#sometimes with the ability to see things others cannot…

[glassmitu]

HI, HI MY GUARDIAN ANGEL. IT TOOK ME LIKE AN HOUR TO FIND ANYBODY. I WAS SO DESPERATE TO FIND SOMEONE WITH REQ OPEN!!! EVERYBODY I LOOKED AT WAS CLOOOSSSEEEEDDD. I GOT SO DESPERATE I DIDN'T EVEN LOOK AT WHAT TYPE OF STUFF THEY MADE, I WAS ABOUT TO SEND A REQ TO SOMEONE I FOUND TILL I REALIZED THAT ONE PERSON DID ONLY NSFW. I ALMOST GOT TRAUMATIZED!!!!! YOU ARE MY LIGHT IN THE DARKNESS!!!!!!!!!1 AAAAAA-

anyway, how are you doing? good i hope:D

could you possibly, oh so maybe, pretty please with an apple slice on top.. make angel!killer!reader with other killers? the reader is like.. hm, best example is eternal sugar cookie personality wise.

with any killers you want, totally up to you. but preferred is at least 1x1x1x1, noli, or mafioso(my bbgs) and anyone else you wanna write or add is completely up to you!!

take ya time writing bbg glassmitsu-chwan

Masterlist — Forsaken

Request — 1x1x1x1,noli,mafioso(seperate) x angel!Killer!Reader

⭑𓂃 ⌗ Staff — hello dearest,, also i was gonna take down my open memu bc nobody were here for now but i am happy that i woke up to few asks / requests hehe, also i am honored to do your request <33,,

1x1x1x1

𖣠 1x were drawn by your beauty and insanity you carry within yourself, they were quite comforted by your presence,

𖣠 At first, they'll act wary and such with you like how they are with anyone in general, but you can tell that their tone would soften sometimes without even noticing,

𖣠 They would often just watch you whenever you are the killer, they like how you are sadastic with the survivors,

𖣠 Sometimes, they'll help you with your wings since they used to help telamon with his wings,

NOLI

𖣠 Noli would scare you by teleporting in front of you or behind, but none of it seems to affect you, as you should shrug it off as a small childish thing.

𖣠 Anywho, he likes to play with your halo, he finds it like something to spin or something in his respective but in the end, he gets hit by you in the head, even with his glitching abilities, he cannot escape you.

𖣠 ANDDDD he loves to see your cruel side to the survivors, honestly it makes him interested in you further!

𖣠 he may or may not have stepped on your wings whenever you sat somewhere asleep or something,

MAFIOSO

𖣠 He finds little horrifying even with your holy and graceful presence and all, honestly he would not want to deal with you when you are in bad mood,

𖣠 Mafioso doesn't talk or anything with you, unless it is something important and etc, he wanna keep his distance, since you give this weird vibes.

𖣠 Sometimes, he watches you whenever you are the killer in rounds, and your sadastic words and such were not that much of suprising,

𖣠 Overall, his opinion on you is decent, like just a ally, that's all you are to him.

© GLASSMITU ─── all of my works belong me alone! do not copy, steal, plagiarize, or spread any of my works in any other social media platform. these have only been reloaded on my own account on tumblr

[alarajrogers]

Jesus H Christ.

I am a cis woman. I have, in fact, given birth, twice, to two very much wanted children. As a result, I endured: my feet growing two sizes, my stomach covered with an itchy rash for months, severe urinary incontinence (imagine, sneezing while you're standing up at your inlaws house and completely drenching your pants, when you're in a place where you don't really trust most of the people and you don't have a change of clothes), feeling for a few months like my insides were going to prolapse, Braxton-Higgs contractions (random uterine contractions way too early to give birth), pre-eclampsia, gestational diabetes, three weeks in a hospital on bed rest, a c-section, tailbone damage so that I could not sit in a hard chair for nearly sixteen years, and, oh, that urinary incontinence ended up permanent and I needed surgery to fix it, and my bulging stomach never went back to normal shape so I have looked 4 months pregnant for 21 years, also, my abs separated and if you press into my belly button, which inverted its shape permanently, you are actually pressing on my intestines. And surgery I got to fix that a. did not work and b. permanently destroyed my ability to feel the skin on my abdomen. Which has occasionally resulted in me burning myself by pressing too close to, say, a hot baking pan, without realizing I was touching it.

I would voluntarily trade all these things again for my children. But that's the key word, voluntarily. No one who does not want children should ever have to endure any of this. No one who is not certain their life would be incomplete without children should have to endure this. I was pro-choice before I had kids and I am even more pro-choice now. Pregnancy is dangerous and can be extremely horrible and will often cause permanent damage.

Yes, it could be an enormous boon to a person who desperately wants to be pregnant and cannot be. And water would be an enormous boon to someone dying in the desert; does that mean a person drowning in a river is privileged?

You cannot declare something dangerous and damaging to be a universal privilege. You just cannot. Yes, there are trans people who wanted to join the armed forces who are now being forced out, and gay people the same thing happened to twenty years ago. Doesn't change the fact that the draft is a violation and no one should be forced into the army no matter how much a person not allowed to join the army might want to. There are virgins who desperately want sex, but that doesn't make being raped a privilege. There are men who never get any attention from women and women who are constantly being harassed by men and both might see what the other has as a privilege, but no. It is not.

The ability to get pregnant is wonderful if you want to be pregnant. it is horrifying if you don't. It is also horrifying when it goes wrong even if you wanted it. And frankly even if it goes "well", as in, you get healthy children out of it and no life-threatening disabilities for yourself, it can still be horrible -- read everything I wrote above. How many times do you need to piss your pants before you recognize, this is not ideal? It took less than one for me.

The thing about being human is that we can want different things out of life, and just because you want something you can't have, doesn't mean it's wrong for other people who can have it to not want it. Transmasc ability to be pregnant is not, innately, either a privilege or a burden -- it depends on the transmasc and how he feels about it -- but being stuck with the bullshit that cis women have to endure that surrounds pregnancy, from the health issues to the attitudes, coupled with the misgendering and malgendering, is an oppression. Some might choose to endure it anyway because they want what they will get, which is a child. That doesn't make it a universal privilege.

People are so fucking stupid sometimes.

“There is no form of oppression that trans men face that trans women do not.”

Sorry are we just forgetting that in many parts of the world someone can assault, forcefully impregnate and make them carry the pregnancy to term as a form of detransition? That’s backed by law? The fuck is wrong with you.

[thetwilightroadtonightfall]

⛓️‍💥 this link is no longer valid

Roadie - A kindhearted Keyblade wielder and survivor of the Keyblade war who was rescued by the Dandelions. She then chose to melt her heart into a new one once Daybreak Town fell. {she/her or they/them}

Via - A passionate curator who works in Scala ad Caelum’s most renown museum. Though secretly, she also has other ventures going on behind the scenes. {she/her or they/them}

Disclaimer: I’m not following prompts, I’m just using this week as an excuse to give my OCs some extra love :)

[light-wrath-paradise]

dude no offense but as a system you are so painfully obviously plural i mean this in a completely neutral way but youre plural boi

Are you for real or are you kidding? Please you gotta be honest with me about shit like this, I'm constantly afraid that all of my problems are actually universal (and I am the only one who's bad at handling them) and that I am just "faking" that there is something wrong with me.

[moe-broey]

Oh. Huh.

[askshivanulegacy]

[ARCANE SPOILERS]

I'm waffling with whether I agree with this overall post. 😂

Headcanons are fine. They don't "damage" anything, not even when it's a stereotype. They don't erase anything. They're headcanons and cannot hurt anyone - not even if someone changes them in response to events in the show. After all, people change their orientations in real life. Yes, it might point toward a bias that it's probably good to examine. But it's entirely possible that original Jinx is aro and AU Jinx is not. Sexuality is not a necessary constant across universes or even a necessary marker of core character identity (which is not something we can measure so who the heck knows). We don't know that that interpretation isn't the correct canon. Also, maybe she's 100% straight the entire time! Or maybe she's lesbian and the other guy is trans and never said (like elsewhere in the show). No proof either way, Jinx is just so busy terrorizing people. 😂

As for Viktor: we have no actual proof he's NOT aro, either. Even up to the very end of the show, you can read this relationship as platonic. You can read it as romantic. You can read it as aro. You can read it as sexual. You can read it as asexual. The verdict is ENTIRELY in the viewer's hands. It's my decision as much as yours. There isn't enough canon evidence to confirm one way or the other. No, not even if it's "important" to be queer. If that relationship is platonic to someone, then it's platonic, and that's what's more important. If someone's viewing experience is so far in one direction that they didn't consider anything else, all it means is that, wow, they were super invested. Good for them! It doesn't "say a lot about someone." It says nothing.

There's supposedly a trans character in the show, but we're given no canon evidence for that. Most people will never know it. With no canon evidence, you get to have whatever interpretation you want and it's just as "real" and "important" and "powerful" as any other interpretation. That's the beauty of an ambiguous storyline, and also the frustration (depending on your personal point of view).

At the same time, definitely, people need to know when their interpretation is just a headcanon versus confirmed canon. Too many people act like headcanons are canon, or they act like an obvious interpretation is "weird" when really it's their own behavior that's weird. You can "deny" an interpretation in that you simply do not choose to view something that way, but you still have to acknowledge that other interpretations are possible. You also can't ignore the reality of canon.

Clearly these above posts are all for a very specific interpretation, which is super important to them. And that's fine. It's still just one headcanon, it's not a default, and importance is only in the eye of the beholder. Any other headcanon is just as valid and important.

And nothing is canon unless it's explicitly shown.

Or vice versa, everything is canon until proven otherwise. :)

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[babyleostuff]

˚ ༘♡ 𝐭𝐡𝐞𝐢𝐫 𝐬/𝐨 𝐛𝐞𝐢𝐧𝐠 𝐢𝐧𝐣𝐮𝐫𝐞𝐝 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐭𝐞𝐥𝐥𝐢𝐧𝐠 𝐭𝐡𝐞𝐦

― the moment in which the seventeen members find out their significant other hid their injury from them

s.coups

first of all - the chance of cheol not knowing you got hurt is this big 🤏🏻 mans somehow knows everything when it comes to you, even if he’s overseas he. still. knows. he would be��� i don’t want to say disappointed in you not telling him, because you’re still your own person and he cannot tell you what to do, but… he just cares about you so much, truly. the thought of you hurt or in pain without him knowing is heartbreaking to cheol. he’s a caretaker through and through, especially for his significant other - there’s nothing seungcheol wouldn’t do for them. at the same time, though, he feels so proud to have a partner that is so strong.

jeonghan

the second he finds out you got hurt or injured jeonghan becomes quite passive aggressive. he’s not necessarily angry with you, it’s just that… what wouldn’t you tell him? he’s your boyfriend, he’s supposed to be next to you and care for you when you need it. you do the same for him, so why would you push him away? hannie understands that sometimes you just need your space, and everyone is different when it comes to being sick and in pain, but he’d still be a bit hurt by you not telling him. at the end of the day, he’d try to talk to you, though, and explain why it was so important to him to know.

joshua

it’s not that he’s angry, more like disappointed (all that disappointment, though, doesn’t come from pettiness or anger, but care and love). he gets that people react differently to getting injured, but still - he’s your boyfriend, and a boyfriend that cares a lot at that. shua always respects all of your decisions, no matter what, but when you get hurt and don’t tell him… you might not see it as important enough, but to him, your well-being and comfort is all that matters. he can’t imagine how you must’ve felt going through all of that alone, and yes, he gets that that was what you wanted, but still. 

jun

tries his best not to show how it affects him, when he finds out about your injury, but fails miserably. jun is a bit disappointed that you didn’t tell him first things first, because he’d be more than happy to take care of you (and he’d have the perfect opportunity to be extra clingy). would be unusually pouty and whiny after, waddling after you at any given moment and asking you “why? why didn’t you tell him?”. was it because you didn’t trust him and his caretaker abilities, did you think it wasn’t big enough of a deal to tell him about, or maybe you saw your injury as a burden? he needs to know or else he won’t be able to fall asleep. 

hoshi

you don’t want to keep something as serious as an injury from soonyoung, because the second he finds out you got hurt AND didn’t think about telling him, he gives you the silent treatment + becomes so hard to deal with. he can be petty when he’s in a good mood, so imagine how he’d be behaving after finding out. hoshi gets so frustrated because why wouldn’t you tell him? it’s a whole ass injury, not a scratch, there’s nothing that could excuse you from not telling him. he’s aware he’s not the best with taking care of injuries, but that doesn’t matter he wouldn't do his absolute best. just… tell him next time. 

wonwoo

he can feel his eye twitch when he finds out about your injury. it gets even worse when you tell him it wasn’t that big of a deal and he shouldn't worry. immediate game over for jeon wonwoo. you might think he wouldn’t get as annoyed by it as other members who are more outwardly affectionate… WRONG + he doesn’t consider himself the overprotective type, ALSO WRONG. wonwoo is a man who lives for you and your comfort even if he doesn’t see that himself, so the fact that you didn’t bother to tell him about something as big as an literal injury??? JAIL!!! will cross his arms and stump his feet to make a point. 

woozi

he understands that for you it might be a small thing, your injury, that you don't see it as something important enough to tell him about, but… it’d still kind of hurt jihoon if you didn’t tell him? like, on one hand he’s so enchanted by you because you're so independent and strong and willing to go through your pain alone, but on second he’s your boyfriend. he might not be the most obvious with how he shows his love and physical touch and outward words of affirmation, but he still cares. a lot. he wants to take care of you, he wants to keep you warm and as comfy as he can, so please don’t brush off matters like that. 

dk

at first he’s very confused when he finds out that you got injured, because that can’t be true, right? you’d immediately tell him if you got hurt, 100%. but when seokmin realises that your injury was not a cruel joke he nearly cries. why, why on earth wouldn’t you tell him? and it crushes him so much - you, in pain, without him by your side to hold your hand through it all. he’s quite a mess afterwards, trying to gather his emotions. because he has to get through to you and try to explain how much it hurt him that you didn’t tell him. even if you refuse his help, he just needs to know, that’s all.

mingyu

there’s a hit of annoyance in gyu when he finds out that you got hurt and didn’t tell him. like… you’re well aware of how big of a caretaker mingyu is, and how important acts of service are for him, and yet you decide to hide the injury from him. why? he understands that a part of you might think of yourself as a burden, but he has told you numerous times how happy it makes him when you ask him for help, even with the smallest things. but you’re still pushing him away? it’s just - it’s so gut wrenching when he finds out that you had to suffer on your own and he didn’t know.

the8

huh, so you don’t believe in his healing abilities? hao becomes extremely petty, because no one’s better at being a certified nurse than him (not even a real nurse), and with you not telling him he feels like you don’t trust him enough to take care of you properly. he genuinely likes to take care of his loved ones, he doesn’t mind being the housewife, and he definitely doesn't think you’re a burden because of your injury, so why would you hide it? after he finds out he sits you down and has a talk with you - hao tries to explain his point of view and how it made him feel when you didn’t tell him, and why you shouldn’t hide things like that from him. 

seungkwan

gets so so so petty, oh my god. huh, so you, his girlfriend, didn’t tell him, your boyfriend, you got hurt? you just didn’t? yeah, not on boo seungkwan’s watch. why on earth wouldn’t you call him first things first? he’s your literal boyfriend, it’s his duty and privilege to take care of you, keep you warm and loved, no matter what. and he doesn’t want to hear that “but i don’t want to be a burden” shit, because you. are. not. and you could never be one. so you’re trying to tell him you were hurt and alone while he was living his best life? he’d make sure to talk to you and make you swear you’d tell him next time a situation like that would occur. 

vernon

on one hand he understands that you might not see the injury as something big enough to tell him, like - he has gotten hurt in the past and didn’t tell you either, but… it’d be nice if you did. vernon is not sure why he’s bothered by you not telling him, usually he’s very okay with most of your decisions, but a part of him is scared that the reason you hid the injury is because of you thinking he won’t care. yes, he might not be the best at taking care of people and prefers being the one taken care of, but you’re his partner and vernon will do anything he can to take the best care of you.

dino

his heart drops when he finds out you got injured and didn’t tell him. chan thrives on helping and taking care of his loved ones, he doesn’t care if he has to pull another all nighter just to make someone else happy - he does it with great joy. so when his partner, the apple of his eye, hides their injury from him? it hurts. it hurts deeply. there’s a part of him that feels betrayed, and he cannot help but think if you don’t trust him enough to care for you when you’re in need. chan knows that those thoughts and his reaction are a bit dramatic, but it’s the caretaker in him that just cannot live it down. 

taglist (if you want to be added, check my masterlist): @jeonghansshitester @weird-bookworm @sea-moon-star @hanniehaee @wonwooz1 @byprettymar @edgaralienpoe @staranghae @itza-meee @eightlightstar @immabecreepin @whatsgyud @hyneyedfiz @honestlydopetree @vicehectic @dkswife @uniq-tastic @marisblogg @aaniag @daegutowns @carlesscat-thinklogic23 @embrace-themagic @ohmyhuenings @nidda13 @hrts4hanniehae @k-drama-adict @isabellah29 @f4iryjjosh @bangantokchy @mrswonwooo @bangtancultsposts @lllucere @athanasiasakura @onlyyjeonghan @haecien @caramyisabitchforsvtandbts @hannahhbahng @valgracia @ohmygodwhyareallusernamestaken @mirxzii @hhusbuds @wonranghaeee @rosiesauriostuff @gyuguys @tomodachiii @veryfabday @lilmochiandsuga @asasilentreader @mrsnervous @bewoyewo @sharonxdevi @wondipity @gyuguys @raginghellfire @treehouse-mouse @waldau @wonootnoot @hellodefthings @dokyeomkyeom @sourkimchi @bbysnw @hoichi02 @aaa-sia @haneulparadx @minvrsev @zozojella @wonootnoot @kimingyuslover @wntrei @honglynights @jihoonsbbygirl @uhdrienne @bloodcanbehot  @iamawkwardandshy  @icyminghao @heeseungthel0ml @goyangiiwonu @bath1lda @ruurooozz @ny0sang @luuxian @onerubii  @hurrican3-insert-nam3 @mekuiikore @luvseungcheol @thenotoriousegg @yuuyeonie @svtficsarchive @hyperdramas @huen1ngk41 @lesuneczka @oc3anfloor @gyuguys @fr-freak @bewoyewo

[chrattho1]

chris sturniolo blurb

makeout session with sub!chris

“mhhph..” chris moans against your lips, his mouth moving hurriedly with yours. salivas exchanging, bodies twitching with need, both your breathing ragged through the nose as your mouths stay busy. this happens at least twice on a free day when your makeout sessions get too intense, sometimes so intense that chris cannot handle it. cumming in his pants while making out with you is something that happens often with him, its almost like its a given.

you’re both on your bed, your body hovering chris’s as you both suck each other’s faces off.

your fingers tangle in his hair, pulling his head towards you, your noses nudging each other, chris’s skin flushed beyond the ability of how red it can get.

soon enough chris’s hips start rocking into yours, holding onto your waist and pulling you down to grind on him, he does that every time, you don’t mind it obviously. if anything it feels good.

but when your hand sneakily slips under his sweats and wraps around his sloppy-with-precum-length, he gasps.

you usually don’t give him these things so easily, he begs and begs and begs for just a little touch and best believe he loves doing that. so this is shocking to say the least, he knows he’s not lasting more than two minutes.

“oh..oh…my god..” chris’s voice strained as he pulls away with wide eyes immediately bucking his hips to slip his sweats down his waist, he’s got no boxers on cause he believes its pointless if he’s just staying home with you, he likes to hang loose like that.

you look at him with a small yet prominent smirk on your face while adjusting yourself on his lap so its easier for your hand to move.

“mhm..mhm…just like that..please” the ‘p’ word never leaving his vocabulary.

your hand gently strokes his hardened length thats sprung up to his stomach, tip swollen and glistening with precum. his hands flying to roll up the very expensive sweater he has on. he has a history of making a mess, ruining some of his brand new and highly-priced clothes.

“oh fuck..fuck..ma, please, fuck—” he cuts himself off by biting on his bottom lip. the pace at which your hand is moving is excruciatingly slow. his stomach muscles tightening with every stroke.

“just let me take care of you okay? c’mere” your free hand cups his face as you lean down to continue kissing him.

chris groans loudly into the kiss, breaking away every few seconds to catch a breath because it really is too much for him. he is very sensitive.

“mama..please..” he whimpers almost pathetically, its the sound he makes when he’s getting close, the sound you know like the back of your hand.

“gonna cum?” your faces inches apart as you look down at him and speak.

he nods vigorously, his eyes threatening to shut but you can see he is trying his best to keep them open. his cheeks the color of a red solo cup almost, bottom lip jutting out now glossy from the makeout, his hands clutching the sheets on either side of your bodies. he lets out small and soft whimpers repeatedly with every slow stroke, his cock twitching in your palm.

“please..please..” his voice cracks, the elbows on which he’s propped up on are now shaky and his chest heaving.

“mama..ma..cumming..im cummi—” his mouth hangs open with a silent screech leaving it. you can hear his neck crack when he throws his head back at once. hot, white and thick spurts of cum cover your knuckles and parts of his exposed belly.

his body twitching and squirming for the next few moments with your hand remaining wrapped around his cock.

“fuck…fuck..” he breaths out, clearly spent.

your free hand reaches up to cup his face, his half open eyes looking up at you. his breathing still heavy and shaky.

“can you handle another?” your thumb caresses his cheek softly watching as he gulps and nods with desperate eyes.

˗ˏˋ a/n ˎˊ˗ sub!chris is my baby also if you wanna be added or removed from my taglist, reply to my taglist posts’ that are linked on my pinned ! english is not my first language.

🏷️ @espressqe @ginswife @sturnsburna @carolina454 @hope2244 @hotgirlbl0gger @violetstxrniolo777 @riggysworld @verycoolmiyah @fadedstvrn @purpledreamertyphoon @mattsplaything @whore4chris @chris-halleluja @annsx03 @mattsdemi @chrislittleslut @poolover123 @luvvnai @chrissturniolossidehoe @pompomprrin @harmonysturniolo @sofia-is-a-sturniolo-triplet-fan @soph-loren @ccsturns @lovesturni0l0s @chriss-slutt @wysmols @sturniolosluttt @mattsdillion @alyssa-sturn @bilssturns @sturnobessed @mxnsonn @izzylovesmatt @sturniolosymphony @chrissturnioloswife88 @sxphiee3 @purpledreamertyphoon @whoreforchrissturnniolo @slutformatt17 @realuvrrr @sweetxcheeryx @sturnl0ve @estellesdoll @glitterybtch @courta13 @mattsbitchh @slvtf0rchr1s @trevorsgodmother

[ms-demeanor]

So you know absolutely positively nothing about photography

Cellphone cameras are fucking great. I love them. I love the ability to take photos whenever and wherever at basically zero cost.

Point-and-shoot cameras have always been awesome and accessible devices.

This is not a post shit-talking "basic" cameras. This is a post for people who have only ever used basic cameras who want to know at least slightly more about photography.

Because, the thing is, a remarkable amount of photography is math. And if you don't know it's math, it looks like a mystery. And you may be standing there snapping a photo with your phone that looks pretty good, but your friend with a DSLR looked at the sky, twisted a dial, and took three steps to the left and they took a photo of the same subject that looks like it belongs on a magazine cover.

How did they do that?

Probably math.

If you've come into possession of a DSLR camera and are disappointed that the photos you're taking aren't looking like the photos you thought came from DSLRs, I'm here to tell you about the math you may not know about.

What is a photograph?

At its most basic, a photograph is the result of light on a sensor. Let's consider a pinhole camera for a moment. A pinhole camera is a lightproof box with a piece of photographic paper on one side and a tiny hole in the other.

When you create a photo with a pinhole camera, you're using pretty much all of the math you would in a big fancy camera, just in a cruder form they are:

The sensitivity of the paper, film, or camera sensor to light (this is your "ISO" if you're using a digital camera or film). Light sensitivity can be easily changed on a digital camera, but on chemical-treated paper or film the sensitivity is predetermined and cannot be changed. If you want to change the ISO on an analog camera, you need to change the medium that's being exposed.

An opening to let light in - your F-stop, or aperture. The F-stop of a photo is how wide open the lens is to let light onto your film or sensor. In a pinhole camera, you have something that is theoretically a very very large F-stop because you have a very, very tiny opening to let light through (F-stops run in reverse - the bigger the number, the smaller the opening).

Exposure - your exposure is the amount of time you leave your sensor open to the light. The majority of photos you see in the world have exposure times that are measured in tiny fractions of a second, sometimes in thousandths of a second. If you're using photo paper in your pinhole camera, you may have an exposure time of minutes rather than tiny portions of a second, but your photo exposure will still depend on how long you want to leave your "lens" open.

Focal length - your focal length is a description of the relationship of the distance between the light source and the light sensor. You can manipulate this in a pinhole camera by making the camera longer or shorter. A larger focal length means a narrower field of view - it zooms in on the subject.

A pinhole camera is the simplest camera that lets you, the photographer, control all of the elements of a photo. This is, functionally, fully manual photography.

So what's the difference between all that and a cellphone camera?

Point-and-shoot cameras like those on cellphones give the user more limited control over these settings. For instance, think of a disposable camera. On a disposable camera, the photographer has control over one setting - the ISO of the film, which they can select at purchase. They can't control how wide the lens opens or how long it stays open, and the only way they can compensate for lighting that is a poor match to the ISO is flash.

Cellphone cameras are very much like a standard point-and-shoot. By default, users point their cameras, then shoot a photo. Many cellphones have a "pro" mode that will allow the user to emulate different ISOs or f-stops, but the sensors in cellphone cameras aren't as good as the ones in camera-cameras, and the lenses are very limited as well. Some cellphone cameras and point-and-shoot digital cameras WILL allow users to set longer exposures, and many cellphone cameras have multiple lenses which does allow for some lens effects, but they don't give a huge amount of control to the user.

Okay so let's say I've got my new shiny camera, what do I need to know?

For best results, you want your ISO to match the light you're shooting in. Low ISO is for bright light, high ISO is for low light. If you wanted to take snapshots of your family outdoors at disneyland in the summer, you'd buy 100 ISO film. When I used to shoot football games at night in oddly lit stadiums, I'd use 1600 ISO film. If you have a DSLR camera, there's a setting somewhere in there that tells you how to set the ISO. If you are shooting in relatively low light and the photos are turning out darker than you'd like *but* things are moving too quickly to use a longer exposure, you can bump up your ISO for brighter, sharper images but they will be more noisy and grainy than ones shot at a lower ISO. If you want clean, smooth, crisp images, your goal should be to shoot with the lowest ISO possible.

The Aperture of your camera lens determines your F-Stop. This acts like the pupils of your eyes. When it's really really bright out, your pupils shrink down to let in less light. When it's darker out, your pupils get bigger to let in more light. If you are shooting in low light, you want a low F-Stop, which means that your camera's lens is open really wide. If you are shooting in a bright environment, you want a higher F-Stop, which will mean the opening is very small. Since your F-stop interacts with the focal length of your lens, you will find that zooming in with the lens often makes images darker. To shoot clear images from far away, you need to be very conscious of your F-stop, your ISO, and ambient lighting conditions.

Exposure describes the length of time you set the camera to leave the aperture open. In many DSLRs this can span from 1/3200th of a second to infinitely long (the "bulb" setting means "aperture is open until you close it.") If you want sharp images of frozen motion, you want the fastest speed that you can get. Sports photography and photography of things like insects or milk crowns often use extremely short exposures to get sharp images. If you want blurry images you want slower speeds. If you want to take a photo in a low-light environment and capture motion within that environment - for instance, taking photos of cars on a freeway at night - you want slower speeds (if you want to do this in a brighter environment, like taking photos of a stream in the daytime, you want slower speeds and a specific kind of lens filter called a neutral density filter). When exposures are set to be longer than about 1/60th of a second, images with motion start to look blurry.

Focal Length determines the field of view of your subject. If you have a lens with variable focal lengths, this is called a zoom lens. A longer focal length zooms you in and a shorter focal length zooms you out. Lenses with fixed focal lengths are called prime lenses, and can't zoom in or out.

Depth of Field - your depth of field is a combination of the interaction of your focal length, your distance from your subject, and your F-stop. The depth of field describes the relative amount of space in a photograph that is in focus. A long depth of field means that much of the image plane is in focus. A short depth of field means that a narrow portion of the image plane is in focus. A low F-stop produces a narrow depth of field. A long focal length produces a narrow depth of field.

You can think of your camera as a tool that measures time and space. Your ISO and Exposures are measurements of time (how quickly the sensor senses the light, how long the sensor is exposed to the light), the F-Stop and the focal length are measurements of space (how wide the aperture of the camera is, how far the lens is from the sensor).

The pre-set modes on your camera, the ones on the dial that show a person running, flower, or a cloud, or a lady with a hat - these are generic settings that combine an ISO, exposure time, and f-stop that are likely to work well for outdoor action shots, landscape photography, cloudy light, and portraits. When you're using those pre-set modes, you control the focal length and not much else.

When you understand that the running person/action mode means low-ish ISO combined with high shutter speeds, you can start just setting your own ISO and shutter speed when you're shooting sports. When you know that portrait mode sets you up for low-ish f-stops, relatively quick shutter speeds, and mid-range ISOs, you can just start setting those things on your own so you can have more control.

"What about light metering?"

Since your camera is a machine that records light, light metering is pretty important. The light meter of your camera will tell you if your settings are "correct" for the amount of that the light sensor senses. In most modern cameras there is a light metering display on the bottom edge of the viewfinder that goes from negative to positive; if the meter shows that you are in the negative it means that your photo will be under-exposed (too little light will get to the sensor and the image will appear dark), if the meter shows that you are in the positive it means that your photo will be over-exposed (too much light will get to the sensor and the image will appear too bright - "blown out"). The way to correct for under or over exposure is to change the length of the exposure, making it longer for underexposed images and shorter for overexposed images.

What the light meter is doing is thinking about all of your settings and the lighting for you. It looks at the ISO, focal length, f-stop, light hitting the sensor, and planned exposure time and tells you what that combination of settings is likely to produce - something too bright, or something too dark.

When you are more experienced with photography, you get good at juggling these things on the fly and messing around with them more, which is how you can do the magic of looking at the sky, twisting a dial, taking three steps to the left, and knocking it out of the park with a picture.

It only looks like magic because you're doing a ton of math under the hood that is extremely non-obvious to people who are new to photography.

Anyway, here is a good guide to depth of field and what goes into it.

Here is a basic photography textbook that explains the principles that I've gone over here in a lot more detail with a lot better explanations. It's a film photography textbook, but one of the cool things about photography is that a lot of stuff from the analog era is still relevant in the digital area, and the basics haven't changed.

However all of that is about the *technical* aspects of photography. Photography isn't just a record of exposure time and focal length, so here's a basic photo composition textbook that talks about the artistic principles of photography.

[ailithnight]

DPxDC Prompt #18

Inspired by reading this prompt from @nerdpoe and my brain randomly deciding to mash it with this prompt and reblog from @stealingyourbones and @moodycow210. Basic premise is the Nerdpoe prompt with the backstory of the Bones prompt. Do read those for full context of what my brain was trying to do here.

Danny was sent on a mission by Clockwork and missed his window back home, getting stuck in a vast, dark (twilight), oceanic place; with only the company of fish-like beings that can only communicate empathically very basic desires and intents.

After a while of panic and searching for a way back, he ultimately settles in and waits for rescue, occupying his time by playing with and training his powers. He discovers an ability to shapeshift and decides to make his form into something more comfortable and camouflaged for where he is.

The form he settles in to is somewhere between human and fish. Hands and claws and fins and webbing and gills.

It saves his life when Danny loses his hold on his ghost form, discovering that the changes transferred over to his living self.

And Danny waits.

And waits.

And drifts along, avoiding the attention of anything with teeth and intent to eat, while searching for his own meal.

And forgets what he's waiting for.

Danny has been there so long now. His memories of before are nothing but vague, indistinct impressions. Like the shadow of the other creatures that sometimes brush against his own. When the green, swirling thing appears in front of him, he almost swims away from it. But something about it brushes him, like those shadows of before. It calls to him, urges him to approach, to swim through.

On the other side of the green thing is light. So much light. It's so bright. And full of fish. More fish and more light than he can remember ever seeing before. The other fish swim around, swimming with a suffocating shadow of urgency and fear. And the green thing is gone.

Confused and disoriented, he cannot avoid the massive thing, like a strange tangle of kelp vines, sweeping through the water collecting anything that does not avoid it's path. It pulls him and many fish up and up and up. To a place too heavy to swim, where some instinct has him changing the way he breathes from his gills to his mouth and nostrils. He didn't know he could do that. And yet, some part of him is quite certain that he did.

There are strange shapes beyond the strange vines. They bark noises that brush against those shadows of memory, but he does not understand them. He should, he knows he should. He should understand a lot more about this situation than he does. But he doesn't.

"Is that one of them fish people?"

"Looks like it. Seems a young one too."

"Should we toss it back?"

"Why? Pretty little fish, bet we could find a buyer. He oughta fetch a pretty penny. Might even get nough to actually retire."

[coquettepascal]

purpose on earth

summary: joel loves to take, you love to give.

tags: 18+, smut, angst(ish), jackson era!joel, cold!joel, grumpy!joel, innocent!reader, dom!joel, implied age gap (reader doesn't remember pre-outbreak), corruption kink, joel takes your undies, humiliation, oral sex (m!receiving), allusion to thigh riding, a feeling of helpless/hopeless-ness permeates this fic, reader is pretty pathetic, use of "sweet girl", objectification of reader, unrequited obsession, this fic isn't necessarily sexy, just mildly sad.

a/n: i literally wrote this like an hour ago while i was supposed to be outlining my next project, but @hellishjoel told me to listen to my creative demons... so now this is being posted.

(1.1k, just a baby)

Nothing in this world has ever, or will ever, belong to you. Faint memories glaze your mind sometimes, when you lay down to rest. Not your own memories, but things you’ve read in books and seen in abandoned family photo albums. White wedding dresses, cars that drive, Sunday night family dinner. An American lifestyle that was sucked away with the cordyceps, something only they could clear out. The bombs the government used, the ones you can’t remember anymore, they never wiped mother earth clean the way she has done for herself.

She’s infected, and not yours. Nothing outside of Jackson’s walls belongs to your human hands.

You’ve never known ownership. The clothes you wear belonged to people before you, the ground you walk on cannot be sold. Maybe in another life this would feel fulfilling, but something in you wants to know what it is to own, or even fit in. Your skin, flushed and healthy, skin full of life and blood and organs. A heart that thumps in a world of disease, disorder, death. What a weird purity you hold, something you want to ruin. 

A person like you isn’t meant to own anything here. It feels like you have to belong, if you wish to take.

He will do it for you. 

Joel knows greed, remembers the world before. His hands have taken food, land, lives, anything you can imagine. It isn’t something you realistically think about, more infatuated with how he has the ability to do all these things. Not that you hadn’t committed your own sins, but to defend yourself isn’t wrong, at least that’s what he says. Something in Joel smolders the way only a primal fire can, he is from a world whose memory of a flame will extinguish soon.

He doesn’t help with any of your wants, your need to own or belong. But Joel shows you what it is to take.

You don’t understand the fascination he has with you. The memory of the night he first led you back to his house is blurry, a fleeting moment in comparison to what has happened since. There was conversation of music, of you having a tape you wish you could play. 

His hands were slow when they slid your underwear down your legs, you hoped he wasn’t looking. Nothing about you felt sexy or womanly, you felt dwarfed when he was so close. Again, you wished you could belong, so maybe you could hide. There was a stain in the gusset and you remember how he pulled the garment off your ankles when it dangled there.

“Lemme see,” he had demanded, “lemme see what I did t’you.���

Joel had smeared his thumb through the sticky wet mark, huffing in surprise. He knew it was for him, knew there was nothing else that could have made you do that. Humiliated, you had tried to yank back your underwear, but he refused.

“S’mine now,” he laughed, cheeks rosy.

That was the first time Joel took from you. 

Now you seek him, the ache for belonging in the world twisting to a yearning for him to take from you. If you could not belong to this world, if you could not fit, at least you could fulfill him. Joel doesn’t like it when you seek him out too often, hates when others notice it. You’re not his, never his, just a moment of gratification for his consuming greed. 

Once, you waited in the early morning at the stables for him. Crouched near the barn door, you waited and watched the dewy grass grow. The crunch of his boots, the yawn he let out as he passed by you, it was enough. He said nothing to you, took off on his horse with some other man trailing behind him. 

“Joel’s so responsible,” you thought to yourself, “he’ll need me later I bet.”

Of course, he did. You relished in the small victory of him stealing from you again. Purity leaks from you in the form of drool on your chin, when he pulls you off his cock. Joel’s thumbs push the spit back in your mouth and you suck it down willingly. Praise rumbles off his tongue and into your ears, a southern rhythm you find sanctuary in. Pushing his dick back into your mouth is all pleasure to him, but it’s a taste of greed for you. 

“Sweet girl, that’s a good mouth f’me, ain’t it?” Joel asks, head tilting back.

He never takes his pants off, but he strips you naked. His eyes arguably take more than his hands ever will. The bob of his Adam's apple hypnotizes your eyes as you garble a response to his question. Scarcely do you make sense around Joel, or even speak. You don’t think you can remember the last time you held a proper conversation with him, he usually just waits for you to come around.

It all starts the same, standing on his porch and waiting until he opens the door.

“Missin’ me?” He asks every time.

Joel doesn’t miss you, he doesn’t need you. He just likes how much you give. But you miss him, as soon as he pushes you out into the cold again you miss him. His greed is your purpose.

And so with your purpose, you push yourself down to the base of him. The waterline of your eyes is welling up fast, distorting your vision of him. You blink up at him like he’ll look down, like you’re more than a mouth. You aren’t, not to him, but you get to admire him like this. The puff of his chest, the swell of his throat, and his hands when they come to rip you off him.

He never pulls your hair, just grasps your face in his worn-down palms and pushes you away before jerking himself onto your naked body. 

“S’nice, you’re so nice t’me,” he grumbles. 

Under the yellow light in Joel’s living room, you feel useful. You’re doing more than surviving in this world. You have a purpose, even if he seldom needs you. He uses the sleeves of his flannel to wipe away the tears that slide down your cheeks, still mumbling about how sweet you are. Naked, smattered in him, you smile. Glittery eyes meet his and he snorts. 

“You were missin’ me, huh?” He teases. 

Joel rubs his thumb across your cheek again, the closest thing you’ll get to his lips on you. In his post-orgasmic haze, he almost looks fond. 

“He almost likes me,” your mind whispers, your stomach fluttering, “it’s almost like I belong.”

And once you’ve nodded in response to his question, messy mouthed and gazing at him, your purpose, he taps his thigh. Blood rushes to your head as you stand, crawling onto him. 

In your obedient mind, you define your efforts for Joel as a purpose, but you think you can taste a hint of belonging each time he spreads your legs. 

[fans4wga]

"The studios thought they could handle a strike. They might end up sparking a revolution"

by Mary McNamara

"If you want to start a revolution, tell your workers you’d rather see them lose their homes than offer them fair wages. Then lecture them about how their “unrealistic” demands are “disruptive” to the industry, not to mention disturbing your revels at Versailles, er, Sun Valley.

Honestly, watching the studios turn one strike into two makes you wonder whether any of their executives have ever seen a movie or watched a television show. Scenes of rich overlords sipping Champagne and acting irritated while the crowd howls for bread rarely end well for the Champagne sippers.

This spring, it sometimes seemed like the Hollywood studios represented by the Alliance of Motion Picture and Television Producers were actively itching for a writers’ strike. Speculations about why, exactly, ran the gamut: Perhaps it would save a little money in the short run and show the Writers Guild of America (perceived as cocky after its recent ability to force agents out of the packaging business) who’s boss.

More obviously, it might secure the least costly compromise on issues like residuals payments and transparency about viewership.

But the 20,000 members of the WGA are not the only people who, having had their lives and livelihoods upended by the streaming model, want fair pay and assurances about the use of artificial intelligence, among other sticking points. The 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists share many of the writers’ concerns. And recent unforced errors by studio executives, named and anonymous, have suddenly transformed a fight the studios were spoiling for into a public relations war they cannot win.

Even as SAG-AFTRA representatives were seeing a majority of their demands rejected despite a nearly unanimous strike vote, a Deadline story quoted unnamed executives detailing a strategy to bleed striking writers until they come crawling back.

Days later, when an actors’ strike seemed imminent, Disney Chief Executive Bob Iger took time away from the Sun Valley Conference in Idaho not to offer compromise but to lecture. He told CNBC’s David Faber that the unions’ refusal to help out the studios by taking a lesser deal is “very disturbing to me.”

“There’s a level of expectation that they have that is just not realistic,” Iger said. “And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”

If Iger thought his attempt to exec-splain the situation would make actors think twice about walking out, he was very much mistaken. Instead, he handed SAG-AFTRA President Fran Drescher the perfect opportunity for the kind of speech usually shouted atop the barricades.

“We are the victims here,” she said Thursday, marking the start of the actors’ strike. “We are being victimized by a very greedy entity. I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly: How far apart we are on so many things. How they plead poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”

Cue the cascading strings of “Les Mis,” bolstered by images of the most famous people on the planet walking out in solidarity: the cast of “Oppenheimer” leaving the film’s London premiere; the writers and cast of “The X-Files” reuniting on the picket line.

A few days later, Barry Diller, chairman and senior executive of IAC and Expedia Group and a former Hollywood studio chief, suggested that studio executives and top-earning actors take a 25% pay cut to bring a quick end to the strikes and help prevent “the collapse of the entire industry.”

When Diller is telling executives to take a pay cut to avoid destroying their industry, it is no longer a strike, or even two strikes. It is a last-ditch attempt to prevent le déluge.

Yes, during the 2007-08 writers’ strike, picketers yelled noncomplimentary things at executives as they entered their respective lots. (“What you earnin’, Chernin?” was popular at Fox, where Peter Chernin was chairman and chief executive.) But that was before social media made everything more immediate, incendiary and personal. (Even if they have never seen a movie or TV show, one would think that people heading up media companies would understand how media actually work.)

Even at the most heated moments of the last writers’ strike, executives like Chernin and Iger were seen as people who could be reasoned with — in part because most of the executives were running studios, not conglomerations, but mostly because the pay gap between executives and workers, in Hollywood and across the country, had not yet widened to the reprehensible chasm it has since.

Now, the massive eight- and nine-figure salaries of studio heads alongside photos of pitiably small residual checks are paraded across legacy and social media like historical illustrations of monarchs growing fat as their people starve. Proof that, no matter how loudly the studios claim otherwise, there is plenty of money to go around.

Topping that list is Warner Bros. Discovery Chief Executive Davd Zaslav. Having re-named HBO Max just Max and made cuts to the beloved Turner Classic Movies, among other unpopular moves, Zaslav has become a symbol of the cold-hearted, highly compensated executive that the writers and actors are railing against.

The ferocious criticism of individual executives’ salaries has placed Hollywood’s labor conflict at the center of the conversation about growing wealth disparities in the U.S., which stokes, if not causes, much of this country’s political divisions. It also strengthens the solidarity among the WGA and SAG-AFTRA and with other groups, from hotel workers to UPS employees, in the midst of disputes during what’s been called a “hot labor summer.”

Unfortunately, the heightened antagonism between studio executives and union members also appears to leave little room for the kind of one-on-one negotiation that helped end the 2007-08 writers’ strike. Iger’s provocative statement, and the backlash it provoked, would seem to eliminate him as a potential elder statesman who could work with both sides to help broker a deal.

Absent Diller and his “cut your damn salaries” plan, there are few Hollywood figures with the kind of experience, reputation and relationships to fill the vacuum.

At this point, the only real solution has been offered by actor Mark Ruffalo, who recently suggested that workers seize the means of production by getting back into the indie business, which is difficult to imagine and not much help for those working in television.

It’s the AMPTP that needs to heed Iger’s admonishment. At a time when the entertainment industry is going through so much disruption, two strikes is the last thing anyone needs, especially when the solution is so simple. If the studios don’t want a full-blown revolution on their hands, they’d be smart to give members of the WGA and SAG-AFTRA contracts they can live with."

[dunmeshistash]

Ryoko Kui Q&A (part of the Autograph event in Shanghai, China)

Here's the full Q&A copied from the post by Minute_Profession_34 on reddit

Original on weibo

About Ryoko Kui

Q: You have created a lot of interesting short manga in the past, do you have any favorite short manga by other artists?

A: A classic choice though, I think it's the collection of short stories by Fujiko F. Fujio. Other impressive works include "Hanshin: Half-God" by Moto Hagio, "Hanashippanashi " by Daisuke Igarashi, "茄子" by 黑田硫黄, "Skygrazer" by Ishiguro Masakazu, and "Tabi (The Journey of Life)" by Irie Aki. However, I haven't really read many short manga compilations.

Q: Do you prefer to create short manga or longer ones?

A: Long manga.

Q: Do you have a game that you highly recommend to fans?

A: Although not a game title, Steam Deck is the best thing I have bought in the last few years.

Q: What kind of music genre do you like?

A: I'm really not a music person and don't listen to music at all. Sometimes I listen to something like Tropical House.

About the creation & worldview of Dungeon Meshi

Q: Is the main storyline of the comics conceived at the beginning? Is the final ending adjusted during the serialization process?

A: I decided everything from the beginning. It may sound overly pretentious to say that, but I am the type of person who cannot move forward with each and every story unless I have decided on the main flow of the story. Of course, there are parts that I changed during the process because I thought, "I was going to do it this way, but it might not be natural," and there are parts that didn't work out the way I wanted them to. However, I think the story turned out to be roughly what I had in mind at the beginning.

Q: Will people outside of the dungeon incorporate the use of magic into their daily lives?

A: It would depend on the region. There are many sorcerers in elven and gnome cultures, but I don't think you will find many in dwarf and most short-lived cultures.

Q: What secrets of ancient magic are the elves hiding? Why would one be punished for doing anything related to ancient magic?

A: It is about the existence of Demon. They restricted that information because they didn't know what effect it would have on the world if the existence of Ddemon became known.

Q: How do adventurers know the time? Is there any dungeon having a different time flow from the normal world?

A: Some people bring things like clocks, but most only use their biological clock. There are also Dungeons where the flow of time is different from that on the ground.

Q: In the world of Dungeon Meshi, how do you deal with natural disasters, what would Laios or Marcille or Canaries do when there's a drought or a storm?

A: I don’t think it is so different from us.

About characters in Dungeon Meshi

Q: It’s about to give the new puppy a name again. Can Laos still beat Falin?

A: 7 out of 10, Laios will win. Or it may be decided by rock-paper-scissors or a raffle.

Q: Who will inherit the Golden Land after the passaway of Laios? The children and grandchildren of Yaad? Or the descendants of Laios? Or will there be a new Devourer?

A: Maybe the descendants of the Laios will inherit it, or maybe it will be passed on to someone with no blood ties at all. Or perhaps the monarchy will be abolished.

Q: Will Laios continue to eat monsters in the castle? And who will cook, maybe someone better than Senshi?

A: Many people in Merini are good cooks, but Senshi's cooking must be special to Laios. He may invite Senshi to cook from time to time.

Q: Where will Falin prefer to travel to?

A: She may prefer places where she can see landscapes and cultures she has never seen before.

Q: Would Marcille befriend a half-elf, such as Fionil? Since half-elves shouldn't think too much about longevity amongst themselves. Or would they not consider race as a factor to make friends but by fate?

A: Because mixed species in this world grow at very different rates and have very different abilities from person to person, there is often not much of a sense of sameness when you first meet them. They may or may not become friends as a result of interacting with each other as we would with any other human being.

Q: Is there any special meaning of Marcille and her mother's ribbons on the neck? And what about Cithis’s ribbon?

A: In elven culture, people with magic tattoos on their necks sometimes wear decorations covering their necks to hide the tattoos (mainly military personnel) This has spread to the general population, and many people wear decorations on their necks even if they do not have neck tattoos. Marcille and her mother's ribbons are just for fashion. While Cithis may have something special.

Q: Why wouldn’t Cithis wear a gorget? Or she’s not afraid of Dungeon Rabbits?

A: Maybe it’s suffocating or simply not liking it? The head-cutting Dungeon Rabbit is a fearsome monster, but it is not the first thing for the rear guard to be on the lookout for.

Q: How will Izutsumi and Falin get along with each other?

A: They may work together if necessary, but I doubt that Izutsumi will actively show interest in Falin (as she does with everyone).

Q: Itsuzumi has a beast soul mixed with a small amount of human soul, and does she shapeshift between a beast-man and a beast form like Lycion?

A: It can be done, but once transformed, she may no longer want to return to her human form.

*This Q&A seems to be strange

Q: What would Thistle do if he attended the former dungeon masters meetings?

A: Perhaps he would feel angry at the incompetence of other masters (their dependence on the devil).

Q: How did Milsiril accept Helki to stay by her side? After all, she hated elves and was bullied by her Canary teammates.

A: In the past, Helki was abandoned by his comrades for various reasons, and she could not leave him alone.

Q: Has Kabru ever had a real relationship with a girl? If so, what race or personality type of the girl was she?

A: I don’t think he cares about race, etc...

Q: What kind of soba will Mithrun make?

A: I hope he can make delicious soba.

Q: I would like to know the name of Mithrun’s brother or his brother’s crush!

A: His brother's name is Obrin (オブリン). I haven't thought of a particular name for his brother’s crush, so I'll name her appropriately now. Hmmm. Sultha (スルスハ).

Q: Since Mithrun used to assist Canary from behind, I wonder what kind of weapons he was good at using? Or was he good at using no weapons? (this is new info from the Korean Q&A)

A: He used a magic staff similar to that used by Pattadol. He was issued with the same one by the team. However, he no longer carried it because he lost it easily.

[walble]

From Your Future Self

Paid Readings | Ko-Fi

This is meant to be a fun, general reading, so it may not resonate with everyone. Take what resonates for you and leave the rest behind! Please take a moment to breathe, focus on your intuition, and choose the photo that calls to you. Each holds a unique message for you!

𐙚 • 𝑃𝑖𝑙𝑒 1

Your future self is gently asking you to slow down and take a closer look at how you're treating yourself. You’ve likely been giving so much of your energy to others or trying to meet expectations that you've started to lose sight of your own needs. There's a feeling that you've been disconnected from your sense of worth, creativity, or self-care. Your future self wants you to know that true fulfillment starts within—you can't pour from an empty cup, and it's time to refill yours.

There’s also a sense of frustration—like you’ve been working hard but not seeing the growth or progress you hoped for. It might feel like you’re juggling too much or spreading yourself too thin. Your future self encourages you to simplify. Ask yourself: are you investing your time and energy in things that truly matter to you, or are you stuck in cycles that leave you feeling drained? This is a time to get clear on what’s worth your effort and what needs to be released.

A major decision may be weighing on you, one you've been putting off. It’s something that requires you to be honest with yourself and to trust your ability to choose what’s right—not just what’s easy or comfortable. Your future self is telling you that clarity will come when you stop avoiding and start listening to your inner truth. Don’t be afraid to choose what aligns with your values, even if it feels uncertain.

Lastly, there’s a message about timing. You may feel like things aren’t unfolding the way you expected, or like your future is foggy or delayed. But your future self wants you to know that delays don’t mean denial. This is a time of redirection and realignment. Be patient. Focus on building a solid foundation within yourself first—and the path ahead will become clearer when you’re ready to walk it with confidence.

𐙚 • 𝑃𝑖𝑙𝑒 2

Your future self is encouraging you to reflect on your recent choices and the foundations you’ve been trying to build. There’s a strong message about consequences—both good and bad—and how every action you take shapes your path forward. If something feels off or unfair in your current reality, your future self wants you to know that clarity and balance are on their way. But it’s essential that you take responsibility for what you can control and release what you cannot.

There seems to be an opportunity that either slipped through your fingers or hasn’t come to full fruition. This may have left you feeling disappointed or unsure of your direction. But instead of seeing this as a dead end, your future self wants you to view it as redirection. Sometimes, what we think is a loss is actually a necessary clearing to make space for something better. What crumbled or didn’t work out may have been built on shaky ground—and now, you’re being given the chance to rebuild with more awareness and intention.

It’s possible you’ve been isolating yourself, either to avoid further disappointment or because you’re trying to make sense of everything alone. Your future self wants to remind you that while solitude can be healing, shutting yourself off for too long can become a barrier to growth. You’re being guided to slowly reengage—with life, with others, and most importantly, with your inner wisdom. You’ve learned so much through your recent experiences, and now it’s time to integrate that knowledge into your next steps.

The message is clear: trust the process, trust your pace, and trust your intuition. Your future self is proud of the resilience you've shown and wants you to know that steady progress will take you further than rushing ever could. You already carry the answers you need within you—it’s just a matter of slowing down and listening. The path ahead is not about shortcuts or grand leaps, but about patient, mindful movement toward something lasting and true.

𐙚 • 𝑃𝑖𝑙𝑒 3

Your future self is reminding you that you are capable of building something lasting, something truly meaningful—whether it’s in your career, your relationships, or your sense of home and belonging. There’s a strong energy of abundance and long-term fulfillment in your future, but it requires you to let go of certain patterns or attachments that have kept you stuck. You may be in the process of releasing old habits, toxic influences, or beliefs that once felt comforting but now only limit your growth.

Right now, you might feel mentally trapped or unsure of how to move forward, as if you’re stuck in a loop of overthinking or self-doubt. But your future self wants you to know that the cage is an illusion. The limits you feel are not permanent—you have more power than you think. It’s time to start trusting your emotional instincts again, even if they feel raw or uncertain. Vulnerability, openness, and small expressions of your truth will lead you to the breakthroughs you’ve been hoping for.

There may also be someone around you—or perhaps an aspect of yourself—who struggles with control, impatience, or ego. Your future self advises you not to let pride or impulsiveness block your heart’s deeper desires. You are being guided toward emotional maturity, deeper compassion, and authentic connection—not performance or dominance. There’s beauty in softness, and your ability to lead with empathy will open new doors that ambition alone cannot.

Overall, your future self wants to reassure you that love, stability, and creative joy are not only possible—they’re on the horizon. But the journey requires shedding what no longer aligns and allowing yourself to dream again, even if it starts with just a flicker of hope. You don’t have to have it all figured out. You just have to be willing to take the next honest step toward the life that truly calls to you.

Tip Jar

[the-cosmic-cauldron]

Did you know that your Mars sign can tell you how you respond to someone you’re attracted to? It can essentially build a picture of how you interact with people you’re drawn to. Let’s dive into it.

Fire Mars

When Fire Mars is attracted to you, they have to tell you. They cannot hold back; they need to either give you a compliment or ask you out directly. These people need to know what you’re doing and whether you’re single. They come on strong. When they find you attractive, they want to seize the moment. They do not like waiting and are incredibly impatient, so they’re quick to dive in, ask you questions, ask you out on a date, and even take things to the bedroom quickly. These people don’t play. They can’t hold back once they feel attraction. Fire Mars is definitely not the type to follow the “60-day rule”—they need it now. When they find you attractive, they are touchy-feely, often without even realizing it. This comes naturally to them. Because of this, Fire Mars is often ready to jump into the bedroom quickly, even without a strong emotional connection. They might even ask you to be in a relationship with them very fast, as they don’t understand how to slow things down. Fire Mars is hot and ready, and you can’t turn them down easily. Even if you reject them, their persistence is strong, and they know how to charm you into saying yes. They might even play a role just to get you to agree. This is Fire Mars.

Earth Mars

When Earth Mars is attracted to you, they are slow and methodical. They spend a lot of time in their head, constantly thinking about what they want to do and how they want to approach you. They need to know exactly what they like about you before they even feel attracted. Earth Mars can’t simply like you; they need to identify the specific traits they like, whether it’s your hands, your height, or your muscles. They take a long time to make a move, being very slow, steady, and careful. They will vet you out, observing and evaluating you, sometimes making a mental list of pros and cons. They might even decide that you don’t fit into their life, which is why some Earth Mars individuals may only pursue a physical connection without a deeper commitment. They are notorious for acting like they’re courting you when, in reality, they’re just interested in a hookup. Once they get what they want, they retreat back into their heads, often not making any further moves. Earth Mars can take a long time to make the first move, and if they do act quickly, it may be due to influences from other fiery placements in their chart.

Air Mars

When Air Mars likes you, they often don’t know where things are going. They like to live in the moment, pacing things out and seeing where it leads. A simple conversation can be enough to spark attraction. Mental connection is everything to them, and if you can intrigue them mentally, they’re hooked. They are picky about who they talk to, as they need mental stimulation to feel attracted. Air Mars is interested in people who can keep up with their conversations, but they can also be unsure about commitment. They get intrigued and curious about you, and that’s what draws them in. When Air Mars comes up to talk to you, it doesn’t always mean they’re in love with you—they’re often just being charming or flirtatious. However, if they really like you, they’ll likely try to connect with you more intimately, and they’re very persuasive in this area. They don’t care much for rules and will often throw them aside to get what they want. Air Mars is good at charming people into the bedroom and will happily explore new and exciting things there. Their ability to mentally stimulate you and push boundaries can make them very captivating in intimate settings.

Water Mars

Water Mars can be a bit mysterious. When they’re attracted to you, they tend to act in subtle and sometimes contradictory ways. They can be bold one moment, then retreat into subtlety the next. You might not know where you stand with them because they’re often hard to read. Water Mars likes to be in your orbit—they enjoy being around you, observing you, and interacting with you at random times. They may not always openly express their feelings but will drop hints and wait for you to pick up on them. They prefer to be chased, and although they’re attracted to you, they often want you to make the first move. Their boldness only comes out when they’ve had enough of the games or when they really want to move things to the bedroom. Water Mars is often shy or timid when it comes to showing their attraction in person, but online or over text, they might be more open. They are receptive in nature and prefer others to pursue them. Water Mars enjoys being pursued and doesn’t always take the initiative, even when they’re interested. They like to feel comfortable around you before expressing their feelings, and they often want others to take the lead in the relationship.

[03den]

bfhamzah headcanons - part 2 ( gnreader )

a.n: my god i was not expecting allat on my first post, thank uuu sm have some more fun w my rambling (slightly suggestive & reader is referred to as gf/wife)

part 1

in part one i briefly talked about how hamzah texts you a lot, and i stand my ground on that. he def spams you with the most random things. if he encounters a funny thing on the street, he immediately takes his phone out and sends you a photo. wait, did hamzah just thought about a really bad joke that is not funny in the slightest? he's proudly texting you it with no context at all. sometimes you're sitting in the same room, both on your silent phone time, and he's just repeatedly sending you brainrot reels, laughing to himself. oh, and you better watch them and the tiktoks he sends you, because he will reference them later and be dramatic about it if you don't understand it. "hi im ol- ol- oliver" "what?" "you don't know what i'm talking about? babe, no. i literally sent you the og tiktok!" ohh he's going to be salty about it.

onto that, i don't think he's the biggest pet name user. i think he prefers to call you by a nickname only he has for you—he thinks it makes him more special. once, martin tried to call you by that same nickname during a video, and hamzah just side eyed him and went "dude, no. stop.” occasionally, he will call you babe or baby in situations where he's attention seeking, half-asleep, high, trying to win your affection back after pestering you for too long... but that's also what he calls you during those moments, when his mind is foggy with different thoughts, and constant stimulation steal his ability to self-control. anything other than babe or baby, i can see it lowkey making him cringe

something corny that def doesn't make him cringe though is matching clothes—oh, this man loves it. and i don't mean subtle matching. yk those iconic t-shirts hamzah and martin constantly wear? the ones he buys to match with you are like that—white t-shirt with black letters saying 'i think they're hot' with an arrow each pointing to different sides. he for sure has asked you to wear that shirt with him for a youtube video, and made you sit so the arrow on his shirt pointed to you, and yours to him. has bought himself the ‘i love my gf’ black hoodie and wears the ‘i don't need an encyclopedia my wife knows it all’ t-shirt more often now that you're dating. don’t worry tho he let's you choose normal matching clothes as well

he can be a very silly bf, specially in public where he feels too exposed to be vulnerable, however, deep down he’s so so sweet, so caring. mumbled confessions against your neck late at night, hamzah tells you things weighted with such love it puts you under some daze. it’s not so easy for him to be in such vulnerable state, his words come out messy and shy, but the fact he tries nonetheless gives his voice a certain rawness—there’s no room for you to doubt his words

his heartfelt ‘i love you’s are always heard during these moments. repeated over and over, in between kisses, one no more genuine than the other. hamzah feels every word in ‘i love you’, and so do you, so they’re more reserved for times like these. that doesn't mean you ever separate ways without a quick "love you" with a peck though, that's an essential for him.

you are so important to hamzah, like actually so important it’s in everything he does. it’s in the way he does his groceries thinking about what you’d want, in case you come over; it’s in the way every other concern is pushed aside the moment he sees you; it’s in the way his house is covered in evidence of your presence; and in how he cannot stop posting you—be it on tiktok, youtube, or wtv

something else the fans noticed during a video is how he keeps a polaroid of you two on his phone case—a selfie of you next to each other, camera too close to your faces but that still managed to capture your laughing fit and his grin. it’s cute, and even tho it was a moment between js the two of you, the picture clearly conveys the love you have for each other.

after some time dating, youtube gets flooded with compilations of your relationship. ‘hamzah annoying name for 15 minutes straight’. ‘every clip of Hamzah being absolutely in love WARNING: long video.’ ‘moments where name and hamzah openly flirted in front of the camera.’

extras!

literally had no idea on what to put on the brainrot line.. i havent been keeping up w brainrot also im so obsessed with every photo of him included in this post