#so please docs just work with me

[onlythebravest]

.

[izabellwit]

Metaphor: ReFantazio Timeline Project

An attempt at compiling assorted memorandum info & in-game dialogue to create a somewhat comprehensive timeline for the game. Feel free to use/add to the source as needed!

Please note: this is a collaborative project!!

If adding or seeking to change info, please mark the source & refrain from deleting other’s work.

This document is also still very much a WIP; I will clean it up and make it more organized as time goes on. Right now, I'm focusing on compiling information!

If you have, like me, also been compiling way too much information from random voicelines and flavor text, this document is absolutely open for your use and organization as well.

Let me know if you have any issues accessing the document, and I hope this project is of use to you!

[deoidesign]

I'll either succeed or I'll learn trying

[itskaist]

i literally had this post already drafted and was dragging my feet whether to send it or not; and then @reapersmarch tagged me for a wip so fuck it we ball

wouldst anybody perchance be interested in an fhr code chart like this? 👉👈

[basicallyjaywalker]

Wanna ramble about a moment/character in ninjago you think people need to talk about more?

I don't know who you are anon, but I'm glad you asked!

I am desperate for people to character-analyze Wu. I'm desperate for a lot of character analysis including Nya but since I got a lot of my Nya feelings out with some lovely folks the other night (edit: the other night was a month ago dw about it. this took a minute) I'm going with Wu this time

Master Wu to me is such an interesting case of a character who it is so easy to ignore the bits of the show that hint at his wider issues and traumas. He is a man defined heavily by his family and by his past. A lot of criticism he gets, I think, is due in part to that.

I've mentioned before that I've been rewatching S1 with a friend of mine and intermittently pausing to infodump on them about interesting character things I notice from that season. A lot of that has been Wu-focused because despite having seen RotS dozens of times throughout my life (watching it on CN, watching it on Netflix when only it and Legacy were around, rewatching it with friends) I have only just started noticing the seeds of character written in.

I might also just be reading too much into things, but hear me out

In S1 (and by extension, the pilots), Wu is characterized as your typical old wise teacher. In the first few minutes of EP1: Rise of the Snakes, he is chewing out the Ninja for playing video games instead of training. The line he uses? "Never put off until tomorrow what can be done today."

It's a line that gets repeated throughout the series. In fact, it gets repeated that very episode when the ninja go (pun not intended) to fight the Hypnobrai and a literal pre-teen. At first, it seems to just be a piece of wisdom. Some old proverb Wu's picked up over the years, possibly one he even coined himself. However, in EP7: Tick Tock, Wu tells the story of who, possibly, first told him this.

(Source: Tick Tock/Transcript | Ninjago Wiki | Fandom, highlight added.)

It was Garmadon. Now, I'm not gonna dwell too long on Garmadon, if you spend five minutes talking to me you'll learn he was the first character whose story I obsessed over and I want this essay to be about Wu, but I think he plays a role in Wu's overall story, as does Wu's family as a whole.

Prior to this, Wu and Garmadon's relationship has been more of a sibling rivalry taken to a good vs. evil extreme. We didn't know why Garmadon was evil and we didn't know about Wu and his relationship as kids. However, this scene establishes the backstory. They were, as Wu puts it, "the best of friends." That is, until Garmadon gets bit by the Devourer going to get the katana Wu lost.

Now, I know the Devourer bite was destined to happen because of the Overlord or some shit, but Wu doesn't. As far as he's concerned, Garmadon getting bit was a direct consequence of both his mistake and his cowardice. He lost the katana. He was too scared to get it. Garmadon went over instead. Garmadon got bit.

The scene goes on to show the FSM tending to Garmadon in the aftermath. Wu is watching from behind the door, likely told to stay back, but concerned. And in his POV, we get this intense moment, where Garmadon turns, looks directly at him (his eyes turning bright red for the first time), and says "It's all Wu's fault!"

(This clip should begin at the start of Wu eavesdropping. If it doesn't, skip to 0:58. I highly recommend also paying attention to Wu's body language during this scene.)

The camerawork does a great job of showing how this probably felt for Wu. It zooms in, Garmadon's voice echoes, and the background blurs. We see in the flashback that this is a moment Wu has etched into his memory. Not to mention, he was likely a very young child when this happened. LEGO characters' ages are weird, but Wu in this scene has the Big Eyes, which always seem to be used for characters under 12. We don't know exactly how much older Garmadon is to my knowledge, but he doesn't have the Big Eyes, so he's probably closer to 12 and a few years older than Wu for sure.

Imagine that. Being in elementary school and your older siblings gets hurt. They're acting strange. They're lashing out at your father. Then, they blame it all on you. They're hurt because of you. Wouldn't you internalize that?

I could go on about Wu's relationship with Garmadon, but again, I think I've spent enough time on it and I don't want to only focus on that. It's an important part, but there are others.

Let's talk about Wu's relationship with his dad.

Now, I have not yet read the Spinjitzu Brothers series. I cannot speak to any development of Wu and the FSM's relationship in there. I have, however, read The Book of Spinjitzu and blogged some of my thoughts on it here, including some of what it says about Wu.

For those who haven't read it, first, there is a Google Drive folder floating around with all of the canon spinoff books/graphic novels in it. Here's the link if you wanna read them!

The FSM is an... intriguing figure. I mean, in the series he's basically god? He made the entire world. That's already a very high bar to live up to. Then, in Book of Spinjitzu, there's a few specific parts that, when I read them, signaled that Wu internalized a specific message when he was young.

(Source: The Book of Spinjitzu, Page 3).

Wu does not want to disappoint his father. It is up to him (and Garmadon until he turns evil) to "uphold the legacy of Spinjitzu" and, by extension, his family. He says he was "very young" when this was explained to him. Considering he seems to already be training at an elementary age, "very young" means VERY young.

(Source: The Book of Spinjitzu, Page 16).

Here, we again see Wu being very aware that he has some large burden to carry. Something else interesting here is that the thought of the Green Ninja Prophecy is already weighing on him too. His considering if he might be the Green Ninja is of extra interest because of how the Green Ninja Prophecy and the--I wouldn't call it obsession, possibly fixation?--with who it is factors into his later actions, but we'll get to that later.

(Source: The Book of Spinjitzu, Page 19).

This one in particular gets me because it comes after Wu mentions Garmadon becoming more evil. It is a statement of power. Wu knows that the legacy of Spinjitzu now rests in his hands alone. He cannot let himself fall the way Garmadon did. He cannot disappoint his father. Whether or not the FSM intended it, Wu always knew the fate of the world rested, at least in part, upon his shoulder. He knew this from the time he was a young boy and it remains in his mind to this day.

Now, these quotes are indirect, but they all point to one clear idea: As a child, Wu internalized the idea that he alone is responsible for keeping Ninjago safe. He will play a pivotal role in its history.

There's not evidence in this book that the FSM's was a bad father, per se. However, just because one doesn't set out to harm their children, doesn't mean they won't. I often say Wu has an "Atlas complex," which I have no idea if it is an actual concept but use it to refer to this idea. Wu feels as though he is responsible for holding up the world, much like Atlas. He must keep the balance, he must solve the Green Ninja prophecy, he must make his father proud.

(Source: The Book of Spinjitzu, page 61).

I'm going to get further into what this means for Wu as a teacher to the current Ninja Team, but for now let's look at Wu's first foray into teaching.

Morro. Wu's Biggest Mistake.

That might seem like an overstatement, but it's not.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom)

Okay he says regret, not mistake, but I was paraphrasing.

Let's turn back to his quote about his destiny. Wu writes, "Is my life's mission to be the Green Ninja? Or maybe it will be to find the Green Ninja and protect him (or her)??"

From a very young age, Wu was not only aware of the Green Ninja but prophecy but also thinking about his place in it. We see this again when he takes Morro in and trains him.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom, highlight added)

A big thing Wu is criticized for here is making Morro believe he is meant to be more. That he is the Chosen One. And Morro, being a young homeless orphan just now given some semblance of power and protection, latches onto that. And I can see it, but when you take into account the above that he was trained from (likely) a younger age than Morro and given a similar level of responsibility, it becomes more understandable. Wu is just doing what he was taught. He doesn't believe that he is harming Morro until it is too late.

This is the entire story, but I'm specifically going to be discussing 1:36 onwards here. I also wanted to add that rewatching this scene made me lay down on the floor! What the fuck! But I digress.

There's a lot going on in this scene. For one, Wu washing his hands of Morro in some ways, but not others. He turns his back on Morro when he tells him that destiny has decided, but looks at him again when Morro storms out. He goes to save Morro from the Grundal, but decides that he cannot "teach those who would not listen." Most importantly, when Morro leaves to go find the Tomb of the FSM, Wu leaves the door open. He waits for Morro to return, but never goes after him. And Morro never comes back.

Wu gives Morro's fate a dismissive response at the end of his ghost story ("I am saddened he was banished to the Cursed Realm") but it's clear he still cares deeply about him in the finale of the season.

Wu's VA in this is phenomenal btw. That "Please Morro!" and "MORRO!" make my heart ache.

Morro believed Wu stopped caring, but he didn't. Even after all he's done, even after trying to destroy all of Ninjago--destroying what Wu had spent his life trying to protect--Wu tries to save him. He begs for Morro to come with him. Morro refuses, Wu watches him perish.

Someone else Wu is close to is gone. Wu again considers himself responsible. Everything is his fault.

And finally, we reach Wu today. A cautious, secretive man. He loves his students, this much is clear. Even as early as the pilots, he drops his wise teacher persona to joke around with them.

As with Morro, he trains them like his father did him. He even uses the same methods his father used when he trains them.

(Source: The Book of Spinjitzu, page 32)

While he is hard on the Ninja, wanting them to succeed and training them to help defend the Realm, he lets his guard down more than it seems he did with Morro. He also learned a valuable message from his experience with Morro when he hides the Green Ninja Prophecy from the Ninja, getting angry when they start to push themselves in the same way Morro did upon learning about it. It's clear he doesn't want a repeat.

Now, I can't speak for later seasons (I will eventually) but this fear of repeats, his students going down a dark path because they're tempted by power or greatness, losing someone else, likely drives Wu not telling them other important information. That is just a passing thought though.

Final notes:

I'm currently in the process of rewatching S7: Hands of Time. I actually got this ask right after finishing EP68: Scavengers, which opens with Wu having a nightmare. In it, he and Misako are walking outside of Yang's temple. While walking, Misako delivers this line in response to Wu reminiscing about the time they've spent together:

(Source: Scavengers/Transcript | Ninjago Wiki | Fandom)

This line, to me, is Wu's subconscious trying to tell him something he needs to hear. It's hinting at what might be his greatest flaw. Wu is haunted by his past, by his mistakes. He finds it difficult to tell others because of both his guilt and his desire to not put that worry upon them. In this very season, he makes the mistake of trying to face his past on his own, and he nearly dies for it.

In the same episode, you see Wu trying to make sure Lloyd doesn't make the same mistakes.

(Source: Prev)

Wu stresses the important of the team. It's as if he sees Lloyd blaming himself for what happened to Wu, sees him doing the same thing Wu has, and is trying to prevent him from doing the same thing. This is further emphasized when, after Wu falls asleep (well, fakes falling asleep), Lloyd says "Wu's mistake was going in alone. So was mine."

Master Wu is, like many characters in this show, someone who is more complex than meets the eye. He is not just a wise, old teacher. He is a man who, throughout his life, has made mistakes and carries the weight of each of them on his shoulders. He is a man who tasks himself with making up for those every day. He is a man who wants better for his students, his family.

Until the day he dies, he will guide and protect his students. And possibly? Even after death too.

[heartinhands]

ok i gotta go to bed but just so i can hold myself accountable next time i open the blog

spike icons (!!)

vash icons (for the love of god future-ren stop putting this off cuz youve been complaining about wanting icons for him for like 5 years)

figure out spike's dmc verse

remake some lelouch icons maybe....... if i feel up to it.......

[katsdynam1ght]

this is an advertisement for my discord server where you can see this kind of bullshit every day

[rhinedottirau]

I got suggested a gender-critical post about nonbinary AFABs on my feed for some ungodly reason and the tags on it bothered me so much i did reblog it and add some comments about what it is REALLY like to be nonbinary. A couple of the radfems have gone to my reblog from the notes to come after me now.

And this is quite possibly the funniest interaction I ever could have had on this site with an Anaxagoras pfp because like...don't get me and my little anime man started on the soul lmaooo. It's kind of his whole thing

[crossbackpoke-check]

Substance, Shadow, and Spirit [remixed, abridged] by Tao Yuanming

[clumsypuppy]

for like 3 weeks i was wondering why i was sleeping so much and felt listless. and just now I managed to email 3 people and responded to a month old message in the span of an hour because I got back to TAKING MY FUCKIN MEDS..........

[arolesbianism]

Everyday I see another youtube video or whatever say smth along the lines of "this character is badly written because they're unlikable/annoying/insert negative description here" and everyday I end up massively disappointed because I came here for analysis on the actual writing of a character not just a description of the feelings they made you experience

[goldentigerfestival]

Forgot to post this earlier but I did in fact comb the entire Vesperia script to determine how many times he uses ま/まあ throughout the game, along with a few other phrases he uses repeatedly. This counts all of main story, every single sidequest, and every single skit in the game.

Final counts were:

ま/まあ: 280

Ma/Maa; translates to "well". He uses this at the beginning of a sentence usually, but it's sometimes in the middle. "Ma" is usually more quick and snappy. "Maa" is more thoughtful and/or prolonged. Obviously it can vary based on context, but that's the general breakdown.

んじゃ and any variants: 133

Nja, along with variants such as "ja", "soreja", etc. Variants are counted when they're all used to express "let's get going", when they're about to head off ("ja" could be used in a sentence such as "ja/but then, why is xyz like this", etc). They encompass translations such as "well then" (let's get going implied. includes "so then", "then" "alright then", and so on), "we should be off", "let's get going", "let's go", etc. (not to be confused with 行こう(ikou), 行くぜ, (ikuze), and other similar versions of this phrase. That can also mean "let's go", but any instances of Yuri using that particular phrase was not counted because it wasn't a variant of, specifically, んじゃ, which is also his most common "let's go" ja variant).

おい / おいおい: 66

Oi/Oi oi; translates to "hey"/"hey, hey", though "oi" is more or less an accepted word in English nowadays.

おっと: 12

Otto (not to be confused with "oto", referring to sound); an expression of surprise that can translate roughly to "whoa there" (which is the most common translation I do see for it and what I'd use in most cases too, context of course varying). The reason I included this one despite it being so seemingly low in number is because it's not a particularly common expression, much less one used multiple times by a single character? It's so rare from anyone else, which is just a regular thing relative to Yuri and his dialogue/speech (i.e. most characters sparingly use phrases repeatedly, as compared to Yuri... as you can see lol. Other characters use these words/phrases, but nowhere near as regularly, if regularly at all).

Realized along the way I should've included やれやれ (yare yare, "good grief", "oh dear", "oh boy" etc), but by the time I realized I should have in case it was an interesting count, I was too far into the script to be able to handle going all the way back through it LOL.

No. No, I am not joking that Yuri used ま/まあ 280 times throughout the course of the game. That is to say, it could be more if I missed any, but on the assumption I didn't, that's where it stands.

Why do I love this so much? Because it's a very specific character quirk of a character I adore. I'm very fond of his repetition. Thank you.

[alastyr-not-alastair]

Ya ever read your own writing and go “damn. This shit goes HARD?!”

[smidgen-of-hotboy]

@one-joe-spoopy you asked a few days ago about Miasma in my monster hunter au. It has taken me two days, but I've reached a point where I'm content enough to share my thoughts finally (and @esquemeencanta I haven't forgotten you Jove <3)

This is the tale behind Juno losing his original eye to Miasma. Sometime after this encounter he gets a new enchanted magical eye from Ramses O'Flaherty, finds out he's a changeling actually named Jack Takano, and after that shit storm, Juno gouges the magical eye out himself (almost dies trying). The continuation picking up with Hunter Steel and Hunter Glass is in the back of my mind. I've been fried trying to think of how Juno fights a monster he knows next to nothing about, and how he's supposed to do it alone (because ya know- he's stubborn like that)

! Obligatory guts, gore, blood, and violence and angst warning !

Juno works for the Hyperion Monster Hunter Association. He's brought Rita along with him and together they've been doing pretty well. Falco reached out a handful of times but after enough missed calls caught on that Juno wasn't going to come back to HCPD. By then, Juno had made a name for himself as a hunter in Hyperion. He was seeked out for personal jobs often enough that he didn't need to rely on the job postings from the HMHA. Sometimes though he still takes a posting.

There had been a few postings for a series of disruptions in the valleys down south of Hyperion City for a few months. Other Hunters had taken up the jobs and died trying to hunt down whatever monster was out there. Reports from the Cerberus Province were coming in:

Puddles of black gunk have been forming overnight. Anything that steps in it immediately sinks to the bottom. It is unclear if there even is a bottom to these pools.

Vehicles are being broken into and stripped for parts.

Earthquakes are being recorded, rumbling every few hours like clock work. This area is not known for experiencing earthquakes.

Other monsters have been found dead, disembowled and drained of their blood.

Juno takes the latest job request and gets Rita to look over some survey maps taken of the area. She finds that where the monster carcasses are turning up, there was a puddle of gunk there previously. She says she may be able to find out more if Juno can collect a sample. He obliges and returns to her a day later with a small jar full of gunk. His hands smell like burnt tar.

Rita runs a few tests on the jar of gunk and she finds that it has a mostly liquid state, but when disturbed it solidifies. A non-newtonian liquid. Like water mixed with cornstarch. It oozes slowly but seizes up when jostled. Rita makes a comment that she can't stand the smell, "it must taste pretty bad too. Don't know why any monsters would be getting so close to it." Juno unscrews the jar and sticks his finger in it. Rita watches horrified from her computer at their office as Juno proceeds to sniff the gunk (bad idea), and lick it (super disgusting idea).

Juno finds that even though the gunk smells bad, it tastes... okay. Little bit of a burnt wood taste to it, but nothing awful. It's almost sweet. Kind of savory. He goes around asking other hunters at the HMHA to try it and many refuse. The ones that do all come to the same conclusion as him: a little burnt, kind of sweet and savory.

One Hunter boldly takes the jar from Juno and spills it out over a table. Nothing happens at first as it slowly spreads out, but soon enough it's like the gunk has a mind of its own. It begins to almost crawl. It "oozes" across the table. Juno slams the jar back over it, the other hunter tries to frantically scoop it back into one mass. They eventually get it in a cup and back into the glass jar. Rita is not impressed when she hears about their sheer stupidity.

Juno brings the jar home and shows it to Ben. This whole time Ben has been hearing about the ooze from Juno and listening to his calls with Rita, but hasn't actually seen it. He looks at it in the jar and takes a good whiff ("Juno what the hell... you licked this? Gross... will I lick it? Yeah sure- when I'm dead! Put that lid back on or so help me.") Ben asks Juno what happens when it's introduced to heat. He says he isn't sure but according to Rita,

"In theory, it should just solidify. Non-Newtonian fluids cannot withstand extreme heat. The liquidity part evaporates. Just leaving the solid-ity part."

"I'm impressed. You listened to her."

Juno frowns. "I always listen to Rita."

"That's not what I meant. I meant: you listened to her, and you even sound like her now."

"... haha, very funny Benten... do you want to help me find out what happens when you introduce this stuff to fire or not though?"

Ben and Juno are both extremely smart in their own ways. They are also both extremely dumb in the same way. Ben lights the stove, Juno holds the jar with a pair of tongs, and they watch with bated breath as the gunk tries to hop out of the jar as it gets hotter. Eventually it stops moving altogether. And sure enough, when Juno removes it from the stove and lets it cool, it's solid.

Ben asks Juno what he's going to do and Juno simply says he's going on a Hunt.

"You can't be serious? Juno- this is dangerous. You're going to literally be playing with fire."

"I can handle it."

"Juno- I'm serious. Take this seriously."

"I am."

"Then you'll listen to me when I say, it'll make me feel a whole lot better if you take someone with you."

"You know that's not how this works Benten-"

"A Kanagawa hunter would be more than willing to work with you. Hell- what's her name Big Eyes would probably kill to work with you again."

"BENZAITEN! Enough! This is my job alright? I don't tell you how your recitals should be going or what stretches you need to be doing! You don't get to boss me around about how my Hunts go. End of discussion."

"Juno-"

"No. We're done. I'm going to bed, and tomorrow, I'm going on my hunt."

Juno goes to bed without saying goodnight. He wakes up and leaves for the office without eating or saying good morning. Ben calls but he doesn't answer. He calls Rita and Rita relays the message "just tell him I'll be waiting at home and- good luck."

Juno takes with him his pistol, shotgun, a flask of vodka, canisters of gasoline, a box of matches (Ben's brand), and an empty glass milk jar. He drives out to the valleys between HC and the CP to the largest black pool and starts pouring gasoline into and around it. He brought five of them with him. Rita said that his plan was dangerous. ("maybe we can get a hold of Ms. Cassandra and find out if-" "I'm not bringing Cass into this. This is my hunt. I'm doing it my way.") She made him agree that if she didnt hear back from Juno in an hour, she would call Juno, and if he failed to pick up she'd ask for assistance ("I ain't takin no as an answer Mista Steel." "You and Benzaiten worry too much." "Sorry Boss, but you're important to us.")

Juno stands back as he strikes a match and tosses it into the gas. He watches the pool erupt in flame. The ground trembles underneath him. Juno falls backwards. Something rises out of the pool... a monster.

Covered in black gunk, reeking of burnt tar, a monster on fire towers over him. She hisses and squeals. She would be beautiful if half her face wasn't torn off and the other half on fire. Black tentacles rise with her. She has a maw full of razor sharp teeth that go around and around in rings. In that moment, Juno knew he was fucked and would likely die. But if theres one thing being a Steel had prepared him for, its to not go down without a fight.

Juno brings around his shotgun and fires. He lands two bullets that lodge themselves in the monster. She hisses and growls, lunging at him. Her hands are sharp talons. They dig into his shoulders and drag him through the ground. Forgotten is the flask and jar. She rises again towering over him. He takes aim and fires another shot that embeds itself in her shoulder. She howls, a tentacle comes slicing through the air. He rolls out of the way in time and continues rolling as more trail after him.

He remembers the flask when it falls out of his coat. He takes hold of it and unscrews the cap, gulping a mouthful and holding it in his cheeks. With shaking hands he reaches for another match and lights it. He turns and spits the vodka into the flame, lighting a trail of flames that follows a tentacle of black tar. It spreads and the monster catches fire, screeching, leaving Juno time to unholster his pistol. He takes aim and fires off a few more rounds at her, slowly limping his way back where he dropped his shotgun and the milk jar. Finally, one of his bullets lands at her core. The monsters screeching turns to silent wailing.

Her size has shrunk as most of her body has caught fire, the rest is riddled with silver bullets. She clutches two appendages over her chest where the last bullet struck. Frantically trying to dig it out. She slowly tries to slip away as Juno grabs his jar and makes the dumbest decision he could've ever done: he runs towards her. He holsters his pistol, unscrews the jar and keeps the lid in one hand. The monster musters what remaining strength she has as both of the appendages over her chest shoot out. Two things happen at once:

One. Everything comes down to a singular point of pain. Juno feels it as his eye gets scooped out and he just about blacks out.

Two. He successfully scoops the monsters core inside the jar. The lid comes down on it, and monster screams as she shrinks to fit inside her small prison.

Juno has just enough strength left in him to screw the lid on. He blacks out shortly after.

(Ben calls Juno and then calls Rita when he can't reach him. He insist she call him right then and there because "something is wrong. I know it. Rita- listen to me. Call it' call it twin intuition, alright." Intrigued by this Rita calls Juno and when he doesn't answer her she calls in Cassandra.

Cass says she isn't in the mood to save Steel’s sorry ass. Ben takes Rita's comms from her to speak to Cass directly, "You owe me Kanagawa. I'm calling in your favor to me. And if you don't uphold our deal Cassandra, I will make your family's life hell." Rita has always liked Benten. That day she understood what Juno means by "Ben strikes the fear of Benzaiten into you".

Cass rides out to the valleys on her motorbike and finds a giant gaping hole in the ground. Beside it- Juno Steel. Cass turns him over carefully removing the milk jar. She sees his fucked up face and hauls him inside his truck. She tosses his shotgun in the backseat and straps the jar in next to her as she floors it back to Hyperion City. When Ben meets her at the hospital she apologizes and says she still owes Ben his favor, she shouldn't have brushed Rita off so quickly. All Ben does is tell her to leave. Rita promises to give her a call when Juno comes around.)

Juno wakes up in the hospital. He panics unable to see out of one eye. He tries to sit up and falls back groaning and grunting in pain. Something shifts next to him and he turns his head. It's Benzaiten. Bathed in golden light.

"Do you remember what Ma used to say, whenever she found us fighting? Fighting over the Andromeda costumes and Turbo toys?"

"Benten-" Juno wheezes and coughs. Ben turns and fills a glass with water. He carefully hands it over to Juno without a word.

"Ma used to say that we shouldn't fight. She didn't want us to fight because when it came down to it, there was only us in the world. She said- if we wanted to get flattened, we go and lie down in the road, but we aren't supposed to do that to each other." Ben smiles. At least Juno thinks he sees him smile. The sun glares behind him creating the perfect halo. An angel. Juno's angel.

"Ma said that when she was gone, we would have to rely on each other, and that meant we couldn't fight. We need someone else so that when we're not tough enough, they can be." He takes a shaking breath. Juno sips his water and parts his lips. Ben shakes his head and holds a hand up. "Save it, I'm not done.

"Ma said a lot of things before she died. She wanted nothing but the best for us Juno. She wanted us to look out for each other, wanted us to fight the big mean world together, and she wanted us to live. I know you never believed her. I know you don't believe her now- but she was ours. She was- Ma. And you're my brother. Ma is gone. Annie is gone. Oldtown is dying. Sasha left. Mick can hardly take care of himself. And you're all I have left Juno... I need you Juno. I need you to be alive for me because I can't be tough enough for this world. I want you alive... why can't you want that for yourself."

Benzaiten stands from the chair he's in and walks around Junos hospital bed. In proper light Juno can see the bags under his eyes and the tears streaking down his cheeks. He takes the glass from Juno's shaking hands and sets it aside. He pulls Juno against him and half folds his body over, half shields his twin.

The same mouth. Same hands. Juno broke his nose when they were still kids. Ben broke his ankle a year ago. Their noses are different. The way they walk has changed. But the one thing that no one could take away was their matching gaze. Their matching eyes.

(Ben leaves the hospital to visit Rita. She welcomed him inside her home without a second thought. She opens a window and sits down at her breakfast table while Ben takes a cigarette from his pocket and lights it. He takes a long draw and holds the smoke in his lungs for a long moment. He exhales slowly. His tears have long since dried. He thought he cried himself out at Ma's funeral. He was wrong.)

Juno goes back out to the site in the valleys a few weeks later with Cass. She took the jar and kept it to herself. When she saw Juno in the hospital she asked about it. He just said to turn it over to Rita and she'd take care of it from there (to this day Rita still has it in her personal office at home. The monster watches her work. She finds it easier to work when she has something to explain her thought process to and the monster is frequently subjected to that. When she's not home Rita keeps it locked up inside a safe next to emergency bac up shrimp crunchies.)

Cass and Juno explore the gaping hole together. (Cass pulled her weight as a Kanagawa and had the site quarantined off from other hunters and the public). They find a whole underground network of chambers and lab equipment. Journals and notes. Juno flips through a few pages and together this is what they piece together:

Doctor Miasma was a human doctor. She learned about fae medicine and was desperate to get her hands on it by any means possible. In order to get any though she needed to cross over. So. She did. She forcibly opened her own portals and exchanged parts of herself, constantly replacing whatever she lost. Her arms, her legs, half her face. Eventually she gave up the last thing she had to offer: her humanity.

Miasma awoke a monster in the fae wilds. She used intimidation to force them to open a portal for her to cross back home. She created her underground lab and stocked it with soup. She ran experiments on herself. With practice she honed her hunting skills and had her first taste of fae blood.

Shortly thereafter Miasma lost more than her body and humanity. She lost her memories. She lost her name. She forgot her title, forgot her research, and simply became a monster that consumed.

Some part of her must have remembered something though. She broke cars and stole parts from them trying to build a machine to harness magic and open portals. Even after giving up everything, Miasma was still trying to get back to the fae realm

Cass finds the rotting corpses of dead monsters. Their blood not yet drained.

Juno's seen enough and with Cass' help climbs out of the hole.

"Cass- you write the report."

"Huh? Why? This was your Hunt. I don't need the credit or the money."

"And I don't want the attention it's going to bring. Write it. If you have questions call Rita."

(Cass swears this will be the last nice thing she does for Juno. She writes the report and hands it over to the HMHA. The senior hunters of the association are confused why she's handing in the paperwork. She shrugs and tells them "Steel doesn't want to handle the guts." The Kanagawas come in and clean everything out. Cecil does a live stream special walking through "the lab of a monster". Juno reads the newspaper in the kitchen while Ben makes them breakfast. Life carries on.)

[0celesteisthebest0]

Does anyone know good alternatives to google docs?

[superangsty]

WIP ask game

saw one of my mutuals do this a few weeks ago and it looked fun SO send me one of the titles from my WIP folder and I'll post a snippet/tell u something about it!!