, the final(ish) FNAF song for this FNAF song streak I decided to do. Straight up, with The Living Tombstone's "This Comes From Inside", it's my favorite FNAF based song of all time. And I'm likely going to make 100 essays of why this song fits each of my stories, characters and the fandoms I'm in despite it being made for one fandom, and I will be really annoying about it. However, for now, I'll start with my Unnamed Elden Ring WIP. There are three main Tarnished OCs (with more on the side) that this WIP follows; Logan the Vagabond of No Renown (you can guess what his class is), Selke the All-Seeing Mage (she already knows of the horrors before she even experiences them), and lastly... Chiwa (...the Formless Mother favors this one). Let's focus on Logan. The Land's Between is stuck in a stalemate of a forever war, with nothing really proceeding and with no Demigods gaining the title of Elden Lord and achieving the Elden Ring, Queen Marika's Grace awakens the Tarnished that were previously exiled beyond the Fog, to call them back and do what Marika's children failed to do. Logan is amongst the earliest Tarnished to be revived (perhaps even a bit too early) and through no fault of his own, becomes one of the oldest Tarnished through process of waiting and living throughout the decades. Where he is at fault is his ambition (and his tendency to just... be a piece of shit, in general). In his youth, he was no better than the Demigods in his own hungry quest for power, glory, and reaching for riches and respect he'll never actually receive... given all the bridges he burns and the mistakes he refuses to learn from until it's way too late. Speaking of which, in his elder years, his ambition becomes... lackluster, to say the least. Considering what he learns from this whole thing, he becomes as bad as Morgott; he doesn't believe there can be anyway to proceed, so he just leaves the Lands in this state of a slow decay. The main theme of this WIP (as is the main theme of the series it comes from; The Silver Chronicles) is change. Change of self, change of system, change of environment, change of eras, change of ideologies and much, much more. With Logan, "This Comes From Inside" acknowledges what he comes to learn in his final years; nothing is going to change. With the way him and many others try (or tried) to satisfy their lust for power, they're just gonna remain in this stagnate state of despair and suffering to the expense of everyone else. If he wants to succeed, he needs to change his own inner-corruption... and if not? Things will only get worse. But the thing is, Logan won't do that, because he has no reason, no incentive, no purpose to do so in the present. He has died so many times for something he no longer believes in nor cares to do so, to the point his Grace is becoming more difficult to see every day. And when that's gone... he too will succumb to death. And even if he could get past his apathy, bitterness and selfishness, he's far from his prime nor can he do anything remotely closely impactful for anyone else. His use of Grace grows thinner too, so he only has a number of revivals before he's dead for good. So he can do nothing... unless he finds a drive to change. And he does; discovering it locked away in the darkest chasms that only the Eternal Queen Marika knew of... and sets out on a new quest with only two new goals in mind; to tempt an Outer God in a binding contract to give a fighting chance to become Elden Lord, and to ensure ownership over the Great Rune of the Unborn, no matter what it takes. I'm sure I'll expand more in either the notes or a more refined essay of ramblings. Enjoy listening below:

"How we could have known That we're stuck in a system? There was a pre-existing dictum, programmed to do nothing else Why feel so alone When we share so much wisdom? But you set fire to the kingdom, burn it all until it melts Or else

Now this comes from inside, how long do we have to try? Now this comes from inside, and stays there until you die Now this comes from inside, how long do we have to try? No this comes from inside, and stays there until you die

Long time ago, it was all for a show Fill out wounds with a pound of salt And your reason to justify scars You can't quantify, lock us inside a vault

Now this is your fault Everything is a problem There was a poison in the air, despair is an eternal blight You're losing it all You've been blinded by stardom You think that you're alone, but we are waiting for you every night You're mine

Now this comes from inside, how long do we have to try? Now this comes from inside, and stays there until you die Now this comes from inside, what you have, I want, it's mine Now this comes from inside, and stays there until you die!"

Here is a Fallout OC Sheet Template for my Vault Dweller OC Elrand Brandt from my UnTitled Fallout WIP from my A Radioactive Calamity Of Love, Bombs & Gore series. You can find a blank template at the end too:

And finally an Enemies Meme for two characters from my An Old Ballad Of Chance And Ember Hearts Trilogy WIPs, specifically two characters named Tyche (the God of Luck) and Rouske (pronounced ROSS-SH):

And the Empty Templates are all here:

[danidoesathing]

(What's your take on the Hexcore's manipulation? Personally, I'm a fan of the "Not Quite Mind Control" approach-it manipulated Viktor heavily, but it never controlled him. The Hexcore toyed with his inhibitions and emotions, brought out his worst thoughts and impulses, and acted as an echo chamber, but it never controlled him. (Theoretically, he could have stopped what he was doing at any point-but out of a combination of guilt and feeling in control of his life, he didn't want to stop.) It never forced him to do anything.

No, Viktor probably wouldn't have made those choices if he wasn't being manipulated by the Hexcore, but he was still himself. Manipulated or not, he still chose to do all those things-and he has to live with that.)

(I just really like the "Not Quite Mind Control" trope.)

hmmm its. complicated. like ok give a second to go on this little side tangent, i do need to explain my thoughts on this because i have no idea what the FUCK is going on with the hexcore and the wild rune and the arcane.

like ok Viktor accidentally bleeds on the wild rune at the gates and it gives him a vision of the Hexcore. he makes the hexcore, accidentally gets his blood on that (neither is his fault but this has gotta stop happening man). and it merges with his dna and forms some kinda mental connection with him and becomes sentient. but like. what does it want exactly? at first it's just to fuse with viktor. and then when it gets to do that it wants him to "heal" people and basically spread it's magic to others. alright but uh. why? because i genuinely cannot figure out what the hexcore was trying to accomplish. i remember their being an interview that when "sky" disappears the hexcore's purpose is complete and thus is not needed anymore. ok but WHAT PURPOSE!!! if prolonging it's existence isn't the main goal, then what is? it has a goal that viktor isn't aware of, so what does it serve exactly? what is it trying to do? spread the arcane? does the arcane have enough of a will to want that? can it have a will? a consciousness? is the hexcore trying to give the arcane a consciousness through viktor and/or the hivemind? has viktor inadvertently become the arcane's consciousness and the hexcore is trying to help him become more powerful?? is the arcane/hexcore trying to get rid of the barrier between it and the rest of normal realm? why? and why could it not use other mages for that purpose? does it need the wild rune? but like why? what does the concept of the wild rune and the anomaly have to do with each other? i thought wild runes were naturally apart of the arcane so how can it also be the anomaly?? i dont. i dont get it. maybe i missed something but i just dont know. whatever explanation i can come up with is something i can never say is canon because they just straight dont say or even imply what it could be. so know that everything im saying from here on out is my own fucked up interpretation/theory of whats going on

i see the hexcore as like. a Kyubey type entity. its not actively evil or malicious, it just doesnt feel. it has goal (even though i dont know WHAT THAT GOAL IS!!!) and it will accomplish that goal by any means necessary. it cannot force Viktor to do anything, but it can do everything in it's power to get him to do what it wants. dampening his emotions in his physical form so it's an easier cut from Jayce and piltover, causing these halluncations that actively lead him to where it wants him to go, using Sky's form as a way to exploit his guilt and his loneliness, taking advantage of every insecurity and every dream to help other people to spread the "healing" magic, etc etc. technically it never forced him to do anything, but between Viktor no longer being in his right mind and the hexcore orchestrating everything within his power to control him and the reality around him, it's hardly a real choice.

speaking viktor's mental state, he's uh. he's not doing well. between dying and coming back to life, jayce's betrayal (both the weapons and being fused to the hexcore) and then his disappearance, the war decimating his city, the guilt around Sky and seeing her constantly, and having the thing you feared the most happen to you at the hand of someone you love...yeah not good. like thats gotta fuck someone up in general.

and even ignoring all the inherent trauma that comes from being viktor arcane, there's the fact that like. you cant force a human mind and soul into divinity and NOT expect there to be consequences. the entirety of the arcane is pouring into his mind, and even with the filter from the hexcore, it's gotta have an effect on him. stretched a human's soul into the form of a god, trying to understand concepts and truths he wasn't meant to comprehend, and you cant be surprised when he goes a little insane.

to put it lightly he is NOT in his right mind nor does he actually know the potential consequences of what he's doing. He's certainly at fault for a lot but i have a hard to saying he's entirely at fault for everything because he was so mentally fucked up and a lot of what happened forced upon him or happened through manipulation. he certainly fucks up but good lord he should not have been in charge of a tamagotchi let alone the fate of the world

but (assuming he survives post canon. which i AM) i don't think he'd really even care. He's already got a fuck ton of self hatred and self worth issues and the guilt is suffocating. there are thousands of people dead because he let himself believe the hexcore's lies and that he could help people like this. People came to him for help and he stole their humanity and killed them. even if he hadn't mean to, even if he didn't know it doesn't bring them back. it doesnt undo the damage. he almost ended the world and killed jayce and that was entirely his choice. it was still all by his hand and he has to live with that fact