#technically its a new beginning...
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because it only feels fitting, here's a little evolution of all the bills i have drawn over the years (a billvolution, if you will), spanning from 2019 to (quite literally) today
#the triangle had always had me#it was just taking a hiatus#legit tho that second to last one i drew like late last year it is NOT over#technically its a new beginning...#also the skirt one technically isnt entirely mine it was one of those pass-in-a-circle drawings i did with some friends#still#i was the one that started it and i was the one that started it off as BILL so i'm COUNTING IT#bill cipher#art evolution#billvolution#the book of bill#gravity falls#mumble art
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In my mind, Soren was 14 about to turn 15 when he became a Crownguard. Which also creates a few issues when it comes to bonding because Soren isn't an adult, he's a teenager while the other guards are adults. It's not like they can talk about typical adult stuff with Soren because again, he's a kid while they're adults, so it's just kinda awkward.
Like this would be their average conversation.
Adult guard #1: So Soren, what do you do for fun?
15yr old Soren: Uh train?
Adult Guard #1: Really?
Adult Guard #2: You don't hang out with friends? Or have any hobbies?
15yr old Soren: Claudia is sorta my only friend after our Grandpa was eaten by his house
Adult Guard #2: What the fuck...
Adult Guard #3: What about Prince Callum and Prince Ezran? Don't you hang out with them as well?
15yr old Soren: They're more Claudia's friends than mine
Adult Guard #1: Uhm do you want a drink?
15yr old Soren: Sure :)
Adult Guard #3: Dude he's 15
Adult Guard #1: I'm getting him juice!
15yr old Soren: Obviously, what else would you get me?
Adult Guard #2: Alcohol
15yr old Soren: My grandpa said alcohol is used to kill people and if you drink it then you die
Adult Guard #4: What the actual fuck did I just walk in on?
#the dragon prince#soren#tdp soren#soren the dragon prince#the other guards dont know what to do with a teenager#especially since its a teenager thats technically their boss#like sorens their boss but hes about a decade younger than a few of them#and a few decades younger than the other bunch of them#its very difficult to bond with someone who could be your kid#its even more difficult to bond with someone who has a shit family#quite a few of the guards dont like viren#in fact those guards hate viren#sorens their kid now#sorta they dont know how teenagers work#but the main new dad is that guard from the beginning that just said something like âi know sirâ#hes sick of his new kids constant joking#bro doesnt have a name but its fine#ill give him one at some point#giveusthesaga#continuethesaga#give us arc 3
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i love shadow the hedgehog but he truly does not need to be in everything
#like there is some shadow focused media thats really good dont get me wrong .#shadow 05 is unironically one of my favorite sonic games. and i love sonic adventure 2 also of course .#and shadow generations and dark beginnings were the highlight of 2024 in terms of new sonic stuff#but at times it feels like theyre just putting shadow in stuff because hes popular#regardless of if he has any reason to be there or if a shadow focused story is really the best choice right now#also they Need to take a break on the shadow focused stuff now that the year of shadow is over#well idk if its actually over or not because technically it was announced a few months into 2024 but still
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FINALLY DONE WITH THE ISAT OC! SOLEIL!!!
The creature... So first things first is some info about them pre- disappearance of The Country. They're a loyal follower and avid worshipper of The Country. They love the Universe sooo much that they made a wish to be able to read the stars, and the Universe answered. I like to think that the stars are talkative, some can predict what will happen in the near future, some are just "chatting" to each other about the stuff happening in the world they overlook. It's a somewhat useful ability that Soleil used to use to be able to either predict someone's future (rarely though, the stars hold many different futures and it's hard to figure out which is whose) or use it during funeral rites to have a more reassuring experience to the ones mourning that their loved one arrived safely among the stars.
And then they found out about The Cursing of Chateau Castle-- they kiiiinda got Really obsessed with the book series that they wanted to know more about it but there wasn't any more copies of it in the Country's language so what better way to deal with that but teaching itself how to understand the Vaugardian language, and by doing that they got to learn more about the Vaugardian culture and was really amazed by it (considering that they spent most of their life with the Country's culture instead, learning about a different culture is a great feeling). One thing led to the other and it also led Soleil to travelling to Vaugarde (something that their family wasn't all that happy with but they stay silly).
And so we're back at the present time! Now to talk about some details on its appearance.
Its Craft type is Scissors! The eye on the center of its chest and the eye by its nape are in fact EYES and not just accessories (although they did try to make the eye on its chest appear to be like a mix between a star shape and the Change Symbol).
After spending some time in Vaugarde, they learned about Body Craft in which case they decided to experiment with it in regards to its eyes.
Since being in Vaugarde, there wasn't much use to its star sight and there also isn't a way to "turn it off." So instead, they decided to separate its Normal sight from the Star sight by adding another pair of eyes on its body.
The eyes on its face are blind. They can't see through it anymore but they Can still see the stars (they can't read it anymore however cuz of the Country's disappearance).
If they focus on the stars using those eyes, they'd get a REALLY bad headache and a star sign appears on its eyes. Nothing to be afraid of probably, its head just Really hurts.
The glass covering the eye on its nape is a one way mirror. You won't be able to see the eye but the eye can still see you.
With its vision split, it actually took them awhile to get used to that. It takes a lot of concentration and focus to see both from behind and from the front. When Soleil gets tired from doing that, they either close the eye on its nape (if the place is safe enough) or unfocus it enough to the point that most of its vision becomes blurry with only being able to see blobs of shapes and shadows which helps them be alert enough in case something comes running at them from behind.
All the round objects you see on its body are Bombs. They found out about Bomb Craft in Jouvente and was so fascinated by it that their inventor brain (inventing, crafting, and repairing stuff is a special interest of theirs). They now like making bombs and inventing new ones (only they have the recipe of those).
The bombs they invented only detonates via a Craft spell, it's basically as safe as an ordinary ball to handle unless detonated. Also the scissors at the top of their head has a cover on its tip. It's Very Sharp. They mainly use that (either the tip or the scissor blades itself) to cut the bombs dangling on its body.
Despite the multitude of bombs they carry, they aren't actually much of a fighter (they just like bombs). Most of its Craft spells are basic/beginner level. The one and only Powerful Craft spell they have is a shield/defense spell that they practiced several times. It's capable of negating all damage for 2 turns with a 5 turn cooldown, they wanted to master that spell to make it so that bombs won't hurt them no matter the close proximity.
Its hand signs are "broken." They used to mimic the hand signs that the Universe (I'm mainly referring to my design of the Universe) makes. But after forgetting about everything in regards to it, they can't remember what hand signs they used to make but the familiar feeling was still there.
A huge fan of The Cursing of Chateau Castle, to the point of practically making it part of its identity now that a HUGE chunk of its memory is missing. Its outfit is a modified version of what they think Lady Irene-Janine-Karine wears.
Its personality is a mixture of Lord Josephandre, Pierre-Jacques-Erneste, and Lady Irene-Janine-Karine (aka the Chateau Trio!!! Love those three...).
Its name, "Soleil" is just something they found in a book and decided to use for itself. They don't remember its name anymore.
#ariart#ariaoc#isat oc#isat spoilers#theres some danger in the fact that sol took pierres personality too considering that pierre betrayed the party that one time--#honestly if i think about sol harder i begin to realize that theres A LOT of things wrong about them mentally#what forgetting a country with a belief system you were incredibly loyal to does to someone i think.#also making it so that sol was the npc that translated that one issue of the cursing of chateau castle from vaugardian#into the language of the Country. if you were to enter its home. youll be greeted by a LOT of bookcases and shelves and books#and therell be at least 4 of those dedicated to the cursing of chateau castle. original version and the ones they translated#there will ofc be sections where its about the Country tho. actually i think if siffrin visited its home he'll be able to know more#about the Country. if he became close friends enough to be able to enter the rooms with the books of it. sol couldnt read them#anymore but feels as though those books were important so they moved it elsewhere for safekeeping. making sure to maintain it too#also yea you can now see exactly how im pushing the isat worldbuilding to its limits via body craft#i like to think that if in case body craft operates in a similar manner to alchemy in that by Changing something theres an equal#exchange to be given. if its Changing your appearance to a new one then the equal value to be exchanged is the Old appearance#but if for example theres a missing body part. youd have to find Something else of equal value to replace it then#and by going off of that same principle. if a body part has two functions (like with sol's eyes having a special sight to it)#then by Changing its appearance. the equal value follows the same principle of the: exchange Old for New#except that in sol's case. with the addition of a body part that has two functions. technically speaking they can Separate the#two functions while still following the usual method. it's just that now theres another set of eyes on its body. still a New appearance tho
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the thing is that id love to go in the ocd tags but i fear the advice would kill me and also whenever someone says something about how 'oh x is actually not good for your ocd' i end up obsessing over whether or not i have 'good' ocd and am 'actually doing enough on my end to combat my ocd' then it spirals into 'im not doing enough to combat my ocd and because of that im bad and not good and am evil and terrible and deserve bad things to happen to me' so i can safely say i dont know if the ocd tag is quite healthy for me
#what i need is therapy again. which i keep saying ...#but i keep forgetting i need to get that done. its hard#but me n my therapist HAD been working on ocd stuff so im sad abt not having access to that right now...#esp bc i dont have my meds either for it#and ocd is very. its NOT easy to treat by yourself#most things a person does to treat their own ocd is JUST new compulsions is the irritating things#ocd is like... the intense fine line between doing literally anything and realizing so much of your life is compulsions#and not even knowing how much of it is you. or if theres anything there aside frim obsessions#then you get worried that its like. thats further evidence you have Bad type of ocd because you cant tell#where u end and obsessions begin#waves hand. its whatever#i talk abt ocd a lot but its cus it defines a lot of the Everything i do#also im hungry rn which is probably related#ocd i wish you were easier to treat#ive had this since i was a kiddddd so it gets hard to tell w these things#and (said gripping my leg tightly) i am not gonna get existential about the implications of this im nottttt#<- even saying that could technically count as a compulsion. which is the stressful part#fun fact for anyone reading qho got here from my sideblog uhhh#my fic w pomni im working on has a repeated use of a phrase whenever she gets wrapped up in a spiral#and this too is a compulsion and is written as such and is not actually good for her. ïżœïżœïżœ#sighsssss#ask to tag
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I know it's going to seem strange and alien to how shipping fanfiction usually works but would you ever be interested in writing "bad" endings? Like, in the sense that things in a ship don't work out and both people have to figure out a life without the other as a partner? You write pain and heartbreak and calcified self-hatred so well, I'd be interested in seeing you write it if that interests you.
I actually do explore that kind of stuff, just almost never in my fic writing đ
mostly out of a sense of like... not wanting to upset people, since I'm playing with shared toys in our collective make-believe game? Also, fanfic is mostly my escapist fantasy, so I'm never that inclined to break characters up (unless I personally believe they'd be better off separated, which is rare but has happened)
It likely won't happen for farcille unless I'm doing a long "reconciling years later" type thing with flashbacks to the breakup, which admittedly I have thought about
#asks#ironically its one of the main things that show up in my original writing#i dont believe that any breakup is ever worse than staying with someone you shouldnt out of intertia or fear#even if its a relationship would have worked out otherwise#its still a new beginning where you reassert your control over who you are after being enmeshed with someone else#and theres always value in that#also one of my best friends is technically an ex from an incredibly toxic and long lived relationship so#horrific breakups that eventually end in mutual understanding and friendship hold a special place in my heart#also thank you lol#detailed heartbreak is my true writing niche bc i spent all my teenage and early adulthood years in unrequited feelings hell and#i always have such fun with it i think bc its the origin/core of how i write romance LOL
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happy new music friday to me :3
#NEW SEAROWS EVERYONE FUCKIN CHEER đ»đ»đ»đ»đ»đ»đ»đ»đ»đ»đ»đ»đ»đ»đ»đ»đ»đ»#ACTUALLY NEW MUSIC FROM NEW RADICALS WHO LITERALLY ONLY RELEASED ONE GOD TIER ALBUM AND DIPPED#TECHNICALLY ITS A COVER FROM THE BEGIN AGAIN MOVIE BUT HE WROTE IT AND WE ARE STILL CHEERING !!!!!!!!!!!#if nobody got me i know state champs always got me đȘđŒđ€#if you like retro smooth soul pleaseeeeee check out thee heart tones theyâre sooo good#i am now a post malone (country) fan#i am a country music TRUTHER LEAVE ME ALONEEE#new music friday#music posting#Spotify
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New Era AU out of context
Sirin on Sirin violence
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WE MADE IT!!
from july 6th 2021 to october 7th 2024 the sketchbook is offically done! almost three years :'D
#art#my art#sketchbook#sketchbook tour#technically?#not tagging most characters in this cause thatd be a MESS#there are sharks tho#this sketchbook also holds its first artfight memories!#and now the cycle begins a new.. a new book
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I gotta confess it is so much more fun talking to Sal as if he is a separate person like he wants and not a member of the system. He's super creative like. Its just fun.
#It was hard to understand because they were wrapping up a bunch of stuff kinda fast. and it seemed like they were introducing new#things too? The fight scenes were cool.#person with Delusional Disorder: so hear me out#playing a dangerous game#Were bonding over sailor moon#JK btw like dont worry. The delusions dont really work like that. You could say i guess that thats his personal delusion?#idk its kind alike a severity scale MOST if not all of us have the truman show delusion. to some degree in some form. the specifics very#and then certain alters have additional delusions.#there all pretty bizarre. like I think thats the category you could put pretty much all of them in#which is interesting#some of them are more whatever the one where you think people are after you is called#so technically we would be mixed type? but idk if we would even fall into the type-able like... because the way it interacts with our DID#at first i thought my therapist was totally bullshitting this but the longer im like. living alone away from family the more sense this#diagnosis makes?#esp cause last time i googled it there was like. no fucking info. jut the wiki page about how this disorder gets misdiagnosed in people who#are part of grand conspiracies and how when thats not the case theyre basically just doing it to them selves :/#but i guess theres more research now? or something because now theres like medical articles!! and they make way more sense and actually#align with what we experience so thats super cool#its still kinda like. Huh??? but i guess it runs in families and i can totally think of several family members who i think have this#I also had drug induced psychosis i think. so- interesting how my therapist was able to parse that. i should text him.#omg yeah so apparently Sal (or specifically one of his alters) has seen just the end and ive seen just the beginning!!#i know thats so silly and like. Too Perfect. kind of thing but its fun!!!!! He said it was confusing and he liked it but it took him a#couple watches to know what was going on.#he actually didnt know what season he had seen (other than it definitely wasnt the first one lol) so i read through the ep titles until#he reconized them. he stilll didnt reconize them really but like half way through the last season (I went out of order) he was like#âthis sounds sorta right. there was a lot of space fighting and stuffâ#he had to think about it for a minute because i guess he just hadnt consider that that was the end#he was relieved to hear that theres specials and stuff after#but maybe hes lying 0-0 thats always interesting !!!!#syst
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I will not fall into the trap of rewriting everything because my writing skills have improved since starting the work
#like it's now partially frustration at my previous lack of direction and lack of complex narrative purpose#which yes technically with this bit I don't actually need to have that but I would like to and can see what I can do#it doesn't help that the time I have spent writing this seems to have all smashed together into a big knot of sameness#I can do better. I want to do better.#I also don't know if keith's the right character for this. but it's his story he evolved with this story#and I also fear that if I change the character I will not use keith for anything and I don't want to because he's just a guy!!#he's just a guy.#and also I do think the character who would replace him would yet again be. very similar to the characters of kester#aka Whipping Boy (the shit he goes through man.) as well as snowy/teddy/jimmy/arthur (bitch syndrome)#it's mostly about the similarities to kester. and a couple of other characters you haven't seen yet because those stories are new#I'll tell you their names! one's raven he's a terrible dad (no really) one's just known as The Kid for now#because they're a kid. and they're edgy in terms of costume.#actually those stories and their specific reasons for being the way they are would make them distinct. it's just mostly. kester#and if you know why this would be you know.#sigh. it's boiling down to three things.#1. the fact I keep restarting projects because in the process of creating them my skill level increases to the point where I'm not satisfie#and keep starting over which is a death loop. it's something ik you should never do with comics n so on so why I'm even considering#it with writing I don't even know#2. I fear I will abandon keith as a character if I do what I'm beginning to think I need to#and 3. I fear the character who needs to appear in the story in its evolving direction is too similar to another character
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was thinking about this
To be in "public", you must be a consumer or a laborer.
About control of peoples' movement in space/place. Since the beginning.
"Vagrancy" of 1830s-onward Britain, people criminalized for being outside without being a laborer.
Breaking laws resulted in being sentenced to coerced debtor/convict labor. Coinciding with the 1830-ish climax of the Industrial Revolution and the land enclosure acts (factory labor, poverty, etc., increase), the Metropolitan Police Act of 1829 establishes full-time police institution(s) in London. The "Workhouse Act" aka "Poor Law Amendment Act of 1834" forced poor people to work for a minimum number of hours every day. The Irish Constabulary of 1837 sets up a national policing force and the County Police Act of 1839 allows justices of the peace across England to establish policing institutions in their counties (New York City gets a police department in 1844). The major expansion of the "Vagrancy Act" of 1838 made "joblessness" a crime and enhanced its punishment. (Coincidentally, the law's date of royal assent was 27 July 1838, just 5 days before the British government was scheduled to allow fuller emancipation of its technical legal abolition of slavery in the British Caribbean on 1 August 1838.)
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"Vagrancy" of 1860s-onward United States, people criminalized for being outside while Black.
Widespread emancipation after slavery abolition in 1865 rapidly followed by the outlawing of loitering which de facto outlawed existing as Black in public. Inability to afford fines results in being sentenced to forced labor by working on chain gangs or prisons farms, some built atop plantations.
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"Vagrancy" of 1870s-onward across empires, people criminalized for being outside while being "foreign" and also being poor generally.
Especially from 1880-ish to 1918-ish, this was an age of widespread mass movement of peoples due to the land dispossession, poverty, and famine induced by global colonial extraction and "market expansion" (Scramble for Africa, US "American West", nation-building, conquering "frontiers"), as agricultural "revolutions" of imperial monoculture cash crop extraction resulted in ecological degradation, and as major imperial infrastructure building projects required a lot of vulnerable "mobile" labor. This coincides with and is facilitated by new railroad networks and telegraphs, leading to imperial implementation or expansion of identity documents, strict work contracts, passports, immigration surveillance, and border checkpoints.
All of this in just a few short years: In 1877, British administrators in India develop what would become the Henry Classification System of taking and keeping fingerprints for use in binding colonial Indians to legal contracts. That same year during the 1877 Great Railroad Strike, and in response to white anxiety about Black residents coming to the city during Great Migration, Chicago's policing institutions exponentially expand surveillance and pioneer "intelligence card" registers for tracking labor union organizing and Black movement, as Chicago's experiments become adopted by US military and expanded nationwide, later used by US forces monitoring dissent in colonial Philippines and Cuba. Japan based its 1880 Penal Code anti-vagrancy statutes on French models, and introduced "koseki" register to track poor/vagrant domestic citizens as Tokyo's Governor Matsuda segregates classes, and the nation introduces "modern police forces". In 1882, the United States passes the Chinese Exclusion Act. In 1884, the Ottoman government enacts major "Passport Nizamnamesi" legislation requiring passports. In 1885, the racist expulsion of the "Tacoma riot".
Punished for being Algerian in France. Punished for being Chinese in San Francisco. Punished for being Korean in Japan. Punished for crossing Ottoman borders without correct paperwork. Arrested for whatever, then sent to do convict labor. A poor person in the Punjab, starving during a catastrophic famine, might be coerced into a work contract by British authorities. They will have to travel, shipped off to build a railroad. But now they have to work. Now they are bound. They will be punished for being Punjabi and trying to walk away from Britain's tea plantations in Assam or Britain's rubber plantations in Malaya.
Mobility and confinement, the empire manipulates each.
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"Vagrancy" amidst all of this, people also criminalized for being outside while "unsightly" and merely even superficially appearing to be poor. San Francisco introduced the notorious "ugly law" in 1867, making it illegal for "any person, who is diseased, maimed, mutilated or deformed in any way, so as to be an unsightly or disgusting object, to expose himself or herself to public view". Today, if you walk into a building looking a little "weird" (poor, Black, ill, disabled, etc.), you are given seething spiteful glares and asked to leave. De facto criminalized for simply going for a stroll without downloading the coffee shop's exclusive menu app.
Too ill, too poor, too exhausted, too indebted to move, you are trapped. Physical barriers (borders), legal barriers (identity documents), financial barriers (debt). "Vagrancy" everywhere in the United States, a combination of all of the above. "Vagrancy" since at least early nineteenth century Europe. About the control of movement through and access to space/place. Concretizing and weaponizing caste, corralling people, anchoring them in place, extracting their wealth and labor.
You are permitted to exist only as a paying customer or an employee.
#get to work or else you will be put to work#sorry#intimacies of four continents#tidalectics#abolition
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Intro Post for my new WIP, âCantata.â If you havenât yet read my completed IF, âViatica,â you can find it here on itch.
Ko-Fi Link Here

A low fantasy IF loosely based on the Italian Renaissance period, with a steampunk edge.
DEMO on Itch
SYNOPSIS
The story is set in Saleste, an empire with a long history of expansionism and colonization. It is a vast, wealthy empire, very much set in notions of classism and noble privilege. And its warmongering has only grown more brazen under the current regis (monarch). Saleste is currently at a stalemate with Tinebaille, a neighboring island nation the empire has repeatedly tried, and failed, to conquer.
Within the empire, technically citizens but not, are the Iredicci. The Iredicci are as much a religion as they are a raceâless like priests and more like monks or shamans. The Iredicci can hear and feel the cordis, the harmonic pulse that connects all living things, and they connect to it through song. Iredicci have excellent hearing, but their defining feature is their voiceâthey have an echo to their voice, a resonance of two pitches at once. The regis asked the Iredicci elders to use their unique gift to help him conquer Tinebaille, but as a peaceful people, they refused.
A simple, nomadic people, the Iredicci were traditionally welcome in all corners of the Saleste Empire. But as steam technology progressed and the push for new resources grew, a prejudice developed against them. The regis spread propaganda against the Iredicci, painting them as an inferior, uncivilized people who leeched off the empire rather than aided it. Over the years they stopped being welcome. Eventually, their travel was restricted, and the Iredicci were forced to live in settlement camps.
You are one of the Iredicci, born into such a camp. The elders sing songs of past travels and wonders you have never seen. Ever the optimists, the elders tell you to take heart. To be thankful you are among friends and family. That things canât possibly get any worse.
Until they do.
Historians and politicians would call it The Proelium, a righteous battle against the traitorous Iredicci. What it really was, was the systematic genocide of your people. In one night, soldiers attacked every settlement camp across the empire. No one was sparedânot the elders, not the children, not your mother.
It was mere whim that you snuck out of camp that evening, a mischievous escapade with a friend that ironically saved your life. You are taken in by your friendâs family and kept safe. But with survivors being hunted and killed, you must conceal your identity. So, you pretend to be deaf and mute.
Journey through the empire of Saleste and beyond. Grow from a child into an adult. Make friends, lovers, allies, and enemies. How will they react when your secret comes to light? Will you abandon your song in favor of machine? Join the rebel forces against the tyrant regis? Will you heal the wounds of the realm and restore balance? Or plunge it further into chaos?
FEATURES
Play as male, female or nonbinaryâyouâll be able to choose your pronouns independent of your body type.
Customize your characterâs appearance and personality.
Choose your attunement/proficiency with the cordis. This choice will heavily influence gameplay, affecting combat, weapon specialization, character interactions, and problem-solving situations. Choose wisely!
Create 2 character names: your birth name and an alias. The Iredicci have culturally unique names, so your birth name will be limited to a preset selection. But you will go by an alias of your own choosing for most of the story.
Develop your relationship with your adopted sister. Are you friends or rivals?
Romance! Or not. Romance 1 of 4 possible love interests, or choose the platonic route with the best of friends.
Save a wild animal from a hunterâs trap and gain a steadfast companion. Because fur baby.
THE MC
The game begins with you at age 7. When you are 12, your camp is slaughtered during The Proelium. With your voice and heightened hearing identifying you as Iredicci, you pretend to be deaf and mute in order to hide your heritage. The main game occurs 13 years after The Proelium, when you are 25.
ROMANCE OPTIONS
Calliope Cato (she/her)
The inventor/artificer, Calliope can build and fix any machine. She is 2 years younger than you, petite, with gold eyes, rich brown skin and black hair in multiple braids. Her hair and clothes are adorned in rings, belts, and pins which double as tools. She carries a manâs cane sword with her everywhere, which she wields in a fight along with a hand crossbow. Sheâs curious, optimistic, excitable, and easily distracted by her many projects, but much of that is to keep her mind occupied. In quiet moments when she thinks no one is looking, you glimpse a profound sadness on her features.
Corinne Xenakis (she/her)
The leader of the rebels, Corinne works to overthrow the monarchy and aid the surviving Iredicci where possible. She is 6 years older than you. She is tall, with long, sandy brown hair usually worn in a messy bun or loosely braided bun, hazel eyes, and beige skin tanned by the sun. Quiet, serious and aloof, she feels a tremendous responsibility for those under her command. Corinne is a contradictionâshe has the grace and manners of a noblewoman, yet fights with military precision that is uncommon for females of noble lineage. She is deadly when double wielding her flintlocks or axes. While not cold, she is not overly familiar or friendly with anyone, and very tight-lipped about her past. What does she guard so fiercely behind her armor?
Vicente Aloi (he/they)
The bastard prince, Vicente is calculating, ruthless and driven. They are the same age as you, and they, too, lost their mother the night of The Proelium, though under different circumstances. But while you were adopted into a loving family, he is the unwanted son of the regis, trained to be a lethal tool. He has long, midnight blue-black hair, icy blue eyes, and high defined cheekbones. The edges of a tattoo are barely visible on his neck above the collar of his doublet⊠wings, perhaps? Itâs beautiful. Heâs beautiful, though youâd never tell him for fear heâd take his rapier to your neck simply for looking. Will your plans align with his, or are you merely another pawn in his schemes?
Bayram Durmaz (he/him)
The son of the Aydem, the matriarchal leader of Tinebaille. Bayram is 4 years older than you. He has golden-honey skin, light brown eyes, and dark brown, tightly-curled hair that he usually wears back in a ponytail or half ponytail. He is tall and broad, muscular but not toned, with a rounded edge to his stomach and chest. A sprawling, colorful tattoo, the mosaic artwork of his people, covers the entirety of his back. He is boisterous, bold, and a shameless flirt. With his young sister bearing the weight of succession, heâs been free to explore the islands to his heartâs content, and is familiar with every bay, inlet, and harbor. He is equally skilled at wielding a spear, sailing a ship, and charming hearts.
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mr. magician

synopsis: at linkonâs summer carnival, sylus adds a new role to his resume.Â
tags: tooth-rotting fluff, carnival, sylus uses his evol to change the color of your prize, a little girl sees him and thinks heâs a magician, sylus doesn't know what to do but they become buddies
word count: 1.2k
a/n: this was supposed to be a drabble and then it was not. inspired by the part in âvalleydream bloomâ when he changes the colors on the flower crownÂ
The smell of popcorn and sweets fills the air on a breezy Friday afternoon.
At Linkonâs annual summer carnival, couples and families gather to ride rides, play games, and win prizes.Â
You and Sylus are no exception.Â
For such a juvenile place, itâd taken less convincing than usual for him to come along. Once youâd practically dangled the challenge of the carnivalâs punching game in his face, heâd nodded his agreement with poorly concealed determination.
But the second youâd stepped through the colorful fairground gates, your attention was stolen by the prizes in the first tent. Lining the walls was an array of human-sized teddy bears, wearing gentle smiles and shiny ribbon bow ties. Youâd gravitated toward them like a moth to a flame, and Sylus, chuckling fondly, had followed closely behind.Â
You didnât even check to see what game it was (balloon darts, it turned out)âyou were going to win one. And win you did.
âAw,â you pout, nearly swallowed by the fluff of your new yellow bear as you waddle toward a picnic table. âI wanted the blue one.â
Humming, Sylus effortlessly lifts your new friend from your slipping grasp and rests it on the wood below. âThen you'll have it.âÂ
With a casual wave of his hand, familiar red and black wisps create a dramatic scene: the innocent plushie surrounded by darkness, its stubby cotton limbs shackled by the unforgiving tether of Sylusâs Evol.Â
The crisis lasts only for a moment. In the next second, your hostage is freedâand now bathed in a soft sky blue.Â
âThank you!â you cheer, barreling into him for a side hug. âI love it.â
Chuckling at your enthusiasm, Sylus wraps an arm around you and bends down to nuzzle your hair. âYouâre welcome, sweetie. Now we have an extra set of hands to cheer me on when Iââ
âWoahhh,â a small voice gasps behind you.Â
Raising your head abruptly, you match Sylusâs confused expression with your own. Whirling around, you search for the voiceâs owner and come up short.Â
Until you look down.
Before you, hopping excitedly from foot to foot, is a little girl around 6 years old. She looks cherubic under the midday sun, with brown skin, chubby cheeks, and green bows encasing two dark braids on her shoulders.Â
âHow'd you do that?â she asks, big brown eyes staring at Sylus in amazement.Â
But Sylus, whoâd seen the girl and assumed she was talking to you, has politely excused himself from the conversation to tinker with the crooked eyeball on your plushie. It's not until you gently elbow his ribs that he realizes the girl is speaking to him.Â
When he meets her gaze, an unprepared huff of air escapes him. âHow did IâŠ.â In a rare fumble, he pauses, uncertain ruby eyes flitting over to you for help. But you stand back with an encouraging smile.
Hiding his scowl, Sylus sighs softly and turns back to the waiting child, beginning a bit too technical of an explanation. âThatâŠwas my Evol. I can sense the energy in objects and change it intoââ
âAre you a magician?â she blurts out, clearly having held back for a while.Â
As his words are cut off, Sylusâs mouth parts in a small âo,â his teeth showing slightly in something between a grimace and a scandalized laugh. âAm I aâŠno, I'm not. I'm sure you could find one at a place like this, though. Why donât you and your parents go look?â
The girl squints at Sylus, eyes darting from his hands to the awkward grin on his face. She remains silent and skeptical for several moments, and thenâŠÂ
âNo,â she says simply, turning her nose up and crossing her arms. Her small lips droop into a frown, and she pins Sylus in place with an accusing glare.Â
âNo?â he repeats incredulously, as if asking if he heard her right.Â
She nods like his guilt is clear as day. âYouâre a magician,â she asserts. âMy dad says magicians keep their magic a secret. You just don't wanna tell me.â
Again, Sylus turns to you imploringly, eyes begging you for rescue. But all you give him is a supportive thumbs-up, shooing him forward with a wink.
Exhaling deeply, Sylus crouches down. âYouâreâŠvery perceptive,â he starts. The girlâs face scrunches in confusion. âSmart, I mean. I'm new toâŠmagic school, so I canât tell anyone about my powers yet. Or else, they might want me to leave before I can get really good.â As the girlâs face contorts in horror, a genuine grin blooms across Sylusâs. âIt's good that you managed to notice me, though,â he reassures her. âThat means I'm learning well.âÂ
Smiling back at him, the girl looks down shyly, as if pondering something. âUmâŠMr. Magician,â she mumbles, âcan you help me like you did the teddy bear? I told my mom I wanted purple bows today, but she gave me green ones,â she pouts. âCan you make them purple? I promise I wonât tell.âÂ
Chuckling softly, Sylus taps the corner of his eye twice. âClose your eyes,â he whispers, and the girl obliges almost immediately. A moment later, he snaps his fingers, and a brilliant purple starts to erode the olive green in her hair. It's like something out of a fairytale.Â
And clearly, the princess agrees. When Sylus gives her permission, she opens her eyes and takes her braids in eager hands, gasping in wonder at the bowsâ new color. Soon after, the gasp morphs into an overjoyed screech, making him wince at the volume.Â
Giggling through her toothy grin, she bounces up and down. âThank you Mr. Magician!â she beams. âUmâŠhere! You can have this,â she offers, digging in the pocket of her sequin overalls. A second later, and she pulls out a fuzzy red panda keychain.Â
âI won it from the duck pond,â she says proudly. âYou should take it since you like colors. Itâs red like your eyes.â
Sylus hesitates. âAre you sure youâd like me toââ
âYes,â she urges, tiny eyebrows furrowed in resolve. âMy dad says when people make you happy, you should make them happy back. Take it.â Leaving no room for argument, she thrusts the toy into Sylusâs limp palm.Â
âThank you. ItâsâŠvery nice,â he acquiesces.Â
âCassidy? Cassie, where are you?âÂ
At the sound of the concerned female voice, the girlâs eyes go wide in alarm. âUh ohâŠI'm supposed to be getting cotton candy. I gotta go nowâum, thank you, sir! Good luck with your magic!â Waggling her hand enthusiastically, she waves at you, too, before scurrying back to her mother.Â
Turning the keychain over in his palm, Sylus studies it briefly before returning to your side, a bemused expression on his face.
âMob boss, fruit vendor, singer, and magician, huh? You've got quite the resume,â you snicker.Â
âNo thanks to you,â he says flatly, pushing the keychain into your hands.Â
Cheekily, you open the latch and hang the panda from his belt loop. With an exasperated sigh, he allows it. âI've never seen you not know what to do before. It was cute,â you tease, leaning up to poke his cheek. âBut since youâve had such a tough dayâŠwhy don't we try out your boxing game now, Mr. Magician?â
#i don't write children outside of calebmc so this was an interesting experence#too late to second guess it now#iris writes#love and deepspace#love and deepspace x reader#love and deepspace sylus#sylus x reader#love and deepspace fluff#sylus fluff#lads#lads fluff#lads sylus#lads x reader#lnds#lnds fluff#lnds sylus#lnds x reader#sylus x you#sylus#sylus qin
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two boys send you a series of letters over the course of the school year. one, a sweet ravenclaw boy who wants to get to know you. The other, wellâ you donât know, but he already knows you.
eventual james x fem!reader | 14.0k | series masterlist.
main masterlist.
CW | the marauders are⊠reasonable human beings? technically oc love interest for plot reasons, james is a yearner, girlhood in its truest form
The first morning back is crisp and goldenâthe sort of late summer day that makes Hogwarts look like something out of a painting. Youâve just arrived off the train, your trunk bouncing along behind you, and the airâs got that unmistakable scent of lakewater, freshly-polished wood, and the beginnings of autumn. Youâd missed it. Even if youâd never admit that to anyone.
Lily walks beside you, chattering about her summer, about Petunia being an absolute nightmare (what else is new), and how sheâs already dreading the mountain of work that NEWTs are supposed to be.
You hum along at the right places, nodding as if youâre paying attention, but youâre mostly distractedâscanning the crowd ahead, watching as students laugh and jostle their way toward the carriages. You can already see the back of Siriusâ head, black hair tied back with a ribbon someone must have dared him to wear, and James beside himâhis usual mess of curls half-tamed under a Gryffindor scarf, even though it's hardly cold enough for it yet.
Theyâre not causing trouble.
And thatâs⊠strange.
You donât realise youâve slowed down until Lily stops too, blinking at you.
âYou alright?â
You shake your head, smiling faintly. âYeah, yeah. Just⊠forgot how much taller everyoneâs gotten. They look like seventh years,â
She snorts. âSpeak for yourself. Potter still looks like a fifteen-year-old with too much energy and not enough shame,â
You glance back at the group of boys as they vanish into one of the thestral-drawn carriages. The usual suspects: James, Sirius, Remus, Peter. The âMaraudersââstill the stupidest name youâve ever heard. Though you have to admit (not aloud, obviously) that it suits them. Or⊠used to.
Because somethingâs changed.
It started at the end of last year, when James had pulled you and Lily asideâseparately, mind you, in an unusual display of emotional intelligenceâand apologised. Properly. Not with a joke, not with a smug smirk, but with sincerity so unsettling that it had rendered you both speechless for a good few moments. Youâd shared looks with Lily afterward, both trying to decide if it was a prank, some elaborate ruse meant to throw you off-guard.
It wasnât.
And he hasnât gone back on it either.
Which is why youâre currently standing in the entrance hall of the castle, shoulder to shoulder with your friends, and you feel a little⊠off.
Because things are peaceful. For the first time in years, things are actually peaceful.
The Marauders arenât hanging hexed signs on peopleâs backs, they arenât enchanting staircases to flatten when someone climbs them, they havenât even thrown water balloons from the Astronomy Tower. And sure, theyâre still winding up Severus at every opportunityâbut even thatâs been reduced from full-scale ambushes to petty jibes and muttered comments in the corridors.
Itâs quieter.
Less⊠annoying.
And that should be a good thing.
It is a good thing. Probably.
â
You settle into sixth year like slipping on an old jumper. The classes are harder, of courseâdouble Potions is hell on earth, and Charms seems to have tripled its expectations overnightâbut thereâs a rhythm to it.
You get up, you go to class, you spend time in the common room with the girls, laughing and playing Exploding Snap or braiding Dorcasâ hair while Marlene does impressions of the professors.
Thereâs no chaos. No Marauder-related distractions. And no James Potter, appearing behind you to tug on your robes or ask if youâre sure you didnât drop your dignity in the corridor somewhere.
Itâs⊠peaceful.
But peace, you realise after the third week, is a little boring.
No oneâs called out your name in a loud, humiliating spectacle at dinner. No oneâs nicked your favourite quill only to return it days later enchanted to sing show tunes. No oneâs bewitched your name onto the Prefect noticeboard with the title âMost Likely to Hex You for Breathing Too Loudly.â
And no oneâs watching you anymore.
Not in that way.
Because even when it was annoyingâespecially when it was annoyingâthere was something almost flattering about it. That attention. That sense of being seen, even if it was by someone like James Bloody Potter. It made you feel... well, not special exactly. But noticed.
Youâd never admit it out loud. Not to Lily, not to Marlene, not even to yourself if you could help it. But in the quiet momentsâwhen the libraryâs too silent, or the common room too tameâyou find yourself missing the noise.
Itâs deeply inconvenient.
â
The girls are thriving, though. Lilyâs top of every class (no surprise there), Marleneâs got half the Hufflepuff Quidditch team vying for her attention, and Dorcas has taken to sketching everyone in increasingly dramatic poses. She caught Sirius with his eyes closed in History of Magic and drew him like a fallen angel; he signed it and stuck it to the back of Peterâs chair.
Even that felt nostalgic.
Because back in the dayânot even that long agoâSirius and James wouldâve been howling with laughter, probably doing impressions of Binns until the man floated out in exasperation. Now, they seem more subdued. Not boring exactly, but... more grown up. As if theyâre slowly starting to realise the world doesnât revolve around them.
Well. Not entirely.
You still catch James showing off in the corridors sometimesâtrying to balance a stack of books on his head while walking backwards or charming Remusâ tie to change colours during class. But itâs gentler now. Less abrasive. Like heâs finally learning the difference between being funny and being cruel.
And the strange thing is: you think you might actually like this new version of him.
Youâre not sure what to do with that.
â
Youâre sitting by the window in the common room, watching the storm pelt against the glass, your Transfiguration notes spread across your lap and a blanket tucked round your legs. The others are upstairsâLilyâs doing prefect rounds, Dorcas is in the bath, and Marleneâs probably flirting with the Ravenclaw Beaters again.
Itâs quiet.
Too quiet.
You stare at your notes, then out the window. Somewhere down by the greenhouses, you think you can see Sirius running through the rain, jacket over his head. You squint, and sure enough, James follows a moment later, slipping slightly in the mud but catching himself with a laugh you canât hear.
Theyâre soaked.
Theyâre laughing.
And they didnât come bother you once today.
You look back at your notes. Your quill sits idle in your hand.
Youâre being ridiculous. Pathetic, even. You hated when they bothered you. They drove you mad, especially James. The constant attention, the teasing, the half-jokes that toed the line between affection and annoyanceâit was exhausting.
But it also made you feel like someone had your name in their mouth. Like someone saw you.
You press your lips together.
No. Youâre being selfish.
You wanted peace, didnât you? You got peace.
And now youâre here, sulking because a boy hasnât thrown a dungbomb near you in three weeks.
Brilliant.
â
Lily finds you later, your notes long forgotten, the storm still raging outside.
âYou look like someone drowned your owl,â she says lightly, collapsing onto the sofa beside you.
You blink. âJust tired,â
âMm,â She eyes you. âYouâve been a bit⊠quiet lately,â
You shrug. âJust getting used to the workload,â
âYou sure itâs not something else?â
You hesitate. Then: âDo you think James actually changed?â
She tilts her head. âHonestly? Yeah. I do,â
You werenât expecting that. âReally?â
âYeah,â She picks at a thread on the blanket. âHeâs still a prat, obviously. Still immature and annoying and thinks the sun shines out of his arse, but⊠heâs not mean anymore. Not like he was,â
You nod slowly.
âAnd he apologised,â she adds. âThat meant something to me. To you too, I think,â
It did. It still does.
You think back to that moment at the end of fifth yearâJames, red-faced and stammering, looking more like a boy than he ever had before. You remember how he wouldnât meet your eyes at first, how he said your name like it mattered. And how for the first time, he didnât laugh at the end. Didnât wink. Just waited.
Youâd told him it was fine. It wasnât, but it was getting there.
Now, it might actually be.
But still.
âI kind of miss it,â you admit, voice barely above a whisper.
Lily looks at you, confused. âMiss what?â
You shake your head. âNothing. Just⊠never mind,â
She doesnât press.
But later, when she goes upstairs and youâre alone again, you look back out the window. The rainâs slowed to a drizzle, the sky dark and drowsy. You think about Jamesâhow he used to be, how he is now. You think about how, somewhere in that strange in-between space, you stopped dreading his presence and started noticing his absence.
And the worst part is?
Youâre not even sure when it happened.
â
Itâs a dull, grey Thursday in early December, the kind that makes you want to burrow into your scarf and pretend the rest of the term doesnât exist. Youâre in the Great Hall for breakfast, half-asleep, cradling a mug of tea between your hands and trying to pretend that the mere idea of double Potions doesnât make you want to fling yourself into the Black Lake.
Around you, the usual morning chaos unfolds: first-years bickering over toast, owls swooping in with letters and parcels, and Marlene arguing with Dorcas over who used the last of the strawberry jam. Lilyâs scanning the Daily Prophet with her usual âthis world is doomedâ expression, and youâre debating whether or not to try and eat a banana whenâ
A piece of parchment glides gently through the air in front of you and lands, neatly, on your plate.
You blink. Then stare. Then blink again.
Itâs folded perfectly, sealed with a little silver charm in the shape of a star, and it is absolutely not yours.
The table goes very still around you. Lily sets her paper down. Marlene pauses mid-swipe at the jam pot. Dorcas leans in with her eyebrows already raised.
You glance upward, half-expecting someone to shout âsurprise!â or for Peeves to come crashing down from the ceiling, cackling. But thereâs no sign of trickery. Just a few owls flapping overhead and a Ravenclaw table full of students minding their own businessâor appearing to.
âOpen it,â Dorcas hisses, eyes wide.
âIâwhat if it explodes?â you whisper back, only half-joking.
âIt wonât,â Lily says. âLook at the charm. Itâs a standard animation seal. Whoever sent it used proper magic,â
âThat just makes it more suspicious,â you mutter, but your curiosityâs already gotten the better of you.
You peel the charm off and unfold the parchment.
The handwriting is careful, slanted slightly to the right, and clearly someoneâs taken their time with it. The ink is deep blue and slightly shimmering at the edgesâsomeoneâs fancied this up a bit.
You begin to read.
Hi, sorry to send this in such a dramatic way, but I figured a floating letter was better than stammering at you in person and making a complete idiot of myself. I know this is kind of out of nowhere, but Iâve⊠well, Iâve noticed you. And I was wondering if youâd maybe want to write to me over the holidays? Just letters, nothing weird. Or, you know, more, if youâre up for that. No pressure though. I just think youâre kind, and funny, and Iâd like to get to know you. From, Nick (Ravenclaw, sixth year, dark blond hair, sits near the windows in Charmsâjust so you can place me, if you want to).
You stare at the letter.
Then read it again.
And a third time, just to be sure it says what you think it says.
It does.
You make a noise somewhere between a squeak and a choke, and immediately try to stuff the letter under your plate, but Lilyâs already yanking it out of your hand.
âOh my god,â she breathes, skimming it with wide eyes. âThis is the cutest thing Iâve ever read,â
âWait, wait, let me seeââ Marlene leans across the table, grabbing the other side. ââJust letters, nothing weirdââwhat does that even mean? Is he worried about sounding like a creep? Oh, this is brilliant,â
Dorcas is fanning herself dramatically with her napkin. âDo you think he wrote a rough draft? This is totally a rehearsed letter,â
You hide your face in your hands, the heat of your cheeks threatening to set fire to your fringe. âStop. Please stop,â
âI will not stop,â Lily grins. âYouâve got an admirer. An actual, charming, respectful admirer who wants to write to you like itâs the 1800s. Thatâs romantic,â
âItâs embarrassing,â you groan.
âItâs amazing,â Marlene corrects. âAnd you have to write back,â
âI donât even know him!â
âThatâs the point!â Dorcas says. âHe wants to get to know you. He gave you a perfect way out, heâs not assuming anything, heâs just interested. Thatâs rare,â
Theyâre all smiling now, all leaning in, and you canât help itâyou laugh, a little helpless and a lot flattered.
Because itâs sweet. It is. And no matter how much your face is burning, thereâs a fizzy, fluttery sort of feeling in your stomach you canât quite ignore. You glance up again, eyes scanning the Ravenclaw table.
You spot him almost instantly.
Nick: dark blond hair, just as described, pale eyes, face mostly hidden behind a book, though heâs clearly not reading. He looks up. You look down. He looks away quickly, ears going pink.
You smile without meaning to.
âRight,â Lily says, dragging her bag into her lap. âWe need paper. A quill. What colour ink should we use?â
âIâm not writing him back in the middle of breakfast,â you hiss.
âWhy not?â Marleneâs already pulling a little bottle of silver ink from her satchel. âStrike while the ironâs hot! Heâs probably dying of anxiety over there,â
You hesitate for a moment too long, and then the decisionâs made for youâbecause Dorcas finds a clean piece of parchment, Lilyâs already got your hand in hers, and Marlene is dictating a reply out loud while you splutter about how this isnât how people normally handle these things.
Youâre still trying to snatch the quill back when a voice drawls from behind you:
âWhatâs all the noise about, then? Secret girls-only plot to overthrow the Ministry?â
Sirius.
Of course.
You twist in your seat and find him lounging half on the bench, half on the table a few seats down, chin in hand, eyes glinting with nosy curiosity. Heâs got toast in one hand and mischief in the other.
Lily lifts her chin and says, very primly, âNone of your business,â
âOh, now I have to know,â he says, kicking his legs up beside you.
You glance to your sideâand there he is.
James.
Sitting quietly at the Gryffindor table, a few seats down, half a piece of toast hanging forgotten in his hand as he watches the scene with a blank expression.
Itâs only a second, but you see it. That flicker of something behind his eyes.
Recognition.
Understanding.
And something sharp that he swallows before it can show too clearly.
Because James Potter knows what giggling girls and secret letters mean. He knows.
And it shouldnât matterâit really shouldnât. Youâre barely even friends. Civil, maybe. Tentatively polite. But whatever it is between you now, itâs not enough to warrant the sudden, stiff way he turns back to his plate.
It shouldnât sting.
But it does.
â
You finish the letter with the girls' help. Itâs nothing dramaticâjust a polite reply saying youâd be happy to exchange letters over the holidays, and that you appreciate his kindness. You keep it short and friendly and completely avoid saying anything that might sound too enthusiastic.
(Which is a lie. Youâre a bit enthusiastic. But you donât need them knowing that.)
Dorcas folds the reply with military precision, Lily reattaches the little star charm, and Marlene volunteers to deliver it on your behalfââto spare you the embarrassment,â she says sweetly, already halfway across the hall.
You look down at your plate, appetite long forgotten.
âAlright?â Lily asks, nudging your shoulder.
You nod. âYeah. I think so,â
âYouâre allowed to be excited, you know,â
âI am excited. Iâm just⊠surprised,â
She smiles. âItâs nice though, isnât it?â
You glance again toward the Ravenclaw table. Nickâs looking at Marlene like sheâs an incoming Howler, his whole face red to the ears as he takes the letter from her hand.
You smile again.
âYeah,â you murmur. âIt is,â
â
Across the table, James doesnât look up.
He doesnât need to.
Because he saw the whole thing. The letter, the blushing, the girls all but bouncing in their seats. He saw Marlene walk across the hall with that parchment and Nick take it with shaking hands.
And itâs stupid. Petty.
But it hurts.
Because itâs been nearly two years since he realised he might actually like youâproperly, not just in the annoying-you-is-fun way, but in the way that meant he started watching you when you werenât looking. Noticing when you got a haircut. Learning the way your nose scrunches when youâre trying not to laugh.
He apologised. He grew up. Heâs trying.
And it still wasnât enough.
Youâve got someone now. Or the beginnings of someone.
And heâs just James Potter, watching from afar with jam on his toast and something bitter on his tongue.
He shoves the toast in his mouth and doesnât say another word for the rest of breakfast.
â
You donât expect the first letter from Nick to come so quickly. It arrives the morning after you get home for the holidays, hand-delivered by a glossy, silver-feathered owl you donât recognise. Your name is written in the same neat, slanting script, and it still makes your stomach flip just a bit.
The note is folded crisply, the parchment thick and expensive-feeling. You hesitate before opening it, standing by the kitchen window with snow dusting the garden outside, everything quiet.
First off, thank you for not laughing at me. I thought Iâd regret sending that letter the second I did it, and I very nearly snatched it out the air mid-flight to get it back. But you were so... kind. I donât know what I expected, but it wasnât kindness. So thank you. It feels a bit odd writing like this, doesnât it? But I also kind of like it. Thereâs no pressure when itâs just words. I donât trip over them this way. So, hereâs me: I like Charms best. I once accidentally set my robes on fire in Herbology (donât ask), Iâm allergic to pineapple, and I think people who can fall asleep on trains are borderline magical. Tell me something about you? Anything. Something silly, or secret, or both. Yours (nervously), Nick
You smile like an idiot for a full five minutes before you even think about writing back.
And so it begins.
The letters come every few days, sometimes short and scrawled in rushed excitement, sometimes long and meandering with little sketches in the margins. He tells you about his mumâs failed attempt at decorating the tree with actual enchanted snow, and how it flooded the sitting room. You send back a drawing of a dog dressed in a Father Christmas hat (badly drawn, but Nick says itâs âprofoundly movingâ). He tells you heâs rereading Hogwarts: A History just for fun, and you reply with a list of reasons why thatâs definitely unhinged behaviour.
Sometimes he signs off with âYours, Nick.â
Sometimes with âYours (hopefully).â
OnceââYours (unless the owlâs eaten this and you never see it).â
You find yourself checking the sky for owls more often than you care to admit.
Itâs not dramatic. Not whirlwind, heart-racing, canât-breathe kind of love. But itâs nice.
And after the year youâve had, âniceâ feels revolutionary.
â
You return to Hogwarts with a small box of letters tucked at the bottom of your trunk, tied neatly with a silver ribbon courtesy of Dorcas, who insisted they deserved to be âpresented like the delicate artefacts of flirtation they are,â.
The minute youâre back in the dorm, youâre swarmed.
âShow us everything,â Marlene demands, already bouncing on the edge of your bed.
âYes, come on, letâs see what your secret Ravenclaw Casanova had to say for himself,â Lily adds, mock-prim, though sheâs clearly grinning.
You hesitate only a moment before reaching into your trunk. The box feels warmer than it should, like itâs soaked up some of the good from the past few weeks.
You hand it over, and the girls descend like a pack of curious Kneazles.
âOooh, look at this oneââYours (unless the owl eats it)ââalright, heâs cute,â Dorcas says approvingly, flopping onto her stomach with the letter held aloft.
âIs this a little sketch of a Thestral wearing a party hat?â Lily giggles. âHeâs got your sense of humour. Thatâs weirdly adorable,â
Marlene sniffs, mock-serious. âI give it two weeks before theyâre holding hands by the lake,â
âTwo? Youâre being generous,â Dorcas snorts. âI give it until Sunday,â
You hide your face in a pillow. âYouâre all horrible,â
âDonât change the subject,â Lily grins. âHave you written him since we got back?â
You nod, biting your lip. âTold him Iâd meet him after lunch. Figured we could, I donât know⊠actually talk in person,â
They cheer like youâve just won the bloody House Cup.
â
You find Nick leaning awkwardly by the courtyard archway, his hands stuffed deep into his robe pockets, and his scarf trailing loosely over one shoulder. He looks up at the sound of your footstepsâand immediately fumbles to straighten up.
âHi,â
âHi,â you smile.
Itâs quiet for a moment, but not the awkward kind. Just the sort of quiet where snow mutes everything, and your breath fogs the air between you, and the castle feels suspended in time.
âItâs nice to see your face,â Nick says finally. Then pauses. âI meanâobviously Iâve seen your face before. Loads. Iâm not, like, suddenly surprised you have a face,â
You laugh.
âI know what you meant,â
He exhales, relieved. âGood. I wasnât sure Iâd manage to string two sentences together without turning purple,â
âYouâre only a bit pink,â you tease. âThatâs manageable,â
You end up walking the long way around the courtyard, snow crunching underfoot. Itâs a bit stiff, at firstâhe trips over his words, you donât know where to put your handsâbut something about it feels... promising. Like maybe the letters werenât just a fluke.
He makes you laugh. You make him stammer in a way thatâs far too endearing. Itâs not dramatic, and itâs not sweepingâbut it feels nice.
And when he says, quietly, âIâm really glad I wrote to you,â you donât hesitate before replying, âMe too.â
â
From then on, you start seeing him more often. You meet by the greenhouses for walks after Herbology. You sit beside each other in the library, sometimes talking, sometimes just reading in companionable silence. You laugh when he fumbles his words or stutters a bit too quickly, and he blushes when you compliment his handwriting.
Itâs soft. Sweet. Easy.
And that ease is what James hates most.
He doesnât mean to. Really, he doesnât. But every time he sees you and Nick tucked away in a corner, talking with your heads bent close, something in his chest twists too tightly.
He tries not to look. He tries.
But he always does.
He catches glimpses of you in between lessons, notices the way your smile tilts differently when youâre with Nick, the way you lean in without thinking. He sees the way you laugh, just slightly quieter than with the girls, more private.
He sees all of it.
And it kills him.
Because Nick doesnât look nervous anymore. Not like he did in December. He looks like he belongs next to you now, like heâs settled into a space James never even realised was open.
And James?
James is still stuck in the same place, staring from a distance and pretending he doesnât feel like his lungs collapse a bit every time your eyes skim past him without stopping.
The worst part is that Nickâs not even unlikeable. Heâs polite. Respectful. He doesnât show off or brag. Heâs never hexed someone. Heâs the kind of boy you should be with.
Which makes James feel like even more of a twat for hating him.
But he canât help it.
Because youâre slipping further away with every shared smile and hushed conversation, and James PotterâGolden Boy, Quidditch Captain, supposed heartthrobâis left standing on the sidelines, too late and too cowardly to do anything about it.
Not that he deserves to.
Not really.
Not after everything he used to be.
â
Thereâs a quiet little path just past the edge of the Forbidden Forest, winding between thickets of tall grass and old stone walls from Merlin-knows-when. Itâs not quite on the Marauderâs Map because itâs not technically a shortcut or a secret passage â itâs just peaceful. Removed. The kind of place couples start to frequent when they want to be left alone.
You and Nick have discovered it recently.
Itâs become something of a habit, heading out there after classes with a thermos of tea or stolen pastries from the kitchens, bundled up in scarves and gloves, talking about everything and nothing as the winter wind rushes through the trees. Itâs your space now, and itâs lovely. Safe. Uncomplicated.
You donât notice the stag at first.
Heâs standing far off at the treeline, half-hidden behind some low-hanging branches. Massive antlers, golden-brown fur, eyes sharp even from this distance. He looks almost surreal â like he belongs in some enchanted forest painting, too noble and elegant to be real.
Nick notices your distraction. âWhat is it?â
You tug his sleeve and point. âLook!â
His head turns, eyes following your finger. When he spots the stag, he startles slightly. âBlimey,â
âDonât be dramatic,â you say, smiling. âItâs just a deer,â
âThatâs not just a deer, that thingâs the size of a carriage,â
You laugh. âDonât scare him off,â
You take a slow step forward, fascinated. The stag doesnât move. Just watches you, eerily still.
Thereâs something oddly⊠familiar about him.
And James â because yes, of course itâs James â is having what could only be described as a full-scale emotional breakdown inside his stupid stag body.
He hadnât meant for this to happen. Not exactly.
It had started out harmless enough â a little sulking, a bit of brooding, the usual staring-longingly-across-the-classroom-at-your-empty-chair sort of behaviour. And then Sirius had made some off-hand joke about how you and Nick probably had a âspecial little spotâ by now, and James had laughed like he wasnât actively dying inside.
Cue: terrible decisions.
Because obviously the most reasonable response to your blossoming teenage romance was to follow you in his Animagus form. Spy on you. Lurk.
Real mature.
But he couldnât help himself.
There you were, sitting beside Nick, cheeks pink with cold, smiling in that soft way James remembered from last year when he made that ridiculous fireworks spell in Charms just to make you laugh. And Nick â bloody Nick â looked like heâd won the lottery.
It shouldâve been him. He should be the one making you smile like that.
And then you turned, eyes catching the movement in the trees. James froze. For one horrible second he thought you recognised him, that somehow you could see straight through the fur and hooves and spot him for who he really was â awkward, lovesick, completely out of his depth.
But instead, you grinned.
Properly grinned. That wide, sparkly-eyed smile that had always made something in Jamesâ chest flutter.
âYou know stags are a sign of good luck,â he said, smiling softly at you.
You tilted your head. âAre they?â
âIn some places, yeah. Seeing a stagâs supposed to mean⊠well, something sacred. Or new beginnings,â
James, still very much standing there like a massive idiot, nearly snorted.
New beginnings, his arse.
You took a step closer to Nick, hands fiddling with your scarf. âHow fitting,â
Nickâs cheeks flushed red, even under the pale winter sun. âYeah,â he said quietly.
James felt the moment before it happened.
There was a hush in the air, the kind that hangs between two people right before something changes. A kind of invisible pull. You leaned inâjust slightlyâand Nick moved at the same time, closing the space with a nervous sort of determination.
And then you were kissing.
It wasnât a dramatic, spin-you-around kind of kiss. It was tentative. Careful. Sweet.
But it wrecked James all the same.
He wanted to close his eyes, but he felt as though he physically couldnât. He wanted to disappear, but he was literally a giant animal. Instead, he stood there, paralysed, watching the girl he loved kiss another boy while he pretended to be a woodland creature.
You pulled away first.
Nick, ever the gentleman, looked nervous again.
âSorry,â He muttered, hands fumbling. âI didnât mean toâ I mean, I did, obviously, but I didnât want to make it weird. Was that⊠alright?â
You stared at him for a moment, lips parted. âIt was,â
Nick smiled, visibly relieved.
And Jamesâfull of repressed feelings and bad decisionsâbolted.
He galloped full-tilt back through the trees, hooves skidding over frosty ground, lungs burning with the kind of emotion that didnât make sense in this form.
When he finally transformed back, he nearly punched the wall.
â
He storms into the dormitory, robes askew, hair windswept and damp from snow.
Remus looks up from his book. âAlright there?â
âNo.â
âDid you fall in the lake again?â Sirius asks from his bed, chewing a Sugar Quill and looking thoroughly unconcerned.
âNo,â James grinds out, pacing the room. âWorse.â
Peter sits up. âWorse than the lake?â
âI watched her kiss him.â
Thereâs a pause.
Sirius, now mildly interested, swings his legs over the side of the bed. âYou what?â
âIn the forest,â James says, throwing his arms up. âI wasâ I donât knowâjust followingâwalkingâI didnât mean to stay that long, but then I saw them and I couldnât move, and then he kissed her.â
He collapses into the armchair with the weight of a man whoâs just seen war.
âMate,â Remus says gently, closing his book, âyou followed her?â
James groans. âDonât say it like that.â
âIn Animagus form?â
âDonât say it like that!â
Sirius is cackling now. âJames, my boy, you absolute idiot,â
James throws a cushion at him. âDo you want me to cry?â
Peterâs eyebrows are high on his forehead. âSo⊠you watched them snog and then what? Ran off crying in your stag form?â
âYes, Pete, thatâs exactly what happened, thank you for summing it up so eloquently,â
Remus sighs. âLook. I know this is hard. But what did you expect to happen? Youâve been watching them from afar for weeks, acting like you donât care, and now youâre surprised that sheâs moved on?â
James sulks deeper into the chair. âI didnât think it would hurt like this,â
Sirius tosses a Bertie Bottâs bean at his head. âThen do something, mate,â
James blinks. âWhat?â
âTell her,â
âI canât,â
âWhy?â
âBecause!â James flails his arms. âShe hates me,â
âShe doesnât hate you,â Remus says calmly. âShe was just⊠wary. And to be fair, you earned that. But youâve changed. She sees that,â
âLilyâs talking to you again,â Peter adds. âThatâs a massive shift from last year,â
âSheâs dating Nick,â James mutters.
âSo?â Sirius shrugs. âRelationships end all the time. Especially school ones,â
Remus shoots him a look. âNot exactly the message we want to send right now Pads,â
âSorry, Moony, but itâs true. James has been pining for her like a tragic protagonist in a bad romance novel for years. If he doesnât say something soon, heâll combust. Or do something even stupider than stalking her through the forest,â
James groans. âYouâre making it sound so much worse,â
âYou made it worse, mate. You literally watched her kiss another boy from the bushes,â
He buries his face in his hands. âWhat do I even say? âHi, sorry I was a git to you for years, but now I fancy you and have no idea how to act like a person anymoreâ?â
âHonestly,â Remus says, ânot a terrible start
James peeks up between his fingers. âI canât just tell her,â
âThen write,â Peter suggests, surprisingly earnest. âYouâre always better in writing,â
The room falls quiet.
James slowly lifts his head.
ââŠDo I have to sign it?â
Remus frowns. âYou want to send it anonymously?â
Sirius leans forward, interested. âLike a secret admirer?â
âNo, like⊠a vent. I get it all out with no risks,â
âYou think sheâd read it?â Peter asks.
James shrugs. âShe might,â
Sirius leans back, chewing on his quill now. âAlright. An anonymous letter. Bit dramatic, but very you,â
âYou think itâs stupid,â
âI think,â Sirius says, âitâs better than sitting here moping while she falls in love with someone else,â
James doesnât reply.
Instead, he stands, walks to his trunk, and pulls out a piece of parchment.
And a very fancy quill.
Because if heâs going to tell you the truthâeven secretlyâheâs going to do it properly.
â
It arrives one cloudy morning at breakfast, right between a plate of toast and a half-soggy letter from your mum asking if youâve remembered to send your Nan a Christmas thank-you.
You barely register it at firstâthe slip of parchment settling onto your plate with an elegant little flutter, the ink shimmering faintly as if kissed by starlight. You glance up, expecting to see an owl flapping off, but the air above the Gryffindor table is clear.
Weird.
You look down again. Itâs not a scroll, not a Howler, not a folded scrap from Lily asking about Herbology notes. Itâs stationery. Thick, cream-coloured parchment that feels almost too nice for Hogwarts post. The edges are trimmed with delicate gold foil. The writing, when you unfold it, gleams like the surface of the Black Lake at midnight.
And it is⊠a lot.
You donât know me. Not properly, anyway. Maybe you think you do, and maybe thatâs my fault, maybe Iâve made sure you didnât want to. Maybe I got too used to being the kind of boy people only like in theory. I can be a bit of a twat, but if Iâd ever had the courage to actually be honest with you, this is what I wouldâve said: I notice everything. I notice the way you chew your lip when you're thinking. The way your handwriting changes when youâre writing something personal. I notice that you give away half your dessert even when you complain youâre starving, that you always carry extra hair ties in case your friends need one, that you hum when youâre nervous. Iâve noticed that you like thunderstorms more than sunshine, and that you pretend not to care when people donât listen to you, but it bothers you. I wish it didnât. Youâre not just pretty, youâre brilliant. Youâre clever in ways people overlook, and kind in ways that make them assume youâve never been angry. But Iâve seen it. Iâve seen your temper flare and your spine straighten and Iâve wanted to be someone who could stand beside that, not against it. I used to think if I just waited long enough, youâd look at me the way you look at the pages of a good book â like something worth opening. But I donât think you ever will. And Iâm tired of pretending Iâm fine with that. So this is me. Being honest. Finally. I hope youâre happy. Even if itâs not with me.
You read it three times before you even breathe.
It isâquite literallyâthe most intense thing anyoneâs ever said to you. And they didnât even say it. They wrote it. Anonymously. No name. No initials. Just⊠left it here like a bloody emotional bomb.
âOh my God,â Marlene breathes, peering over your shoulder. âWho wrote that?â
You blink, still dazed. âI donât know,â
âWhat do you mean, you donât know?â Dorcas is already reaching for the paper. âLet me see,â
Lily sets down her tea. âThatâs not Nickâs handwriting,â
You snatch the letter back instinctively, folding it like a guilty thing. âItâs not from Nick,â
âOh hell no,â Marlene says, loud enough to turn heads from the other end of the table. âWhat kind of coward doesnât sign their name to something like that?â
You flush, tucking the letter under your plate. âCan we not do this here?â
âNo, sorry, weâre absolutely doing this,â she says, hands in her hair. âYou just got the Hogwarts equivalent of a bloody sonnet and weâre supposed to ignore it?â
You shrug, trying for breezy but failing miserably. âItâs probably a joke,â
âItâs not a joke,â Lily says, eyebrows furrowed. âNo one puts that much effort into a joke. That was⊠honest. Painfully so,â
Dorcas whistles low. âI canât believe someoneâs been carrying all that around. And didnât even sign it,â
âThey shouldâve,â Marlene says. âYou donât get to say all that and then disappear. Itâs manipulative,â
âItâs anonymous,â you say quietly. âNot manipulative,â
âThey want something from you without saying who they are,â
You shrug. âI donât care who they are,â
Which is, of course, an outright lie.
Because for the next two weeks, you read the letter every single night after the others have gone to sleep.
You tell yourself youâre just curious. That itâs like solving a puzzle, trying to piece together who mightâve written it based on the phrasing, the details. You go through every male voice in your head like a bloody index file: is it someone from your year? Another House? Is it someone who sees you more than you realised?
And worse: is it someone youâve hurt without knowing?
Because how long has this boyâwhoever he isâbeen noticing you? Caring about you from some hidden distance? How long has he been watching you laugh, cry, argue, love your friends⊠and stayed silent?
Because now that someone has said those things to youâsomeone who wants your laugh, your bad handwriting, your bloody spare hair tiesâyouâve started comparing. And Nick, for all his sweetness and quiet charm, hasnât said anything remotely like that.
Nick likes you. He likes your face, your smile, your laugh. He likes sitting next to you at lunch and holding your hand when you walk to class. He likes being liked.
But whoever wrote that letter doesnât just like you. They see you. In this terrifying, intense, specific way that makes your stomach twist every time you reread it.
And thatâs the problem, really.
Because now every interaction feels dimmer by comparison.
When Nick compliments you, it feels too rehearsed. When he kisses you, you wonder if heâs noticed the freckles on your shoulders, or if heâs just decided that kissing you is nice. You still like him. You do.
But you also canât stop thinking about the letter.
â
Meanwhile, in the boysâ dormitory, James is slowly unraveling.
He hadnât meant for the letter to actually get to you.
Well, he had, obviously. That was the plan. Fold it all up, pour his heart onto the page, let the Marauders deliver it like some weird emotional owl service. But he hadnât expected it to work. He thought maybe youâd read it once and toss it in the bin.
But you didnât.
You read it. And then you kept reading it.
James knows because he keeps watching you. Not stalkingâdefinitely not stalkingâjust⊠observing. From across the common room. Or the Great Hall. Or occasionally (and he hates himself for this) while pretending to tie his shoelaces in corridors you happen to be walking through.
Youâre thinking about it. He can tell.
Youâve gone quieter, more introspective. You still hang out with Nick, still smile when he tugs you along to some late lunch in the courtyard. But the spark in your eyes when you look at him doesnât quite reach the edges like it did before. Not like it does when youâre reading.
James sees you in the library with it tucked into a Transfiguration book.
He sees you smiling at it in Charms when Flitwick isnât looking.
And every time, it hurts.
Not because you know itâs from himâbut because you donât.
Youâre holding a piece of his soul and you donât even know itâs his.
The Marauders are no help.
âJust tell her,â Sirius keeps saying. âItâs not going to kill you,â
âYes it will,â James mutters into his pillow. âInstant death. Right there. Youâll have to plan my funeral,â
âMoony can write the eulogy,â Peter suggests. âSomething tragic,â
âIâm not writing him a eulogy,â Remus says dryly. âIâm writing him a howler if he doesnât grow up,â
But James doesnât want to grow up. He wants to hide.
Because this is worse than being rejected. This is watching you choose someone else while still holding onto the most vulnerable thing heâs ever written and having no idea itâs from the boy who used to trip over his words around you.
He thought writing it would help.
It hasnât.
If anything, itâs made everything worse.
Because now he knows how close he got. And how far away he still is.
And youâ well, youâve got a letter folded fourteen times and stashed in your pillowcase like some embarrassing secret. Youâve got Nick waiting for you after class and your friends teasing you about mystery boys and youâve got no idea that the person who sees you best is someone youâd written off two years ago.
But youâre starting to wonder.
Because whoever wrote that letter knew things even you hadnât noticed about yourself.
They knew how you listen harder when people talk about books, how you write longer sentences when you're nervous, how you care more deeply than you let on. That kind of observation doesnât happen overnight.
That kind of thing takes years.
â
There are times in relationships when it feels like the edges of your life blur together, and the lines that once separated who you were from who you are in someone elseâs eyes start to fade. Itâs a strange and subtle thing. At first, it feels like youâre merely adjusting â slipping a little to fit more comfortably into someone elseâs world. But gradually, as time passes, the edges of that world begin to shape you. And in the process, you start to lose sight of where you end and they begin.
Thatâs what happened with Nick.
At first, you thought it was something gentle â a sweet, budding connection. After all, the letters had been lovely, hadnât they? The way he wrote about things youâd never noticed, the way his words seemed to speak to you in places where you hadnât realised you were waiting for someone to. He was kind, he was funny in his own way, and he tried his best to get close to you. Really close.
But the truth isâ he tried too hard.
You hadnât noticed it at first, or if you had, you dismissed it. After all, it was sweet, wasnât it? The way he wanted to take you to Hogsmeade every weekend, the way he seemed to try to do all the right things, say all the right words. Heâd bring you flowersâsmall, simple ones from the Greenhouse, wrapped in brown paper. Youâd smile, thank him, and tuck them into a glass jar on your windowsill.
But soon it wasnât just flowers. It was sudden plans to study together for hours, even when you werenât sure if you really needed to. It was long conversations about everything and nothing, always turning into late-night talks that kept you tethered to him, even when your mind wandered to other thingsâor to other people.
You hadnât meant for it to happen, but the truth crept in. Little by little, things started to change. At first, it was just the fact that when you sat with Nick, it was easy to forget. You didnât think about the boy whoâd written you that anonymous letter, you thought maybe this was enoughâthat Nick was enough. But after a while, something started to feel⊠off.
It wasnât his fault, not exactly. Nick was a genuinely good person. But somewhere along the way, he began to push harder than you could keep up with. And rather than reassuring you, that energy felt suffocating. The careful gestures, the predictability, the pressure to move things forward.
You began to realise that you werenât sure if you wanted to move forward. Not with him. Not like this.
The shift became obvious one cold afternoon in the library, when Nick tried againâreally triedâto kiss you. His hand brushed yours as he leaned in, but instead of feeling that warm flutter youâd always read about in romance novels, you felt yourself stiffen.
It wasnât that you didnât like him. You did. But with each moment that passed, the picture youâd once thought was perfect started to crumble. In that space between the kiss and the hesitation, you saw what was missing. It was like the world suddenly tilted. You realised youâd been holding on to something that wasnât quite real, a dream of what could be, rather than what was.
You pulled away.
âI thinkâŠâ you started, the words heavy in your throat. âMaybe we need to talk,â
Nick paused, his expression flickering with concern. âTalk about what?â
âI think Iâm not really sure what I want anymore,â you said quietly. It wasnât easy. It never is. âI think Iâve been⊠confused. I donât want to lead you on,â
He blinked, his lips parted as though he was about to speak but couldnât quite find the words. âYouâre saying this now?â
âI know. Iâm sorry. I shouldâve said something sooner,â You looked at him, trying to make it hurt less. âBut I think maybe we both rushed into this, and now⊠I donât know. I donât think Iâm ready for this. For us,â
There was a long silence, his face softening, eyes full of something like defeat. And then he spoke, his voice quiet but steady.
âI think I knew, somewhere in the back of my head,â he admitted. âI wanted to be the one to make you forget. To make you forget the other person. The one who⊠knows you. Like that letter,â
You froze at his words, staring at him. âWhat do you mean?â
Nick shifted uneasily, rubbing his neck, looking around as if he wanted to find some kind of answer in the shelves of books. âI meanâŠâ he said slowly, âYou were never really mine, were you? Not in the way I wanted. Not in the way I needed,â
A knot tightened in your chest. He was right, but it hurt to hear it. âYouâre not wrong,â you murmured, your heart sinking. âI donât know what I was looking for. But I donât think it was this,â
Nick gave a soft, resigned chuckle. âYeah, I think I figured that out a little too late,â He paused. âI tried. You know? I tried to make it work, tried to be what you needed. But I guess⊠youâre right. I couldnât compete with someone who really knows you,â
âIâm sorry, Nick.â You said the words because they were true, because you did care about him, but you also knew that this wasnât right anymore. You couldnât force it to be something it wasnât.
He nodded, his jaw tightening slightly. âI just⊠I donât think I can keep pretending Iâm okay with the idea of you still thinking about someone else. Iâm not him, am I?â
You shook your head, swallowing hard. âNo. Youâre not,â
For a moment, you both sat there in the quiet of the library, the sounds of students working, the soft scratch of quills on parchment. It was a peaceful kind of sadness, though. Not dramatic or explosive â just two people who had tried, who had cared, and who were now realising that they had reached the end of the road.
Nick exhaled softly, meeting your eyes. âI just want you to be happy, even if itâs not with me,â he said quietly. âI think you need to find the person who really gets you. The person who sees all of you, like that bloody letter,â
You felt something tighten in your chest at his words. âI want you to be happy too. Iâm sorry,â
He smiled faintly, his eyes soft. âDonât be. Itâs just⊠I think we both knew this wasnât going to last, not like this. I care about you. I always will. But I canât be the person whoâs always second best. I canât compete with someone who sees you the way you deserve to be seen,â
You nodded, your throat tight. âI get it,â
âGood luck,â Nick stood up, dusting off his robes. âI hope you find what youâre looking for. Even if itâs not me,â
And with that, he walked away.
â
It took a few weeks for the aftermath to settle in. You werenât sure if youâd done the right thing. But as time passed, you started to understand. Youâd never been in love with Nick. Youâd never been in love with the idea of him, either. And even if you hadnât fully understood what that letter meantâthe one youâd read so many times, the one youâd kept hidden under your pillowâyou were starting to.
Youâd tried. Youâd tried to make it work, to make Nick fit, to make everything make sense. But in the end, you couldnât ignore the cracks that had formed the moment you started comparing his kindness to the depth of someone elseâs words.
You hadnât found it yet, whatever it was that you were looking for. But you knew you would. It wasnât about finding someone who could match Nickâs sweetness, or someone who could take his place.
It was about finding someone who saw you.
â
The Marauders had a plan. A very misguided, very well-meaning plan. And, naturally, that plan revolved around James.
They were determined to fix him, to make him move on, to help him forget about the girl who had (without him knowing) already managed to ruin him. But, as usual, they hadnât bothered to take into account the very real fact that James didnât want to move on. At least, not in the way they thought he should.
Ever since his brief but very real heartbreak â the one that no one, especially you, knew anything aboutâJames had been moody. His attempts at pretending he was fine fell flat. He acted like he was fine, smiled like he was fine, but everyone who knew him could see it in his eyes. He wasnât fine. He was not fine.
But the Marauders, being the Marauders, had an answer. They were going to find him someone to kiss, someone to distract him from you.
James had tried to shrug it off. He had told his friends, repeatedly, that he wasnât interested in anyone else. He didnât want to be fixed, and he certainly didnât want to forget you, not when he couldnât forget that letter, not when every little thing about you still echoed in his head.
But the Marauders were insistent.
âMate, youâve got to move on,â Sirius said one evening, sprawled across the couch in the Gryffindor common room. He was half-teasing, but there was a seriousness to his voice that James couldnât ignore. âYouâve never kissed anyone else. Never shagged anyone. How do you know you donât like it, huh?â
James shot Sirius a dry look. âI donât need to shag anyone to know Iâm not interested in anyone else,â he muttered. He had been hoping to avoid the topic altogether, but Sirius, as always, was relentless.
âYou donât know that until you try, Prongs,â Sirius said, winking as he nudged James in the side. âBesides, you canât just pine over her forever. Youâll drive yourself mad,â
James clenched his jaw, his fingers curling into fists. âIâm not pining,â he growled. âIâm just⊠not interested in anyone else. Itâs that simple,â
Sirius raised an eyebrow, clearly unconvinced. âIf you say so,â He flashed a grin. âBut youâre coming to the Quidditch after-party tonight, right? Iâve got a plan to fix this. You need to at least try,â
And that was how James ended up, several hours later, at the Gryffindor Quidditch after-party, reluctantly swept into the chaos of his friendsâ scheming. There was no getting out of it. Sirius had insisted. Remus had given him a knowing look. Peter had simply nodded along, looking vaguely terrified of being left out of the plan.
James had been forced to accept that the Marauders werenât going to leave him alone until he did something. So, with as much reluctance as he could muster, he gave in.
The party was rowdy, with a thrumming energy that could only come from a Gryffindor Quidditch victory. It didnât take long before Sirius had dragged James into a conversation with a fifth-year Gryffindor girl, a girl James vaguely recognised from the common room. She was nice enough, but James wasnât interested. Still, he followed through because, well, Sirius had already set it all up.
"Just give it a try, mate," Sirius whispered, giving him an enthusiastic thumbs-up from across the room. âYou might actually enjoy it,â
James barely suppressed a groan. He couldnât explain it, but the thought of kissing anyone but you felt wrong. There was a tightness in his chest every time he tried to think about being with someone else.
He didnât know what it meant, whether it was the letter, or the way you had slipped so easily into his thoughts, but he couldnât shake the feeling that he wasnât supposed to be here. That he wasnât supposed to be kissing someone else.
Nevertheless, after some awkward small talk, the girl leaned in, and there it was. His first real kiss, forced and strange, under the loud cheer of the party around them. It lasted barely ten seconds before he pulled away, completely baffled by the sensation. She smiled at him, clearly pleased with herself, but it didnât feel right. The kiss, the girl, the situation, none of it.
It wasnât until Sirius erupted from across the room, clapping and cheering loudly, that the full weight of the absurdity of the situation hit James. Sirius, always the showman, made it a sceneâannouncing loudly that James had officially kissed his first girl, and proudly pointing at James with a triumphant grin as if it was some massive accomplishment. It was a joke, sure, but it made James cringe.
You were standing near the punch bowl with Marlene and Dorcas at that very moment, and you couldnât help but roll your eyes as the whole situation unfolded in front of you.
There was something about the way Sirius made a spectacle of it that rubbed you the wrong way. The obnoxious cheering, the over-the-top comments, the way everyone turned to look at James and the girl like they were stars on a stage.
You couldnât quite pinpoint why it bothered you so much. Maybe it was the sheer lack of subtlety. Maybe it was the fact that James didnât seem to care much for the girl at all, or that he was only doing this to prove something. You couldnât quite place it, but something about it left a bitter taste in your mouth.
You found yourself staring a little too long, a little too intently, at the scene. Maybe it was the stupid party. Maybe it was the fact that James had always been so full of himself. But whatever it was, it didnât sit right with you.
Your friends noticed. Marlene raised an eyebrow and smirked. âYou okay?â
You blinked, startled by the question. âYeah, of course,â you said quickly, though your voice was a little too sharp to sound convincing. âWhy wouldnât I be?â
She didnât buy it, but she didnât push further. Instead, she and Dorcas exchanged a knowing look, and you felt a flush of embarrassment rise up your neck.
You glanced back at James, still awkwardly standing with the girl, still the centre of the attention. You looked away, the feeling in your chest growing uncomfortable. You didnât like it. You didnât like the way this felt, or the way it made you feel. And yet, you couldnât deny the slight tug of something â something more complicated than you were willing to admit.
After the party, James felt it too. The awkwardness. The discomfort. The wrongness. He sat with the Marauders, and despite the fact that they were celebrating his âsuccess,â James couldnât shake the feeling that it had all been for nothing.
âI donât know what I expected,â James admitted, dropping his head into his hands as they all sat around in their dorm. âIt didnât feel right. I didnât⊠I didnât enjoy it,â
Sirius raised an eyebrow, an almost sympathetic look crossing his face. âYou didnât enjoy it?â
âNo,â James muttered, running a hand through his hair. âIt just felt wrong. It wasnât the same,â
The Marauders exchanged glances, the air thick with unspoken understanding. Of course it wasnât the same. It couldnât be the same. Not when his mind was still filled with someone else. Not when James wasnât ready to let go.
âWell, mate,â Remus said softly, âI think we all know whatâs really going on here,â
James shot him a look of frustration. âIâm not interested in anyone else. I donât want to be with anyone else,â
âAlright,â Sirius said, his voice suddenly serious, âIf youâre really not ready then weâll leave you to it,â
James sighed, rubbing his eyes in defeat. âI donât want anyone else. I just⊠I donât know what to do about it,â
The Marauders fell into a thoughtful silence, each of them looking at James with a mixture of sympathy and exasperation. There was nothing they could do for him, not unless he was ready to confront the real reason he was so stuck.
And, for now, James was content to wallow. He didnât want to move on, and he wasnât about to let anyone push him into it.
â
There was a strange sort of silence to Jamesâ heartbreak. It didnât roar like his laughter or crackle like his temper. It didnât come out in jokes or pranks or the boisterous chaos that usually followed him around like a second shadow.
No, this was something different. Something quieter. Quieter than anyone had ever expected of him. There was a whiteness to it, an absence, a stillnessâa kind of stillness that looked out of place on him.
He didn't speak to anyone about it anymore. The Marauders had triedâSirius, mostly, with his not-so-subtle nudges and jabsâbut James had stopped responding. He didnât mope, exactly. He just grew more introspective. Not solemn, not angry, just⊠somewhere in between. And every time someone mentioned your name, something behind his eyes would flicker and then dim again.
It wasnât until he overheard you, Marlene, and Lily chatting in the corridor near the library that everything shifted again.
You were trying to be quietâyour voice low, tone calm, your words slightly hesitant. But James had always been good at picking you out from a crowd. It was something he hadnât even realised heâd trained himself to do until recently. So when he passed by that corridor and caught your voice, he paused. And then he heard it.
âWell, it wasnât like Nick did anything wrong. Heâs sweet. I justâŠâ You sighed. âI donât know. It stopped feeling like it was about me, you know? He was chasing something, not necessarily me. And after that letter turned up, it just made it worse,â
James stopped breathing. That letter.
âYou still donât know who itâs from?â Lily asked, a note of intrigue in her voice.
You huffed out a laugh. âNo. And itâs driving me mad. I feel like⊠whoever wrote it knows me better than I know myself. And I don't even know his name,â
Marlene scoffed. âIf he knew you that well, heâd grow a spine and tell you who he is,â
âHeâs probably scared,â Lily offered gently. âThose letters arenât just passing notes. Theyâreâintimate,â
James ducked into an empty classroom before they could spot him, heart pounding. His palms were damp. His whole body felt too hot, too aware. You'd broken up with Nick. Because of him. Not that you knew it was him, but still. His words had changed something.
He had told himself, after that first letter, that it was a one-time thing. A catharsis. An exorcism of all the things he couldnât say to you out loud. But after his revelation. He found himself itching to write another. And another.
The second letter had come days after he saw you in the courtyard laughing at something Dorcas had said, your head thrown back in a way that made his chest ache. Heâd gone back to the dorm, heart full and throat tight, and written about itâhow he wished he could be the one making you laugh like that. How heâd never seen anything brighter than the way your eyes crinkled when you smiled.
Then came the third letter, and the fourth. And soon, it had become a habit. A ritual, almost.
When he couldnât sleep, he wrote.
When he saw you in class and wanted to say something but couldnât find the nerve, he wrote.
When you passed him in the corridor and gave him a polite, almost friendly smile, he wrote.
And the letters changed. They werenât just emotional ramblings anymoreâthey were layered with observations, with memories, with confessions he had never let himself say aloud.
You wore your hair different in Potions today. I liked it. But I think I wouldâve liked it even if it looked awful, which is⊠probably not a great thing to admit, is it? Youâve got this little crease between your brows when youâre concentratingâit only appears when youâre really focused. I donât think you know you do it. When you walk down the corridor, I can tell what kind of mood youâre in before I even see your face. Itâs in the sound of your steps. In the rhythm of it. Happy-you walks different than annoyed-you.
You never responded. You couldnât. There was never a return address, never any way to send anything back. But James didnât care. He didnât need a reply. Just writing to youâbeing able to express it, even anonymouslyâfelt like enough.
Sort of.
Because the truth was, as much as it helped to write the words down, it also hurt. Every letter was a reminder of everything he wanted and couldnât have. Everything heâd spent years pretending not to feelâburied beneath jokes and hexes and all the noise of adolescence.
And you? You kept every single one.
You didnât tell the girls about it. Not really. Not after the second letter. You pretended it was over, that it had been some sweet, silly little mystery. But in truth, youâd hidden them. All of them. In a little shoebox under your bed, wrapped in an old jumper. Some were creased from how often you unfolded and re-folded them. Some had the faintest smudge in the corner from where youâd cried, unexpectedly, at something you hadnât realised you needed to hear.
You didnât know what to do with them. You werenât over Nickânot really. That kind of closeness doesnât disappear overnight. But it was impossible to keep pretending that he had understood you like this anonymous writer did.
Whoever he was, he had seen you. Not just the version of you that most people acknowledgedâthe smart, sharp, sometimes-sarcastic girl who was always one step ahead of a comeback. No, this person had paid attention to the margins of you, the unnoticed edges. The things you didnât even know were there until he wrote them down.
I think I started liking you back in fourth year. You were defending someone in the corridorâsome little second-year whoâd dropped their books, and some Slytherins were laughing at him. You didnât even hesitate. You stepped right in like it was the most obvious thing in the world. Thatâs when I knew. Only Iâm not sure if I just like you anymore. Itâs something more. Something I donât know how to name. Is it pathetic to say that I hear your voice before I see you? That I can pick you out of a room before I even look up? I donât mean to. Itâs justâitâs like my ears are tuned to you. Like a frequency I canât ignore.
You lay awake most nights now, reading the letters again after the others were asleep. You tried to analyse the handwriting. You wondered if it was someone in your year. You made a list of suspects in your head and crossed off half of them, even though it didnât bring you any closer.
Sometimes, when you caught James looking at you from across the room, youâd wonder. But then youâd scoff at yourself, because James Potter? Really? He was⊠well, James. All swagger and messy hair and cocky grins. Youâd made peace with the fact that he wasnât half as insufferable anymore, but he was still James.
And yetâŠ
The letters were not the work of someone who didnât care. They werenât careless. They were intimate in a way that left you breathless. Each one revealed a little moreâeach sentence brushing up against truths you hadnât admitted even to yourself.
They came like clockwork nowâone every week, always arriving in the oddest of places. Slipped inside your Arithmancy book. Folded neatly on your dinner plate. Once, even tucked inside your scarf in the common room, which really freaked you out because it meant he was closer than you thought.
It was terrifying and exhilarating. And the worst part? You were beginning to need them. Crave them, even. His words had become a constant, something you looked forward to with equal parts dread and hope.
The box under your bed grew heavier by the week.
And James? He was slowly losing his mind. Every time he saw you reading a letterâhead tilted, eyes flicking across the page, your expression soft and unreadableâit hurt in the best and worst way. You liked them. He knew you did. But the longer he went without saying anything, the more impossible it felt to tell you the truth.
Because what if knowing ruined it? What if it stopped being magical the second his name was attached?
He was a coward. Marlene had said so, loudly, and James knew it was true. He could face down a rogue Bludger, duel a seventh-year, prank Filch and escape with a grinâbut he couldnât tell you he was the one who had been writing to you.
And yet, he couldnât stop.
He poured his soul into those margins. Into those pages that would never carry his name. Because it was the only way he could tell you the truth and survive it.
And maybe that was enough.
Or maybe, eventually, it wouldnât be.
â
You didnât mean to tell them. Honestly, you had every intention of keeping the whole thing a secret forever. But Marlene had a sixth sense for drama, and Dorcas had a sharper nose for mystery than a trained bloodhound. So when your bed-curtains had rustled suspiciously in the middle of the night and Marlene had caught a glimpse of shimmering ink through the crack of your open trunk, it was game over.
Youâd barely managed to shove the letter beneath your pillow before she pounced.
âAha!â she whispered in triumph, yanking back your curtains with no regard for your sleep schedule. âI knew you were hiding something!â
âMarlene, go away,â you groaned, but Lily was already sitting up, blinking owlishly, and Dorcas was dragging her own blanket across to your bed.
âNope,â Dorcas said brightly, sliding in beside you with terrifying ease. âSpill it. Is it more letters?â
You were betrayed by the silence. The way your face didnât even have time to arrange into a proper lie before the truth fell across your cheeks.
âOh my god,â Lily whispered. âThereâs more?â
âThereâs loads more,â Marlene said, shoving aside your blankets and finding the shoebox tucked beneath your bed like a woman possessed. âHoly hell, youâve got a whole bloody collection.â
You didnât fight it. Not properly. Not after the fourth letter was unfolded and read aloud in a reverent hush, the girls falling completely silent around youâsave for the occasional sniff or soft exhale of disbelief.
âHe watched you drop your quill and memorised how you tucked your hair behind your ear,â Dorcas said, practically vibrating. âI thought blokes only noticed when girls breathed near them,â
âItâs beautiful,â Lily whispered. âItâs like something out of a novel,â
âRomantic,â Dorcas agreed.
âTerrifying,â Marlene added. âI mean, what if itâs Mulciber or something?â
You almost choked. âPlease donât even joke about that,â
Thus began the unofficialâand entirely chaoticâformation of The Girlsâ Detective Agency. It wasnât your name for it, obviously, but once Marlene had made badges (from parchment, glitter, and sheer manic determination), you didnât have much choice in the matter.
The mission was clear: uncover the identity of your mysterious letter-writer.
Their methods, however, were⊠questionable.
They started with handwriting analysis. Marlene attempted to casually wander through the library, requesting to borrow ink samples from boys âjust out of curiosity,â and Lily spent an afternoon in the common room âhelpingâ people with their Transfiguration essays so she could examine their penmanship. Dorcas, who had stolen your Divination notes under the pretext of âastrological clarity,â tried to match the emotional tone of the letters to various star signs.
âIâm telling you,â she said one night with complete certainty, âthis is a Cancer Sun, maybe a Pisces Moon. This is water sign poetry,â
You didn't know what a Pisces Moon was meant to mean, but Dorcas said it like gospel, so you just nodded.
Meanwhile, Marlene was not subtle. At all.
âWhat if itâs Remus?â she hissed once across the common room, loud enough for three people to turn around. âHeâs broody. And he reads so much poetry,â
You swore you saw Remus twitch.
But you shook your head. âNo. Itâs not him,â
You were sure about that. Remus was clever, kind, thoughtfulâbut the letters didnât sound like him. His voice was steadier, more deliberate. The person writing to you was something else entirelyâsomeone who struggled with the weight of what he felt, who was reckless with his emotions in a way that wasnât controlled or clean. Someone who wrote like he was bleeding onto the page.
There were flashesâlittle thingsâthat made you wonder if maybe, maybe, it could be James.
But every time the thought flitted across your mind, you swatted it away.
James Potter didnât write letters like this. James Potter was a menace with a Quidditch obsession and a lopsided grin. James Potter, who had only recently evolved into someone tolerable, wasnât exactly someone you pictured lying awake at night, pouring his soul into parchment.
Sure, he wasnât as obnoxious as he used to be. And sure, there was something softer in the way he looked at you latelyâbut youâd chalked that up to the fragile peace youâd made after last yearâs chaos. There was no way he was the one leaving notes beneath your scarf.
Besides, if heâd written something this vulnerable, he wouldâve shoved it into your hand and dared you to read it aloud just to watch you squirm. Right?
So, no. Not James.
You were wrong, obviously.
But that wasnât the point.
â
The final week of term came faster than expected. sunlight glittered on the edges of everythingâfloating house flags outside the Great Hall doors, open windows letting in a soft breeze, a warmth that seeped into your bones. Everything felt a little too warm, a little too bright.
And still, the letters kept coming.
The last one arrived on the morning of the train home.
It was simpler than the others. A small square of parchment, no shimmering ink this time. Just words. Words that didnât try to be anything other than honest.
I donât know if Iâll write again. I think I might be running out of ways to say it. I miss things Iâve never had with you, and thatâs a strange kind of grief. Have a nice holiday. Try not to overthink things. I know thatâs rich coming from me. Yours, alwaysâ even if you never know who.
That was it.
You folded the letter carefully, hands trembling, and slid it into the shoebox with the others. And then you stared at it for what felt like hours, until Lily touched your arm gently and said, âWeâll miss the train,â
And that was that.
â
James watched you leave through the frost-smeared train window, his heart quieter than it had been in months. The Marauders were deep into a loud game of Exploding Snap, Sirius laughing at every blast, Peter shouting protests, Remus rolling his eyes fondly.
None of them knew heâd written another one.
James had stopped telling them after the fifth or sixth. It felt private. Sacred, almost. Sharing it would have made it real in a way he wasnât sure he could handle. So he kept it to himselfâhis stupid little secret. His confession scrawled across parchment instead of spoken out loud.
He knew he was being a coward. That had become obvious. But he couldnât bring himself to stop. Not when he saw the way you read them, all curled up with your bottom lip caught between your teeth. Not when he noticed the way your hand trembled slightly on the paper. You felt something. He was sure of it.
But he also knew that eventually, youâd want more. And he couldnât keep offering faceless intimacy forever. So he wrote the last one. Said goodbye. Sort of.
And then he sat on the train with his forehead pressed to the glass, pretending he didnât care that you hadnât figured it out. That you were probably leaving for the summer thinking about someone else entirely. That maybe, despite everything, heâd never actually be enough.
â
Back at home, the days grew longer. The pace slowed. The house was warm, the food good, the sleep long and uninterrupted. And yet every night, without fail, you found yourself at the window.
The box of letters came out the first night you returned. You told yourself it was for closure.
It wasnât.
You read them againâeach one from the beginning. Chronologically. Like chapters in a book. You traced the handwriting with your fingers, letting the words sink into you slowly.
He loved you. That was the truth of it.
Maybe he hadnât said it directly. Maybe he hadnât signed his name. But no one wrote like that without meaning it. No one watched you so closely, noticed so many tiny things, remembered throwaway moments from years ago unless theyâd been in love with you for a long, long time.
And you were still no closer to knowing who he was.
That was the worst part.
How could someone be so close and still so invisible?
You stared out the window into the night, watching your breath fog up the glass. The snow fell softly outside, blanketing the world in silence. Somewhere out there was someone who had seen all of youâreally seen youâand hadnât asked for anything in return.
And you missed him. Terribly.
Not Nick. Not the quiet comfort of that easy romance.
But him. The one who knew the cadence of your footsteps. Who listened for your voice before he saw your face. Who remembered fourth year like it was yesterday and noticed how your hands trembled when you were angry.
You missed someone you didnât know. And it felt like the loneliest thing in the world.
â
I know I said I wouldnât write you anymore, but Iâm afraid I canât help myself. The truth is, Iâve been terrified of saying it out loud, of giving you something you donât need or want. But I canât pretend anymore. Iâve loved you for so long, in ways that I canât even put into words. Iâve watched you, really watched you, every day, and Iâve noticed things about you that no one else ever could. The way you bite your lip when youâre thinking, the way you hum softly to yourself when youâre studying, the way your eyes light up when you talk about something you care about. Iâve memorised the way your voice sounds when you laugh, the way you wrinkle your nose when youâre annoyed, the way you frown when youâre trying to figure something out. And Iâve done all of this because I care about you. So much more than I should. Iâve tried to get over you, to forget you. Iâve tried to date other people, to move on. But none of them were you. None of them could be. I donât know if youâll ever read this. I donât even know if Iâll ever send it. But I need you to know that Iâve been here, always here, loving you in the quietest ways, the most secret ways. Maybe this is selfish. Maybe itâs unfair of me to ask you to care about someone who has never had the guts to say this to your face. But I donât know what else to do anymore. I canât keep pretending like this doesnât matter to me. Because it does. You matter to me, more than I can say. Iâve always been here, waiting, in the margins of your life. Maybe thatâs where I belong. But if you ever look up, Iâll be there, still waiting. âJames F. Potter
He stopped writing. Blinked down at the words like they might rearrange themselves into something less terrifying.
His hand hovered over the signature. It looked too sharp, too obvious. Too final.
He stared at it for a long time.
Folded the letter in half.
Then unfolded it.
Folded it again.
âMate, youâre torturing yourself,â came a groggy voice from across the room. Sirius, of course. âJust send it to her already,â
James looked up. âShe wonât want it,â
âYou donât know that,â
âShe might hate me,â
Sirius yawned and flopped back down onto his pillow. âShe definitely wonât hate you. Thatâs the worst-case scenario youâve built up in that tragically romantic brain of yours. And even if she did⊠so what? At least youâd know,â
James looked down at the folded parchment.
He could send it. He could sneak into the Owlery now, under his Invisibility Cloak, and youâd get it tomorrow. And then youâd know. Everything.
But then youâd know.
He imagined your face when you opened it. The surprise. The disbelief. The way youâd go back and read every single letter again, this time with the truth laid bare. Would it be relief? Would it be disappointment?
Or worseâwould you already know, and just not want to face it?
James tucked the letter into his pillowcase and lay back down.
His heart was racing.
He didnât sleep.
He didnât send the letter, either.
Not yet.
Maybe never.
ânext part.
#marauders#marauders fanfiction#harry potter fanfiction#james potter x reader#james potter#james potter fluff#james potter angst
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Who am I now?
@forgettable-au Fan animation :3
Papyrus has got a lot to think about, now that he remembers the other half of his life
Song: Flower (feat Haien Qiu) by Christian Basso
WHAT DO THE BUTTERFLIES MEAN??!?!?!!?!? WHAT DO THEY MEAN WHAT DO THEY MEAN
But nevermind that, loveeed making this loooved thinking about it looved the torment it put me through thinking of how on earth itll go when/if Papyrus ever remembers who he used to beee :3
In the beginning- I remember seeing at least 2 drawings of Sans and Alphys sleeping while Wingdings is wide awake. I wanted to make a little somethin different and play with that. His eyes also being closed is supposed to communicate a sort of happy moment where theyâre finally all on the same page. It also makes it more âhehe that TECHNICALLY could still be papyrus âïžâ its not.
âŠ
but TECHNICALLY- âïž
The reason behind that shot though is I that I feel like good memories would make it harder for Papyrus to disconnect entirely from that part of his life. There were SOME GOOD THINGS and its just likeâŠugh. Its hard to put this part into words, but you get me. ITS VISUALIZED THERE AND THATS ALL YOURE GONNA GET OUT OF ME
(I tried really hard to work Flowey somewhere in this, but that never worked in the end- so whoopsies to all the Flowey fan club members)
The hands holding the star, then having a butterfly coming out- Iâm actually obsessed with that shot cause theres a lot of things I can say about it.
Its intended to be ambiguous on exactly whoâs hands they are cause the type of holes in them are just scribbles-
But thats just because transitioning between Gaster and Papyrusâ hands looks bad and also skeleton hands are really hard- SO!!! its an in-between thing. Its supposed to go from Gaster being obsessed with the star, GRABBIN IT, then a butterfly comes out of Papyrusâ hands. Weâre comparing and contrasting the difference between how they handled their own traumas, and their view on life as a whole.
Again, im assuming a lot about Gaster in this cause we still donât know how heâs gonna be characterized in this comic, but in this animation weâre gonna say he deals with life and his trauma by obsession and all that jazz, while Papyrus makes something new with it.
The fact that theyâre trying to trap something in their hands WHICH HAVE HOLES IN THEM is also a part of this meaning. I feel something that has remained true for Wingdings, Papyrus, and supposedly Gaster, is they persevere despite any circumstances. Of course they donât go in without thinking, but when they want something they are GOING to get it no matter how ridiculous or impossible their chances of success are.
SO YA THATS THE ANIMATION :D
Programs used: Procreate for the art, Toonsquid for the editing, plus a wip :3
originally I was gonna have Wingdings being happy, then Papyrus being sad to show that same âhappy memoriesâ thing, but the transition never looked quite right, and something simpler just looked better
#Forgettable AU#Papyrus#Gaster#Wingdings#Also alphys and sans#theyâre there too#Just a little animation cause I got the idea and knew i could crank it out in like#âŠ.lets go with 7 hoursâŠ? maybe a bit more maybe a bit less#papyrus makes me so miserable i hate him#i love him more than life itself
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