#trying to make a new icon for deviantart and just in general

[aedearly]

hii! i absolutely love your work. i've been getting into trying to make borders myself, and i was wondering if you had any tips on where to find good pngs or do you create everything yourself? i feel like my luck so far hasn't been great but maybe i just don't know how to search for it correctly!

Hello, nonnie! I'm so glad you enjoy my work; thank you for your kind words. ( ˶ˆᗜˆ˵ ) And oh my gosh, it's so nice to see a new GFX creator in the making! One of us, one of us, one us. ~ Welcome to the wonderful world of editing, hehe!

I've compiled a list of websites that I use for my graphics, but please do let me know if you need anything else and I'll be happy to assist!

For general assets, as well as inspiration, I generally use these websites: behance (which is pretty much the industry standard when it comes to graphic design in general, they have cool studios or experienced designers that post their works and/or assets), booth (an independent japanese resources hub with many free and paid assets), huanban (an independent chinese resources hub, same proposal as booth), abdz (mostly focused on typography and branding), dribble (more focused on web applications and design) and envato (templates).

Since I'm colourblind, I'm not always confident about how to compose colours together. So whenever I'm in doubt, I use coolors (to get palettes from images and browse through palette ideas) and colorhunt (which gives ideas for palette themes and motifs).

I love typography a whole bunch, but sometimes it's hard to find that one right font for your project. Whenever I need to look for something else, I always run to these websites: google fonts (when I'm on a budget and want to use 100% free fonts, including for commercial use), 1001fonts (to quickly find fonts based on themes, it has a great tag system), dafont (a big classic huge dabatase of custom fonts), befonts (for more industry standard-leaning fonts) and kerismaker (for those magazine looks). When I want to identify a font used on an image and where I can download/purchase it, I use myfonts and font squirrel. They even give you similar options for free, too!

Suppose I'm specifically searching for illustrations/PNGs I can use on my upcoming project. In that case, I'll either go to flat icons (for websites, applications or presentations), vertex (for 3d icons and/or general vectors), graphic burger (for logo making), cleanpng (for I want a tree PNG and do not want to clean it myself, for example), pngtree (same idea as the previous one, you just search for a word and will see all PNGs related to it) and pngall (self explanatory).

Regarding backgrounds, textures, and photography in general, I rely on websites like pixabay, vecteezy, 3d ocean, morguefile, freepik and isorepublic. They have high-quality photos and videos that you can use on your projects. However, if I specifically need mockups or patterns, I turn to unblast, pacage and ava.

Besides those, you can always search for things on Deviantart and Twitter! Though I do not use those much, I think Instagram and Threads also have pages dedicated to sharing resources. Discord can be a nice place to search for graphic design servers, too.

However, if I cannot find specific resources for a commission/project for whatever reason, then I will make them myself. Be it through photography, drawing or anything else I can get my little hands on.

For the more technical/applications side, the programs I use for my graphics and edits are Adobe PhotoShop 2020, Adobe After Effects 2020, Adobe Illustrator 2020, Clip Studio Paint (for when I need to draw or polish something for specific projects/commissions), and HandBrake (for when I need to make screencaps). My drawing tablet is an oldie, Wacom One.

Hopefully, this can be a nice starting point for you! Please feel free to reblog and/or like this post if you'd like to save it for whatever purpose. ~ I hope you enjoy this journey ahead, and if you need anything else, let me know! You got this! ദ്ദി ˉ͈̀꒳ˉ͈́ )✧

[spacehareart]

Introducing....!!!!

The Eight Aesthetic Challenge!!!!

Rules:

Its not limited, its just an attempt to make an artist meme template like "give me six characters to draw".

You do NOT have to draw eight if you do not want to.

This template is free to use, but do not remove my text where it has my medias.

You can change the template to fit your needs

You can post it anywhere ( tumblr, discord, deviantart, twitter and pinterest ) AS LONG as you link back to me and give me credit.

What is The Eight Aesthetic Challenge:

You draw Eight OCs ( original characters ), or Even Charactersonas, etc, that fit an aesthetic that you ENJOY. This is about making a new character and trying to make new designs.

You can use this template for any fandom.

So an example would be:

Kidcore non-fandom oc

Weirdcore Star Wars OC

Lolita Fashion Vocaloid OC

Webcore Ponysona

Etc

You May tag me or use the tag #8aeschallenge

Please consider reblogging, it'll help me as an artist ! /nf /gen

☆☆☆

Note: i Do NOT consent my art to being used for: NFTs/AI Art, Tracing/Stealing/Reposting, Youtube/Videos/Tiktok etc, a thumbnail for fanfiction, roleplay of any kind, etc.

I DO consent my art for: Being tagged as kin/me/IRL/F/O, etc, Used as an icon (as long as you credit/link back to me (you MUST reblog the art first so i know (unless we are close), Draw fanart in general / our designs interacting / oc interaction. Reblogs help more than likes !!!

[clockbirds]

me at pixel artists: how?? ??? ?

[dailycharacteroption]

Corrupting Influences: Vampirism part 5

(art by Defexx on DeviantArt)

 Conclusions

 And so it is that we’ve reach an end to this special about the vampirism corruption in Pathfinder, and to our specials on corruptions in general. Truly it is an end to an era, but hopefully a start of new beginnings as well.

 Before we share our final thoughts about the corruption itself, however, let’s take a moment to re-examine what vampires were throughout history. Certainly today’s corruption mostly takes it’s cues from the Dracula novel, but vampires have existed well before that.

Indeed, looking back on the oldest stories where the word “vampire” was used, it’s pretty clear that the concept of vampires, like almost every undead in pop culture, was born out of the idea of someone who is dead deciding not to act like it and wander around being a menace. In fact, the oldest stories of vampires make them seem more akin to what we think of now as a “zombie”, far from the glamourous unearthly beautiful immortals we typically think of today.

Over time, so many folk remedies to these undead horrors and stories of their abilities congealed into a vague grab-bag of otherworldly traits and rules, may of which survive to this day, such as the garlic weakness, fear of the holy, and so on, though others like the running water thing or the even more obscure rose on the coffin thing are typically forgotten.

In fact, such an eclectic collection of traits have lead to many audiences, (particularly western ones) conflating other similarly storied shamblers from across the globe such as jiang-shi or vrylokas as also being vampires or vampire-adjascent, or perhaps different strains of the same singular unholy malice (Looking at you, Vampire the Masquerade).

It is perhaps because of this combination of history and variability which has likely helped their survivability as a concept. Well, that, and Bram Stoker’s iconic novel, which you should read if you get the chance. I hear there might be an electronic mailing list that might help with that.

Regardless, Dracula was instrumental in putting vampires on the map, and perhaps most importantly, was a rare exception in that it was a gothic horror story where the horror in question is not limited to some dreary manor of a declining family, but in fact follows the protagonist home and really gets to show what happens when you unleash an intelligent undead horror on an unsuspecting populace.

Since then, vampires have evolved a lot since then, ranging from monsters to, well… attractive partners. Like all monsters, however, people tend to use them as symbolism, and not all of them were kind symbols, such as Carmilla, a story about a young woman who finds herself attracting the attention of an older woman who later turns out to be a creature of the night. Of course, folks have a tendency to reclaim symbols used to demonize them, so you’ll find plenty of LGBT+ immortals that are straight-up heroic in nature.

 In any case, however, the vampirism corruption I find is that perfect blend of fun powers fitting the theme, while also establishing a certain level of urgency that some corruptions lack. For the victim it’s a nice bit of body and psychological horror rolled into one as their victimization weakens and then changes them, while those who don’t understand what is going on can only look on in powerless horror.

On the subject of the corruption subsystem, I suppose I ought to give my final thoughts on it as well. Horror Adventures the supplement had it’s flaws, but the corruptions were definitely a good idea, creating a way that a character can get a taste of the powers of “contagious” monsters, but giving them drawbacks not just in the direct penalties of each ability, but also in the lingering knowledge that things might go too far. It forces would-be powergamers that might deliberately try to gain a monstrous transformation to rethink doing so, or at least properly roleplay the challenges associated with it.

Overall I consider it a good subsystem, one that is both flavorful and mechanically fun.

 And with that I don’t have much to add, so I’ll conclude. It’s a bit sad saying goodbye to a subsystem and special like this, but I’m always coming up with new things to do here, so it’s fine. Have a good weekend, folks, and look forward to more archetypes next week!

[rielzero]

Sombra, Envious Umbra- The Miserable One

This persona design has been in concept stage since December ish- I haven’t been able to finish designing another alt eldritch form- Which is referred to as ‘’Death Marrow’’ at the moment.

Sombra is quite an enigma- I’m really frigging happy with his concept. All though due energy levels being floppy- and me thinking I’ll be retiring my old refsheet style for a while- I wasn’t able to put his design on my usual work. So I went to work on this chibi instead- it really helped. (The chibi base is a p2u by kariosa-adopts, which is a deviantart user.)

Lore Sombra, or Envious Umbra- is the eldritch child known otherwise as the ''miserable one'' He does not want to be perceived. His tattered wings represent how his body is in a constant state of agony. It's body is split in an asymmetrical set of traits, which both supposedly represent masculine and feminine traits. Despite this, he is essentially sexless but presents as male. In his split form he is known as Envious Umbra, but is capable of fully transitioning to one set of colors if he feels at peace- in the darker colors, he is simply known as Sombra. As the lighter colors, he still remains known as Umbra. This duality does not represent different personalities, but rather a state of being and sense of self. As the miserable one, he's worshipped from the shadows by cultists. He is feared for his power- the power of taking. He can ''take'' things away from his victims, but what he takes can be non-physical concepts, not just physical ones. If he notices someone near his vicinity, as Envious Umbra- He'll be hyper vigilant and screech with a sense of agony. Sombra is worshipped as a separate face by cultists- even though it is the same being in the same body. To cultists- he represents stillness, the peace in the dark. Most cultists aren't aware that all eldritch children are essentially facets or forms of the same being, not separate creatures.

There’s a bunch of concept art sketches I haven’t scanned in yet-  He’s still missing the back view- so in a sense the fullbody design isn’t entirely finished.

I did take the time to give him an icon so he doesn’t look weird on toyhouse with just the chibi.

Heheh. I love expressions like this, that have a sense of ‘’i’m disgusted’’ or ‘’i feel awful’’ He’s looking at someone who happened to come across him. How unlucky for them.

Maybe I’ll make a new formal ‘’ask about my ocs’’ post later, but at this time I want to say: if you have questions about any of my oc in general you can plop them in my ask box- they help me with drawing fun stuff or doodles.

For now I’ll retreat and try to work on my webcomic some more.

[lokisasylum]

Check In Tag!

Tagged by : @parkandblues (thanks, hun  🦋)

1. Why did you choose your url?

“lokisasylum”... I think i’ve explained this a lot, but “Loki” is a nickname I was given since my school days because I was a hardcore trickster & would get away with anything and everything. I also recall being VERY persuasive when caught until I got off the hook. While “Asylum” comes from an album by Disturbed (one of the bests I own).

2. Any sideblogs? If you have them name them and why you have them?

Yep, @arsenicbutterfly which is like an aesthethic/anime/cyberpunk/steampunk/grunge blog, and I also have @lokirasengan-fc which I originally created with the intention of moving all my fanart/artwork (also promote my Society6 & Redbubble shops) to in order to separate my main blog for BTS news/post and that one for artwork but none of my mutuals really followed me on it so its basically a dead blog >_>

3. How long have you’ve been on tumblr?

I think since 2010 which is the same year the (Disturbed) “Asylum” album came out.

4. Do you have a queue tag?

I don’t know, never really thought about it.

5. Why did you start your blog in the first place?

Hmm... I remember 2009-2010 to be a very chaotic years.

- the Death Note fandom went up in flames due to the MILLIONS of cases of cyber bullying (some ending in s**cide). I remember being part of this RP group within the fandom that I ended up quitting when I got admitted into Graduate School and because 2 of the oldest members ended up being actual PSYCHOS. (Which is why I also quitted roleplaying)

- Deviantart was rumored to either be shutting down or heading into a worse fate since they started censoring Mature Art/Literature/Fanfics (I remember all the artists who had their 20something chaptered fics and comics OBLITERATED off the site without a reason). So many people left DA for other blogs and I remember thinking the same, that I needed to migrate elsewhere. I tried 2 new social medias that eventually disappeared with less than a year of existence and then there was tumblr with had apparently been created for that very purpose (as a refuge for artists & people in general who were disappointed or got screwed over by the system). Which is funny because tumblr ended up the same way...

I still kept both my DA accounts active and I still post ALL of my artwork/photography there.

6. Why did you choose your icon?

I usually changed my icon frequently, but this recent/current icon is special to me, because it was made as a tattoo design for my Jikook Vampire fic (Forever, You Said) of a butterfly trapped between a Full Moon/New Moon. Its a matching tattoo between jikook (Jimin’s is a yellow butterfly inside a new moon, while JK’s is a blue butterfly inside a full moon). Meant to symbolize how both existed in the same timeline separated by two worlds with Jimin being a vampire and Jungkook being human, but their lives got intertwined since their first meeting.   

7. Why did you choose your header?

[I legit had to go back and check what my header was ‘cause i forgot]

Because I mean... Its Park Motherfucking Jimin.

8. What’s your post with the most notes?

Like... this month? I think its the post about BTS as Flower Spirits from the HYBE museum.

9. How many mutuals do you have?

Few but I love them (same)

10. How many followers do you have?

635... damn, when did that happened?? WHO ARE YOU PEOPLE?!

11. How many people do you follow?

Like 14ish? Most of them were fanartists I really admired, but sadly most of them aren’t active or left for Twitter cause people kept coming to tumblr to steal their art and post it on twitter/instagram. So they moved to twitter in order to have some “control” over their works, but now people steal their art from Twitter and come to post it on Tumblr 🤦🏻‍♀️🤦🏻‍♀️🤦🏻‍♀️

And this is why I still post most of my art on Deviantart.

12. Have you ever made a shitpost?

I... I dunno, have I? Oo

13. How often do you use tumblr each day?

24hrs/7 days a week, I never really log out of tumblr. So I just wake up, eat breakfast/lunch (whatever’s available at 11am), do chores around the house, make sure my fam’s healthy, fed and comfy before I jump back into tumblr where I kill off most of the day and night. If I’m not here I’m on deviantart or Ao3.

14. Did you have a fight/argument with another blog once? Who won?

I usually avoid going to other blogs to argue per se because most of these blogs that shitpost for the sake of creating conflict are very young and very ignorant. They never see reason/logic even when you slap ‘em across the face with receipts. So I don’t bother.

HOWEVER, ain’t afraid to calling people out through my own posts from time to time without the need to name names. If it fits, it ships and if you offended that’s a YOU problem.

15. How do you feel about “you need to reblog this” posts?

I avoid them as much as possible. I’m like Taehyung on that note, I’m the type of person that if you try to force me to do something and I see no benefit (for me) in it? I won’t do it.

16. Do you like tag games?

Yes, they’re fun and break the monotony.

17. Do you like ask games?

I do... but no one ever interacts with me for them 🙃

18. Which of your mutuals do you think is tumblr famous?

Eehh.. maybe @utopiajeon , @debrenner , @aikimei

19. Do I have a crush on a mutual?

I mean I love them and think they’re awesome people, but I also think of them as the children I don’t plan on having in the future. LOL

20. Tags?

@utopiajeon @doctorcerberus  @i-like-plain-rice @corkytheguar   anyone who wants to do it!🌸

[damaramegido]

pinned worm time :)

basic info

what up i’m acey jane aka anna cassidy [last name redacted] and i’m your friendly tmbg mutual from hell

gender-nonconforming cis woman (she/her), i identify strongly as Girl but societal expectations of what that should mean are fuckin bullshit that i refuse to follow!

allo lesbian and monogamous (she’s single and horny ladies!)

i’m 28 years old (2/18/1993), minors can interact but please don't get weird or age-inappropriate!

(YES I KNOW I LOOK SUPER YOUNG I HAVE GENETIC BABYFACE, BLAME MY DAD, I AM A GROWN-ASS LADY)

white (german and irish so pearl only half hates me i guess)

autistic and mentally ill, also a side helping of chronic physical illness bc fuck my life i guess

left-wing democratic socialist (albeit definitely who tries really hard to avoid political discourse online because a lot of it is Really Bad)

norcal girl, ask me for weird info about the greater sf bay area because believe me i have Stories (and an accent apparently)

lowkey definitely a they might be giants groupie (14 shows and counting!), please talk to me about tmbg because i love them more than life itself

winner of the Best Homestuck To Mainstream Fandom award (source: self)

captain of the pearlrose garbage barge, which is on fire

not the original owner of the damaramegido url but i've had it since 2015 so ¯\_(ツ)_/¯

(yes i'm using my canon homestuck url for a tmbg/steven universe stan blog, what of it)

fandoms and interests

steven universe

they might be giants

homestuck

gravity falls

the owl house

pokemon

animation in general

language

shitposting

fanfiction

horror and general morbid shit

true crime

internet/fandom culture and history

other cool things

other notes

i'm in a horrible friend group chat called the shitpost crew and our shenanigans are fucking legendary. (yes that link is required reading, just so you know what kind of horrid goblin bitch i truly am)

i try extremely hard to avoid discourse because it's annoying and i have better things to do. don't drag me into that shit pls...let me wallow in Trash Hell in peace

i'm generally willing to tag things for mutuals and friends, and i try to tag fairly comprehensively in general! my tags page can be found here.

i really love being sent/tagged in things, if you see something and think “hmm this seems up acey’s alley” please feel free to send it my way!

i’m also always down to make new friends in general--if you ever wanna hmu feel free to shoot me an ask or a message, i promise i don’t bite! i’m also generally willing to give my discord out, but please ask off anon if you want it so i can give it privately. c:

i'm a filthy shipper from hell and always have been, though of course i tag appropriately. here’s my shipping wall!

my blog title is a very obscure tmbg reference

yes i have a homestuck tattoo. no i do not regret it

i have a tmbg tattoo too why does no one talk about THAT?? smh

i fucked up some shrinky dinks once

i purble

john hlans. burg bi sexu

icon by @disinvited-guest, check her out for that good tmbg content!

(no my icon is not ebony dark’ness dementia raven way but i do understand why you might assume it is)

links

writing blog

art blog

ao3

twitter

deviantart

instagram

spotify

listography 

dedicated tumblr links page

[ussthunderquack]

Tint Wanda’s hair a dark burgundy, and this is what the twins’ canon look should be (IMHO). Some versions of their comic origins state that the twins are half Romani, so the darker skin makes sense. 

I’m reminded of a YouTube parody called “Black Avengers” (made by, and presumably mainly for, African American Marvel fans). Although it’s a parody, several of the characters looks in that short are frankly as good if not better than their canon counterparts.

Disclaimer: I’m white, and I’m guessing that to fully appreciate all the jokes in this parody, you probably need to be African American. But it’s still plenty hilarious simply as an Avenger’s spoof. And if you’re a person who feels Captain America or Hawkeye is overrated, this is a must-see.  

In addition to humor though, this series also offers some very cool alternate looks for some of the characters. With its premise, they could easily have just stuck the actors in generic costumes of the characters. But instead, they created unique new looks for several of them. A few of my personal favorites...  

Scarlet Witch

...already has a very cool Gothic look in the MCU. But this take on Wanda is equally good, if not better. Again, her ethnicity here makes more sense, given the characters’ comic origins. This Scarlet Witch looks biracial, and seeing as in the comics she is half Ashkanazi Jew and half Romani, this is fitting.

The blond curls also go worlds to differentiating her from Black Widow, who I feel Wanda is far too similar to in the MCU. The tube-top corset could also highlight her superhuman abilities, if she wears it in cold weather. (I don’t know if Wanda’s powers have anything to do with temperature, but again, details like this are constantly changing in comics and their film adaptations as characters are rebooted.) 

Hawkeye: 

...attempted to make himself interesting with a mohawk in “Endgame,” and failed. Yet somehow, dreads and facial hair do the trick. On top of that, this low-budget parody Hawkeye has more personality in one of these shorts than the MCU’s Clint Barton in an entire film. Jokes about him being underrated and under-appreciated by the other Avengers also make this version of the character far more endearing, IMO. 

Nothing against Jeremy Renner, who is a perfectly decent actor. But you can’t tell me most people would miss him over this funnier, more relatable, and more memorable looking Hawkeye. 

Star Lord:

I love Chris Pratt’s Peter Quill in the MCU, and wouldn’t change a thing about him. But this guy plays an equally funny Star Lord, with if anything, a more iconic look. In the next reboot of GOTG--be it live action film, cartoon or comic--this should 100% be Star Lord’s new design. 

Long story short: 

Instead of just getting diversity in via cliched sidekicks and best friends, superhero adaptations should try more diversity among the main cast. 

With all the other liberties film adaptations of comic books take, and how many times these characters’ looks and backgrounds have been retconned in the comics, I don’t see why the next incarnation of “Avengers” or “Guardians of the Galaxy” can’t have a Hawkeye or a Spiderman who doesn’t look almost exactly the same as they did  40 years ago. 

[noblehcart]

1, 6, 7, 11, 15, 16, 18, 19, 21, 22, 24, 27, 29, 30

1. What was your first impression of the roleplay community on Tumblr? And what’s your impression of it now?

I honestly don’t remember what my first impression was? It was so long ago and I think I was just in the DC comics fandom. I wanna say it was mostly welcoming but there was a clear hierarchy of what rpers rped with who (aka they had standards and ohgod i was terrible at it so i don’t blame them for not rping with me?) My impression is that you’re gonna get different receptions based on your fandom and every fandom has its hookups, not even considering the whole HC/mainstream acceptance of whats-what in a fandom. Getting into a new fandom is terrifying af. 

6. What are your thoughts on the current roleplay trends on here right now?

I REALLY wanna try to do a pinned post thing, but I don’t know how? I like that a lot of blogs are getting super simple and minimalistic? Like before the more complex a blog the better it was- which is sort of a shallow concept but lbr often times a nice blog theme kinda gives you a hint about how serious an rper is. but i’m glad its simplifying now for ease, visibility and just accessibility. i used to get sooo lost on people’s blogs trying to find pages.

7. What is the one trend you miss the most that’s no longer popular or seen as much as it was before?

only for the sake of ease for me? the old 100x100 icons. i know the thing is now is like 60x60 and honestly i do like it better because its not quite so distracting as larger icons and its only made to hint at expression (relying on icons to carry the emotion of a thread is such a bad thing) but dear lordddd making icons is just a pain and its easy to copy & past 100x100s.

11. What made you start wanting to roleplay?

a friend on deviantart got me into it? prior to that i just wrote fanfic and drew and they were like hey rp with me??? and i was just....”what’s that?”. its been mostly cool ever since?

15. What’s your impression on blogs who are selective/private?

first impression: ohthankgod they get me. because guys i only have so much energy and spoons and attention span. i cannot do just open to everyone i’m sorry. mental health safety rail here. 

16. What do you expect from others when they want to roleplay?

send me an ask, like a starter or hmu in the ims- its that simple. mostly though i need good mun-to mun communication? i love plot heavy stuff and if its just an occasionally ask here and there then i won’t be as involved as you may like so just come talk to me? i don’t bite and generally i always ship the ship so come at me folks. 

18. What’s the one thing you want to try the most on your blog?

i don’t have anything specific? generally darker threads? i used to go pretty dark, but i have drawn a line and also i’m older so i think i’m in a better mental health state and in knowing whats cool and not? so yeah gimme darker twisted stuff like toxic relationships, torture, mental manipulation...ect. if me and my rp partner are good with communication i think i can rp just about anything? other things just having more action threads? i miss the action of writing like with dc comic muses sometimes? not that my muse was ever action tendant, but there were moments i miss it? 

19. Give us a headcanon about your muse that you never shared to anyone else or wanting to explore deeper.

nothing is coming to mind at the moment except one line about luka which is sorta an obvious statement but i thought of it the other day and i’m like tHI SIS IT. THIS DESCRIBES HIM. and it is simply that  ‘he’s a scared boy trying to be brave’. like this is my luka epiphany and im sure other people noticed it before i did. 

21. What is it you prefer: angst, fluff, or smut? Why?

I love it all, but lbr.....its angst. angst gives you more room for feels and growth. pain is an excellent stimulator for darkness and light. you grow or you fall and honestly its fantastic to see which way your muse leans into. 

22. If you could recommend at least five blogs to your followers, who would they be?

@walkingshcdow, @lordofthestrix, @sheresists, @madeperfect, @operagheist

24. Where do you draw your inspiration from?

the original show itself? generally i work off of there and just follow the feels to fanvids, music and other aesthetics to inspire.

27. What songs do you listen to when wanting to get into the mood of roleplaying?

generally the soundtrack to my muses’s orignial fandom or fandom adjacent stuff. or music from its timeperiod. 

29. Which fandom(s) do you wanna roleplay in/crossover with but you’re too afraid to approach?

ohgod. i don’t have one atm? maybe other historical blogs or blogs based on highfantasy or mythology. those guys always seem so cool and they seem so great. 

30. Other than roleplaying, what’s your favorite hobby?

watching videos and reading probably? then writing. lmaoo

[comicteaparty]

Writing & Misc. Resources

Check out this plethora of writing and other comic creating resources archived from Comic Tea Party’s Writing & Misc. Resources Channel!

RebelVampire

https://www.sfwa.org/2009/08/fantasy-worldbuilding-questions/ - an enormous set of world-building questions for fantasy and science fiction stories.(edited)

http://rollforfantasy.com/ - generators and guides galore. it's fairly D&D oriented, but its broad enough to work as an aid for any sort of story you want when it comes to building certain elements.(edited)

http://writersrandomramblings.tumblr.com/post/139781578857/elements-of-culture - fantastic chart that helps categorize elements of culture for world-building. really helpful when you're trying to organize your thoughts(edited)

https://www.learnthat.org/pages/view/roots.html - a quick reference for latin and greek word roots. its really helpful if you need to build your own made up words.(edited)

http://donjon.bin.sh/fantasy/calendar/ - a cool generator that can help you build a fantasy calendar. not the most robust, but if you need to make something for quick reference it works well

http://www.behindthename.com/ - my personal goto site for names. has a large collection with meanings and everything.(edited)

Kabocha

There is a thing called "Knife Theory," -- while it's primarily referenced for D&D, this gives some ideas on how you can quickly and easily flesh out an exploitable backstory for a character. Every "knife" a storyteller has can be used to further the character arc of someone if you so choose. https://www.reddit.com/r/DnD/comments/775caq/my_friends_and_i_have_something_called_knife/

Also gonna drop "Worldbuilding Question of the Day" and the "Original Character Question of the Day" tumblrs: https://wbqotd.tumblr.com/ https://ocqotd.tumblr.com/ World/Character building is optoinal but useful! Your mileage may vary from question to question.

Kabocha

MIT Open Courseware Courses Writing Science Fiction: https://ocw.mit.edu/courses/comparative-media-studies-writing/21w-759-writing-science-fiction-spring-2016/ Genre Fiction Workshop: Fantasy: https://ocw.mit.edu/courses/comparative-media-studies-writing/21w-758-genre-fiction-workshop-fantasy-fall-2016/ Genre Fiction Workshop: https://ocw.mit.edu/courses/comparative-media-studies-writing/21w-758-genre-fiction-workshop-spring-2013/ Transmedia Storytelling: Modern Science Fiction: https://ocw.mit.edu/courses/comparative-media-studies-writing/21w-763j-transmedia-storytelling-modern-science-fiction-spring-2014/index.htm Make sure to check out the assignments and student work, as well as the readings, and lecture notes. All of these are free.(edited)

RebelVampire

http://www.spacejock.com/yWriter5.html -free word processor software. ywriter may have an ugly site, but the software is immensely useful if you want to collect lots of information in the same place. character profiles? important locations? the outline? all can be contained in a single file. http://wikidpad.sourceforge.net/ -another great, free program. if youre a fan of wikis and would like to store your story notes in a wiki format, this program is great for that.

https://papercatpress.com/ - since this one doesnt really fit art_resources ill put it here. paper cat press is a great resource for finding tons of resources in general. contests, zines, job openings, and so forth! definitely a great thing to have if you're a comic creator.

Kabocha

Webcomic Listing Resources Where can people find links to your comics to read? Comic Bookmarking assistants -ArchiveBinge - https://archivebinge.com/ -Piperka - https://piperka.net/ -ComicRocket - https://www.comic-rocket.com/ Lists -The Webcomic List - http://www.thewebcomiclist.com/ -TopWebComics - http://www.topwebcomics.com/ -Belfry - https://new.belfrycomics.net/ -Webcomics Guide - https://webcomicsguide.com/category/webcomics/ <- this might be iffy, browse with discretion and probably not at work -Webcomic Library - https://webcomiclibrary.tumblr.com/ -LGBT Webcomics - https://tagpacker.com/user/lgbtwebcomics(edited)

Erin Ptah (BICP | Leif & Thorn)

These are also about site design, only partly intersecting with writing...but there's no coding_resources chat, so I guess I'll put it here? Useful Wordpress plugins for webcomic sites. https://twitter.com/ErinPtah/status/1045091986070556672

Kabocha

Also, if you're using Wordpress, this site is invaluable for keeping up to date with the latest issues that might pop up with various plugins: https://wpvulndb.com/ You can search for various plugins, and sign up for an email digest. We use it at work a lot to make sure nothin' we're using got hit. Also, if you do email through wordpress at all -- get an SMTP auth plugin! It's... well, good because your mail can be rate-limited in case it starts spamming. Also sending authenticated emails will help stuff from getting flagged as spam. It won't stop it, but it will help. Many shared hosts require this. https://wordpress.org/plugins/easy-wp-smtp/

Kabocha

If you were wondering how people got things like.... a Patreon icon, or a deviantart icon on their site using a font... Worry no more -- here it is! FONTAWESOME https://fontawesome.com/icons?d=gallery&m=free The free version is just that -- free. Documentation: https://fontawesome.com/how-to-use/on-the-web/setup/getting-started?using=web-fonts-with-css

Kabocha

Also, since I'm thinking about fonts, here's some good places to get free or inexpensive fonts with commercial use licenses: http://typodermicfonts.com/ - Check the "Some Styles Free"/Free tag in the catalog https://creativemarket.com/free-goods - Every week, there's a few new "free" items, one of which is usually a font. https://www.myfonts.com/search//free/?sort=cheap - MyFonts has a free option -- check the licenses on what you download https://www.exljbris.com/ - You may recognize this foundry, but... well, they have some distinctive, useful fonts! Check them out if you get a chance. http://www.blambot.com/ - COMIC FONTS! Some free, some paid. Read the license. https://fonts.google.com/ - Google has a ton of fonts that are available for web use AND download under the MIT open source license. *note: commercial use means like... in your books, or on your website, etc. Read licenses of course, and know what you're allowed to do. Many fonts do not allow you to use them in a graphic that you are trademarking because this may limit other people's use. https://99designs.com/blog/logo-branding/trademarking-a-logo/ If you're thinking about applying for a trademark, talk to your lawyer, not to me.

Artem Ficta (Ring Spell)

Also https://www.fontsquirrel.com/ for free fonts

Erin Ptah (BICP | Leif & Thorn)

I get a bunch of cheap fonts, and other graphics resources, at MightyDeals: https://www.mightydeals.com/

They do limited-time offers of big bundles at huge discounts. Some of them have really nice fonts, others have tiled patterns (I've used them for SO many clothing textures) and clipart elements, that kind of thing.

Kabocha

https://myfonts.cmail20.com/t/ViewEmail/y/681445A81EC65CCF/0AB7A90AD1D74D85B4B1B1F623478121 Free font Friday!

RebelVampire

https://www.emwelsh.com/blog/character-questions an article with 7 questions to get to know your characters. i really liked some of the questions on here so i thought itd be worth sharing.

Kabocha

If you're looking for resources for writing comics or just... writing, here's a few (including book recs): Save the Cat https://www.amazon.com/Save-Last-Book-Screenwriting-Youll/dp/1932907009 Beat sheets can be found here: http://www.savethecat.com/category/beat-sheets Romancing the beat http://gwenhayes.com/romancing-the-beat/ People don't talk a lot about romance stories or arcs and how they're structured. So here ya go. http://gwenhayes.com/wp-content/uploads/2016/07/RtB_worksheet.pdf Generic beet sheet Various worksheets for plotting, beta reading, etc: https://jamigold.com/for-writers/worksheets-for-writers/ (The beta reader sheet is definitely worth a look if you're giving people things to read over -- focuses their feedback ) Writing a character's internal journey https://jamigold.com/2014/05/how-can-we-show-a-characters-internal-journey/ SciFi/Fantasy Writers of America resources https://www.sfwa.org/other-resources/for-authors/information-center/ (for those looking for US publication -- GUILDS HAVE TONS OF INFO. This list goes to tons of blog entries!!)(edited)

Kabocha

https://twitter.com/gumroad/status/1058358068411555840 Hey, if you didn't know, Gumroad has a wordpress plugin, and that's kind of awesome if you ask me.

Kabocha

Dropping some youtube videos tonight, all from the same channel. Evaluating Critical Feedback on your book: https://www.youtube.com/watch?v=LCeXPF1SS10 Revising Character Arcs in Your Novel: https://www.youtube.com/watch?v=Jj6MASDD_P4 How To Develop Characters: https://www.youtube.com/watch?v=SicPEVhzSaM Writing Hack: Break Out Of Your Writing Rut: https://www.youtube.com/watch?v=gAsV3Vhvy-I Revising Your Novel: Where To Start: https://www.youtube.com/watch?v=lAKvUwrhCr0(edited)

Erin Ptah (BICP | Leif & Thorn)

Putting this here because there's no "coding resources" channel, hope that's all right. Now that a lot of people are suddenly feeling the need to move their webcomics to an independent hosting site, I really to spread this around...if you're going with Wordpress, don't use ComicPress! Use Webcomic 5: https://wordpress.org/plugins/webcomic/ It has more features, it's more versatile, and it's updated much more regularly, with an active support forum if you need it. There's so much you'd be missing out on.

Kabocha

https://www.youtube.com/watch?v=xXoJYOWFESI This entire channel is great, but this video. (Tenor pointed out to me she uploaded a new vid) EDITING! Also, another CMS for webcomics? Hmmm. It ain't wordpress, at least. http://ptyxis.cthonic.com/ Note: I have not tested this. I cannot speak to how usable this system is. I assume it requires a base willingness to learn html/css at minimum.

Erin Ptah (BICP | Leif & Thorn)

Useful poll about what readers like in webcomics! Covers site design as well as story stuff: https://hplehkonen.com/blog/how-do-you-read-webcomics-poll-data/

Delphina

I'm really digging this video series about con table setup and sharing tables! https://www.youtube.com/watch?v=TpPNSFBemQ0

Artem Ficta (Ring Spell)

https://twitter.com/MattGarvey1981/status/1135157084805312512?s=19

MJ Massey

This podcast mini series features two creators I have met in real life and consider authorities on comic writing: Dirk Manning and Russell Nohelty. Each week they will be focusing on a question from one of the different creators in this mastermind group. http://www.comixlaunch.com/session202

Attila Polyák

Whenever I join any webcomic related community I always end up linking to this wonderful guide that covers everything that's webcomic making or related: https://evanjwaterman.com/guide/ Also fun fact: This guide used to be just some publicly shared google sheet, but the dude who compiled it eventually made this page for it.

RebelVampire

https://yourlocalwriterblog.tumblr.com/post/185806112050/how-to-make-a-story-file some great ideas for organizing your stories and making sure the important things that need to be answered are getting answered.

keii’ii (Heart of Keol)

The power of pacing https://twitter.com/Hamm_Tips/status/821137467545817088

Erin Ptah (BICP | Leif & Thorn)

Made a post with all the foundational "how to start a webcomic" advice I've seen people ask for, plus some that I haven't: http://leifandthorn.com/2019/07/help-i-want-to-make-a-new-webcomic-how-do-i-start/

The Q

Found this very new resource about making webcomics, from a Finnish webcomics creator (who seems really cool on twitter). It's still in pre-order, but you read the first chapter for free. Thought maybe it could help someone! https://twitter.com/HPLehkonen/status/1160965755330076672

Jo Michelle

Don't know if I've shared this before, but this is a really good resource for story creation: https://youtu.be/hZgWw5juPJ8

MJ Massey

I have trouble coming up with FX ideas so this has been really helpful! http://www.comicbookfx.com/fxlist.php?fbclid=IwAR2QzmzgfVhFy4690_KaK0NX4Qg2r2tPSVXHhwLGf2ldin9m5hSnlDUwsU0

DaemonDan

I also have made use of http://www.writtensound.com/index.php for coming up with onomatopoeia.

DaeofthePast

Jami Gold has a good breakdown on writing romance https://jamigold.com/2012/11/write-romance-get-your-beat-sheet-here/

Pistashi

someone sent me this website on twitter and I thought it was really well done https://www.wirepop.com/

a good initiative too

Cronaj ~{Whispers of the Past}~

For those of you also writing fantasy, you might find these two videos interesting: https://www.youtube.com/watch?v=iMJQb5bGu_g&t=256s https://www.youtube.com/watch?v=ZVrnfniQiS8&t=222s

MJ Massey

My pal Russell relaunched his podcast as The Complete Creative and his first episode is a discussion with Tyler James of ComixLaunch. Both of these guys are experts on having a comics business https://open.spotify.com/episode/2QluA6vfhsmvhTnMRQ0wN3?si=OzF2goYlQeqgg99PL3sqXg

SAWHAND

Hi all! Here's a favorite link of mind for writing stuff! This is an entire recorded course from Brigham Young University on Writing. It's basically a lecture class by Brandon Sanderson, who's written a few of my fav books. It's a quite good class that covers many main categories of writing fiction! https://www.youtube.com/watch?v=N4ZDBOc2tX8&list=PLH3mK1NZn9QqOSj3ObrP3xL8tEJQ12-vL

Also, I like to plot stories out event-by-event, then scene-by-scene for comics and I found this really cool format for using excel/spreadsheets to do it that I really like. This person uses the technique (they call it God's Eye View) for screenplay writing, so there's a whole thing about color-coding scenes based on what characters are in the scenes that I just don't bother doing, so don't let the crazy rainbow intimidate you! Anyway, it really helped me organize and get a good feel for the overall pacing of the story https://thestorydepartment.com/get-a-gods-eye-view-of-your-story/ Enjoy!

Kabocha

https://wordpress.org/themes/toocheke/ https://wordpress.org/plugins/toocheke-companion/ Alternative webcomic resource for wordpress

Cronaj ~{Whispers of the Past}~

Another 'Hello Future Me' video: https://www.youtube.com/watch?v=s2dzRzPPAwY

He has a lot of excellent writing resources (including a book on worldbuilding), so I recommend checking him out.

Kabocha

https://www.youtube.com/watch?v=-6HOdHEeosc&list=PLSH_xM-KC3Zv-79sVZTTj-YA6IAqh8qeQ Brandon Sanderson's got a really good writing course, and the one he's got going for this year is being posted online with each lecture. Totally worth it if you're into writing fantasy and sci fi (And it's FREE!)

Dann

https://twitter.com/EtheringtonBros/status/1228916004463489025?s=20

Cap’n Lee (Flowerlark Studios)

So earlier in the general chat we were talking about types of characters (mary sues, likeable characters, antiheroes, etc), and this short video I think summarises the basic factor for creating an engaging character: https://youtu.be/QM1tUwpy-yQ

Kabocha

If you're looking to be published or agented, make sure to take a glance at the Manuscript Wishlist for agents to see what they're looking for and if what you're doing matches that niche! https://www.manuscriptwishlist.com/the-comprehensive-search-and-query-guide/

Kabocha

Also, if you're looking for freelance editors, the Editorial Freelancers Association has a nifty search tool! (And yes you can have them review comics!) https://www.the-efa.org/hiring/

Erin Ptah (BICP | Leif & Thorn)

Wrote an article on webcomic-specific issues from COVID-19, and some strategies and resources for handling them: http://herald.comicadia.com/2020/03/17/covid-19-and-you-r-webcomic/

keii’ii (Heart of Keol)

One of my favorite "here's one way to look at pacing" guides. Short and sweet! Source: https://twitter.com/Hamm_Tips/status/821137467545817088

em.rowene

Hey all! Just heard about a virtual comic con being held over discord/twitch this weekend. There's a lot of interesting comic-related programming! All the info is at: stayhomecomiccon.nl(edited)

em.rowene

I’m double sharing in this channel, I guess, but I’m starting up a hashtag for creators to share ko-fi/commission/other support posts on twitter! It kicks off tomorrow! https://twitter.com/anaphiel_/status/1244727294503067655?s=21

CoppertheCarutor

Whoo Hello Future Me made another video on writing mental illness!... if anyone else is interested in that sort of thing. https://youtu.be/SQCb7GiNOrE

Joichi [Hybrid Dolls]

Good advice on comics to listen to, even tho she's going to teach graphic novel tips, it applies to Webcomics: https://m.youtube.com/watch?v=TFsDCxHJpBg(edited)

Joichi [Hybrid Dolls]

DVpit is coming soon, here's a thread of comic artist advice on looking for a literary agent by my good friends, JesnCin. This is for marginalized creators https://twitter.com/JesnCin/status/1250788458618073088?s=19(edited)

Joichi [Hybrid Dolls]

Guide on How to change your book formatted comic into a Webtoon. Found this and thought it's a useful guide: https://youtu.be/evv5hyB6UGk

Joichi [Hybrid Dolls]

Webtoon gave guides on how to publish on their site. https://www.youtube.com/watch?v=eWLxyqoe66w

shadowhood {SunnyxRain}

Was looking up tips for designing comic banners for comment storm and found this! Pretty solid advice for anyone thinking of doing it. http://webcomicalliance.com/business/10-terrific-tips-for-building-banners/

Jo Michelle

This focuses on screenwriting, but the suggestions about opening scenes and establishing empathy with characters is true for any medium: https://youtu.be/E1eoLw1goic

Miranda (Into the Swell)

Some helpful information on prologues: https://www.masterclass.com/articles/writing-101-what-is-a-prologue#3-famous-examples-of-prologues-in-literature(edited)

Joichi [Hybrid Dolls]

The Mom Trope guide; this covers 3 types of moms. I like that she mentions the Missing Mom and give pointers on why it's written this way. Also her black cat distracted me https://youtu.be/vMc955HsAV8(edited)

em.rowene

There's an online SFF writing convention happening this weekend! There are some realy interesting worldbuilding panels on the program! https://emrowene.tumblr.com/post/618560723074908160/diverse-sff-writing-convention-this-memorial

Cronaj ~{Whispers of the Past}~

A cool post by the staff at GlobalComix about finding your audience: https://globalcomix.com/news/details/9/who-is-the-ideal-reader-for-your-comic-

CoppertheCarutor

This person who ran a really dedicated critique thread on Tapas made this doc, I figured it would be an interesting read for users of the platform. https://docs.google.com/document/d/11ejYNWf9w8L1Y-th1SHAqT3sSDPbOY6KNd-1CfvBTJE/edit

Joichi [Hybrid Dolls]

Good advice about Tips for new and 'getting into it' creators starting a webcomic. I agree alot with Caezhel since it speaks to my struggles even though I've done webcomics for afew years https://www.youtube.com/watch?v=Wc6greXRS7A(edited)

Cronaj ~{Whispers of the Past}~

Hello Future Me back at it again with a world-building video: https://youtu.be/gcyrrTud3x4

LabsZach

This vid hit me between the eyes re: The Toolbox Fallacy https://www.youtube.com/watch?v=sz4YqwH_6D0&feature=emb_title

eliushi [Keyspace]

Taglines for your comic! Tips: https://www.google.com/amp/s/thoughtsonfantasy.com/20hat-makes-a-good-book-tagline/amp/

Feather J. Fern

https://www.youtube.com/watch?v=-v4R2ZcxPlA Other that the satirical nature of this video, it does give good advice

[sylveradrake]

Pixel art commissions are open!

Active Slots:

[ ayealiskomori: four 200px dolls (sketched) ]

[ charlieltweets: one 150px doll (sketched) ]

[ cupiddissolvi: two 250 pixel dolls ]

[ Open ]

[ Open ]

Reserved Slots:

[ Open ]

[ Open ]

[ Open ]

[ Open ]

[ Open ]

Frequently Asked Questions (Please Read!):

    [ ? ] Are these all the options you have for commissions?     [ A ] These are primarily just examples of things I've done consistently in the past! If you have a more 'custom' idea, we can certainly discuss it! I've been doing pixel art for over four years, so I have some decent experience, but like every artist I have limits to my current abilities. You can see both my Tumblr and DeviantArt galleries for more examples, including the options for the line styles, animations, and shading!     [ ? ] What ARE all those options under the examples?     [ A ] Hard lines means the piece will have "hard", solid black lines between each "section" of the piece: the outline, and between all the different colors, etc. Lineless means that rather than having that solid black line, I use a slightly darker shade of each color to outline them, like the full body dragon! This gives it a softer, 'lineless' look.     Cell shading means that there's just one color used to shade, rather than a blend. The Kakashi doll on the far left has cell shading: just one color in a hard shape. Smooth shading means what it sounds like: a few colors are blended from dark to light to make the shadows smoother!     I do a few very basic animations for certain dolls or icons when requested. Typically this refers to a one-pixel "bob", and a blink cycle. I can also have a doll open its mouth and bring up a small speech bubble if you'd like them to say something! Please bear in mind that animation takes additional time and effort, and though not required, additional support is appreciated for animated pieces!     [ ? ] Why are there things you refuse to draw?     [ A ] For the most part, it's simply a matter of preference. For others, it's a matter of ability. Some things are just a bit too complex for me to feel I can pull it off in a fashion consistent with the rest of my work, and therefore being worth your money! Hence a limit on complex poses and the number of characters per shot, or complex designs, like mecha. Other things like the ship limitations are just personal preferences that make me uncomfortable. The NSFW ban is mostly due to most hosting sites not liking to host mature artwork...and also a matter of both my ability, and personal preference.     [ ? ] What constitutes NSFW?     [ A ] For me, this includes any nudity that shows genitals - nipples and / or breasts are fine. This also includes anything sexual, including any and all fetishes, even if genitals are not shown. I also do not do heavy gore. I may expand this umbrella term if anything not already covered comes up!     [ ? ] I can't afford a commission, but I'd like to help! What can I do?     [ A ] You can share this comm sheet and / or my art with your friends! Getting the word out might mean finding someone able and willing to order a comm, which of course is a big help!     [ ? ] Do you do requests?     [ A ] Unfortunately, not at the moment. If you'd like me to draw something for you and the comms are open, you're more than welcome to order something! While I do do personal art for myself and for friends, I can't make free art for everyone. In the future I may do something akin to raffles, but for now, we're starting with the commissions!     [ ? ] Can I donate without ordering a commission?     [ A ] You most certainly can, and it's very much appreciated, and would be a huge help! Of course it is NOT an expectation: no one has to donate if they can't or don't want to. But if you just want to throw some general support in to help me keep creating, you're more than welcome, and I'd appreciate it tremendously     [ ? ] Do you accept DeviantArt points?     [ A ] I do not. To put it bluntly, DA points can't pay my bills. I have nothing I need that DA points can buy, so I only work with money. Sorry!     [ ? ] Do you do anything like art trades?     [ A ] For the moment, no - but I might in the future! I'm open to the possibility, but for now (and for this post's purpose), I'm working on commissions! If I ever open up art trades, I'll be sure to make another about it!     [ ? ] How is best to contact you?     [ A ] Any of the above listed social media! Here on DA, please send a note with a subject line about commissions. On Tumblr, you can send an ask (off anon) which I will reply to privately. You can also send an IM! Email also works: just include commissions in the subject line. I do my best to check all of these sites a few times a day, but there may be times where I'm limited. I'll try to post ahead of time so you know why I'm not responding promptly! Otherwise, it could take me about a day to get back to you. Please be patient! I have other responsibilities. I may also take hiatuses if I feel the need. If I go more than a few days without responding and haven't given any warning, there's probably something keeping me from my messages, and I'll do my best to get back to you as soon as I'm able!     [ ? ] What's your policy on refunds?     [ A ] So long as I haven't finished flat coloring your piece, you can get a full refund, of course! But once the piece is lined AND colored, I've put in a good bit of work, so I'm afraid I won't be able to refund you. As stated on the sheet, you can ask for an update on the piece any time! And I will send you the cleaned sketch once it's finished to see if there's anything you'd like changed. Though please bear in mind some things can differ between sketching and lining, especially when shrinking down to pixel. A sketch is a general outline, not the full product!     [ ? ] Are there any other circumstances where you might refuse a commission?     [ A ] Honestly it depends. I hope not to encounter any other reasons beyond my general rules, but I DO retain the right to say no to any commission for any reason, which I don't have to disclose. If I do say no, please respect that decision. It's never anything personal.     [ ? ] Where does the art go once it's finished?     [ A ] Any commissioned art, by default, will be posted to my DeviantArt, my Tumblr, and on Ko-fi! I'll also send you a copy / link through whatever means you contacted me with. If you'd like your art to be private, you need only ask. I will then only send YOU the art, and it will NOT be posted anywhere else. I can also post the art anonymously if you’d like it posted, but your name not attached to it.     [ ? ] How can I use my commission(s)?     [ A ] Any way you like UNLESS it's commercial - in other words, if you make any money using the artwork. Please also do not trade or sell the artwork. Otherwise, feel free to use it for any personal use you'd like! You can also repost the art so long as you provide a link to my original post. If your comm wasn't publicly posted, a link back to any of my social media will suffice! Just always be sure to use proper credit so people know where the art came from! That way they can find my pages, and maybe get a commission of their own!     [ ? ] Do you do fanart?     [ A ] I do! My commissions are all one-off, unique jobs, and I'm hardly about to impact any IP markets. So long as it's a large fandom (no Disney, though - that's one I won't touch), and my art wouldn't greatly impact the profits and livelihood of other creators, I can do fanart. But I DO prefer to do original art! It's great to work with new designs, and help give original characters more art for them! Gimme OCs to draw!     [ ? ] Can you design a character for me, like a custom adoptable?     [ A ] I can! Just bear in mind that I'll need as many details as possible to make something that fits your vision! I'll also need to work with you more than typical to be sure we get it as accurate as possible, so be prepared for a lot of communication until we get it looking as you want!     [ ? ] Can you do gifts - in other words, can I order art for another person?     [ A ] I do, and you certainly can! Just be sure to let me know who the gift is for, so I can tag them! If they don't have any of the social media I use, you can just give me a name or screen name to post with it. A gift will just cost you the same as any art you'd order for yourself! Also please do be sure you have permission to commission art of characters owned by another person!     [ ? ] What do you mean by 'item'?     [ A ] Each individual pixel piece! One lone pixel doll of 150 pixels would be four dollars! But if you want two dolls interacting, it's four dollars EACH. So eight dollars. That's because I still have to sketch, ink, color, shade, and possibly animate EACH doll! Twice the effort means twice the price.

[armorbirdpress]

Armor Bird Reviews: Jurassic World: Fallen Kingdom - A One-And-A-Half-Year Retrospective

If you have been following my writings and ramblings and original works and DeviantArt favorites for long enough, you'll know that I am unashamedly a dinosaur fan - I never outgrew the phase because despite what people have told me both online and off, palaeontology, like other sciences, is not specifically a child's thing - obviously dinosaurs are cool, but there is a lot of technical stuff that you'd need college degrees to understand in the field, too. While I certainly am a stickler for accuracy when it comes to dinosaur portrayals, however, I am also not ashamed to admit that I have a love for fictional portrayals of them as monsters, too. Jurassic Park, which was - for its time - pretty much a reconciliation between the "prehistoric monster" imagery of dinosaurs in popular culture and the latest discoveries about the actual fossil animals during its production, is my favorite movie of all time, partly for this reason and partly because there's a lot of depth and sophistication to it as well - a sophistication that modern movies seem to be utilizing less and less. Even the Jurassic Park franchise itself was not immune to this trend, and although it still remains my top favorite franchise of fictional media, the changing conceit of what audiences want in an entertaining film has dragged it along for as much of a long and bumpy ride as just about everything else Hollywood has to offer. Still, even in spite of it all, there are a lot of things to like about the sequels we got since that groundbreaking original - I'm admittedly one of those people who actually enjoyed Jurassic Park III, though in fairness I was too young upon first watching it to really pick it apart and analyze its numerous flaws, and I also heaped a lot of praise on Jurassic World upon my first review of it... in hindsight, perhaps a little generously. Although I won't pretend that everything since The Lost World (including TLW itself) is flawless and that the complainers are wrong, even the infamously controversial JP3 had some enjoyable moments in its own right, despite being seen by many as the worst installment of the franchise by quite a margin.

Which leads us to the most recent film of the franchise, 2018's Jurassic World: Fallen Kingdom.

I had intended to review this movie for a good, long while - back when I was a more prolific writer I used to write film reviews shortly after seeing the movies in the theater, though schedule concerns have obviously made that too difficult. But there's a silver lining here, in that by not reviewing a film I've seen until much later (...well, much, much, much later as the case may be), I have the time to really sit down and think about what made the movie tick or not, and oftentimes have come down from my rush of excitement by the time I actually get off my tail and write the review itself. There are exceptions, of course, with certain films actually leaving me disappointed as soon as I left the building, but these cases are mercifully rare. I'm happy to say that despite being horrendously imperfect, Fallen Kingdom wasn't one of those cases. I was genuinely entertained by it more than 50% of the time - which is, for better or for worse, the highest compliment I can give the film because, as we shall see, in some ways it really is quite terrible.

As always with my movie reviews: SPOILERS UNDER THE CUT!

I watched Fallen Kingdom twice since its release - first in the theater at my home town, and then on rental DVD - and both times, my impression was the same: this movie, in retrospect, plays out much like a big-budget, cinematic fanfiction of the Jurassic Park films or even of Jurassic World (the latter of which I actually consider darkly hilarious for reasons that are highly specific to me exclusively, which you'd only understand if you know what I've written in the past - I'll get to that shortly). This is perfectly understandable, seeing as the director, screenwriter, and production crew have changed considerably from the team that helmed the original trilogy during the ten-year gap between JP3 and JW. Even if the work is canon, it's essentially someone else taking a look at the original franchise material, picking out what they liked about it, and building an original story off of it, oftentimes borrowing characters from the original work and inserting them in (most notably Rexy, and yes, I consider her as much of a character as the humans she menaced in the original movie). Across the board, in all kinds of franchises, this approach tends to fall flat if you don't know about the original work, though I do have to say that there was one very notable exception in the case of Jurassic World, that climactic fight scene with the Indominus rex, which is my favorite part of the movie even if it isn't entirely perfect. Now, I realize that I'm being a bit of a hypocrite by saying that these films are imperfect, because almost a decade ago, a friend and I co-wrote a megacrossover fanfic where Jurassic Park was the most prominent franchise by quite a margin (and didn't even start out that way to boot - my own selfish preferences caused elements of the franchise to slowly bleed in until a recycled plot of the second and third movies took over the whole thing). What makes it truly embarrassing to me is that the fic didn't even need the series' involvement in the first place, and my choice to shove it in anyway was one of the numerous factors that led to it going completely off the rails and turning into a tremendous tangled mess of clumsy writing and mishandled characterization, not just with JP itself but with almost all of the dozen other continua that got dragged in as well. Obviously, the fact that Fallen Kingdom is restricted by its very nature as a sequel to the one franchise only thankfully precludes the sheer absurdity of what my co-writer and I had inadvertently wrought back then, but upon rewatching the film I couldn't help but notice that in a few ways, it does ironically come off as being quite similar to my own old shame, albeit coincidentally, though it still earns points for choosing to be a Jurassic Park/World film and sticking with that conceit, rather than an entirely different film with JP elements shoehorned into it. I've harped on my stupidity as an immature fanfic writer back in the day for long enough, I think, but I felt this was worth mentioning regardless, because like the fic I touched upon above, this is a work I only started having issues with long after the fact, but these days I can't unsee these issues now that I've considered them.

One of the biggest things that stood out to me regarding Fallen Kingdom was that no matter how you slice it, it was trying to be two films at once, and had less time for both than most would have desired. The first half of the movie concerns Isla Sorna being destroyed by a volcano, and everyone trying to get the dinosaurs off of it before they are rendered extinct once again, with another island being noted as their new sanctuary (though of course, one of the antagonists quickly screws that plan over, but more on that later). You could easily make an entire film out of that - exploring the island one last time, dodging potential threats from both the volcano and the dinosaurs themselves, and coming to terms with the fact that not every creature can be saved, and that the end is coming for everyone eventually. The scene with the Brachiosaurus being overtaken by the eruption, with its plaintive wails and iconic rearing silhouette, is proof that such a moral could make a solid closing for this kind of movie, and heck, you could even have the subplot with the executives hoping to exploit the dinosaurs bleed into the movie until, at the very end, you get a scene where their true intentions with the animals are revealed as a sequel hook, rather than being resolved over the course of like half an hour or so in a rushed manner that gives people too little time to consider the implications. And this brings me to my next point.

Remember what I said about that dumb fanfiction I co-wrote having the elements I personally wanted more than my co-writer did slowly fester in true plot tumor fashion until they took over the entire story like literal cancer? As it turns out, what I witnessed in Fallen Kingdom wasn't quite as ridiculous, but kinda sorta similar in its own way. Obviously, Fallen Kingdom isn't so audacious (or ignorant of copyright laws and plain old common sense for that matter) as to let an entirely different franchise stage a gradual hostile takeover of itself, but the somewhat cliched plot of capitalist exploitation being the absolute worst roommate imaginable with a whole franchise's worth of temporally misplaced creatures that can and will kill you if you look at them funny - already done in both the original movie and TLW, and to some extent in JW as well, but still relatable in our current social climate even after so much repetition - still manages to... well, stage a gradual hostile takeover of the movie, and enforces itself in full force during the remaining third or so of the runtime. The antagonists, a pair of cartoonishly evil and somewhat flat executives, sabotage the plan so that the dinosaurs are diverted to the Lockwood Mansion instead of the sanctuary island, and then things escalate when the prototype Indoraptor is bought in and, inevitably, raises hell for everyone involved. As with my previous pitch, the idea of bidding wars over the dinosaurs and the moral debate over the ownership and exploitation of living creatures - something which does happen in the real world - could have made for something interesting, again, if the script wasn't so rushed. Continuing where the hypothetical sequel hook left off, we could open with a discussion between the villains about the implications of what they are doing, followed by the heroes having to deal with the ramifications of such actions along with the involvement of Dr. Wu, the Indoraptor, and of course Blue as a potential prize-winner. Of course this runs the risk of becoming the original Jurassic Park except on the mainland, and thus not really trying anything new, but it could at least give audiences the time to digest the film and appreciate the moments where it makes a genuine impact, even before the dinosaurs end up getting released into the mainland like what happened in the movie itself, complete with the insane amount of ramifications thereof. The Stygimoloch plowing its way through the bidders on its way to freedom was almost as cathartic for me to watch as the climactic fight in JW, and I wish it could've gotten more screentime, or even plucked up the guts to fend off the Indoraptor in a situation that doesn't seem forced, e.g. the hybrid and the Stiggy getting trapped in the same complex, or even Owen luring it over as backup (which is stupider but, given how he got it to bust him and Claire out in the movie itself, isn't entirely unreasonable). As for the Indoraptor itself, I feel like they could have done a bit better with its design, as even underneath the paint job and altered proportions it's still more or less "Indominus 2: Genetic Boogaloo", as I have called it at least once. Still, it has its own appeal as a monster design and, if it weren't for the presence of similar-looking creatures in previous installments of the series, it would certainly have made an impact as a monster. It's almost wolf-like in movement and mannerisms, even werewolf-like, which is intentional given the vintage horror movie homages the production team was going for. The way it menaces Maisie - who has her own set of plot-related craziness to her, but that's a can of worms I'd rather not open - makes you worry for her life, and even fear for Blue when she engages it in battle. I know I'm one of those who actually prefers antagonistic Velociraptors (the inaccurate variety from the films, not the smaller and fully feathered real-world version which I would absolutely take home with me if I could find a way to retrieve it from Cretaceous Mongolia and have it housetrained and okay I'll stop now), but Blue as always is awesome, and after seeing her actually manage to hold her own in her fight against the Indoraptor if only for a short while, there's no denying that anymore - even if that scene with her outrunning the explosion in the boiler room is a bit over-the-top even by the standards of this movie. There is of course no way a spectacle-driven, plaid-speed-paced romp like Fallen Kingdom could surpass the bar set by The Big One and the legendary kitchen scene, but on its own merits, the Indoraptor is a wonderfully serviceable and formidable threat that I just wish could've gotten more screentime and room to develop as a character, rather than just remaining as an unhinged killing machine that exists just to terrorize everyone before exiting the film (the same is true for all the dinosaurs here besides Blue, really, which is sad because, again, I much prefer when films develop monsters as characters rather than mere plot devices). With a little more design work to make him stand out more among the other critters in the franchise and more time to explore his nature, he could easily have become almost as iconic as The Big One as movie monsters go, or at least as much as the I. rex, though the latter bar is admittedly a good deal lower in the wake of how the movie industry has, ahem, evolved.

With that thought in mind, I will now spell out the biggest problem I had with this movie: the fact that it was trying to do so much in such a short space of time. Humorously and ironically, I know almost enough about the issues with my own writing to recognize the signs of that, with significant events being spaced too close to each other, too many characters at once (though admittedly, Zia and Maisie are a treat to watch, Franklin a bit less so but far from unbearable for my taste), and at least one questionable decision on the part of everyone at some point or another, up to and including the writers. There are a lot of things I liked, but not enough time for me to let them sink in, like I was being bombarded with one spectacle after another. It feels like overkill more than anything, and alas, far too many films in recent years have tried to shove that method into people's faces as though trying to say, "Here's your action, here's your fanservice, here's your whatever the whoopity-freaking-doo you consider entertainment, are you happy now?!" (Well, not quite as vitriolic and sarcastic, but you get the idea.) If the filmmakers and the owners of the franchise rights had been willing to accept four movies in the newer series rather than just three, and let Fallen Kingdom be broken up into two separate, slightly slower-paced movies, the problems with each individual portion would likely not have been as significant, and audiences would not have noticed them so readily. Sadly, though, the rapid-fire, dozen-blockbusters-a-year rush-job environment of the modern movie industry was not kind to this film, which is a crying shame. We need more movies that are more relaxed and subdued half the time, the way the original JP film was, and while audiences may have to take the time to once again get used to movies like that, I think it would be a welcome change of pace from the current influx of chaotic, nonstop slugfests and pyrotechnic displays we've become so familiar with.

In tl;dr form, it is with a heavy heart that I have to say that Jurassic World: Fallen Kingdom is, in fact, the worst film of the entire Jurassic Park franchise, even more so than JP3 - though don't get me wrong, as with JP3, I still very much enjoyed it as its own movie, as clumsily handled as it was at times (though even then, the movie itself isn't entirely at fault for it). There's a difference between a movie being the low point in its franchise and a low point among movies in general, a difference which a lot of reviewers need to understand before taking an undeserved dump over movies that could've been so much better if Hollywood had worked just a bit differently. You have to actually try to make a work of entertainment media I consider genuinely terrible, and it was actually a relief to me that even the lowest points of Fallen Kingdom still ranked somewhat midway between "meh" and "shakes hand eeeeehhhhhh" from my own subjective standpoint. I truly hope that the next and presumably final JP film will turn out for the better, especially given that Alan, Ellie, and Ian are all slated to have major roles in it, but I'm not going to dismiss Fallen Kingdom off the bat just because of the issues I have with its writing. If nothing else, it's a perfectly decent popcorn flick with prehistoric monsters in it - and hey, that was pretty much what everyone was there for, wasn't it?

Grading Scheme:

96 - 100: A+

93 - 96: A

90 - 92.9: A-

87 - 89.9: B+

83 - 86.9: B

80 - 82.9: B-

77 - 79.9: C+

73 - 76.9: C

70 - 72.9: C-

67 - 69.9: D+

60 - 66.9: D

Below 60: E

Grades:

Writing: 6

Characterization: 6

Pacing: 7

Creativity: 8

Consistency: 8

Cinematography: 9

World Building: 7

Music and Sound: 8

Effects: 10

Engagement: 9

Final Grade: 78 (C+)

[druglcrd-arc]

nah, but like really really guys. If you ever want to know how to do something just ask. To the new blogs just starting or to the olddies like me trying to keep up with the trends. We’re all out here having a good time. You want to know how people make fancy icons, I got you. Deviantart has a bunch of free psds no money needed. Slap that on some cropped images, BOOM fancy icons.

You want to know how people do fancy formating? I got you! Text generators make cool symbols, small text is made by control shift -, how I center text? Space. Lost of space. Afaid your spelling is bad? ME TOO! So I use grammerly. Boom

[kayxclankforever]

{Yup, my photoshop skills are still shit}.

[joyofcrime-elinorhigh]

Teen Titans Go! REVIEW: (Part 2)

 Hello everybody, my name is JoyofCrimeArt and welcome to part two of my Teen Titans Go! retrospective! Or should I say my Teen Titans.....................................................................................................................No....retrospective.

https://www.youtube.com/watch?v=qzKJ4HX4Fuk

Get it? because the show isn't that good! Okay, remember to click that bell icon and turn on notifications to-  So in case your just joining in, this is part two of my Teen Titans Go! retrospective/review. If you haven't seen part one than I highly recommend that you check it out before going forward. To sum up the point I made in my last part...I didn't like this show that much.  WHAT?! A CARTOON CRITIC ONLINE WHO DOESN'T LIKE TEEN TITANS GO?! WHAT A NEW AN UNIQUE TAKE-  But for THIS part we are mostly going to step away from the show itself, and focus on the more meta aspect of the show. So really this part isn't even a review of Teen Titans Go! and more of "A review of elements that are tangentially related to Teen Titans Go! and the conversation around it." But since that title won't fit in the Deviantart title box and it's not "clickbait-y" enough, we're going with this instead.  So I just want to re-emphasize that, for the most part, none of the things I clique here are actually the fault of the shows crew or creators or anything. But I think it's still important to discuss these points because, as I stated last time, I think the conversation around the show is far more interesting than the show itself. So let's dive in.  We'll start with the elephant in the room. Let's talk about the shows handling of critics. This is one of the most notorious elements of the series. Now, I'm just going to say this...I kinda get where the creators are coming from. For real. While there are MANY legit reasons to dislike the show, (Around 4,000 words worth according to my last review alone.) However, out the gate, Teen Titans Go! got hate from ALL cylinders. Young Justice fans bitter about there show being "replaced." Old school Teen Titans fan upset this wasn't season six. People who just wanted action shows. And I'm not going to be high and mighty, as I said last time, I was one of these people. (However, I never made long curse filled rants on Youtube or called for the creators to be shot or anything crazy like that.)  Some people say that reboots are "lazy and easy" because you get a built in audience with zero effort. But I believe the total opposite. Making a reboot sounds like a nightmare. People are much more unforgiving when it's an i.p they love and often times will hate you for the littlest things and won't give you a chance. Just look up how many Powerpuff Girl 2016 rants there were BEFORE any footage of the show was even released. People who are in these positions have it rough, and deserve more appreciation. I can't imagine the amount of hate the two show runners must get on a daily basis, which is probably why they don't seem to have social media accounts.    HOWEVER this is where we get into what I think is one of the biggest problems in society today, and that's strawmaning. And I feel like I shouldn't have to say this, but here I go. And this can apply for anything. JUST BECAUSE SOME PEOPLE WITH AN OPINION ARE ASSHOLES DOESN'T MEAN THAT EVERYBODY WITH SAID OPINION ARE ASSHOLES!  I'm not going to act like there aren't people out there who take Teen Titans Go! WAY to frickin' seriously. That's just factually wrong. But not EVERYONE who has issues with the show are loud obnoxious neck beards who are mad that there "childhood was ruined." And that's how the show and some of the more hostile defenders of the show try to paint "all the haters." Some people just have legit criticisms that they want to get out into the world. When most people write a review of Teen Titans Go!, I don't think there doing so expecting the creators to see it and change the show for them. (I know some do, but again, don't mix the rude jerks in with the rest of us.) They're doing it because they feel passionately, and want to share there opinions with others. Or because they see wasted potential. There's a difference between criticism and hating.

https://www.youtube.com/watch?v=v4Ai4G6ccfA

 And the thing is...and this is something that I think I'm in the minority opinion on, but I don't think you HAVE to listen to every piece of criticism you get. I've noticed this trend as of late, where people expect that if they criticize something, the author or creator is obligated to change it. And if they don't then there just "not taking the criticism." But that's not how it works though.  For example, if someone where to tell me "You're reviews are too long." I would definitely take that into consideration, and I would appreciate the input. However, I like overly long analytical reviews, and that's what I'm going to keep doing because that's the type of reviews I wanna make. I might try to shorten them a LITTLE bit, but I would never just start writing few hundred word reviews, cause that's not the art I wanna create.   In the same vain, if Teen Titans Go! doesn't wanna except any of there criticism, that's fine. If the show wants to just go about doing it's own thing, more power to it. But when it does these criticism tackling episodes it's breaking the first rule of the internet. Never let people know when something bothers you. And yeah, I think if a TV show goes out of it's way to tell the critics "you suck" than the critics have the right to say it back. And I know you could say that the show has the right because they started that. But I don't know, there's just some part of me that believes that as the content creator, you have a responsibility to be the bigger person. If that makes sense?  This show basically is "Dab On The Haters: The Animated Series." Really, all the criticism tackling episodes can be summed up like this.

https://www.youtube.com/watch?v=Rnd6WLi3TWk

 And the thing is, Teen Titans Go! really doesn't need to defend itself so hard. Because the show is a huge hit! It's clearly super popular with a large group of kids and adults alike. Why be so fixated on pleasing the people who you know your not going to please, when you can focus on the people who love you just the way you are? You don't see shows like Powerpuff Girls or Ben 10 reboots attacking the "haters" like this, and those shows don't even have the added advantage of being that popular.  As it stands, Teen Titans Go! is a show that reeks of insecurity. And as much as I shit on the show last time, it shouldn't be. Clearly the show is doing something right if it lasted this long. Teen Titans Go! the show that taught me how NOT to handle criticism. And honestly, I thank the show for this. I'm a sensitive guy, and I can be very harsh on myself. Without Teen Titans Go! acting as an example of what NOT to do, I could see myself becoming that kinda guy, who mask his insecurities with a faux ego.

Hey...did you see the way I just casually used the word "faux." Oh, I'm great and anyone who think otherwise is dumb...  However, I will give Teen Titans Go! this. I do think that when the humor goes "meta" it's when the shows comedy is at it's best. Because the people behind this show clearly know what this show is. They know it's reputation and it's status among other works of superhero fiction. Plus, as I said, the conversation around the show is far more interesting than the show itself. So when the show tacking these more interesting aspects the episodes tend to be more interesting as well. It's rare to find a show as self-aware of it's own status, and they take advantage of every opportunity that this presents.  I just wish it could do so without insulting me is all.  But do I even have the right to be criticizing this show though? I mean it's for kids, and kids clearly like it. Who right do I, a fully grown adult, have to stop kids from enjoying what they like. Why do I have to stand here and push my radical pro-Steven Universe agenda?!  That has been an argument I have been seeing a lot lately. And honestly, there are some aspects I actually do agree with. If you are reviewing a show with the hope of convincing someone to hate something that they previously liked, just because you hate the show, than in my personal opinion you are reviewing the show for the wrong reason. If you like Teen Titans Go! and somehow made it this far in the review, I want to be clear, you have the right to like whatever you want to like. Whenever I do a negative review of something, it's never with the intent of trying to stop someone from enjoying something they like. I just want to express why I don't like it.    As for the kid show argument, in some instances I agree with that argument too. Kids and adults are different. They have different taste and different things that they relate to. And shows are, from a business standpoint, targeted at a specific age demographics. I don't know why it's okay to call a show an "adult cartoon." but if you call a show a "kids show" it's deemed as an insult to the medium. Why is it wrong to say that I enjoy things aimed at kids? But getting back to the point, adults and kids look for different things in a show. Like, a kid obviously wouldn't be able to relate to the theme's presented in Bojack Horseman, and an adult would likely be board to tears by something like Peppa Pig.  However, the difference here is that Teen Titans Go! airs on Cartoon Network. And thus, it should be held to the same standard as other Cartoon Network shows are held to, since all CN shows are pretty much aimed at the same general age range. Not only that, but the show is rated TV-PG! i.e.) The same rating as Adventure Time, Steven Universe, Regular Show, and Over the Garden Wall. Technically speaking, kids aren't even suppose to watch this show without an adult. So I think it's fair to say that this show SHOULD be made with kids and adults in mind.  If this show was truly intended only for kids, and adults shouldn't watch it, than why are there so many 80's references and scenes that feel very...um....

Totally Spies...If you know what I mean.  Basically, my point here is that it is, in my opinion, completely reasonable to cirque this show. And it's weird because the whole "It's for kids" and "Don't like, don't watch." arguments are usually seen as a joke argument. (even though I personally feel like both arguments do apply in certain situations.) But with this show, I see people using these arguments a lot. And to each there own, I'm not going to stand her and say your argument is "invalid." But I think it is odd that this show seems to be the only show where these arguments is deemed "acceptable."  Also, if you watch Cartoon Networks live feed on a regular basis, it's hard to follow the "Don't like, don't watch." rule because the show is on so frickin' much!

https://www.youtube.com/watch?v=NyxX3ix2jp8

What makes this ad worse is how much this kid looks like Logan Paul...  Cartoon Network spams this show. And while I'm sure that this show would still very much be hated regardless of the scheduling, I think the scheduling is a major factor in how this show manged to stay a relevant topic of conversation in the cartoon community for over five years at this point. Humans, in case you haven't realized this by now, are very stubborn and spiteful creature by nature. If you shove something down someone's throat, or in this case tell that that it's there new favorite show, there bound to have an adverse reaction. Regardless of the actually quality of the product. Also, the show wasn't even "new" when that ad campaign started!  However, I do want to point out that it isn't Teen Titans Go's! fault that it's being spammed so much. It's Cartoon Networks scheduling departments. Traditional television is dying, and channels need to air what gives them ratings. Cartoon Network has always been in last place rating wise, when compared to there rivals Nickelodeon and Disney. They need to air what gives them ratings. And Teen Titans Go! is that. I get it.  However, and keep in mind I'm not an expert on any of this and have no idea what I'm really talking about, I feel like eventually this will come back to bite them. EVENTUALLY Teen Titans Go! is going to end. Even if it's after we're all long dead and buried, the show will die. It's already been running for five years, which is an eternity in kid cartoon time. And when this show does end, CN is going to need something else to keep people coming back. Because as of now, this show and Gumball (which is ending soon.) are the channels only main draws with the ratings. CN, as of it stands now, needs this show. And when this show does end, they'll need some kind of back up series if they hope to survive in this modern, cord cutting climate. This cash cow can't be milked forever.  R-right? P-Please God, tell me it can't last forever!

...Again with the Totally Spies.  But while I'm on the topic of Teen Titans Go! success, I have to ask the question of why? Why do kids gravitate more towards this show, in particular? Because as I stated in the last part, the idea taking an establish i.p and making a more comedic slice of life reboot may have been fresh back in 2013, but now of days we are over saturated with shows just like that. Show's like Powerpuff Girls 2016, Ben 10, and to a lesser extent Justice League Action and Be Cool Scooby-Doo are all more comedic versions of there respected brands, but none of those shows are nearly as successful. (And this isn't me saying those shows are bad because they follow TTG's mold. It's all about execution and I'm trying to make a point.) What does Teen Titans Go! have that these other shows don't?  The way I see it, the reason why Teen Titans Go! is popular while those other "Teen Titans Go-esq shows" (Even the really good ones like Justice League Action.) aren't has to do with intent and execution. Those other shows only chose to become more comedic because it was deemed "more marketable." And while I'm sure that was a factor in why Teen Titans Go! was pitched as a comedy, I feel the difference is how the shows chose to treat itself. Those other shows are made to be safe and marketable. They want fans new and old to like the show, so people will be more likely to buy the merch, which in turn will fund more seasons. Teen Titans Go! on the other hand, doesn't care about playing it "safe." It'll do whatever crazy and messed up things it wants to. The show revels in it's inaccuracy to the original.  A marketing team and a bunch of executives think Teen Titans Go! is successful because it's a comedy based on a beloved brand. But the reason I think it's popular is because it doesn't give a fu*k! To people who like this show, that's why they like it. And that's why the show is so interesting to talk about.  Also there a lot of elements in Teen Titans Go! appeals to kids. It's full wish fulfillment. Who doesn't want all the power and none of the responsibility. Who doesn't want to not have to worry about school or work, and just sit on a couch eating food all day. The show is loud, crazy, and colorful. It appeals to kids, and some adults, on a base level. It appeals to our more lazy and selfish aspects of our personalities that we all have, but chose to keep buried inside out of fear of social consequence. And while all that may sound harsh, I really don't mean that as an insult. There's nothing wrong with a show appealing to those aspects of our subconscious, because it can allow us to express those feelings without acting upon them. It's the same reason why people like characters like Bender from Futurama, or Rick from Rick and Morty. Teen Titans Go! is that for kids, and there's nothing wrong with that. Especially in a time where so many other kids shows are so nice and non-cynical. -------------------------------------------------------------------------------------------------------------------------------------------------------------  So, to wrap everything up, Teen Titans Go! might just be one of the most fascinating and influential shows of the 2010's? But do I recommend it? Well, despite EVERYTHING I ranted about in part one, from the lackluster comedy, horrendous writing, lazy reusing of voice acting and animation, and the lack of basic understanding when it comes to telling a story...I surprisingly actually do highly recommend it. 

 Listen, just hear me out here. While this show in all technical aspects is a frickin' train wreck. But sometimes, you just want to watch a train wreck unfold. It's fascinating to see just what this show is going to do next. What crazy, half backed decision it'll do. And honestly, it's hard not to admire how much the show just goes for it, even if "it" isn't something that you should go for. The show has this element of "watch-ability" even if I know the show itself isn't technically "good." It's a show worth watching, if for no other reason than to have an opinion on it. I think it's pretty obvious who will love this show, who will hate this show, and who will ironically love it. Maybe it's just Stockholm syndrome, but I will be genuinely sad when this show does come to an end.  But I want to end on this note. If you hate this show with a fire-y passion, feel free to do so. You have the right to like or not like whatever you want. Don't be afraid of giving your opinion just because your worried that people will think that your a "hater" or that it's "cringy to still be talking about Teen Titans Go! in 2018." Value your thoughts and share them with the masses. Just don't be a jerk about it. Don't assume that "everyone who likes Teen Titans Go! are mindless sheeple." or complain that this show "ruined your childhood." Because forcing your opinion down other peoples throats will get you nowhere. And remember that no show last forever. In ten years from now this show will most likely be forgotten about. Think about how many people HATED Johnny Test just a few years ago, and complained about how much CN spammed that show. When was the last time anyone talked about that show? Meanwhile the original Teen Titans, a show that originally aired fifteen years ago, is still getting prime time reruns on Cartoon Network as recently as early 2018. And honestly, without Teen Titans Go!, there's a good chance that the interest in the original Teen Titans wouldn't have risen to the point where it is today. So you should thank TTG for that.  And to the people who defend Teen Titans Go!, I get it. It can be rough loving something when EVERYBODY online hates it. I went threw a similar thing when the Powerpuff Girls reboot came out. It sucks feeling like you're in the minority opinion, but remember that just because something is hated online, that doesn't translate to actually results. There's a reason this show is on it's fifth seasons and got a theatrical film. And if you love this show, if it really is your new favorite show, enjoy that fact that a show you love is as popular and influential as it is. But don't be a jerk about your opinion either. Don't belittle people for feeling passionately about a series and remember that not EVERY person who hates the show isn't some kinda "hater." Never assume that the worse people in a group represents the whole group. And never let other people force you to hate something you love. You're taste make you the individual you are, and never forget that.  I want to end this review with a line from Teen Titans Go! A line that I believe the show sadly forgot about, but is a message that I think is very important. Especially given the current climate of the cartoon community.

 This applies to all sides.  Hopefully this review was able to add something new to the table.  What do you think of Teen Titans Go? Leave any thoughts you may have in the comments down bellow. I love love to hear all opinions from both sides of the aisle, and start some conversations. Maybe help people gain some new perspectives. Also what did you think of the format of this review? Would you like more deep dive retrospects in the future? Please fav, follow, and comment if you liked this review and have a great day.

https://www.deviantart.com/joyofcrimeart/journal/Teen-Titans-Go-REVIEW-Part-2-755898579 DA Link

[frankly-art]

Frankly-Art’s Top 10 Video Games of 2018

Also available to read on my deviantArt!

With every New Year comes another year’s worth of video games to look forward to, and 2019 promise to be a good one in that regard: the release of Kingdom Hearts III is only days away, Piranha Plant and Joker are certain to be innovative and entertaining additions to the Smash Ultimate roster, Animal Crossing is coming to the Switch… and those mark only a small fraction of the many things 2019 has in store for us in terms of gaming. Amid all of this hype, I got to thinking about the varied gameplay experiences I had over the past year; so, I figured this would be as good an opportunity as any for me to reflect on them with a bit of a critical eye and definitively rank each of the video games I managed to get to during 2018!

Keep in mind while reading that, even though this is a list featuring games I played in 2018, many of these games were ones released in years past that I never got around to until last year—so, if you were expecting a list of the top 10 games that were released in 2018, I’m afraid you’ll have to look elsewhere (but not until after you read my oh-so-important list first! I crave validation!); expect a healthy mix of new and old titles in the list below. Additionally, this list will rank downloadable content (DLC) separately from standalone titles, as I don’t find it fair to compare a DLC add-on to a fully-fledged game. I’ll be weighing the score of each DLC depending on how well it improves and expands upon the narrative and gameplay of its original game.

Without further ado (and with no better means of transitioning from this introduction to the list itself than to use a somewhat tired expression in the realm of video games), let’s-a go! (Please forgive me.)

-SPOILER WARNING IN EFFECT-

Favorite Characters: Revali, Urbosa, Kass Favorite Tracks: Monk Maz Koshia (all phases)

It might come as somewhat of a shock that a game with “Breath of the Wild” in its title would rank lowest on my list, but hear me out: no matter how much fun it was to be able to return to Hyrule in this DLC expansion, in my opinion, Champions’ Ballad just felt like more of the same of what we got in the main game.

Despite the nigh perfection that was Breath of the Wild, I have to agree with critics who said that the lack of aesthetic variation between segments of dungeon crawling and puzzle solving was a monotonous bore when compared to the varied themes and aesthetics of the dungeons in Zelda games past, and Champions’ Ballad did nothing to vary the atmosphere in its new shrines and dungeon from those of the main game. This disappointment was compounded with the fact that Champions’ Ballad added no new weapons to your arsenal (aside from a risky-to-use fork that functioned virtually like every other sword in the game) to allow for new types of puzzle solving or exploration. The unicorn motorcycle was certainly a cool reward for completing the DLC (the fact that I got to write the words “unicorn” and “motorcycle” next to each other is reward enough), but I had very little use for it since I’d already combed through the entirety of Hyrule during my first playthrough of the game. I simply believe it would have been nice for Champions’ Ballad to have given players something a little fresher to explore, even if it were just an aesthetic change of scenery.

I had also hoped that Champions’ Ballad might have expanded on the lore sprinkled throughout Hyrule and, even though we learned more about the four champions, I was a little let down that they didn’t really expand on anything else (Why can’t I climb to the top of Mount Agaat? Why does the entirety of the Akkala region fill me with a confusing sense of serene dread?? What the hell happened at the Typhlo Ruins???) I appreciate that, by not explaining everything, Nintendo give players the chance to interpret these things for themselves, but, when compared to the lore provided in previous Zelda games, I feel as though Champions’ Ballad fell short in fleshing out the history of this ruined Hyrule.

Favorite Characters: Prompto, Ignis Favorite Tracks: A Retainer’s Resolve, Apocalypsis Magnatus

Given how much of a beautiful mess Final Fantasy XV was upon its initial release, it’s certainly a consolation to the main game to see how well Square Enix supplemented its (rather disjointed) story and expanded upon its (frankly, lacking) gameplay through its various DLC expansion chapters featuring Noctis’ loyal Chocobros. And while I may not love Ignis quite as much as other chocobros like Prompto or Noctis, Episode Ignis was definitely an engaging and welcome addition to the enigma that is the Final Fantasy XV.

Particular highlights of Episode Ignis include its soundtrack, which features a heroic leitmotif for Ignis that really underscores the dire circumstances he and his teammates find themselves in during this segment of the story, and its addition of gameplay modes (Motorboat Simulator 2018 being one of them) are a welcome change of pace to the somewhat rudimentary battle and exploration systems found in the main game. However, a point of contention I have with Episode Ignis is with its narrative: while I appreciate that this DLC chapter finally explains how Ignis becomes blind, its multiple endings completely undermine the storyline of the main game itself. Does Ignis’ sacrifice save Noctis from having to make a sacrifice of his own in order to save the world? Does Ignis regain his sight after Noctis defeats Ardyn? Do Noctis and Luna finally realize that they’d be better off with other people (as it’s obvious that Noctis is already too preoccupied with his three boyfriends to make room for anyone else)? I need answers, Square!

Favorite Characters: Elizabeth, Atlas/Frank Fontaine Favorite Tracks: Patsy Cline – She’s Got You, Johnny Mathis – Wonderful! Wonderful!

I claimed to be a fan of the BioShock series for so long, even though I’d only ever played the first game in the series until the summer of 2017 when I finally bought a PS4 and, with it, the BioShock Collection. Now, I can call myself a fan of the series without reservation, having explored and discovered all that Rapture and Columbia have to offer. To me, BioShock Infinite: Burial at Sea Episodes 1 & 2 are a love letter to the entire series itself, featuring elements from the three main-series games and tying together each of their narratives (save for maybe BioShock 2, which is absolutely criminal, considering 2 is my favorite game in the series) in a way that, while forced in some aspects, felt like Ken Levine actually cared about clearing up some of the more confusing questions that remained at the end of BioShock: Infinite.

Burial at Sea really came into itself during Episode 2, where gameplay was switched up to feature more fleshed-out stealth mechanics that made sneaking around Rapture and Columbia both exhilarating and terrifying. It was also refreshing to be able to finally take control of Elizabeth, one of the most iconic characters of the series after the Big Daddies of BioShocks 1 and 2, and learn more of her own personal motivations and desires as she maneuvers through hostile environments. As I already mentioned briefly, I know some took issue with the way Burial at Sea wove the first two BioShock games together with the third, but, considering the mess that was made when BioShock Infinite introduced multiverse science into its mythos (and the narrative mess that Infinite was in general—I took great issue with the way they framed the oppressed populations of Columbia as “just as bad” as the ruling populations simply because they used violence to, you know, try and liberate themselves from their oppression), I feel that Burial at Sea did the best job it could considering that the setting of Infinite differed so greatly from that of the first two games.

Also, fun fact: I studied this game as a part of my Master’s Project and played it through a total of three times: once in English and twice in French! Isn’t academia weird?

Favorite Characters: Rando, Buddy, Vega Van Dam Favorite Tracks: 666 Kill Chop Deluxe, He’s My Dad, Brokentooth March

Anyone who reads TV Tropes is likely familiar with the trope “Gameplay and Story Segregation” and its less-frequent counterpart, “Gameplay and Story Integration”. In the case of LISA: The Joyful, this DLC game (which could practically be its own standalone title if it weren’t for the fact Steam labels it as “DLC” and won’t let you play it without first purchasing LISA: The Painful) absolutely excels in the latter and completely subverts the gameplay mechanics and narrative structure of the base game, and this can all be attributed to the way both games focus on your use of the cure-all drug that makes you feel nothing: Joy.

Indeed, where LISA: The Painful makes you question your use of the drug Joy, LISA: The Joyful (Joyful) is nigh impossible to complete without taking it in nearly every battle after you’re left to your own devices when the muscle of your party abandons you. As anyone who’s played the LISA trilogy will know, Joy is a dangerous substance, mutating its addicts and twisting the minds of anyone who uses it, and that Joy is an integral piece of the trilogy’s social and philosophical commentary on the freedom and restriction of choice, the commitment and devotion one carries for a person or cause, and the inherent, inevitable grey area of any and all actions one may take. Despite these themes, LISA: The Joyful is far from a demoralizing experience: if anything, the way the game simulates the feeling of being backed into a corner and the refusal to give up despite the odds only affirms whatever moral code by which you may already live, or is at least an opportunity to feel relief that you yourself aren’t forced to make such drastic decisions for your own survivability and freedom.

That’s it for the DLC games I played in 2018; now, the real fun begins! Brace yourself for my list of the top standalone titles I played last year!

Favorite Characters: Katie

This game was recommended to me by a friend, and, as much as I wanted to enjoy it, this game wound up being my lowlight of 2018, with its simplistic, seemingly rudimentary gameplay and conspicuous lack of any compelling narrative. Put bluntly, this game was like a forgettable rendition of Animal Crossing, only without any cute animal neighbors to run errands for. The game’s environment threatened absolutely no danger to your player character, yet still didn’t offer any engaging or challenging puzzles to solve to make up for this lack of danger (most “puzzles” involved figuring out how to get to a particular point on the map… and that was it). Despite this being an open-world game that offered endless opportunities for customization, I found myself hurrying to complete the game’s main (5-hour) campaign so I could feel justified to move on to other gaming experiences. The most unfortunate part of this to me is that I know there’s still more to the game’s world for me to explore, but I’m in no way compelled to do so.

In all fairness, though, I think that I’m a little older than the target demographic this game was aiming for. This game was never meant to be challenging or stressful, it was made to be a relaxing escape for anyone looking to pass the time exploring and discovering a beautifully modeled and brightly colored world. This game also wins serious points for inclusivity, especially considering the age group this game was most likely made for; my fondest memory of this game is of a quest where a woman requests that you find her the ingredients to make a potion that stimulates beard growth because she wants to grow a beard of her own, and not once during this campaign is she ridiculed or belittled for wanting one. Since Yonder seems to be a game for kids, I believe quests such as this are an excellent step to socializing them into a world that’s less judgmental and more receptive to other people. So, despite  my earlier critiques of this game, Yonder would be a great game to consider if you’re looking for a low-key and off-beat (and all-human) alternative to Animal Crossing.

Favorite Veteran Fighters: Peach, Zelda, Zero Suit Samus Favorite Newcomers: Daisy, Ridley, Richter Favorite Stages: Fountain of Dreams, Fourside, Hyrule Temple Favorite Tracks: All-Star Rest Area (Melee), Destroyed Skyworld, Athletic (Yoshi’s Island)

We all knew another installment in the Smash series was coming ever since the Switch was first announced back in March of 2017. In fact, you might even say that the quality of each console’s iteration of Smash reflects the quality of the console itself, with Melee demonstrating the power and potential of the GameCube, Brawl being a gimmicky romp on an equally gimmicky console, and Wii U/3DS (what a title, right?) completely failing to capture player interest for longer than a few rounds of Smash (the Wii U era feels like a fever dream to me at this point). It’s a letdown, then, that with the Switch being such a commercial and technical success, Smash Ultimate seems somewhat of a disappointment when weighed against the hype that surrounded it up until its release back in early December.

It’s true that Smash Ultimate really delivers in regard to the character roster (everyone is here!) and stage selection (almost everything is here!), but the cuts that were made to series staples like trophies, event matches, and the like, detract from Smash Ultimate becoming the be-all end-all title in the series that it could have been. Trophy mode was where I learned much about video game history and was introduced to obscure series I would have never discovered otherwise, and their replacement with spirits feels a bit cheap, especially since spirits don’t come with any kind of information to contextualize them. Event Matches were hybridized with Melee’s Adventure mode and Brawl’s Subspace Emissary, creating the “World of Light”; while the World of Light has grown on me the more that I play it, it’s somewhat discouraging to me that, by combining so many modes of Smash games past into one, there will be nothing left for me to do with the game once I reach its end.

Still, Smash Ultimate offers plenty to look forward to. I’m more-than-hyped about the additions of Piranha Plant and Joker from Persona 5 to the character roster, and I can’t wait to see who might be announced next (unless it’s another Fire Emblem character… please God [Sakurai] don’t let it be another Fire Emblem character).

Favorite Tracks: The Bridge, Touching the Stars, Up to the Nest

I could never have prepared myself for the beautiful-yet-heart-wrenching experience this game would put me through, but I’m oh-so-glad that it did. On the surface, RiME is a relaxing exploration and puzzle game that takes place in a beautifully rendered in-game world, with a brilliantly orchestrated soundtrack and a plethora of diverse landscapes to get lost in. And yet, every moment of your adventure is permeated by an inescapable sense of isolation and dread, making you ask questions like “Where is everyone?”, “Just who is that man in the red cloak?,” and, “Is he stalking me, or are I stalking him?”.

Indeed, RiME’s narrative unfolds wordlessly as you explore and leaves you to discover and interpret on your own exactly what tragedies transpired before the events of the game, tragedies of which are far more poignant and moving if you were to discover them yourself. I know I’ve put a spoiler warning in effect, but I highly recommend you play this game on your own (or at least watch a decent Let’s Play of it) if you’re curious to know what unfolds during the game’s narrative. RiME is a relatively short game, too, lasting only between 5-10 hours, so it would be an easy one to fit into your queue if you’re looking for a fun gameplay experience with a story that will haunt you for weeks and months on end after completing it.

Favorite Characters: Terry Hintz, Buzzo, Wally Favorite Tracks: Men’s Hair Club, The End is Nigh, Summer Love

Having already talked about this game’s DLC expansion of LISA: The Joyful, you’re already aware that I hold the LISA trilogy in high regard—it also means I can make this entry somewhat brief, since a lot of what I said about Joyful can also be applied to its parent title, LISA: The Painful. You see, it’s in LISA: The Painful where the conflict in Joyful begins, and where we learn more of how the world came to be so depraved after the White Flash, an extinction event that inexplicably killed all women on the planet (at least, as far as the characters in the game know). The game considers what the repercussions of such an event would be on our society (aside from dooming humanity to die off within a generation) and really explores the darkest depths of toxic masculinity to call into question the detrimental effects it has on our self-esteem, our relationships, and our will to survive. Gameplay-wise, it’s a fairly traditional JRPG, though as I mentioned with Joyful, LISA: The Painful integrates its story with its gameplay by permanently increasing (but mainly decreasing) your stats depending on whatever injuries you escape or sustain throughout your journey. All in all, LISA: The Painful is a truly harrowing experience from beginning to end, but a must-play for anyone with an interest in the more macabre aspects of human nature.

Favorite Characters: Aloy, Erend, Vanasha Favorite Tracks: Louder

You know a game’s going to be good when its title screen holds you in awe before even pressing start. Imagine a sunlit vignette over purple mountains and a glistening river, a haunting and triumphant melody underscoring it all, as the title slowly fades into view in white in the center of the screen: Horizon Zero Dawn. O.K., I’m in. This game just did so many things right as an open-world game during an era where the genre was oversaturated by mediocre games that rehashed the same tired tropes and mechanics in its gameplay and world building. Horizon Zero Dawn truly set itself apart from the crowd for a variety of reasons: its beautifully detailed setting (being a microcosmic interpretation of Western North America), its intricate combat system with a graciously forgiving learning curve, and its compelling and socially-conscious narrative all worked together to distinguish this game within the open-world genre.

What really sets this game apart most of all, though, is the game’s protagonist, Aloy: a rare female protagonist who is a breath of fresh air in a sea of male heroes, whose capabilities and intellect don’t come at the cost of her physical appearance and femininity. Aloy set an example for other game developers that female protagonists are more than viable (and are in fact, overdue) in the video games of today, and her status as a female character never felt gratuitous or shoehorned (e.g. Battlefield V’s inclusion of a female protagonist as an enlisted soldier in the British Army and serving in the line of duty during World War II). It’s difficult (read: impossible) to play Horizon Zero Dawn and not fall in love with Aloy for her wit, her strength, and her general stick-to-itiveness in the face of adversity (not to mention, she’s just really cute and knows how to work a belly shirt). With Aloy as the protagonist, you’ll never tire of adventuring through Horizon Zero Dawn’s 70-hours+ worth of gameplay as you explore the in-game world to learn just what happened to “The Old Ones” and their society all those millennia ago.

Favorite Party Members: Ryuji Sakamoto, Ann Takamaki, Makoto Niijima Favorite Confidants: Hifumi Togo, Sadayo Kawakami, Sae Niijima, Toranosuke Yoshida, Chihaya Mifune Favorite Targets/Boss Battles: Ichiryusai Madarame, Kunikazu Okumura, Leviathan, Yaldabaoth Favorite Tracks: Blooming Villain, Rivers in the Desert, A Woman, Aria of the Soul

I’ll bet no one saw this one coming! Just kidding—anyone who’s exchanged more than a few words with me since the fall of 2018 knows how much this game absolutely consumed my life over the span of, I don’t know, I think it was four months? Indeed, I wound up sinking a total of 123 hours into this game, and there’s still a loud part of me that wants to return to it to begin a New Game+ (you’ll even notice that it was too difficult for me to contain my favorite characters into one category, instead having to split them up in order to represent all of my favorites because of how much I love them all). I’m already a fan of JRPGs, so it didn’t take much for Persona 5 to win me over with its turn-based combat, but the addition of certain gameplay mechanics—like earning an extra turn for exploiting enemy weaknesses or improving your relationship with your friends outside of battle to unlock gameplay bonuses—prevent battles and exploration in Persona 5 from ever becoming stale. Indeed, Persona 5 was truly a masterpiece from start to finish and an experience that I never wanted to end.

Frankly, any drawbacks I could mention about this game feel almost nitpicky, like the way the status ailment “Envy” is represented during the final boss fight by the color indigo instead of green, or how Kawakami can only manage to make me one cup of very useful, SP-restoring coffee over the course of an entire evening. Still, Persona 5 isn’t without its faults: for one, Persona 5 loses significant points for its questionable representation of LGBT groups (the camp gay men who openly harass Ryuji on multiple occasions being the most glaring example), and this isn’t helped by the queerbaiting that’s prevalent in a lot of character dialogue and relationships. Additionally, the fact that you can’t romance any of your male confidants comes across as erasive at best and homophobic at worst, especially considering that 1) all but one of your female confidants are eligible girlfriends, 2) you can two-time all of them at once if you so desire (which isn’t just disrespectful, it’s also flippantly misogynistic), and, most importantly, 3) one of this game’s main themes includes rebelling against oppressive societal norms (a theme that will resonate deeply with any LGBT+ player). Female representation in Persona 5 is also somewhat of a mixed bag: while the game features a large cast of diverse female characters, its constant and blatant objectification of Ann is not only creepy, it’s incredibly obtuse considering the sexual harassment and abuse she suffers by one of her teachers during the game’s first story arc. Fortunately, each of these drawbacks is easy enough to ignore when discussing the game as a whole, but I hope Atlus improves upon them in future installments: considering how incredible an experience Persona 5 was, imagine how much more incredible Persona 6 could be if these issues were fixed!

So that’s it for my top 10 games of 2018. What are your thoughts? Do you agree or disagree with any of my commentary? What were some favorite games you played during 2018? I’d love to hear your responses and start a discussion, so please, leave your comments in the notes!