#source: samurai jack

[incorrect-tmnt2012-quotes]

Shredder: Poor, unfortunate creature. Casey: I'm not poor! Shredder: What? Casey: I might be unfortunate, but I'm not poor!

[thehyperrequiem]

And now, a random incorrect Punch Out Quote

Piston Hondo: Poor, unfortunate soul. Glass Joe: I'm not poor! Piston Hondo: What? Glass Joe: I might be unfortunate, but I'm not poor!

[shadow-coolness]

Naruto: What jutsu is this? Who are you?

Dark Naruto: Don't be such a fool! I'm you!

Naruto: If you are me, who am I?

Dark Naruto: Argh! You are so stupid! You are you also!

[momo-no-tane]

Animate Cafe has announced that they will be collaborating with Shugo Chara! to hold collaboration cafes with original illustrations by Peach-Pit and chibi illustrations by Kurokuma. The collaboration cafes will be held at Animate Cafes in Ikebukuro 2nd Store and Osaka Nipponbashi from February 20th, 2025 to March 17th, 2025. For every 2,000 yen spent on food or goods, customers will receive a random bromide. There 10 types available.

The prices are as follows (tax included):

Food Menu:

Ran's Guardian Egg Omurice - 1,500 yen

Utau and Amu's Tonkotsu Stubborn Ramen - 1,500 yen

Ikuto and Yoru's Cat's Paw Burger - 1,500 yen

Picture Book Style Lunch Box - 1,500 yen

Dessert Menu:

Miki's Canvas Style Cake - 1,400 yen

Amu and Ikuto's Teacup Dessert Plate - 1,300 yen

Tadase's Crown Parfait - 1,300 yen

Drink Menu:

Amulet Clover's Melon Drink - 950 yen

Platinum Royal's White Chocolate Milk - 900 yen

Yamato Maihime's Cherry Blossom Drink - 900 yen

Sky Jack's Muscat Soda - 900 yen

Dear Baby's Peach Milk - 900 yen

Black Lynx's Blue Lemonade - 900 yen

Lunatic Charm's Strawberry Drink - 900 yen

Clown Drop's Pink Lemonade - 900 yen

Samurai Soul's Fragrant Olive Green Tea - 900 yen

Goods:

Aurora Acrylic Stands (2 Types) - 1,900 yen

Packaged Sweets (1 Type) - 2,000 yen

Glitter Pin Buttons Set (1 Type) - 1,500 yen

Big Sparkling Stickers (2 Types) - 800 yen

Acrylic Art Board (1 Type) - 6,500 yen

Trading Mini Acrylic Stands (9 Types) - 800 yen

Trading Holographic Stickers (9 Types) - 600 yen

Trading CoLottas (15 Types) - 900 yen

Acrylic Stands (3 Types) - 2,200 yen

Mail Order Limited Item:

Big Tapestries (2 Types) - 9,500 yen

Source: Animate, Nijimen, X, X

[ckret2]

Ive never watched Samurai Jack, and now besides feeling like I must- I have thoughts. An AU where Aku and Jack end up in a the PPG parallel timeline- and it creates some reaction with the current chemical X. Have to help fight HIM or some other great force. Aku literally doing it because its actually his planet to control thank you but out. Jack just staring at his distant relation and how he just had chemical X hanging in such a way that he could break it and have it land in his child potion. And infect his monkey assistant. And that monkey assistant new enough to mimic its effect to create radioactive boys

honestly, headcanoning "Aku's goo is the source of Chemical X" makes the Rowdyruff Boys even funnier. The vile substance that granted the Powerpuff Girls their power and Mojo Jojo his evil genius is derived from the malevolent alien primordial ooze which birthed Aku and the dark blood that drips through his shadowy veins. It is the raw stuff of which the Shapeshifting Master of Darkness, the Shogun of Sorrow is made; the godly/demonic substance that can possess innocent minds and corrupt pure souls; the scion of a vast all-consuming chaotic darkness from the dawn of the universe

and this goddamn monkey is like "oh yeah I synthesized an adequate substitute in an unclean toilet bowl."

I occasionally mentally toy around with an AU I'll never write based on the premise of them both ending up in Townsville. Samurai Jack canon: Aku conquers Jack's kingdom, Jack tries to kill Aku, Aku sends Jack thousands of years into the future to get him out of the way, Jack comes back from the future and times his exit so that it's like thirty seconds after he left and he resumes fighting a weakened Aku; AU diverges here, Aku gets away from Jack by sending himself into the future (which is immediately altered since this now means Aku hasn't been ruling over the world for the past few centuries); Jack follows to hunt him down. Maybe give future!Aku's memories to past!Aku just for the fun of it even though it isn't logical, we can call it time travel magic BS.

i imagine Aku gets there first and Jack finds him some weeks/months later just because that makes for some much funnier possibilities. Aku arrives weakened, the magic sword shredded him so thoroughly that it'll take him ages to regain his power; he sniffs out the scent of himself and goes toward it in hopes of finding shelter—loyal cult, pit of evil slime, time traveled duplicate of himself, whatever—finds the house it's coming from, knocks on the door, is greeted by three floating girls who go now this guy looks pretty evil but we learned at school not to judge based on appearances, and Aku's staring at them flummoxed like "MORE daughters I didn't know about????"

The professor shows up, Aku wants to know why his blood is inside these weird little girls he's never seen before, the professor wants to know why his girls have this freaky stranger's blood inside them, after a couple of confusing minutes everyone works out that the freaky stranger is the anthropomorphized form of the main component of one of the four ingredients used to create these weird little girls. Aku's like ah, kindred spirits. I too was formed by a foolish man's irresponsible alchemy.

the girls are like, "so that makes you like our other dad!" Aku's like "sure, why not!" just add a few more little bastards he didn't know he was supposed to be paying child support for. The girls are like "so are you a superhero like us?" and Aku—who's still so thoroughly thrashed from his fight with Jack that his spine feels about as structurally supportive as a toothpick and he thinks he might keel over dead if he so much as looks at a magic sword—resists the urge to reel in horror at the words superhero like us and goes, "... Yyyessssss." Fake smile. "Do you have a guest room." Beggars can't be choosers.

(he could have followed the other nearby Chemical X scent trail to the volcano in the middle of town but nooo, the suburban house was closer.)

so imagine Jack managing to find the Utonium household after a heavily-injured Aku has spent a couple months doing everything in his power to convince a trio of punch-happy do-gooder toddlers that he's a perfectly friendly and law-abiding walking font of raw superpower juice. Well Jack's gonna have a hard time talking them out of it now, isn't he? The girls claim Aku reads them bedtime stories. World-demolishing tyrants don't read bedtime stories. And Jack can't attack Aku if he's got kindergartener triplets to defend him, no way is he battling kindergarteners.

... so does Professor Utonium have a second guest room for a surprise visit from a distant cousin on his mother's side of the family who's just arrived in America? (Pleasant smile for Utonium; the most aggressive eye contact with Aku over Utonium's shoulder.)

I actually think Aku & Him would get along alright—villains tend to be pretty cordial to each other in Townsville when they aren't actively stepping on each other's toes/schemes, and there's some evidence Aku & Him are friendly with each other.

And it seems to me like Him doesn't want to conquer the world so much as just make it as miserable as possible. If conquest is what it takes to make it miserable, then so be it—if you want something done right, do it yourself—but if someone else could make the world miserable enough, he'd be content; and I think Aku fits the bill. Plus Mojo & Him seem to be sorta friends, and any friend of Aku's other-bastard-child-he-didn't-know-about-but-is-pleased-to-see-following-in-his-footsteps is a friend of Aku.

Aku would probably be down to fight some other villains encroaching on "his" turf, though; like the occasional alien invader.

[radaverse]

I CANNOT BELIEVE I BASICALLY KNEW NOTHING ABOUT THIS SHOW BEFORE

I ABSOLUTELY LOVE IT OMG

Well um, discovered some show, instantly fell in love with it and binge watched all of it.

First idea that came to mind was: artdump.

So here it is.

Gotta get back.

Back to the past.

Samurai Jack.

Foolish Samurai Warrior

child

Jackepression

No words, just ACTION! 💢

Ahfjjskskdll 😭

honk shoo mimimi

Couldn't miss this one 💀

DA FULL PAGE

And the pencil sketches ✨

This took a week to make

[mlp410nightcore]

Moodboard #23:Phoebe

Parents:Samurai Jack (Samurai Jack) and Itward (Fran Bow)

Pony Type: Unicorn becomes Alicorn later on

Interests:Reading (Open Book Background) and Gardening mostly flowers (Flowers Background)

Current Status:Future ruler of Ithersia (Ithersia Kingdom Background)

Aspect Of Personality:Strong Willed (Strong Willed Word Background)

Link To Bio:https://www.tumblr.com/mlp410nightcore/750591046965166080/hi-everyone-here-is-my-main-7-cast-for-my?source=share

*Credit goes to the respectful creators of the different forms of media that the parents of my next gens are from and anything else I used from those different forms of media as well. I only take credit for my next gens, art, ships, stories and the Blossom Love AU.*

Hi Everyone!! This is Phoebe's Moodboard. I picked things that either relate to the next gen's interests and/or personality. I also provided the link to this next gen's bio, so you can learn a little more about this particular next gen. I hope you guys like this. Have a beautiful day and always believe in yourselves!!!

[seeksstaronmewni]

8 years have passed since Samurai Jack got back to the past...

so what's Genndy Tartakovsky been up to during that 8th year? Not to mention The Cartoon Network of course...

Jellystone!'s Season 4 opener "Cartoon Network vs. Jellystone! Crisis on Infinite Mirths", yet another CN crossover episode, was promoted at SDCC 2024 and premiered on HBO Max; the special will premiere on linear television at 10:30 AM Sunday, May 25th, 2025... only on Cartoon Network!

New Line Cinema has Sony Pictures Animation given back the rights for the 2D raunchy adult animated comedy Fixed as another cost-cutting move on Warner Bros. Discovery's part. It was likely to air on [as] with co-production by Cartoon Network Studios, but now it will stream on Netflix in August 2025, and pictures of the film are revealed.

Dexter's Laboratory: The Complete Series was released on DVD in stores featuring Dexter's Laboratory: Ego Trip, which was originally set for its own DVD release but decades later became part of the set.

Genndy Tartakovsky revealed some artwork and a part of the script for Sym-Bionic Titan Season 2's opener (technically Season 3 as CN promoted 2 seasons that make Season 1 up) on his Instagram account.

I got 2 Cartoon Network t-shirts that were not totally official CN merch but branded by Port & Company Ring Spun Fan Favorites.

AWorkersignited got #RIPCartoonNetwork trending although there wasn't any official news otherwise of CN in danger of shutting down. Cartoon Network also trended over "reheated leftovers" for Generation Alpha with more Regular Show content to come.

Primal Screen began to wrap production on their final works up and reincarnated as Space Monster Studio.

Toonami Rewind lasted from May 31st, 2024 to December 27, 2024 due to licensing fees for rerunning the 3 anime that they aired (Sailor Moon, Dragon Ball Z Kai, and Naruto). ACME Night hasn't been active since December 29, 2024, and the Cartoonito branding may end in the US by May 26, 2025.

Samurai Jack aired only 8 episodes of Season 1 on Checkered Past before it was pulled off; it's unknown if it'll return. What a Cartoon! including poor quality butchered prints sourced from The Cartoon Cartoons Show prints also started to occasionally air on the block as well as compilation episodes of Cartoon Planet (1997 version).

Invincible Fight Girl ended up airing on Toonami while Iyanu went to CN; the latter is the most successful Cartoon Network original (though entirely third-party and not even co-produced by the network at all) this year. Duck Dodgers (the series) as well as brief airings of Steven Universe and The Powerpuff Girls reran on CN on weekends. Totally Spies! Season 7 also aired on CN but with new actresses from Distribimage NYC instead of Jennifer Hale and friends due to issues regarding SAG-AFTRA union rates. The Venture Bros. reran from the pilot onward on [as] from August 11, 2024 to May 4, 2025 in celebration of that show's 20th anniversary.

Warner Bros. Discovery may spin some companies off but I'm not sure if Discovery is going to decide to split from WB yet or not.

Genndy Tartakovsky planned to attend a SCAD event but couldn't due to a storm.

Spumco/Ren & Stimpy veteran Jim Smith died as reported on May 2nd, 2025 (6 years after Chris Reccardi - also a Spumco/R&S and Samurai Jack veteran - died). The manliest artist in the world contributed storyboards and prop design to some episodes of Samurai Jack but mostly did character design for Season 2.

Lorenzo Estrada made some fake Uncle Grandpa "Powerhouse-era" Cartoon Network bumpers.

Some Cartoon Cartoons revival shorts are cancelled by WBDiscovery, and, after 4 years since new Gumball content, The Amazing World of Gumball (now titled The Wonderfully Weird World of Gumball) will stream exclusively on Hulu instead of airing on TV.

Craig McCracken, Mike Collins, Ricardo Delgado and Andy Bialk have their Twitter/X accounts deactivated probably due to political discourse.

I can't recall much else but I'll modify this post when I've more mental energy to focus.

First year passing

Second year passing

Third year passing

Fourth year passing

Fifth year passing (incomplete)

Sixth year passing (incomplete)

Seventh year passing (incomplete)

[direpunk]

Hihihi I love your art sm! Would it be a criminal offense punishable by torture labyrinth to ask how you draw faces and expressions? You’re really good at those and I’m writhing on the ground at how nice ur art looks!!!!!!!

uwaaaa you’re so kind!!! thank you!!!!!! made my freaking night!!!!!!! :DDD not punishable by torture labyrinth at all! i will instead put you in my schooling labyrinth 💙🩵💙🩵

the best way i can explain it is i try to use as little detail as possible to convey information. if you can master simplifying info down to the basics, drawing faces gets a lot easier (in my experience, at least!) these ⬇️ are probably my best examples of doing this. i’m really proud of them!! :D

i’m hugely inspired by artists like mike mignola, bruce timm, and genndy tartakovsky! hellboy is one of my favorite medias ever, i grew up watching the dc cartoons timm worked on and samurai jack, so those are my go-to artists whenever i feel like i’m stuck. they’re all insanely good at shape language and simplifying faces in an aesthetically pleasing + concise way. freaking awesome stuff ⬇️

side note: mignola worked as a production designer on disney’s atlantis: the last empire, so that’s another good character design/simplification source!

also, the dreaded anatomy studies :/ I H8 ANATOMY! but i rewatch sinix design’s videos for his crash courses on them OFTEN. he’s funny and charming, always sounds like he’s smiling when he talks, and explains everything in a way that doesn’t make my head want to explode. i highly recommend watching his vids :) ✏️🔗

all in all, it’s just important to not get bogged down by agonizing over details. i still struggle with this a LOT, so this is advice to myself as much as it is to anyone else.

thank you for the ask and kind words, i hope this isn’t too long winded and is helpful in some way! :’) i love YOUR art so much!!

[incorrect-tmnt2012-quotes]

Raph: Mona! Be care- Mona Lisa: *effortlessly takes out several bad guys* Raph: …ful. Mona Lisa: Did you say something? Raph: No… Nevermind.

[thehyperrequiem]

A Random Cookie: At the fork in the road, follow the rocky path. It will take you to the Dragon’s Lair!

Wildberry Cookie: Where will the other one take me?

A Random Cookie: Space Ace!

Wildberry Cookie: *visible confusion in deadpan faced manner*

[shadow-coolness]

Samurai Jack: Who’re you?

Mad Jack : Im you.

Jack: No im me.

….

Mad Jack: “Im Me.” He says.

[room-surprise]

EXTERNAL FICTIONAL INFLUENCES IN DUNGEON MESHI

We know that Ryoko Kui spent considerable time at the beginning of working on Dungeon Meshi doing research and planning the series. Kui constantly references real world culture, history and mythology, but she also occasionally references other fictional works and fantasy genre staples, as well as real-world philosophy.

FICTIONAL INFLUENCES: FANTASY, RPGS AND VIDEO GAMES

There are three major fictional influences on Dungeon Meshi that Kui cites: the works of J.R.R. Tolkien, Dungeons & Dragons, and the Wizardry video game series.

All of these works borrow heavily from the real world themselves (and both D&D and Wizardry borrow from Tolkien), so in many cases similarities between them and Dungeon Meshi are simply the result of Kui going back to the same ancient source material as her predecessors. Other times the ideas Kui is influenced by are things that have become so entrenched in pop culture they are ubiquitous in the fantasy genre, so though the idea may technically originate in Tolkien, D&D, or Wizardry, Kui may not be purposefully borrowing from them.

J.R.R. TOLKIEN

John Ronald Reuel Tolkien (1892-1973) was an English writer and philologist, a scholar of linguistics. He was the author of the high fantasy works The Hobbit and The Lord of the Rings. Tolkien’s work has had such a huge impact on culture that most fantasy fiction created after him borrows either intentionally or unintentionally from his work. Kui stated in a Q&A in Korea that Lord of the Rings is one of her favorite fantasy stories.

Elements in Dungeon Meshi that originate in Tolkein are: Hobbits (halflings) and how they are depicted, the idea that elves and dwarves are two distinct races in conflict with each other as well as some of their identifying traits, and the fictional metal, mithril.

DUNGEONS & DRAGONS

Dungeons & Dragons is a fantasy tabletop role-playing game originally created by Gary Gygax and Dave Arneson in 1974. The game was derived from miniature wargames, and was heavily influenced by the work of Tolkien and other Western fantasy authors such as Jack Vance. D&D was the beginning of modern role-playing games, and had a huge impact on video games and fantasy fiction in all media.

Because of this, obviously D&D came up a lot when Kui was researching the history of fantasy, so she read the rule books, replay novels, and studied some other games inspired by D&D.

The biggest single contributions D&D has made to pop culture is the concept of a dungeon as a place where characters in a story go to explore, fight enemies, find treasure, and gain power or glory, and that a group of people with different specialized skills will join each other as a “party” in order to traverse a dungeon.

The important thing to note here is that “dungeon” only exists in the title of Dungeon Meshi in Japanese, and using the word “dungeon” in the main text of the story is a change made in translation. In Japanese, the characters only refer to the dungeons as labyrinths, which is a word with a specific historic and mythological meaning, completely different from what fantasy fiction dungeons have come to mean.

So although Kui takes advantage of the word “dungeon,” and the unique connotations it’s grown due to D&D, it’s usage is completely external to the world and culture of Dungeon Meshi, it is a title for readers outside of the Dungeon Meshi world, not the characters within it.

Elements in Dungeon Meshi that originate in D&D are: the word and concept of “dungeon”, some monster concepts, such as different colored dragons having different magical/elemental abilities, and having eastern archetypes such as samurai, ninja and martial artists existing alongside western archetypes like knights and wizards. Kui mentions “dark elves”, which are something that D&D invented, however Kui states that they don’t exist in Dungeon Meshi, and that “dark elf” is just a slur non-elves use for elves they think are bad.

WIZARDRY

The computer role-playing game named Wizardry was released in 1981. Heavily influenced by Dungeons & Dragons, Wizardry in turn influenced many other games, and fantasy fiction in general. The series is particularly popular in Japan, to the point where many Wizardry games were made for the Japanese market exclusively, and many modern Japanese fantasy works can directly trace their roots to Wizardry.

Kui watched her father play the original Wizardry when she was a child, and she cites Wizardry VI: Bane of the Cosmic Forge specifically as a major source of inspiration for Dungeon Meshi.

Elements in Dungeon Meshi that originate in Wizardry are: kobolds being dog-men (I’ll provide a more detailed explanation in Chapter 8), the idea of returning to the dungeon to revive someone who had died on a previous journey, and the difficulty and danger of teleportation magic.

Although many of the concepts that inspired Kui are not unique to Wizardry, Wizardry is most likely where Kui first encountered them. For example, there is a plotline in Wizardry VI that has some elements in common with Dungeon Meshi: a lost/abandoned kingdom run by immortals driven insane by their immortality, including a wizard who is controlling the kingdom with the infinite knowledge he gained from the Cosmic Forge pen. The Cosmic Forge pen is also similar to the demon in Dungeon Meshi, since both can grant wishes, and they both have a secret price for using them.

However, I think the most interesting things Wizardry inspired in Dungeon Meshi are less concrete, for example the game mechanics involved in teleportation, or returning to the dungeon to revive a dead party member.

The first Wizardry game was infamous for its extreme difficulty. In the event of their entire party being killed, gameplay could not be resumed; however, players could create a new party, start the game over, and use their new party to recover the bodies and items of their previous one, and revive their old characters if they wished. Doing this was extremely tedious and difficult, but it was also a common part of gameplay, so it’s easy to imagine a young Kui watching her father do it at least once, and that it left a strong impression on her.

Another thing that would have left a strong impression is the way teleportation worked in the original Wizardry. The game lacked an automap feature, which forced players to manually draw a map for every level on graph paper while they played, this was so essential that the publishers included graph paper in the game box. In order to successfully teleport, the player had to enter both the level and target coordinates from their self-drawn map, and so it was easy to get killed by accidentally teleporting into a trap or into a wall.

This sort of careful observation and planning seems like something Kui is fascinated by, as she often shows this kind of attention to detail in Dungeon Meshi, and she repeatedly addresses the risk of teleportation magic, and the value of making maps and carefully documenting your surroundings and experiences in the dungeon.

(This is an excerpt from my essay on cultural and linguistic references in Dungeon Meshi)

[tomoleary]

Bill Wray - Samurai Jack Special #1 Splash Page 53 Original Art (DC, 2002) Source

[ckret2]

puzzling over the disappearing ashi problem here.

I'm not here to talk about how the ending of the series works narratively—that discussion is off the table, not touching it—just how it works logically. and logically i'm not alone in being bugged by the fact that ashi took months to disappear.

like, if she'd disappeared immediately, cool, obviously her existence is a paradox because aku died before he could spawn her, makes sense to disappear

if she hadn't disappeared AT ALL, also cool, that means the time travel rules of samurai jack universe simply don't care about paradoxes

but if it takes MONTHS to disappear, what's going on.

so the headcanon i've settled on is: she didn't disappear because aku had never created her (the No Paradoxes Allowed option), but because aku was no longer fueling her (the Paradoxes Are Fine option).

we repeatedly see aku dripping his essence into robots to power them like gasoline. it's not inconceivable that his essence inside ashi works the same way, due to Goofy Samurai Jack Universe Magic—it didn't just make her, it's fueling her. and we know from the ultrabots that aku maintains a remote connection to the bits of his essence he leaves in other things—meaning he could be transferring more of his essence to them from afar. like,, wirelessly.

so ashi, like any of his robots, is dependent upon aku as a continuous fuel source.

when ashi felt her connection to aku sever, the universe didn't immediately make her disappear because for some reason time travel in samurai jack just doesn't care about that. it went "ok so ur original timeline's been retconned away, yeah whatever, good job escaping before that happened, enjoy your free time paradox." fine.

BUT, with aku gone, ashi is a cell phone unplugged from its charger. she's still got some leftover aku essence inside her; but eventually, that battery runs out of juice. it just happened to take several months to happen. when the last of her magical connective tissue evaporates, so does she.

so if they had remained in the future and killed aku there, ashi still would have disappeared in a few months—along with all aku's shadow demon soldiers—and all his robots would have eventually powered down, too.

im sure im not the only one to think this up, but it's not a theory i've seen floating around when people discuss her poorly-timed disappearance, so i'm throwing it out there

[grimjrfangirl]

It's crazy... We're in 2024 and a day like today marks the 20th anniversary of the Webcomic:Grim Tales from Down Below, on December 20, 2004, so it's been around for 2 decades, existing since the early 2000's, and to think that it all started on DeviantArt, in Bleedman fandom I can say that there are: fangirls / fanboys, artists and beginners who admire him, haters unfortunately in every community there are and also "fetishists", people who in their youth liked his webcomics and now it makes them cringe, no way. Bleedman is currently more active on the X platform formerly Twitter.

The webcomic includes some characters from Cartoon Network animated series, mainly 'The Grim Adventures of Billy and Mandy' -original creator Maxwell Atoms- and with other characters from series such as Spawn, the strange world of Jack, Samurai Jack, Danny Phantom, and even Time Adventure to mention some of many series.

The second crossover webcomic by Vinson Ngo a.k.a Bleedman (the first being Powerpuff Girls Doujinshi), created in late 2004 (about a year after PPGD started), Grim Tales from Down Below is a fan-comic based on fanfic, focusing on two characters created by E.R.M Griffin (Dead Doll00), the children of Grim and a now-adult Mandy, from The Grim Adventures of Billy & Mandy, who in this Alternate Continuity are the king and queen of the underworld. In this story they have 2 children; Grim Jr. (aka Junior) and his half sister Minnie (short for Mini-Mandy), while also incorporating an origin fanfic for the two that was written by SonicRose.

Grim Tales From Down Below (stylized as Grim Tales and often shortened to GT) is a manga-styled fancomic drawn by Bleedman and is hosted at Snafu-Comics.com. Bleedman did all the art for Grim Tales, while Griddles helped with the story. In Chapter 2, was another story helped named Heather M. Solomon, but she was not mentioned in other chapters. As of the first GTFO chapter, NeoEdensKing writes the story. Q-Nova did the story at the start of the second GTFO before being taken over by Radical Cola.

The comic is mainly based on The Grim Adventures of Billy & Mandy, but features other source material such as Danny Phantom, The Powerpuff Girls, The Nightmare Before Christmas, The Fairly OddParents, Samurai Jack, Spawn, Mina and the Count and Adventure Time.

Grim Tales is seperated into 2 arcs and a side spin off so far; Grim Tales: From Down Below and currently Grim Tales: What About Mimi as well as the spinoff Grim Tales: Further Orientation.

A non-canon chapter titled Afterbirth set a few years after the original comic has been leaked on the internet.

Extra data; At this point in my life I can say that the Webcomic:Grim Tales from Down Below... Is very dark, although the drawing style is nice, I don't recommend it to anyone who is sensitive, since it touches on some controversial topics, although remember that everything is fiction and does not affect the canon of the original characters involved in the Webcomic-Crossover that have corresponding copyrights. I will not deny that my favorite characters are the main ones from the Webcomic.