#this is my version of a doomsday clock
Explore tagged Tumblr posts
Text
New viagra boys album AND new ghost album release on the same day??? Im about to get sooo much more annoying, so sorry friends
4 notes
·
View notes
Text
DSMP X EPIC the musical
I have been stweing on this AU for almost two weeks now, and I NEED TO TALK ABOUT IT BEFORE I LOSE IT OR DRIVE MY WIFE INSANE WITH ALL MY YAPPING
(For continuity purposes, let's remove most romantic elements in the story unless specified by me. ah, my wife would be so proud of me) (Also we will be following the musical cannon and only that)
OBVIOUSLY, Penelope and Odysseus are my favorite duo= Clingy duo
For this AU, they would be in a QPR(?) I think that it just makes so much sense that Tubbo would be the person Tommy would fight to get back ( ah, the exile vibes). I also think that if someone was gonna have a beef with most gods they encounter, it would be Tommy (crying in tommyinnit fan mode)
Tubbo waiting and never stopped beliving thay his best friends is dead and knowing that he will come back to him? so on brand for this fuckers. Also, Tubbo's being as smart as Penelope is said to be makes too much sense. Penelope in Greek mythology is this incredibly smart and witty woman who made fools of 108 men for 20 years, so yeah, her and tubbo? shaking hands.
(My wife had a magnificent idea that instead of a shroud, Tubbo would be making a coffin for Tommy, which is kinda hilarious 😭)
Now stay with me, STAY WITH ME but lowkey I think Telemachus would be Ramboo, and I know that legendary wouldn’t 100 percent be super accurate, but stay with me. I will make a personalized post about how every character fits
But there is something about these lyrics that is giving ramboo and the version of himself that is controlled by dream
Somebody tell me, come and give a sign If I fight this monster, is it you I'll find?
Athena would absolutely be Techno! like it fits so well, and my goodbye could 100% be that fight they had before doomsday.
Put your emotions aside You're a warrior Meant to lead the rest I don't know where I went wrong But I warned you And you failed the test So now I'm gone
Wilbur would be Poliies before the Pogtopia arc
Hermes would be Quackity because COME ON!
(This was attributed by my wife; I was planning on making him Phil, but I made her listen to dangerous and wouldn't you like and she clocked me and said THAT is quackity)
Now Poseidon would be either Dream or Jack! I'm was leaning a bit more towards Jack, but after listening to Six Hundred Strikes with my wife it's giving Exile, and yeah, like Dream cast him away for years never being able to come home!?!? How more accurate can that be
How does it feel to be helpless? How does it feel to know pain? All of the pain that I've been through Haven't I suffered enough? Stop! You didn't stop when I begged you Told me to close my heart You said the world was dark
Like, that is SOOOO TOMMY AFTER EXILEEEEE
Anyway, this is just a small part of the insanity that has been going on my brain .... so yeah! hope you enjoy it and I hope to make a part two .
Part 2
#dsmp#tommyinnit#dream smp#epic the musical#epic#etm#tubbo dsmp#wilbur dsmp#c technoblade#dsmp techno#technoblade#ranboo dsmp#jackmanifold#tommyinnit dsmp#c tommy#c!tommyinnit#quackity#c qu#dsmp quackity#dsmp x epic the musical#dsmp x the odyssey#dsmp epic au#dsmp x epic#tommyinnit as Odysseous#tubbo as penelope#techno as athena#the odyssey#the odyssey au#epic the musical au#dsmp au
29 notes
·
View notes
Text
I've just learned about the office of Preemptory Catastrophic Deviation and I have found my dream job. I want to be a divination wizard who spends all day crunching numbers on the likelihood of absolutely apocalyptic happenings and then go and shift that minute likelihood back to nil. I want to work for a magical, actionable version of the Bulletin of the Atomic Scientists. Let me run the arcane Doomsday Clock, dammit!
96 notes
·
View notes
Text
Star Trek TOS ships (but I mean starships, not that kind of "ships")
In a similar vein as this post here about the crew biographies, I made this list about the ships seen or mentioned in TOS (including TAS and the movies too), but just as they appear there. That is, this doesn't take into account info that later series or reference materials expanded upon or retconned. However, I've considered info from Michael Okuda (in charge of the remastered version), but only as it applies to such remaster stuff. The intention is, again, to offer a bare minimum of what the TOS canon actually says about this issue.
Credit to the Ex Astris Scientia site, for info about the more obscure ships. Also to Trekcore for some of the images (in particular, those of the non-remastered version).
As this post became waaaay too long, I left the TOS alien vessels, plus TAS ships, for a second post. Ships from the TOS movies are in a third post.
USS Enterprise NCC-1701
If this one doesn't ring a bell, well... I don't know what to tell you... One of the few ships with a visible registry number on-screen. The "USS" stands for "United Spaceship" (Elaan of Troyius) or "United Starship" (The Squire of Gothos). TAS episode The Counter Clock Incident specifies that the Enterprise was built at the San Francisco Navy Yards. It's a Starship Class vessel, as described in the Writers Guide, and seen (barely) on its plaque:
In TNG, however, Picard refers to it as a Constitution Class vessel, which is the name that stuck afterwards. Kirk says that there are only 12 starships like the Enterprise in the fleet (Tomorrow is Yesterday). More on this below.
Galileo NCC-1701/7

The Enterprise shuttlecraft destroyed in The Galileo Seven. It kept appearing in the series, however. This continuity error was somewhat fixed in The Way to Eden, which shows there's actually a Galileo II.

Columbus
The shuttlecraft used in The Galileo Seven to search for the survivors. Originally the same model used for the Galileo, the remastered version gives it a new registry: NCC-1701/2, and inserts it in Journey to Babel too.

Other shuttles
Several shuttles appear throughout the series, always using the Galileo model for obvious budgetary reasons, even if they don't belong to the Enterprise. The shuttle that Decker pilots into the planet killer of The Doomsday Machine was given a new name and registry in the remaster: Einstein NCC-1701/6.
The Class F shuttle in which Kirk and Commodore Mendez pursue Spock (The Menagerie. Part I), shows also a new name and registry in the remaster: Picasso SB11-1201/1, and was inserted in Court Martial as well. The SB-11 obviously refers to Starbase Eleven, which appears in both episodes.
Similarly, the Starbase Four shuttle stolen by Lokai in Let That Be Your Last Battlefield, was remastered as the Da Vinci SB4-0314/2.
USS Constellation NCC-1017

The registry number is visible in the original. Commodore Decker's crippled ship, in The Doomsday Machine.
USS Defiant
The ship trapped in the inter-dimensional space of The Tholian Web. The registry (NCC-1764) is only visible in the remastered version.
USS Exeter
Captain Ronald Tracey's ship in The Omega Glory. The registry was only included in the remastered version: NCC-1672.
USS Intrepid
The all-Vulcan ship destroyed by the space amoeba in The Immunity Syndrome. It was never seen on-screen until the remastered version, which inserted it orbiting the starbase of Court Martial (apparently with the registry NCC-1631, though I couldn't tell by my screenshots).
USS Lexington, USS Excalibur, USS Hood and USS Potemkin
The four starships participating in war games against the M-5 in The Ultimate Computer. The Lexington is commanded by Commodore Bob Wesley, and it's the only one where I could see the registry along the name in the remaster: NCC-1709. The Excalibur was commanded by Captain Harris and (supposedly) has the number NCC-1664. Its whole crew was killed in the battle against the M-5. The Hood would be the NCC-1703 (the number can be seen in the third picture). And the Potemkin, the NCC-1657. Though all of this comes from production info about the remaster, and it's not really visible.
USS Farragut
The ship, commanded by Captain Garrovick, where Kirk served as a Lieutenant, eleven years before Obsession. The crew was attacked by the cloud creature from the episode, with many casualties. This ship is never seen in the series.
USS Yorktown
A ship scheduled to rendezvous with the Enterprise, in Obsession. Never seen. There's also a Yorktown attacked by the probe in The Voyage Home. Possibly the same ship?
USS Republic NCC-1371
Kirk mentions the whole name in Court Martial. It's the ship where he served as an Ensign and reported Ben Finney for negligency.
USS Valiant
A ship destroyed while visiting Eminiar Seven, fifty years before A Taste of Armageddon
Other ships seen in a chart from "Court Martial"

Some of these registries were applied to already discussed ships (mostly in the remaster). The new ones would be: NCC-1697, NCC-1718, NCC-1685 and NCC-1700.
So, which are those twelve ships like the Enterprise that Kirk mentioned? In TOS we only see eight ships that definitely look like it (nine if we count the Intrepid from the remaster). Those would be: Enterprise, Constellation, Defiant, Exeter, Intrepid, Lexington, Excalibur, Hood and Potemkin. To further complicate matters, there's a production memo from 1967 (by Justman and Fontana) that lists the Starship Class vessels thus: Enterprise, Constellation, Exeter, Intrepid, Lexington, Excalibur, Hood, Potemkin, Yorktown, Farragut, Republic, Valiant, Constitution and Kongo. Add to the list the Defiant (not yet created) and that's a total of 15 ships! The Valiant was certainly destroyed by this time. Maybe the Farragut and the Republic (Kirk's earlier ships) had been decomissioned too?
USS Carolina
A ship near Capella IV, which supposedly sends a distress call in Friday's Child. Never seen.
SS Dierdre
A freighter attacked by Klingons, also from the previous episode. The distress call was actually fake, but the ship should exist.
SS Columbia
Eighteen years before The Cage, this old ship crashed on Talos IV. Vina was the only survivor.
SS Beagle
A ship commanded by Captain Merik, which was destroyed near the fourth planet of System 892 (six years before Bread and Circuses). It's described as a "small Class 4 stardrive vessel".
Horizon
A ship lost near Sigma Iotia, a hundred years before A Piece of the Action. It's said that the Horizon was of the same "outfit" as the Enterprise. Considering its age, this might mean that it was from the Federation, rather than being of the same class.
Antares
The ship where Charlie Evans was travelling, before being transferred to the Enterprise (Charlie X). Commanded by Captain Ramart. It was never seen in the original, but the remaster introduced a model based on a TAS ship, along with the number NCC-501.
Woden
The automated ore freighter that the M-5 destroys in The Ultimate Computer. In the original, it just looked like Khan's "Botany Bay". But the remaster replaced it with a model very similar to the Antares. Behind-the-scenes info tells us that this new Woden had the NCC-325 number, but that's not seen on-screen.

Archon
A ship that disappeared around Beta Three, a hundred years before The Return of the Archons. Its crew became known by the locals as the legendary Archons.
Aurora
A space cruiser stolen by the "hippies" from The Way to Eden. In the original, it looked similar to a Tholian ship. The remaster introduced a new model, apparently with the registry NC-17740 (not really legible).

Class J ships
The small cargo ship, piloted by Mudd without a license in Mudd's Women, is said to belong to this class. There's also a cadet vessel, an old Class J starship, mentioned in The Menagerie. Part I. Mudd's ship was merely a blob of light in the original. The remaster introduced a model similar to the new Aurora.

Astral Queen
The ship, commanded by Captain Jon Daily, that was scheduled to pick up the Karidian Company of Players, in The Conscience of the King.
SS Botany Bay
An old DY-100 model from the 1990's, that transports Khan and his followers in hybernation. It's said to be even older than the DY-500 class.

SS Valiant
Not to be confused with the USS Valiant above. This far older ship encountered a magnetic storm that threw it to the galactic barrier, 200 years before Where No Man Has Gone Before. This ship would be about as old as the Botany Bay, and it seems it only had impulse engines.
17 notes
·
View notes
Text
Absolute comics first thoughts
For the first time since the end of DOOMSDAY CLOCK I've been persuaded into paying money for a DC comic, and two, no less.
I've been 100% checked out of the DC sphere for about 5 years, only occasionally seeing some news here or there about the latest crossover event or fave character or what have you, and I regard those with the passing interest one might have in seeing a hot air balloon. Nothing has drawn me back partly because I'm old now and don't have the time or inclination to try catching up on years of crossover event, status quo altering storylines and yadda yadda.
I had heard about the new ABSOLUTE line of titles, but from the initial teasers and previews, not the least of which was the character design for Absolute Batman with his giant stupid fat bat symbol, I just wrote it off as them doing yet more edgy elseworlds stories, and thought no more on it until maybe three weeks ago. I saw a little roundup of details about Absolute Superman from an interview with Jason Aaron and it caught my attention.
I've gone on at length in the past about how I think that any earnest attempt at writing Superman for modern audiences that keeps true to the "idea" of Superman without making a cynical edgelord version of the character would need to depict Superman as a politically engaged, class conscious individual at least, and a full on Leninist at best. Now obviously I do not expect DC comics to publish a comic about communist superman without it being a laughable piece of propaganda like RED SON, but nonetheless, hearing that Absolute Superman is about a superman who is fighting a mining corporation to protect a community of abused labourers, and re-imagining Krypton as a caste-based society that was destroyed by reckless exploitation of the environment, I was certainly interested.
I resolved to check it out at least. I'd seen some of the details about Absolute Batman, that he's not a billionaire and whatever and still wasn't too interested, but realized I'd heard basically nothing about Absolute Wonder Woman. "She didn't grow up on Themyscira" okay what does that mean?
At this point both Batman and Wonder Woman were out so I looked it up and found some pages from Absolute Wonder Woman #1 and was pretty much instantly hooked because the art was tremendous, and Wonder Woman is flying on a skeleton pegasus with a huge Guts sword and like, that just fucking rocks ass, come on. So I was now sold on two Absolute series, I decided eh, what the hell I'll check out Absolute Batman #1, maybe I could be convinced.
So now that I've read all three first issues of the new ABSOLUTE Universe, I have some thoughts.
ABSOLUTE BATMAN #1 is a confused mess. I think that Batman, being easily the most popular DC character, with the broadest demographic appeal, has too much baggage. You'd kind of think that with a character like this where everyone knows his whole basic backstory, you could gloss over the details a bit more, but this issue is so concerned with establishing and referencing as many iconic Batman characters as possible, it's so bloated.
in this one(1) issue they set up or directly show you: Alfred Pennyworth, Jim Gordon, Barbara Gordon, Harvey Bullock, Killer Croc, Penguin, Riddler, Cat Woman, Two-Face, Black Mask, Ras Al Ghul, and of course we cannot go even one single issue without giving you The Joinker. It's too much. Ease off. We're not going to encounter probably two thirds of these people for ages. And, frankly establishing that half of Batman's presumptive rogue's gallery just so happened to be Bruce Wayne's childhood friends is dumb as shit. The dynamic between all of them is going to follow the exact same "gasp, could it be that my old friend is now a criminal?!" dynamic like 5 times in a row.
This is easily the most edgy of the current Absolute series and is basically exactly what I assumed the whole imprint was going to be, but it really feels in places like Scott Snyder wanted this to be a Batman that was darker and more violent but then DC editorial was like "no, Batman can't kill people" so he adjusted the script as little as possible to reassure the audience that he's rolling non-lethal damage as he stabs the shit out of people with his ear-knives and chops their hands off.
Despite all the parts I don't like about how they portray Batman, the thing that pisses me off is I really like the way they are doing Bruce Wayne.
Typically Bruce Wayne, the billionaire is kind of a hard character for me to like because of how much he serves this kind of great man power fantasy(yes, I know, superhero comics are inherently fascist) He has a vendetta against the concept of crime because his parents were killed by a criminal, so he takes it upon himself to "protect" Gotham, but in many depictions of Batman it's kind of like, what exactly is his connection to the city other than he lives there and presumably is the HQ of Wayne Enterprises. he views it the way a rich person would, dirty and too full of undesirable people who must be punished so that he, a wealthy socialite can enjoy the place without having to see the underclasses.
Making Bruce a working class urbanist is such a more interesting way of exploring the character. He loves the city because he grew up in it's streets, played in it's parks, attended it's schools, rode it's busses. Adding the layer on that that he became a civil engineer and worked with the municipal government does for the first time I've ever seen something interesting with Gotham by kind of interrogating the notion of what makes a city what it is. Is it the infrastructure, the people, the civil servants? It's the most interesting Bruce Wayne has ever been.
But then as Batman he's just fucking mutilating people and blowing them up with bombs and whatever. Yawn. I think that the Batman aspect also annoys me because it so blatantly disregards the central premise of the Absolute line. What if Batman wasn't a billionaire? Well then he wouldn't have access to tons of money and resources to do his Batman shit! So they like, half-ass that by giving him the kind of stripped-down arsenal. No gadgets and gizmos, just knives and a hunk of bat shaped metal used as a battle axe. But then oh yeah he also has some kind of miracle fabric that he can use as like tendrils or whatever and it's completely bullet-proof and so on and so forth. Like, Batman really really does not feel in any meaningful way like he is working at a disadvantage in this version of the story, and that just makes the whole thing so damn boring.
ABSOLUTE WONDER WOMAN #1 fucking kicks ass. This was by kind of a wide margin the best issue of the three series debut issues. I think that unlike Batman and Superman who both have quite a lot of baggage tied into their backstories and supporting cast and so forth, Wonder Woman has never quite achieved the level of iconography as they have so there's almost more freedom to do something new without hitting a bunch of prescribed plot points. In fact she might be the one of the trinity who has had the most attempts to re-imagine her and spruce her up to get people interested. I recall back in 2010 they did a big shake up that was not too dissimilar to this new take on the character. What if she never grew up on Themyscira? What if she didn't have the favour of the gods, etc. And I really liked that one, so I guess it's no surprise I'd be fond of this new version as well.
I think the number one thing that hooked me on this issue is the artwork, tbh. It's my favourite style so far of the Absolute comics, and everything just looks so cool and big and epic and awesome. That's it. It's just cool as hell.
The next most important thing is it has much better pacing than the other issues. You get a very simple, very effective set-up. The Amazons have been punished by the gods so this baby is being raised in hell by a witch. That's it. Good, effective time lapse of her growing up interspersed within the action scenes of her fighting monsters. It's simple and to the point but still leaves me invested int he mystery and wanting to know more. And again, it did not feel the need to shoe-horn a bunch of characters in so you can do the soyjack point at the issue. They could have easily shoved Steve Trevor in there as one of the soldiers responding to the freaky monster pyramid but that would have just been lame. It's confident enough in itself to not have to try and get you with low hanging fruit.
I don't really have much else to say, it's just cool and good and I'm unequivocally excited for more.
ABSOLUTE SUPERMAN #1 is a solid start. Now I'll admit I'm way more of a Superman-head than I am for Batman or Wonder Woman. This was the series that made me interested in the Absolute experiment in the first place, so I'm probably way more willing to be lenient towards a Superman title than say Batman.
That being said, this one also has like Batman, aspects I really like, and others I'm a bit iffy on, though not in as wide a gulf as Absolute Batman. As I said before, I've spent probably too much time trying to think of how to reinvent Superman in a modern context and, specifically, from a politically left-wing perspective, and I'll say that so far I think they're doing a decent job.
It's obviously nothing new to look at Superman as an immigrant story. Going all the way back to Siegel & Shuster, who were children of Jewish immigrants, the whole idea was what if this guy came from somewhere else. I think that the way that Jason Aaron has interpreted that concept for a modern context is actually quite brilliant. It's almost less of what if Superman was an immigrant than what if Superman was a refugee? Rather than unable to return to his homeland, but finding a new home with loving foster parents we are given the suggestion that he's never had a stable home since arriving on Earth. Moving from one place to another, nowhere to go home to, hiding among the economically exploited peoples of the global south.
It's such a riveting set up, I'm really excited to see how this version of the Character is informed by his history.
I also like the use of Krypton as kind of a heavy-handed double metaphor for stratified class society and the dangers of climate change. Like, it is presumably already dead and gone and unable to like, textually affect the story so who cares if it's allegorical nature is too on the nose. I also really like the notion of Kal El having like, living memory of Krypton, rather than only knowing about it from recordings on an alien flash drive or whatever.
I think the use of this "Lazarus" corporation as a kind of stand-in blanket evil corporation that does every kind of exploitative, extractive, broadly seen as morally wrong kinds of industries a bit hokey but hey it's a comic. I love the use of the Peacemakers as the like, corporate PMC security force though, that's fun. I am pretty curious if Lazarus is going to be a kind of fake-out Lexcorp. Like Luthor is the head of it but they called it by a different name so as not to ruin the surprise of his introduction. That or maybe it's related to Ras Al Ghul? Who knows, but I'm interested in what their whole deal is. They not only operate diamond mines and factory farms but also like, hunt down alien technology to reverse engineer?? And employ a Brainiac. curious as to what the deal is with the screaming jars. Does being shrunk down just like, really hurt? Seems like almost going overboard with the concept. Like not only does he shrink down cities and put them in jars but he also tortures the shrunken people? Like why, what's he getting out of it?
Some of the iffy parts for me include the suit AI thing he's got because I'm frankly sick of that trope by now. Ever since Iron man it's like every fucking character in comics has to have some kind of tech suit with a quirky robot voice. I'm willing to give it a chance on the grounds that it's like alien technology so sure whatever. I kind of like that he has to fucking charge the suit with a solar panel. I am curious about what exactly the breakdown is with the suit. He uses his x-ray and laser eyes so presumably it's still Kal himself who has super powers and they're not like, imbued by the suit. The suit seems like it is regulating his powers in some way. Like without it he couldn't control them and would cause havoc, but the fact that he has to like charge the suit's battery is kind of funny. Like, is the suit solar powered and his powers are just inherent no matter what, or does he still derive his power from sunlight as well? Fuzzy on the rules.
I also don't like the Lois reveal. It's just dull. Who care. The little teaser of Kent Farm is interesting to me. Feels like several different ways they could pivot:
Kal El's rocket lands and blows a hole in their barn, they find him and are frightened of him so they call the authorities/Lazarus and Kal flees.
Similar to above but they care for him like usual before Lazarus shows up looking for the alien craft and kill the Kents to remove any witnesses
Altogether it does enough things I'm interested in to keep me going with it despite the few quibbles I have. So far it's 2/3 on the Absolute universe and with the "phase 2" or whatever announced I'm 100% guaranteed also picking up Absolute Flash because it's my boy Wally and Jeff Lemire writing, like come the fuck on, how could I resist that.
#DC#dc comics#absolute comics#absolute universe#dc absolute#dc all in#absolute batman#absolute wonder woman#absolute superman#batman#bruce wayne#wonder woman#diana of themyscira#superman#kal el#clark kent#self indulgence#rambling
26 notes
·
View notes
Text
Hozier Reading List of Free Texts You Can Finish in Less Than A Week
Another Hozier reading list is floating around the Internet, and it’s very thorough. Huge respect to @notmysophie for putting that together, they put in a lot of effort and research and it really shows. This is an alternative reading list for people who are too busy or tired to read all the entries on a complete list of Hozier’s literary influences. This list is incomplete—even after finishing it, there will be some very prominent literary references in Hozier’s music that might go over your head. But this will definitely help you appreciate the depth of thought in his songs, and if you read just five pages a night, you’ll be able to finish this reading list in less than one week.
ONE: ICARUS
Hozier puts the myth of Icarus to song in I, Carrion. You could very easily argue that Sunlight is also a response to Icarus. Many classical writers have told or mentioned his story, but I’ll let my own personal tastes shape this list, and recommend Ovid’s Metamorphoses. He tells the story of Icarus in Chapter 8 Lines 183–235. If you can afford it, I love the Charles Martin translation. You could consult the free Brookes More translation, or the one by A. S. Kline. Remember, you don't have to read the whole chapter--just find the part named "Daedalus and Icarus"
TWO: DOOMSDAY CLOCK
The title track Wasteland, Baby! is such a gentle love ballad, I almost have trouble remembering it’s about the apocalypse. Wasteland, Baby! finds hope and love in the face of annihilation. Hozier wrote this song as a direct response to the Doomsday Clock moving two minutes in 2018, one year before the album was released.
THREE: GENESIS 1-3
I also recommend reading Genesis Chapters 1-3. You’re probably familiar with the plot, but I think From Eden is such an ingenious twist on the familiar story that you’ll appreciate it even more after consulting the original. Hozier takes the symbols of Genesis 1-3 and uses them to make his own radically different point. The stories of Eden also come up in Be.
My favorite translation is by Robert Alter, but it’s currently not free online, so you might want to check out the Sefaria translation or the New King James Version (NKJV), both of which manage to capture the beauty of Genesis without becoming difficult for the average English reader. The King James Version (KJV) is also roughly the same level of difficulty as a Shakespeare play. I definitely think the KJV is beautiful, but at the end of a long hard day, you might be better off with the Sefaria, the NKJV, the NIV, or the NRSV. You can Google “Genesis 1” followed by any of those names/abbreviations, and you’ll find it right away.
FOUR: A MODEST PROPOSAL
Jonathan Swift’s A Modest Proposal, written in 1729, might be the most gutting satire in history. UCLA students put together a very thorough explanation of the economic suffering and the proposed “solutions” that inspired Swift. References to A Modest Proposal form the skeleton of Hozier’s Eat Your Young.
FIVE: SEAMUS HEANEY
Before learning about Seamus Heaney, you’ll need some background information on the Troubles. I recommend this National Geographic article. I also recommend looking through these Chris Steele Perkins photographs of life during the Troubles.
During the Troubles, Heaney wrote a series of poems about bog bodies. His poetry directly inspired the corpse imagery in Work Song, Like Real People Do, and In a Week.
Disclaimer: I cannot read Hebrew or Latin. I am evaluating these translations solely by 1) how difficult they are to read and 2) how beautiful they sound. I cannot independently review them for accuracy. Just know that all the translations I’ve listed are widely respected among academics and/or religious leaders.
Anyways if you liked reading this go check out my Substack where I originally posted it.
114 notes
·
View notes
Text
I’m just glad I was wrong about it being a Doomsday Clock adaptation
What I’m not looking forward to is Rorschach’s voice. His voice was always described as monotone; nothing more, although the broken speech bubbles may have implied raspiness.
When Jackie Earle Haley played him in 2009 he opted to give him a gravely voice. This was most likely to ride the coattails of Christian Bale’s Batman voice, and in all likelihood Haley’s normal voice was just too sweet and soft for the character (seriously, listen to interviews with him). Of course, I love Haley, and I love his version of Rorschach, regardless of Snyder’s directing.
However the VA for the 2024 movie seems to just be copy-catting Haley for recognizably. Which is annoying to me, just because “gravely” was never what his voice “sounded” like to me in the book!
The closest was the Watchman Motion Comic’s narration. The narrator for that actually did an excellent job capturing the slow, monotone, emotionless tilt I always imagined in my head
39 notes
·
View notes
Note
Thoughts on the new announcements on absolute comics
Anonymous asked: Hello! How are you feeling? What do you think of the new creative teams DC announced for October?
Anonymous asked: So ! What are your thoughts on the All In initiative and the new creative teams for the existing books like Action ?
txtmasterblast asked: On a scale of 0 to 10, how much are you looking forward to the upcoming Absolute Universe line?
Thought I'd save this for SDCC since there are still some rumored books that are yet to be confirmed, but I can save my thoughts for when those are officially announced. Short version is that this is extremely exciting.

Dawn of DC was DC playing it safe, and they botched the initiative because of how they spammed low quality events like Knight Terrors. Now they're stepping up to the plate and trying to tap into the energy created by Marvel's Ultimate Universe and the Energon Universe. They're trying to take a big swing and hit a home run. After multiple attempts by Didio to create something like this, it's downright ironic that Snyder finally is the one to do it given the two of them clashed at the end of their tenures. Once again Snyder seems to be trying to infuse the DCU with the essence of Metal, and at least this version appears to revolve less around Batman. I won't lie, hearing Snyder name drop Doomsday Clock and talk about "Darkseid Energy" in the promo video made me cringe.
The success of Hickman's Ultimate Universe and the Energon Universe came because they broke free of the usual shared universe comic nonsense. The Maker is an evil Reed Richards who eliminated all the heroes who couldn't be turned in order to build his perfect world. Energon was a reboot with no prior knowledge required. Simple! If the Absolute Universe requires me to know about the "Metaverse", throw it the trash because it's doomed. If the first issues of these books are not able to be read standalone with zero prior knowledge required, it's going to fail. The All-In one shot should tell us why this universe exists, what the pitch is, but it needs to be free from the kind of esoteric meta commentary which has poisoned DC for the last decade or so. Darkseid meddles with an Earth in order to understand his foes better is an easy concept to grasp. Don't make it any more complicated than that.



Absolute Batman by Scott Snyder & Nick Dragotta - Least exciting of the bunch. Unless Snyder is going to radically change up his writing style, we know how his Bruce sounds. Even without the wealth Batman usually has, I expect this will feel very familiar. Since I've dropped all the other Bat books however, I plan on getting this and two others for my Bat fix. Snyder has teased that Scarecrow and Bane are the two Bat villains he wished he could've done more with during his first run. Scarecrow is my favorite Batman villain and the thugs in the ashcan look like thugs of his to me. I think this Batman will be juicing himself with Venom, explains why he's huge, which is a much better justification for why Bane seeks this Batman out than anything they've come up with elsewhere. That logo sucks but I assume it's because this Batman has to make use with whatever he can scavenge, maybe that is a literal bulletproof plate to guard his chest which he shaped to look like a Bat as best as he could.
Absolute Wonder Woman by Kelly Thompson & Hayden Sherman - Thompson was a fan of the Azz/Chiang New 52 Wondy up until the reveal about the Amazons being rapists. Between the reuse of the silver/red color combo for this Wondy's armor, and how she doesn't have access to Paradise Island or other Amazons, I'm getting very similar vibes. I was a fan of Azz's run even though I acknowledge he "broke" her in several ways, I'm up for a second stab at a Wondy like that with Thompson. Tattoos show Hecate's symbol from Historia, perhaps this Wondy got her powers from Hecate only? My theory is Hippolyta went with her Bana sisters to war, and was never Queen of Themyscira. When she had Diana then, it was in Man's World. If this is dark urban fantasy Wondy, that would make for a good contrast with King's current political thriller run.
Absolute Superman by Jason Aaron & Rafa Sandoval - Bizarro arc was great, Sandoval is one of the best artists in DC's roster, I'm all in (hehe). No Fortress is a shame but since Bats and Wondy don't have their bases either I accept it. No family and no home is particularly intriguing. Seen a lot of speculation about what that entails, from this Superman being raised in an orphanage like the Action #1 origin, to Kal being sent from Krypton when he was old enough to remember it. If it's the latter then Absolute Kara will likely be dead, since she would overlap too much with this Superman. I love the design, grey suit with Morrison's first All-Star shield that Quietly only drew for one panel is a peak look. Hairstyle reminds me of Corenswet's "Clark" hair only longer, also reminds me of Anakin/Luke Skywalker which might be exactly the intention. His "cape" appears to be made of solar energy, perhaps this Superman has trouble controlling his powers? His solar battery biology might work differently here, with him "leaking". Or perhaps he even has a different powerset entirely? Seems like he can channel power into his arms/fists, if we get heat/ice fists instead of vision/breath, that would be the kind of silliness I love. Don't think this Superman will be paired with Lois, which frankly is a good thing. All the other major Superman projects focus on the Clois romance, for this to stand out I believe Absolute Superman needs to be dating other people. Since he seems to be a drifter, Aaron might eventually have him travel to other planets, where we could get Maxima or someone entirely new.
Other books have leaked and are probably right considering Bleeding Cool accurately called the Trinity, but I'll wait until they get revealed officially - likely at SDCC - before giving my thoughts.

For the mainline universe:
Justice League - Superman is apparently building a new JL that will be going after Darkseid and reshaping the cosmic hierarchy of the DCU. If DC had any brains left in their collective heads they would give this book to PKJ, but he's denied being on JL. Ram V still has a book to announce, maybe it's him? I would've said Waid but without Mora I don't think he'd take the job. Aaron is a possibility albeit not one I'd want. Seen some people say Lemire, and he did write the JL crossover with his Black Hammer verse. Please let it not be Taylor.
Superman - Mora joining the book took me by surprise, that is sure to have generated major fuming from certain corners. Doomsday arc is going to be a joy to look at
Action Comics - Waid and Henry are finally announced. Action going weekly was unexpected however. Only question I have is, does this mean Waid is staying on past that one arc? Not clear but since he will have more issues that the previous three Superstars I would assume so. Bitter as I am over PKJ getting kicked off before he could tell the Aethyr story he was building up to, Waid bringing in Morrison's Phantom King does make me happy.
Detective Comics - Taylor taking over made me breathe a sigh of relief. For now he remains quarantined to the Batbooks and Elseworlds.
Nightwing - Watters and Soy are going to finally give us the epic run Nightwing deserves. Watters deserves to be a "big writer" and with any luck this will be what elevates him to that level.
Batman & Robin - Damnit PKJ, you really going to make me read a mainline Bat book? Fine but you better continue the Olgrun plotline through this somehow. In all seriousness with Zdarsky and Taylor being on the other books I expect this will be the best mainline Batman book on the stands. Every previous time PKJ has written Batman has been enjoyable, and I trust him of all writers to do something different with Batman. Let this be the book that gets the general DC audience to take notice of how good he's been elsewhere.
Titans - Nah.
Green Arrow - Wish Montos luck, he deserves to be one of DC's A-List artists, but not interested in Green Arrow.
Exciting shake-ups are on the way, going to have to start trimming my pull again. Anything that doesn't wow me is getting dropped because I need the cash for all those Absolute books, which appear to be stacked creatively.
21 notes
·
View notes
Text
The Butterfly Flies Into the Black Hole
I'm all tucked in and warm in bed
as a supermassive world-ending black hole impends.
Grazing the heavens, the sky up above
the townsfolk and terrace harbor the meals;
We eat in conjunction
unto the spaghettification of the shipman's tears.
The world looks a little different,
as in the butterfly's wings have lost their desparities.
The trajectory of the atmosphere's hues
take a vengeful twist for the deep,
as a supermassive world-ending black hole
helps us grow, little by little.
Astronomers, eager for the clicks and clamor of titles and noble
adjust their lenses, capturing the moment
that the stars themselves lose their shine,
and clouds as we know them move past the event horizon.
It's as inevitable as the path I've walked,
from the grim beginnings to the smile I've endowed.
There's a wedding between the seas and the void
while the aquatic communities are ripped into pieces,
and doomsday lurks;
I check my phone,
and get an A on that test.
I feel like I'm being ripped apart
a mere two inches later
and the trajectory of this life's chorus
is imbalanced as my glasses;
You hang on,
I hung on.
A psycho-colossal ring of fire is ablaze,
and the red collar of communal memories breaks,
and the blades dropped on a country highway are vacuumed
among everything, ever, becoming a beautiful nothing.
A clam is opened,
and its pearl is forced from its scape.
The city beckons,
like it's a neo-neolithic Pompeii disaster.
Rooted to the city I grew up in,
I left the old me behind, edging the horizon itself,
and their roots are ripped from their sockets;
So too were the buildings you lived in;
Their home.
The astronomers hadn't called the election
versus; A melting pot of the pitying world around you,
and the shallow world within you.
The clam is nothing,
and the pearl, just as the world, loses its value;
An artifice of jewelry
is neve more than a casket,
nevermore a trinket.
You held on,
we held on,
we reached for the television remote.
Can the butterfly predict the diorama it's taxidermized in?
It's a party,
the esoteric political party;
The scheme that wins this race.
It's a race against the clock
that, clearly, stops for nothing;
Not even wishful,
then sorrowful
butterflies in the city.
Paint my wings on N+1th day
and to the end of the world, I take flight and depart;
Some version of me is always falling apart.
#poem#poetry#writing#poetrycommunity#tumblr#poet#poets of tumblr#poems#tumblr writing#poets on tumblr#sad poem#writers and poets#original poem#poems on tumblr#poems and quotes#poems and poetry#poetic#story#tumblr original#tumblr stories#tumblr poets#tumblr story#art#life quotes#quotes#thoughts#thinking#emotions#a poem about always feeling like somethings wrong
6 notes
·
View notes
Text


Iron Maiden: 2 Minutes to Midnight EP (1984)
To come of age in the 1980s (and, I guess, the '70, '60s, and '50s, too) was to live under the constant threat of nuclear annihilation, as the Cold War entered its fourth decade with no sign of thawing, and forced its way into every facet of popular culture.
Artists ranging from Billy Joel to Sting, Kate Bush to Peter Gabriel, Ultravox to U2, vented their worst fears through song; but nowhere were Cold War scenarios more prevalent than in heavy metal, where virtually every band addressed the issue on a regular basis.
Not surprising for a music genre in which Armageddon didn't have to compete with so many damn love songs!
New Wave of British Heavy Metal standard-bearers Iron Maiden were certainly no exception, and in 1984 (that's 40 years ago, gulp!) they delivered one of the ultimate head-banging Cold War cautionary tales in "2 Minutes to Midnight."
Co-written by singer Bruce Dickinson and guitarist Adrian Smith, the song struck an unusual balance between brains and brawn, instrumental complexity and plain old hooks, over six, well-constructed minutes .
Yet its lyrics -- based on the symbolic Doomsday Clock established by scientists in 1947 to predict the likelihood of a global human-made catastrophe -- arguably deserve even more praise because they were some of the storied band's all-time best.
"Kill for gain or shoot to maim; But we don't need a reason; The golden goose is on the loose; And never out of season; Blackened pride still burns inside; This shell of bloody treason; Here's my gun for a barrel of fun; For the love of living death.
The blind men shout, 'Let the creatures out! We'll show the unbelievers'; Napalm screams of human flames; For a prime-time Belsen feast, yeah! As the reasons for the carnage cut; Their meat and lick up the gravy; We oil the jaws of the war machine; And feed it with our babies.
The body bags and little rags; Of children torn in two; And the jellied brains of those who remain; To put the finger right on you; As the mad men play on words; And make us all dance to their song; To the tune of starving millions; To make a better kind of gun;
The killer's breed or the demon's seed; The glamour, the fortune, the pain; Go to war again, blood is freedom's stain; Don't you pray for my soul anymore.
2 minutes to midnight ... The hands that threaten doom. 2 minutes to midnight ... To kill the unborn in the womb. Midnight ... Midnight ... Midnight ... It's all night!"
Chosen as the first single off the amazing Powerslave album (proof positive of Maiden's disregard for radio airplay), its B-side featured a dynamite version of progressive rockers Beckett's "Rainbow's Gold," whose song, "Life's Shadow," famously inspired Steve Harris' "Hallowed Be Thy Name."
This 12-inch edition added the real-life Spinal Tap incident known as "Mission from 'arry" (you just have to hear it for yourself), and while I wouldn't rank Eddie as an accusatory soldier of fortune among my favorite Derek Riggs' illustrations, it's collectible nonetheless.
And, lucky for us, those final two minutes remaining until the apocalypse, according to Iron Maiden, have been taking their sweet time in expiring ... here's hoping they never do.
More Iron Maiden: "Running Free," Iron Maiden, Sanctuary EP, Women in Uniform EP, Live!! + One EP, Killers, "Twilight Zone," "Purgatory," Maiden Japan EP, "Run to the Hills," The Number of the Beast, Piece of Mind, The Trooper EP, Powerslave, Aces High EP, Live After Death, Run to the Hills (Live) EP, Somewhere in Time, Seventh Son of a Seventh Son, Fear of the Dark, Brave New World, Dance of Death, A Matter of Life and Death, The Book of Souls, Senjutsu.
#iron maiden#heavy metal#nwobhm#new wave of british heavy metal#vinyl#eddie#steve harris#bruce dickinson#adrian smith#derek riggs#doomsday clock#beckett#nicko mcbrain#dave murray#Billy Joel#Sting#kate bush#U2#Ultyravox#saxon#samson#def leppard#peter gabriel#Spinal tap
9 notes
·
View notes
Text
girlpuppy - since april
housewife - i lied
miynt - blu-ray land
kristiane - good & ready
wylie hopkins - sport
sydney sprague - fair field
lighthearted - borrowed
japanese breakfast - honey water
lunar vacation - lights off
annie dirusso - i am the deer
sophia stel - no pressure
ggwendolyn - mango sticky rice
g luné - tired
esme emerson - too far gone
rachel prancer - don't forget about me
mitaya - slip up
lucy dacus - big deal
hannah cohen - earthstar
great grandpa - never rest
steady holiday - seasonal optimism
ruby haunt - sunfish
kevin atwater - jamie's daydreams
adult mom - door is your hand
tamino - sanctuary
okay alright - redwoods
florist - this was a gift
ryann - shark
men i trust - purple box
john galm - lmlu
a. wesley chung - portents - acoustic
neanderthal - jet pack
pup - hallways
superchunk - bruised lung
yawners - merienda-cena
dowsing - get grounded
soot sprite - days after days
orchards - bicker
saetia - corkscrew spine
feeble little horse - this is real
yeule - skullcrusher
wisp - sword
lucy loone - with a guillotine!
jasmine sokko - black lotus
ellise - leech
kate the dreamer - sagittarius (the view)
dizzy fae - my baby loves me
royal & the serpent - death do us part
salvia - window
xowie jones - horror scene (feat. aldn)
moony - (filthiest)
litany - jelly tot
lyn lapid - death wish
ko aka koala - kick rox
klurax - numb, but i still feel it
chloe moriondo - raw
jessie reyez - nyb
rou x - hollow bones
meija - possum
cavetown - i'm low on gas and you need a jacket
holly hebe - don't come crying
kelsea ballerini - nothing really matters
jack van cleaf - teenage vampire (feat. gatlin)
alix page - bug
dacelynn - russian doll - smaller
zoe ko - dirt
atura - whenyousayit
ellie dixon - guts featuring piri
zebby - vindictive
rebecca black - trust!
jax jones - bad boys
veggi - all at once
dj zinc - mwah! (i'm that bitch)
notd - lover online
toymatz - true colors
vi0let - shy
will sass - deep theory (feat. catching cairo)
lowkeybaitss - high heels on
dayyani - ask if you're okay (with crate classics)
cr1tter - nerd neckin'
catching cairo - velour
emeline - new york
eljé - i dunno
yonyon - u (prod. chaki zulu)
tsu nami - eye2eye - jukaa remix
yama - torihada
avyss - re:re:
kruu - nothing left to prove
bodyimage - angels in the tv
u-pistol - poppy-talk 2 u-
empty blue - let's go online
757shai - flying away - sped up
gurldoll - pesticides
elxnce - command
echo - no scars
vai5000 - shibuya
lavera - online
coldspades - last one
sailorboy - parasite
creepybuggirl - overrr
nxxxxxs - internal reset
joey pecoraro - solstice
haruhisa tanaka - fountain
sizmara - slow stream
kenji kihara - izu ambient 013
cloudcrush - gardening again
takuro okada - following morning
memory pearl - postlude
markus artved - mørkeblå ii - drone version
nude - the tree at the bottom of my grandparents' garden
little simz - free
6ix - wmd
sirrealist - michaelangelo's idea
soma79 - doomsday for a man of steel
tokimonsta - sci fi
sol - layers
kinrose - too far
lifeofthom - northside
gat$ - white bronco
joy crookes - pass the salt (feat. vince staples)
joose - disgusted
k4torian - my eyes deceive
mabanua - so real feat. nicholas ryan gant & suede jury
the burning deadwoods - jellyfishes
peptalk - blind (feat. keiynan lonsdale)
jennie - filter
iiso - bad trip
galchanie - baby tee
saranghae - i just want to be online
yajico girl - missu
hoshimachi suisei - ビビデバ
synthion - mizuiro
q'yul - sonaria
motto music - moonlit
nozomi kitay - moshi moshi - sped up
hearts2hearts - the chase
yungflx - 3am
f5ve - magic clock
ten - stunner - english version
xiumin - whee!
xg - is this love
aespa - whiplash (english version)
nmixx - high horse
ayane - woohoo!
moon tang - all i need is just someone to love
wisue - phone
capo2 - let go
kinoue64 - white brain
galileo galilei - あおにもどる
nano.ripe - 光のない街
2 notes
·
View notes
Text
Cap-IM Rec Week - Absolute Faves Monday
I'm not on dreamwidth and am not a part of the cap-iroman community, but they do a lot of cool events and I'm always looking for an excuse to compile and post a rec list.
Here are some of my all-time favorite Stony fics and podfics.
Falling Backwards (Till it Turns Me Inside Out) by Aeraneth (@aeranethwrites) (MCU | Teen And Up Audiences | Creator Chose Not To Use Archive Warnings | 5,706 words)
Summary: It’s Nomad against the Avengers, a Hydra patch on his shoulder, a gun pointed at Iron Man’s head, and a doomsday machine running down the clock behind him. He’s the only one standing in the way of them saving the world. Steve doesn’t know how he got here.
girls can't play guitar by isozyme (@isozyme) (Ults | Explicit | No Archive Warnings Apply | 4,209 words)
Summary: On nights when Tonia fucked Eve, Eve left her bed sated and woke up with a guilty desire to walk into Tonia’s room, strip off her kevlar uniform, and surrender herself to whatever Tonia wanted to do next. Captain Eve Rogers has a complicated relationship with sex and masculinity. Tonia Stark has a really big strap.
More below the cut!
This Thing of Darkness by MassiveSpaceWren, Mizzy (@mizzy2187) (616 | Teen And Up Audiences | Graphic Depictions Of Violence | 18,525 words)
Summary: X-Factor #231 AU. It's been five years since it happened, but Deathlok has spent every day since M-Day wishing he was less human, so going undercover as a human in order to find more humans to slaughter…? It's tough, but Deathlok agrees to do it. The target is Pandora, a base that Deathlok thought was just a rumor, the biggest undercover human resistance camp in the world. The mission turns out to be tougher than Deathlok expects, though, because the leader of the ragtag resistance camp is Tony Stark. Tony, who always has more than one ace up his sleeve. Tony, who Deathlok used to know. Tony, who refuses to call him anything but by his disgusting human name: Steve.
The Least Difficult of Men by isozyme (@isozyme) (Ults | Explicit | Creator Chose Not To Use Archive Warnings | 46,153 words)
Summary: It isn’t until Tony watches Steve lean into the punch that he thinks oh, this is going to be a problem. Steve’s taking hits on purpose in the field, so Tony suggests a safer option. It's simple: Tony smacks Steve around, Steve gets the pain fix he’s looking for, everyone leaves happy. Things do not stay simple. The one with repressed masochist Steve and sadist Tony and everyone getting off on pain a whole bunch.
A Real Boy by Sineala (@sineala) (616 | Explicit | No Archive Warnings Apply | 11,468 words)
Summary: When Steve shows up for the Avengers' team meeting, he quickly discovers that the version of Tony in attendance this week is the artificial intelligence. But Tony is still Tony, the man Steve has loved for years, and him being a hologram doesn't stop the two of them from falling for each other. They just have a few kinks to work out. Also available as a podfic read by M_Samro (@msamro)
Living on Your Breath by Sineala (@sineala) (616 | Explicit | Creator Chose Not To Use Archive Warnings | 110,343 words)
Summary: The Avengers have faced Onslaught and come home. The team has assembled again. And Steve is finally together with Tony. They're in love. Everything is perfect. But this happiness is all too brief, as Tony is kidnapped by forces unknown. Steve rushes off to rescue Tony, only to find that Tony has been brainwashed and turned against him. Now Steve, captured and tortured by the man he loves, must sacrifice everything he has to stop Tony from becoming a monster. Their relationship will never be the same again... if they both get out of here alive.
Super Villain Dating Tips - Or How Steve Won Over Tony Through The Art of Kidnapping by forgetmenotjimmy (MCU | General Audiences | No Archive Warnings Apply | 46,265 words)
Summary: Steve isn't evil, he's just trying to do the right thing whilst hiding from an insane General who's out for his blood - literally - but when he is forced to kidnap Tony to help him escape the cops, his plans to take down the Secret Division that experimented on him, well, they get put on the back burner. How does a villain date a hero? More kidnapping of course!
Ribbon Round the Ole Oak Tree by Annie D (scaramouche) (@no-gorms) (MCU | Explicit | No Archive Warnings Apply | 21,098 words)
Summary: Steve doesn’t mind that Tony doesn’t return his feelings. He just would've preferred if it didn’t come with the side effect of his coughing up flowers and possibly dying.
Relativistic Heat Conduction by BlossomsintheMist (@blossomsinthemist) (616 | Explicit | Graphic Depictions Of Violence, Major Character Death | 69,298 words)
Summary: Age of Ultron-based, but not entirely canon compliant. Written for the 2013 Cap-Iron Man Reverse Big Bang. Ultron has attacked, obliterating most of the world's superheroes and resistance in a matter of hours. The remaining heroes band together and share what strength they have to get through it, to survive, and defeat Ultron once and for all. Steve Rogers grieves in the wake of the disaster and the heroes' defeat, and no one knows if he will be able to provide the leadership they need--but Tony Stark isn't about to let him slip away that easily. Also available as a podfic read by Pywren (@phyrrhicvictory)
A Hundred Times, Once by FestiveFerret, SirSapling (@festiveferrets, @sirsapling) (Ults | Explicit | No Archive Warnings Apply | 24,761 words)
Summary: The shrill tone of his SHIELD beeper pulls Steve out of sleep and into battle. He fights robots, he fights Tony's shameless advances, he fights the exhaustion that threatens to take over him, drown him. And then the next morning, he wakes and does it again. Exactly the same. And again. And again. And again.
Mercy in You by Sineala (@sineala) (616 | Mature | No Archive Warnings Apply | 9,598 words)
Summary: When Tony comes back from a very bad D/s date, in pain and abandoned by his dom, Steve offers to help Tony out and give him all the aftercare he so desperately needs. Also available as a podfic read by Pywren (@phyrrhicvictory)
Straight on till Morning by Sineala (@sineala) (616 | Explicit | No Archive Warnings Apply | 109,848 words)
Summary: Tony Stark resigned his commission in Starfleet five years ago, after a disastrous away mission, and he swore he'd never go back. He just wants to be left alone to build warp engines in peace. But the universe has more in store for him than that, as he discovers when Admiral Fury comes to him with an offer he could never have expected and cannot possibly refuse: first officer and chief engineer aboard the all-new USS Avenger, a starship of Tony's own design. What's more, the Avenger's captain is Steve Rogers, hero of the Earth-Romulan War. Believed dead for over a century, Steve is miraculously alive... and very, very attractive. But nothing is ever easy for Tony. As he wrestles with his secret desire for his new captain and his not-so-dormant fears, another mission starts to go wrong, and Tony becomes aware that Steve has secrets of his own -- and the truth could change everything. Also available as a podfic read by M_Samro (@msamro)
The Prize by sabrecmc (@sabrecmc) (MCU | Explicit | Graphic Depictions Of Violence, Rape/Non-Con | 318,625 words)
Summary: Steve ends up as a concubine in the royal harem.
I (created from fantasies) exist solely for you by Mizzy (@mizzy2k) (MCU | Teen And Up Audiences | No Archive Warnings Apply | 62,917 words)
Summary: Six years ago, without the Avengers Initiative there to save the day, scientist Dr. Eric Selvig sacrificed himself to save the world, the almighty demi-god Thor was lost to a terrible storm, and vigilante Iron Man – spotted with a nuclear weapon trying to take advantage of the situation – was forever labelled an enemy of SHIELD. This is a comic book office AU, where Steve is defrosted a year too late, Thor has forgotten who he is, and no one knows Tony is Iron Man. Also includes: office pranks, inappropriate post-it notes, and superheroes who like pina coladas and getting caught in the rain. Also available as a podfic read by badfinch (@read-by-badfinch)
51 notes
·
View notes
Note
Total non sequitur of a question but what do you think of the DCEU?
I like the non sequitur! I hope y'all don't feel like you can only send me asks about the Kverse lol (though of course I'm always happy to answer those!)
I'll give you a very brief review of each:
-Man of Steel: I enjoyed it for the most part. I don't really gel with all the Jesus-y imagery, the bizarre choices with Jonathan, or the incredible amounts of collateral damage (you can't avoid everything but Superman would definitely try to limit it), but I kinda dig the look of all the Kryptonian stuff, I like Henry Cavill's more brooding Superman, and Zod was a cool antagonist.
-Batman v Superman: Dawn of Justice: wayyy too many things going on. I can't McFucking believe they made Jimmy Olsen a CIA plant and killed him off immediately. I don't completely hate that version of Lex Luthor but he gets grating pretty quickly. The Knightmare stuff is pretty eyeroll worthy IMO (especially once they double down on it later). The titular duel is pretty good, but very short, and leads into some of the worst stuff in the movie. Doomsday sucks!
-Suicide Squad: aside from some cool freaky stuff with Enchantress, and Viola Davis and Margot Robbie being great casting choices, this one's kinda nothing to me. Rick Flagg, Capt. Boomerang and Deadshot are various flavors of decent to good. Tried to do a Guardians of the Galaxy-y thing and failed miserably. Top contender for worst Joker adaptation of all time.
-Wonder Woman: Great, if very simple plot-wise. The Ares stuff at the end really lets the rest of the movie down, but most of the movie's very cool and fun. I still get chills from the no man's land scene! Chris Pine's Steve Trevor is pretty damn good (but Chris Pine is just good in general)
-Justice League (Whedon's version): I actually like the choice to have a more colorful look for a Justice League movie, but yeah, not good. To say nothing of the behind the scenes drama, they tried to do what the MCU did with the Avengers with half the build-up. Doesn't feel earned at all. Some good action and character interactions, but that's about it.
-Aquaman: Pretty fun, I really appreciate the commitment to being just kinda bonkers, from the more comic-accurate looks to the ginormous underwater battle. I don't really love Momoa's Aquaman but I didn't mind him too much on his own.
-Shazam!: One of my favorites in the DCEU. Doesn't overcomplicate itself, doesn't exhaust itself with references to other stuff, just a good story about found families with real heart, some good humor, and a decent villain.
-Birds of Prey: Other than the bizarre choice to give Cassandra Cain's name to a character that couldn't be more different, I fucking love this one. Very fun, great action, and it reminded me I have a crush on Mary Elizabeth Winstead lol
-Wonder Woman 1984: Sucks. I hate to say it, I went in thinking I'd really enjoy it but it was genuinely painful to watch for the most part. Not even the power of Pedro Pascal and Chris Pine combined could save this one.
-Zack Snyder's Justice League: Definitely an improvement overall compared to the theatrical release, but dear lord it did not need to be 4 hours long. Flash's turn-back-the-clock gambit was super cool. Legit kinda ruined by the Joker monologue in the Knightmare, lol.
-The Suicide Squad: Didn't watch it! I saw how bloody and murder-happy it'd be and just shrugged and moved on. I'm sure it's as good as people say, but I'd have to be in a very particular mood to wanna watch it, tbh.
-Black Adam: Enjoyed it quite a bit, though the presence of the JSA in the modern day with very little explanation is a bit jarring. The Rock's Black Adam is a bit too heroic and personable for my tastes but brutal enough that I'm okay with it. Kinda loved Pierce Brosnan's Doctor Fate (except for the suit design, I hated it)
-Shazam! Fury of the Gods: Haven't watched it yet, but I don't hear great things about it, so not super enthused about it. Probably will watch it eventually.
-The Flash: I categorically refused to watch this one because 1) I got spoiled on what happens to Supergirl and y'all know I love Kara so it pissed me off, and 2) the CGI nostalgia fest felt extremely cynical and cash-grab-y to me. Not particularly interested in watching this one, but maybe someday.
-Blue Beetle: Gods, I really wanted to watch this one in theaters. It was in my town for all of two days and I couldn't go :( I plan on watching this one soon-ish - even if it's really bad I'll probably enjoy it, I'm a Jaime simp haha :P
-Aquaman and the Lost Kingdom: Genuinely didn't know this one was coming out. Also not particularly interested in watching it, but also not against it, so I'll probably end up putting it on some really boring weekend hahaha.
3 notes
·
View notes
Text
oh yeah for the question about if canto 4 disproves this with Faust recruiting Yi Sang ehh??? There’s mixed messaging in that. For one Yi Sang was kinda out of it for most of the Room era, so there’s a chance he was already in it and just didn’t really know. As well it seems like Faust’s whole deal is a corollary to whatever Yi Sang invented; same base logic, taken to a new extreme. So that could be why Yi Sang gets no 1 and Faust gets no 2.
The evidence in favor of at least some ordered recruitment is the weird thing going on with Dante and Sinclair’s numbering. See, Sinclair was originally No. 10, but at some point Dante joined the team, and apparently there’s some significance to the clock head being No. 10, and Sinclair got renumbered to 11. The important note here is that, if everyone but Dante had been recruited, Outis and Gregor would have also needed to shift their numbers, and we see that they don’t. So the implication there is that they hadn’t yet been recruited, and such the numbering fiasco had already been resolved by the time they joined.
(The implication that Sinclair would’ve taken Dante’s role on the bus in a different timeline is something I think about more than is necessary. It also makes me thing of how the mark kinda resembles a flipped version of Dante’s doomsday hands and marks.)
There’s still like 5000 questions worth asking about the subject, of course. Like, was Dante supposed to be sinner 11, and if not, who? If Dante’s sinner 11, why ‘don’t’ they have the same typo on their outfit as Sinclair? What determined the cap at 13 Sinners, and how is it the Kabbalah again when there’s only 11 slots to fill? What was so special about Dante that warranted them getting the timepiece role over Sinclair, if that is what happened? Were any of the other sinners carrying the mark considered for the 10th seat, if any besides Sinclair (and realistically Dante) carry it?
thank you for indulging in my senseless theorycrafting on what was mostly a shitpost.
Limbus Company Sinner numbering is very funny if its tied to recruitment order because it means after hiring 1) the guy who created the parallel worlds tech acting as the impetus for everything, and 2) the multidimensional possibly mastermind behind the whole project, the obvious third hire was the weeaboo vampire living in the middle of bumfuck hell.
254 notes
·
View notes
Note
“Get out of my way before I move you myself.” Rorschach to the Comedian or Ozymandias if that's okay with you!
Terrible First Meeting Starters - Still Accepting

Adrian eyes the other vigilante carefully. He’s quite aware of the other man’s reputation and has never been particularly fond of him or his methods. Still, the masked man is a part of the Watchmen and he makes an exception to be courteous if cautious.
“Forgive me, Rorschach,” all traces of his accent are hidden as he steps to the side, eyes still on the other man. “No need to move me.”
#Answered Inquiries#Muse ; Past ; Adrian Veidt#//thanks for sending in! I wasn't sure which version you'd want#//I see you also write Doomsday Clock Rorschach and I'm supper pumped about that#//I don't think I have updated my pages to say so yet but#//I will definitely write both Adrian and Eddie in Doomsday Clock verse#//as for this? I figure it's set before The Keene Act#sorcererism
1 note
·
View note
Text
Episode 5: The Unknown Subject
Doctor Who : Multishot
Eleventh Doctor x Reader
Word Count: 3413
Warnings: some gunshots. some blood. some violence. some virus warfare. some of the oncoming storm. River taking matters into her own hands... inspiration and some lines came from Criminal Minds Season 4 Episode 24 “Amplification.”
Request: This just came from my own head 😊
A/N: A skilled team of FBI tactical profilers analyze the country’s most prevalent oncoming disasters, anticipating the criminal mind’s next moves before they can inflict doomsday.
Episode 4: The New Heir
Episode 5: The Unknown Subject {You Are Here}
Episode 6: Dr. Smith
The DAU was overrun with representatives of all international governments. The army was instructing team members under the FBI and CIA to form search parties abroad in each country. Agents were conversing with contacts across seas as they tried to get everyone on the same page about the suspect.
SSA Smith was in the conference room having a heated discussion with other leaders and officials. They could all see him fuming behind the glass walls.
Jack was leaning into Donna, muttering some theories about where they were going to be stationed next. “I heard the professor was last seen in France.”
“She crossed the border after the stunt in London,” Donna agreed, readjusting her blazer as new agents caught her eye. “I think John’s talking to the Prime Minister and the president of France.”
Rory was sitting at his desk, glasses pushed up his nose, “He’s been tense.”
(Y/N) agreed, folding her arms and standing next to the rest of her team. The Doctor had been avoiding her as of late. He had become this hardened, cold-shouldered character since the last reality.
It was hard to associate him with her Doctor. He was so dark and strict and to-the-point. But she could see the split second of recognition in his green eyes when he looked at her.
He still looked at her with fondness.
“You think the professor will cook up some new disease?” Donna asked rather morbidly, “After we traced the last one?”
“Well, with the CDC already synthesizing a cure after the last attack,” Rory said, “I wouldn’t be surprised if she tried to create a 2.0 version to throw us through a loop.”
Jack nodded towards the conference room, “Look. He’s calling us in. Time for another debriefing.”
The team walked determinedly through the crowds of agents and military personnel, climbing the ramp to get to their seats.
The Doctor had his arms folded, already introducing their guest before they all sat down.
“Hello everyone, this is Dr. Martha Jones, chief of special pathogens with the CDC.”
(Y/N) nodded to the woman she recognized as a past companion of the Doctor. But the Martha here didn’t know her – she just looked worried with a light sheen of sweat on her forehead.
“Hello, I’m sorry to meet under these circumstances,” Martha said. “The target, Professor River Song, has been developing an unknowable strain of virus capable to compete with our most deadly naturally occurring viruses.”
“She’s already tried that,” Jack said, “We’re creating a cure, aren’t we?”
The Doctor frowned, “She’s struck again with an entirely new strain – in Lyon, France.”
“Oh my god,” Donna whispered.
“Last night, 47 people checked into hospitals with similar symptoms,” Martha began, “And by this morning 22 of those people have died.”
Jack took a seat, “Damn.” He set his jaw, “Were you able to detect the virus?”
“Yes,” Martha said, “Disease control centers across the world have taken samples and are working around the clock to create a new cure.”
“In the meantime,” the Doctor said, “We have to apprehend the professor before she strikes again. We have reason to believe she’s entered the United States. She may have been spotted at the Hartsfield-Jackson Atlanta International Airport in Georgia.”
Rory piped up, “But she didn’t attack the airport?”
“No,” said Martha.
“Then what are we doing about other potential mass targets?” Rory continued, “Malls, trains, subways?”
The Doctor sighed, “There’s a media blackout. We can’t tell the public.”
“There’d be a mass exodus,” Jack nodded in agreement, “The panic would end up killing more people.”
“We’re heading to Georgia,” the Doctor said, “Wheels up in five. Thank you Dr. Jones.”
Martha nodded to him, “I’ll be your direct contact for the cure. I’ll let you know of any developments.”
The team all stood and made for the elevators to pack for their coming trip. Martha followed to converse with the military scientists outside. (Y/N) remained behind with the Doctor, anxiously waiting for him to look at her.
“Doctor,” she said cautiously, “Are you okay?”
It looked like he was hardly breathing, “Perfectly fine.”
“You don’t sound like yourself,” she continued, “I can tell you’re upset.”
“Why would I be upset?” he said lowly, “I only learned that a close friend of mine wants to kill you.”
He went to exit the conference room, but (Y/N) stepped in front of the door.
“I wasn’t going to die.”
“Yes,” he said darkly, his voice deep and angered, “You would’ve.”
“But not in reality. Not in our true reality,” she pressed, “This is a dream, Doctor – you know that.”
“How can you be so sure dying in here doesn’t mean you’ll die in real life?” he asked, brow furrowed.
Gone was his dancing fingers and giddy steps. Gone was his childlike smile and eccentric movements. He was tall and cold and angry.
“I trust River,” she said quietly, “Her logic is sound.”
“But unproven,” he said, “We don’t know what’s keeping us here. It could be dangerous to wake up. There has to be another way.”
There was the strange tingle of anticipation growing. The dream was about to zap them to the next scene. They had been off script for too long.
“This isn’t up for debate, (Y/N),” he said.
She hated the way he looked at her like he couldn’t fully see her. He was clouded by the storm that had developed and resided within him. The Oncoming Storm.
Something sparked in her stomach. The reason he became like this was because she almost died. Because he cared about her so much he was willing to do anything to keep her safe.
~~~
(Y/N) was suddenly sitting in a booth in a local Georgia café. Across from her was Jack, sipping a massive chocolate milkshake.
It seemed like a more Jack thing to do rather than this FBI agent character. It almost made her smile.
“You sure you don’t want some?” he asked, biting off the candied cherry.
She slumped into the booth, “I’m okay, thanks.” She looked around to see if any of the other team members were there. “I wouldn’t want to spill on my suit.”
Jack looked amused, “And you think I will? Am I a messy eater?”
“The worst,” she snickered. But her mind was still clouded with the interaction with the Doctor. He had looked so angry.
“You’re thinking about him, aren’t you?” Jack said, swirling his straw around. “Don’t be coy, I know that look.”
She gave a nervous smile, “John?” The scripted lines came out of her easily while her mind dwelled on the dilemma at hand. “We had an argument.”
“Obviously,” Jack said with rolling eyes, “We all saw you in the conference room. He’s just worried about you is all.”
“I know, and it’s infuriating.”
Jack sighed, “You had a close call last case – you almost died.” He contemplated his next sentence for a second, “I think Smith realized that it was possible to lose you.”
“That was always a possibility.”
“But he got a taste of it,” Jack leaned in, putting emphasis on his words, “He had a taste of those feelings – of that loss – and it terrified him.”
(Y/N) could feel her heart snap into motion. It might’ve been a script, but what Jack was saying made total sense to the Doctor as well.
There had been a pattern to all of these dreams. And she was starting to see it.
“You’re making it sound like…”
Jack clicked his tongue, “Like he’s in love with you?” He grinned, “That’s because he is.”
Every dream had a theme of getting the Doctor and (Y/N) together. In the New York apartment there was the tender moment they shared in the coffeehouse. In the fantasy realm he rescued her from an arranged marriage – had said I love you to each other. In the old English estate they were prompted to be friendly with one another in hopes of an eventual marriage.
There had never been a spoken word between them about being anything more than friends, than companions. Sure there had been initial attraction but it was quickly set aside when it was evident the Doctor wasn’t interested.
Or was he.
Perhaps (Y/N) had been blinded by her own efforts to avoid greater feelings. It made traveling with him easier. If she had developed true love with him then the entire companionship would be at risk of falling apart.
But as Jack started rambling on about the evidence he had gathered on why John was in love with her, she continued to connect dots.
These dreams were tailored to the Doctor.
When he wanted to catch River Song for what she did, the dream state changed into a reality where that was plausible. It was set in a crime drama where they caught bad guys.
Somehow the Doctor was in charge. He might not even realize it.
“I’ve completely stumped you, haven’t I?” Jack asked, setting his milkshake aside, “Hard to believe Smith is capable of love, huh.”
“Not entirely.”
Jack looked up quick, “Really?”
(Y/N) shrugged, eyes glazed as she tried to pull herself out of her deep thought. “I don’t know.”
“I don’t think I’ve ever seen the guy crack a smile, let alone express an ounce of affection.”
She became reminiscent of the Doctor that was the opposite. The one that was all smiles and all doting affection. Was her safety really the reason for him acting so different?
“But I do know that I’ve never seen him more relaxed than when he’s with you,” Jack said with a growing smirk. “You bring out the best in him.”
“And the worst,” she said quietly, “Evidently.”
Jack threw a few dollars on the table, “It’s gotta be nice to be loved that much though.”
She wrung her hands, “We have to go meet Smith and Pond.”
“I’m telling you…” Jack said, leading the way outside and brandishing a pair of sunglasses, “You gotta say something to him. The poor guy is hopeless when it comes to first moves. Trust me, I’ve worked with the guy for years.”
(Y/N) walked alongside him, making sure her firearm and badge were secured at her belt. “I don’t think he’s in the mood for any love confessions.”
“He’s never in the mood,” Jack said with a laugh. He slung his arm around her shoulders, always the light heart. “But if you’re so concerned with why he’s upset, maybe you need to talk about it.”
“I tried this morning,” she grumbled, his bouncing steps infectious.
Jack squeezed her shoulder, “Then you try again. He might not be an easy man. But he’s a good man.”
She wholeheartedly agreed with that statement. The Doctor was a complicated, eccentric genius who made things more difficult than they had to be. But he was also the loveliest, most generous man who gave the best hugs.
And they deserved to get out of there. And (Y/N) had to get through to him somehow – even with him being stuck in this arrogant, gruff character.
She spotted the Doctor and Amy through the windows of the local police station. They seemed to be discussing something as they looked over a city map. Jack led them across the street and towards the entrance.
He gave her a playful wink as they walked into their work room.
“(Y/N),” said Amy, always looking her best in her professional attire. She was usually underestimated by the agents, but always made the looks on their faces all the more amusing when she proved them wrong.
“Have you found anything?” she asked, avoiding a glance in the Doctor’s direction.
Amy shook her head, “We’re waiting on some intel in central Atlanta. Our profile has led us to believe that the professor will plan an attack at the Atlanta History Center.”
The Doctor muttered, “It’s a historical museum. A place she might enjoy.” He flashed his eyes toward (Y/N) and they both dwelled on their archeologist of a friend. River would love old museums.
“What intel are we waiting for?” Jack asked, eyeing their position on the city map.
Amy scrolled through her phone, “They’re verifying that the professor was spotted in the vicinity. Noble and Williams are giving out the profile and monitoring the surveillance.”
“Let’s not start a panic at the museum unless we have to,” the Doctor said, rubbing hard at his face.
“Understood,” Jack said.
But (Y/N) had fixated on the scruff of the Doctor’s jaw. It was so strange to see him like that. He looked older. He looked more tired. He looked… like an adult.
She wanted his little toyshop salesman self to come out and make some childish remark about the taste of custard cream or the boredom of taxes.
“Can I have a moment alone with (Y/N).” The Doctor was still looking away as his colleagues shared looks.
Jack and Amy cleared their throats, sidling out of the room with quick steps.
(Y/N) wrung her hands again, feeling the uneasiness of an unscripted moment.
“Doctor…”
“You’re going to stay here when we go apprehend River Song.”
“Excuse me?” the words became lodged in her throat, “You can’t do that.”
He gave her a heated stare, “I’m not risking you getting hurt.”
“Doctor, how many times do I need to tell you not to worry. This isn’t real. I won’t really get hurt.”
“Did that Spanish flu hurt?” he asked, emotion flaring in his eyes, “Did laying in your sickbed hurt you?”
It did. But she knew there wasn’t any permanent damage. It was just a dream.
“I’ll wake up,” she said quietly, “It would force me awake.”
He gritted his teeth, “And what if it doesn’t?”
“God, I’d risk it, Doctor! We can’t stay stuck in here for the rest of our lives.”
He looked conflicted, “But it hasn’t been so bad, has it? The roles we’ve played.”
“That’s all it is, Doctor. It’s all play. It’s not real. I want to get back to our real lives.”
“You’re real,” he deadpanned, uncharacteristically still as he stood his ground. “You’re enough for me.”
She blanked. Her mind sifted out of her ears as she scrambled to form words. “Doctor… there are more realistic ways to have a life with me. You don’t have to dream one up.”
His shoulders stiffened, “I don’t know what you’re talking about.”
“I have a feeling you might.” She took a step forward, “You can’t create some fictional life with me where we play these characters that live normal married human lives.”
“We’ve never been married,” he said quickly.
“I had a feeling the next one might have us be,” she said just as fast. “It shifts to your wants, Doctor. But what you want here… right now – it’s not what I want. I can’t play a character and pretend that I’m happy with all this.”
His fingers started to fidget like they use to on their adventures, “You’re not happy.”
She lightly shook her head. “I want to go home.”
“You’re not happy here with me.” He said it more to himself then to her.
But she quickly cut in, “I’m happy with you on the tardis. I’m happy with you back in our own lives.” Her hands rose to clutch at her chest, “Please, Doctor – this isn’t right. We have to wake up.”
“There has to be another way than dying!” he said, furious again.
There was a whoosh of air and the pair of them were standing outside of a historical building, groups of people running around in a panic.
Their talk of the real world had them flying to the next scene.
They were clad in bullet proof vests, guns poised in their hands. Wires crept up their backs and into their ears. They could hear the rest of their team asking for orders and the whereabouts of Professor River Song.
“No,” the Doctor growled, addressing (Y/N). “You are staying here while I find River.”
“Like hell I am,” she cried back, taking off for the museum.
“(Y/N)!” the Doctor yelled, “It isn’t safe.”
The screams of the bystanders became muted as she searched for their friend. Seeing her here would mean River was sucked into the dream world too. She could no longer manipulate the rules of the dream.
Her feet pounding into the cement, she frantically searched the faces of the crowd. The Doctor was getting lost behind her, being swarmed by the public.
She cried out, “River! River I’m here!” She kept her finger off the trigger, but her gun was still brandished. “River Song!”
Then in the distance she heard a voice cry back, “(Y/N)?”
She flew around, there at the edge of the building was a pile of crazed, curly hair. She had her own gun at her hip.
“How did you get here?” (Y/N) asked, “Did you get pulled in?”
“Unfortunately,” River said, meeting her friend with a hug. “But I can still try to pull us out.”
(Y/N) eyed her gun, “You trying to get back in prison for murdering someone?”
River shrugged, “This is just a nightmare. None of it is real.”
“Feels real,” (Y/N) whispered, staring at the gun, “I suppose that’s what scares you awake.”
The gun was raised and aimed for (Y/N), “That’s the theory.”
“The Doctor’s not so sure.”
“He gets skeptical when it comes to the safety of those he loves.”
“People keep telling me that,” (Y/N) said, holstering her gun.
River took a deep breath, taking aim, “That he worries for your safety?”
“No,” (Y/N) said, “That he loves me.”
“Maybe you should take the hint,” the professor laughed, “This should only sting a little.” Her eyes flickered to behind (Y/N), “Incoming.”
“Hands in the air!” came the voice of Amy, “I said hands up!”
Jack was right behind her, “(Y/N), where is your gun?”
“It’s alright,” she responded over her shoulder, “I’ll see you guys when we wake up.” She gave a nod towards River Song.
She nodded back, firing three gunshots.
Red hot pain ran through (Y/N)’s lower abdomen. Two shots barely clipped the vest, but the third lodged itself near her hipbone, but definitely into her major organs. It was true, the shock and adrenaline that coursed her system made the bullets only slightly hurt.
She was falling to her knees when more shots were fired. In the distance she could see River Song fall to the ground.
The pain was sharp but was growing into something dull and achingly present. A hand pressed to her stomach came back coated in bright blood. The life was beginning to slip between her fingers.
“(Y/N)!” came a cry from above. Rough hands grasped at her body, pulling her in a way that made her wounds flare up.
She cried out, “Stop!” Her fingers were weak where she grabbed at the arms around her. It was hard to see – her vision was blurry. Her ears were full of a buzz.
But it was the Doctor that cradled her now, “What did you do?” he whispered. “What did you do?”
There was a crack in his voice and her heart began to hurt just as much as the rest of her body.
~~~
There was an insistent beeping somewhere next to her. The air smelled sterile and stuffy with disinfectant.
Her fingers picked at the cotton sheets around her. There was something taped to the back of her hand.
Opening her eyes, she spotted the IV drip. After adjusting she noticed the white walls and old machines measuring her heartrate.
She quickly lifted the blankets to look at her abdomen. After a quick inspection she realized that there weren’t any bandages. There was no evidence at all that she was shot just minutes before. Her skin was clear.
“Dammit,” she whispered, her head falling back into the pillows. They had jumped to another reality.
A crash against her windows had her looking for the source.
There, clad in scrubs and white lab coats, was Amy and Rory. The pair of them kissing like they were hungry for their last meal. Pressed against the window they were unabashed as they consumed each other.
(Y/N) rolled her eyes. Great… they were stuck in a medical drama now.
And something else had become evident. The Doctor might have more control over the dream than she realized.
It was apparent that if the Doctor didn’t want to wake up, then (Y/N) wasn’t going to wake up either.
~~~
Tag List:
@caswinchester2000 @aria253264 @bippity-boppity-boopa @kaqua @cameleonfrenzy @zerocanonlywriteshit @ryou-cosmos @multifandomfix @mythandmagik @wanna-plan-world-domination @bb-skyrunner @murder-swan @v-gremlin @elisaa-shelby @mxacegrey @onebigfangirl @unknownfacelessstuff @emilythezeldafan @lilac-skies-xd @wherethefuckisthething @science--hoes @shyposttree @gabrielislovegabrielislife @v0id-sp1rit @watchoutforthefanfics @yeehawbrothers @charleslec-airlines @a-disturbing-self-reflection @beeblisss @xxcandle-flamesxx @megoshh @kneelforloki @technikerin23 @relminnie @violetwaldosia @i-killed-ramsey @stalkerspy101 @alice-the-nerd @dangerouswinneranchor
Remember to check out my tag list so you’re updated when a fic you like is posted on my blog! Tag List
#eleventh doctor fanfiction#eleventh doctor x reader#eleventh doctor x y/n#eleventh doctor x you#doctor who eleventh#eleventh doctor#11th Doctor#BBC Doctor Who#Doctor Who fanfiction#Doctor Who fanfic#doctor who x reader#doctor who x criminal minds#doctor who#criminal minds x reader#criminal minds
184 notes
·
View notes