#trying to write some new character lore
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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Me trying to explain the plot of a story I've been writing since I was 10:
#That actually happens in the story#My girlfriend had a stroke trying to understand how many characters got reincarnated#I have currently 5 seasons completed#Plot for 7 seasons one movie and 4 specials#And lore for 9 seasons and one more movie#My power scaling is off the charts#art#starry art#writing#writblr#Honestly it's not the best story but it holds a very specific olace in my heart#Talky talk#<- My new tag to post about my life or some shower thoughts
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Idk if you have one somewhere and I just can't find it, if things aren't cooked enough to warrant one, or what, but. Do you have anything like a guide/introduction to your TF OCs. If not would you consider making one. 🙏 pleasepleasepleasepleasepleasplea- (/silly, /nf)
I can try and make one for the major/reoccurring ones!!
Though, I will admit, I am a little bit of an OCs Georg and have several, several folders worth of Transformers OC designs and ideas, so I don't think there's enough time in Earth to put all of them into a guide
#my ocs#tf oc#oc#ocs#transformers#maccadam#when I first got into the fandom my first order of business was to draw 10000000000 robots in class#I'm going through a big design/redesign OCs thing right now_ and some of them have little to no preexisting lore#the main aus I've been drawing OCs from are the new-old colony au (an au that was oc centric/dominant) and my baby the Fiasco Plotline#which the FP has five main ocs: Fiasco_ Slipbang_ Kadatchi_ Sunburst_ and Belladonna#that there is my meticulous daydream I talk about every now and then#the colony au is an old wip that I lost my lore sheets for and is oc centric/dominant_ so I've been cannibalizing the designs to rework#so I can grab them as spare characters for anything new I write in the future#don't get me started on the spinocons at this point their lore and designs vary so much they're many possible characters instead of one#the most obvious case of character mitosis ever#I can try!!
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Happpyyyy cuz everyone is so nice to meeee
#🎶#i’ve talked about it before but artists who are enthusiastic abt being commissioned oc x canon all go to heaven forevah#like omggg everyone is so sweet about itttt yayyeee#idk WHAT about Hades kicked up this frenzy I haven’t had since I was like 12 but god i am very fixated rn#and now I have a job to fund it too HEHEHE (in moderation….i promise)#and you know me I go big for every character I make so my lil Hades oc has fun lore and in depth writing so it’s just neat :]#i will upload her to artfight soon…perhaps after I commission her a lil ref sheet from an artist I like#and you know maybe I’ll try and branch out and meet some friends in the fandom…uhhh i havent sought community in years but we’ll see#if I can be employeed I can make new friends cuz social anxiety is stupid as hell and non applicable when you work in customer service LMAO#anyway goodnightttttt
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my favourite thing about my amne.sia collection is that they gave me this bonus ikk.i card. i'm not sure if it came with every edition or is some sort of pre-order bonus or if someone put it in by mistake but it always makes me smile every time i open the box. it's technically a duplicate but i appreciate it sm.
#❛ 𝐒𝐈𝐃𝐄 𝐒𝐓𝐎𝐑𝐈𝐄𝐒 ⧽ — ooc.#with xmas and the new year ive done a bit of sorting out in my room and re opened this edition.#if anyone is curious ... i could post the cards. 2 likes and ill take some pics-#there's about 15? one for each li for each game ( memories. crow.d. lat.er )#and theyre very cute. seeing the cgs in cards is always fun too#finally here to write after finishing everything#( trying to get fug.ue on hsr before i realised she wouldn't help the acc i was trying to get her on. im like 75 pity now on a guaranteed#ready to get an 3.x character --- but i did manage to complete both events without reading things lore wise so click button simulator momen#FHDSJJDHFDJ#hope youre all having a good evening!#TBD.
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Ik it's not much but I do share sneak peeks on kofi !
So if you wanna see some stuff early u know where to go !
https://ko-fi.com/i/IL4L6VM4TC
#welcome home au#welcome home artist#artist on kofi#i'm doing ma lil promotion don't mind me#i'm trying to advertise myself more#i wish I could be a really cool active artist#but i'm not#i'm just a silly gremlin with more projects than time to do them#i'm also writing up some new stuff on the site !#especially a bunch of funfacts and lore about my character 👀
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Part of this can be explained by the fact that the first book is an adaptation of a fairy tale (Beauty and the Beast) and a myth (Eros and Psyche, which itself was a prototype for Beauty and the Beast).
Amaranthe hoodwinking all the High Lords out of their power makes very little sense when you think of them as the characters we meet later, but in ACOTAR it's the standard "Evil Queen steals power from rightful rulers, covers the land in darkness" thing that's in every fairy tale. The Evil Queen can only be defeated if her curse is broken by True Love, etc. These tropes are so ubiquitous an audience will immediately accept them without question...in a fairy tale.
Parents don't have names in fairy tales. Sisters rarely do either. No one has a last name, because why would it matter? The calendar is "what season is it?", and the economics of the wondrous shining city don't need to be questioned.
This is a totally legitimate way to do a story. The first Star Wars movie used it extensively: very little is explained and the explanations are mostly nonsense. Later media fleshed it out considerably, but the movie by itself runs almost entirely on trope logic.
The problem is that the later books try to pivot from fairy tale to classic fantasy, and fantasy has lore. If you introduce the political intrigue of feuding lords (a fantasy staple) the idea of the Evil Queen tricking the High Lords comes into question, because why would these selfish schemers ever agree or be tricked so easily? Fae like the Illyrians with defined biology, culture, and history (standard for a fantasy race) makes classic fairy tale fae feel out of place because they clearly don't have any of that. Something like a flushing toilet existing is fine for a fairy tale because they are inherently timeless and are mostly about vibes, but in fantasy that has Implications.
It should be noted that fantasy doesn't need deep world-building. Everyone thinks it does, because Tolkien had it and a lot of other fantasy greats followed his lead, but there are plenty of other notable fantasy stories that don't bother. You don't need a calendar or lineage chart or map of trade routes to have a good fantasy story, and in a lot of cases those will get in the way more than they will help. This is why ACOTAR still works as a series despite the fact that it is very clearly making stuff up as it goes along: the core plot doesn't need the missing details to work. You can still enjoy a play even if the backdrop is a black canvas and the props are recycled from last year's production, because those aren't what matter.
It does make the series less enjoyable though, and may be a deal breaker for people who can't turn off their brain enough to ignore the inconsistencies. It's also a nightmare for fanfic writers, because we know very little about the setting and what we do know doesn't make sense.
feeling rlly annoyed at sjm right now for her shitty worldbuilding
im trying to work on stuff for my acotar fic but theres so many problems im running into when it comes to canon
1- WHY IS THERE NO DATING SYSTEM?? WHAT YEAR IS IT? WHAT MONTH IS IT? this is one of the most basic aspects of creating a story. For example one of the first things i did with my friends when we created out story was make a dating system and explained its origin and shit.
2- why do the majority of characters lack surnames?? i get side characters but major ones like RHYSAND, Tamlin, Cassian, Azriel, and many more lack simple things such as surnames.
3- many characters just arent named. The archeron sisters father is not named. All of rhysand and tamlins family (who are talked about a decent amount) are nameless. Cassians mother is also nameless. The king of hybern is a MAJOR villain who goes unnamed.
4- also missing ages for lots of characters. annoying as fuck.
5- a very non descriptive time period to reference. There’s electricity? theres baths? but its also strangely archaic. Characters dress a bit old fashion but also like its 2016? theres no reference for time period at all.
6- A lack of explanation for the economy. Specifically VELARIS. I have no idea how velaris as a city works. From what i can tell theres no way it can be as good as it is due to what we are told about the city. It was hidden for years but it was able to survive? what about trade? government? homelessness and poverty are said to be non existence but how?? Rhysand is said to be extremely wealthy but how?? Tamlin was villainized for having his people pay taxes (which werent even severe ones??) but rhysand somehow has a city running ‘perfectly’ while also building his like 3rd or 4th house.
these are just off the top of my head too. Sjm when i catch you
#acotar#a court of thorns and roses#sarah j maas#speaking as someone who has been trying to do some fan writing for this setting for a while now#and has failed utterly because everything outside of the line of sight of the core cast doesn't exist and clearly was never meant to exist#how can I introduce new faerie types that fit the tone#when the tone swings wildly from “fantasy race with defined biology and culture” to “fairytale BS that runs on narrative convenience”?#the fact that each new book totally redoes the history and existing lore doesn't help#this is the danger of discovery writing#its great for standalones#but if you make a house and then just keep tacking on unplanned additions its eventually going to collapse#also fantasy tech is all over the place#ACOTAR having flush toilets is just as realistic as a fantasy character wielding a rapier in a setting that doesn't have guns#guns predate rapiers by about 500 years#rapiers (and similar thin-bladed weapons like sabers) predate flush toilets by only 300 years and were still in use at the time
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Questions about Eyes And Ears AU
I had somebody ask for a brief interview regarding my storytelling for their university project and thought I'd lend a hand.
I thought those of you that follow the story might like the insight too, so here ya go:
When you first introduced the Listeners in Evo SMP, did you have a broader narrative or concept in mind, or were they more of an atmospheric element at that point?
The honest answer is that I didn't want to write too much about somebody else's character(s), that being Grian's Watchers. If I could write the conflict from the side of the Listeners then we could continue the narrative with a pre-designed opposing force but have them be relatively mute for the most part. Partly to build anticipation of when they might act or retaliate but it also worked for behind the scenes purposes too. If the series hadn't slowed/stopped as suddenly as it did, I definitely would have poked Grian to pick his brain about what story elements fit his original imagining of the Watchers. So it was mostly narrative reasoning but they also served a mechanical behind the scenes purpose of transporting us to a new area which was necessary due to bugs we'd encountered with world gen etc.
What inspired you to flesh out the Eyes and Ears AU more in recent years? Was that mostly a personal creative decision, or was it influenced by fan interest?
Honestly I hadn't premeditated too much their reintroduction into anything that I was working on. Sure I'd seen a little chattering here and there about the Watchers but I honestly just wanted to write an individual story beat (albeit a tropey one) of c!Martyn snapping and turning on Ren but that never came to fruition due to Scar taking us out. The plan was always to backstab Ren then say a cool line like "Red Winter is over, Red Spring has begun" or something else punny. Seeing the fevered reaction of the audience though gave me some confidence that I could try my hand at some layered or entirely post-production storytelling, so heading into Last Life I was all guns blazing.
The Eyes and Ears AU is quite open-ended — do you intentionally approach it with the idea of leaving narrative space for fan interpretation?
It really is right? Yes, it's a very mindful decision to leave it open-ended but not so much for the audience's benefit or interpretations, but to give myself creative freedom to take the story wherever I'd like to. Committing to too many power scale, multiverse or narrative shackles early can really strangle stories I've noticed (from reading comics and manga) meaning back pedalling or aggressive retcons are required to explore certain paths, which is rarely a good experience for the reader. I do enjoy their versatility and capability to be applied to any Minecraft or adjacent story too. Some might call it too broad, I call it malleable.
How do you feel about fans expanding the lore through headcanons and theories? Have any fan interpretations stood out or surprised you?
I think it's brilliant! People inundate my inbox on Tumblr seeking permission to write stories or create characters / AUs but I've literally no authority on that. I suppose it might be a different conversation if they were profiting off of those works, but 99% of people simply want to write for fun which I highly encourage!! I'll be honest that I haven't read a great deal of AUs or headcanons, my exposure to them is mostly via chat messages during lore talk streams or questions that come through regarding the Eyes And Ears AU. As a general rule I try to avoid reading too much of other people's works on the topic because I worry I'll accidentally regurgitate it in some way then stumble into plagiarism, you know? It's why I focus more on digesting stories outside the fandom whether it's manga, Sanderson books, reading old Japanese folk tales and the like. I can source inspiration from those on how to weave narrative and execute plot twists without having to glance in my front yard.
Has fan content (art, theories, animatics, etc.) ever influenced how you think about or approach the AU?
Oh for sure they have. It's literally why after every season we'll do a sit down stream and talk about the lore in detail. Figure out the puzzle and potential trip wires of plot points from the episodes and how we can neatly pack them into the pre-existing story. A lot of people wouldn't do that as they'd be precious about their work and believe their opinion is th only correct one, but I looooove soundboarding with the audience on it. I also take that mindset in game and sometimes think about the scenery of an impactful moment whenever I'm able to control / design it. I'll have little quips or quotes cooked in my mind for how I'd ideally deliver a blow or plot twist, buuuuut given the nature of the Life series you very rarely get to execute things how you'd like haha! I definitely wouldn't have done as many of the poems had their not been such a positive reaction to those. I often see individual lines or entire passages make their way into art pieces as typography or highlighted in animatics which is really gratifying. It's why I also put such an emphasis and priority on audio production in my editing. If I can craft something that feels atmospheric, driving and punctuating with music, staggering vocals or sound effects then the auditory portion is already done, they can focus solely on the visual aspect of things. I try and be as cinematic / TV like as my skillset allows for that reason.
You’ve mentioned trying not to fully canonise the AU, but still referencing it consistently — how do you balance telling your own story effectively, while trying not to involve other creators, particularly on the Life Series, when a lot of your time is spent in a group?
The easiest way to do this, is to not do it. For the most part the only storytelling done with the AU is done in post-production. I never name drop the Watchers or Listeners in world (believe me, I was as surprised as all of you when I saw that Secret Keeper statue in Secret Life!!) and in recent seasons they haven't even reared their head as an influence whatsoever. They're on holiday, they deserve it. But when they do whisper in my ear, they're motivated decisions that I would likely make as a player/character anyway because the win objective is always the thing I'm striving towards. I can just pepper angst around it to make things seem more manipulated rather than selfish ha. I think that's why the open ended nature of the Watchers has served me well because as much as they have a singular motive which is to feed on negative emotions, that can be achieved in so many ways ranging from bloodlust to deception, heartbreak to panic. It's versatile for storytelling. It can be in your face, or a slow burn.
What do the Watchers and Listeners represent to you, symbolically or narratively? Do they serve a specific function in the stories you tell?
The Watchers used to represent the audience when Grian first introduced them, but after departing EVO I've definitely breathed more of an egotistical and sinister air into them. They're very much a unique entity / faction now, they in some ways represent gluttony, selfishness and neglect in achieving their goals. The Listeners on the other hand, are a lot of the opposite traits, but I'm still wanting to explore how being the hard end of most conflicts can be dangerous. I want to explore that at some point, whether it be with infighting or failures. They shouldn't be seen as simply bad/good, they're just, different. It shouldn't be too hard navigating that nuance but I want it to reflect elements and motives that we find in our own lives.
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Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...
#Definitely not going to be able to stick with it just due to like... being realistic about my energy levels and etc. ESPECIALLY as we#enter the Evil Summer and it becomes hot all the time. But... one can attempt.. at least...#I'm also a very slow writer since I tend to re-read and edit while I write. and only move onto the next section once what I'm writing#seems okay. Which is easy for visual novel type stuff. since ''sections'' of a conversation are more clearly marked (like if you#have a menu option with 5 different dialogue choices. finish the character's response for choice 1 before moving onto 2. etc.)#Especially since when I'm done with a whole quest I always follow it up by playing through it and picking every option and making sure it#actually all works okay and etc. So I am already going to see it all a second time. Then I can go back and reorder a few words or remove#certain sentences that don't sound natural when I read them out loud (I always read it all outloud to myself since it is... just peple#talking.. it should sound like natural dialogue in their voice. etc). But my ''first draft'' is kind of not as first drafty since I pause t#edit a lot as I go along. So it also takes longer probably than it would take other people who I think treat a first draft as more#of a loose guideline or something. AANYWAY...#80F in my bedroom right now again... huzzah... I did end up finishing and recording that sims build video before the heat wave (or is#it really a heat wave if it's just summer..?? lol) came in.. but now... augh.. the editing... plus the costume photos and all else... Much#to do as always.. Often such a long todo list.. a giant scroll hung upon the walls of the evil hermit wizard tower..#Anyhow.. I hope I can finish getting ready for bed early in time to reward myself with a game of tripeaks solitaire whilst I snack on#cheddar cheese and some of those preserved artichokes in a jar. hrgm... I actually have nasturtiums (ultimate best flower) on the#deck again this year but I had to move them all into a corner today because the leaves were getting burnt by the sun lol.. Also am now more#cautiously weaving through social media to ignore all dragon age news. NOT bc of spoilers (I actually love spoilers/literally never play#any game until there's full guides on it I can read to plan my entire playthrough based on knowing exactly what I want to happen lol + mods#and etc.) but just because I'm so busy with my ownprojects I simply do not have the brainspace to dedicate... Yes I love to think#about elves and fictional universe lore. but no.. I pretend I do not see it. Does not exist to me actually. ghgj.. OHH also took som#cool pictures of flowers in the garden section of a store and I wanted to do like.. character designs based on the colors of the flowers o#something. but that might just be another unnecessary project to add to the pile.. I want to commit to the daunting task of dyeing my#hair again some time.. hrm.. this is all of the updates I can think of. As if a bunch of random tags make up for never posting anything for#weeks on end lol.. alas.. too warm to think properly I suppose.. .. I neeeeeed a long lost relative to leave me some million dollar#estate in their will so I can have the resources to move to a colder climate or something ..augh#.. but for now.. I shall toil away in my little wizard tower trying to write 2000 something words a day whilst sweating and such ghbj
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Growing an audience takes time and getting people to care about your characters can often take more time. I've done a bunch of OCs in the past but none of them really got traction until my IDWTBAMG OCs. I steadily grew my social media following for well over a decade. A lot of checking socialblade, looking at analytics and generally drawing/posting everyday. I have a whole doc available about this type of stuff.
There's no particular shortcut other than happening to go viral or getting really lucky. But I will say "branding" or carving out a niche for yourself over time helps. Although I've been in a number of different fandoms over the past 15 years I've been on the internet, the kind of art I do has been pretty consistent. Lots of shorter, light hearted comics or vignettes highlighting relationships (be them romantic, platonic or familial) and people started enjoying my work for my writing style more so than just what fandom I was creating for.
Finding your community, creating stuff that aligns with those communities and engaging with others is huge. A lot of my work prior to IDWTBAMG centered queer people (specifically sapphics), Black and Asian folks and stylistically is very anime/modern western cartoon inspired. It's what became known for in fandom spaces and what people were following me for. So when I finally did make IDWTBAMG, a concept with anime influences, in a western cartoon style, with two Black, sapphic leads, it just fit right into what I was already doing. Like if you grew your following from doing cute, slice of life stuff, then suddenly dropped a psychological horror comic, chances are it's not gonna grab a large part of your audience. Might bring some new folks in, but you're ultimately kinda starting over and pivoting (that's why rebrands are hard to pull off). This may not be the best example but hopefully you get what I mean. Appeal to the communities you've fostered!
I hate using corporate speak for art but if you ARE trying sell your ideas to people and get your work out there, you do kinda have to learn how to market yourself and your art to some extent. Get in the head of a marketing agent or a brand manager. What's popular right now? How can I use that to my advantage? What times should I be posting my artwork to get the most eyes on this? Who is my target audience and how do I effectively appeal to them while staying true to my own work? Stuff like that. Genuinely, studying how social media managers operate as well as just observing how businesses market their products helped me a lot. "Okay I'm making this animatic, but it won't come out for the next four months. How do I keep people interested and hyped for that amount of time leading up to the pilot's release? I'll keep doing comics here and there so people connect with the characters by the time the pilot comes out. Once I get he VAs recorded, I'll make posts to get people hyped for the casting. I'll upload snippets and behind the scenes stuff to give people a taste of what's to come. I'll release during Black History Month since this is a Black led project with Black characters. I'll have a specific upload time at peak hours to get a good amount of people watching for the premiere and to give the pilot a good running start." This was all stuff I was taking into consideration and planning for.
Then generally, I think people connect to characters more than anything. You can have a cool concept and fun world building ideas but if your execution is bad and your characters aren't compelling, what's the point, y'know? IDWTBAMG isn't a particularly novel concept imo, but I think its strengths lie in the characters and how they interact. The concept is just a tool to give the character dynamics and relationships legs to stand on. So few of the comics I've done with these guys have to do with their lore, it's just small interactions of the girls in class, at a convenience store or just talking to each other in a void. Even though it's simple, that's often the kind of thing people connect with.
Then there's just the technical aspect of having appealing drawing! Getting better at your craft, if nothing else, is good for catching eyes and helping with your execution of your project. While it's not always necessary, I think it helps a lot. I know there's a lot of people who follow me just because they personally like my art style and character design.
Not sure how helpful this actually is LOL. It really does just kinda take time. We all have to start somewhere. I was a "small artist" too at one point. It was years of trial and error, mental breakdowns, finding my own artistic voice and posting artwork almost daily for like 5 years straight. I do think that's why IDWTBAMG ended up being so special to me. It really does feel like a culmination of everything I've learned and all that hard work up to this point and people can kinda feel that.
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if you keep it just yours ⸻ charles leclerc x reader .
featuring charles leclerc , writer!reader , fluff , smau . author’s note requested by anon ! i’m sorry it took so long but i loved your request and your kind words , i hope i did it justice ! tried to get this out today in honor of the #chodium . this is my first try at an smau so PLEASE be nice … i’m still not sure i love the way this turned out but nevertheless we persist ! i also had to drop some ancient charles lore in this … rip bawsixteen we still talk about you . anyway please let me know what you think and if i should keep trying smaus … i promise i won’t be upset if you hated it <3 title is from paris by taylor swift (in honor of her owning the masters again !!!)
liked by emmachamberlain, dollyalderton and 27,054 others yourusername it’s official — i’m in my monaco era! paris will always have mon coeur but it’s time for a change of scenery. here’s to good beaches and hopefully better stories 🐚💌
user1 THEEEE modern carrie bradshaw frfr ⤷ user2 No bc I can’t wait to hear her stories about the Monaco dating scene??? user3 romanticizing your life is BACK and yn is leading the charge !! user4 already screaming at how chic this is. give me the essay collection immediately yourbff OMG I need to visit asappppp ♥ liked by author ⤷ yourusername missing you already ! user5 bienvenue à monaco! you will love it here :) user6 main character of her own european romance novel iktr camillecharriere oh i want to be you when i grow up ♥ liked by author user7 This post feels like the opening scene of an HBO show I’ll binge 16000 times…
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to: Y/N L/N [email protected] from: Jean-Claude Ravello [email protected] subject: Bienvenue au Bellevue!
Bonjour mademoiselle L/N,
Welcome to your new home at the Residence Bellevue — we are so happy to have you here! I am sure you will quickly discover that Monaco is a small place, but this building is even smaller. Please, consider yourself part of the family already!
A few quick notes to help you settle in:
Waste and recycling are collected on Tuesdays and Fridays. There are trash chutes on every floor, but the recycling must be taken to the bins by the side entrance.
Wi-Fi information is included in the welcome folder. I know you mentioned you were a writer, so if you should need a stronger signal, the rooftop lounge is a favorite quiet working spot for our residents.
Your neighbors are both longtime Bellevue residents, so if you have any questions about the building that I cannot answer (or you just do not want to ask me!) please feel free to reach out to them. Charles actually grew up in Monaco and knows the city inside and out so if you need any recommendations I am sure he would be happy to help. Sharing both neighbors’ contact information (with permission):
Laura (16A): +377 08 35 19 72
Charles (16C): +377 99 42 67 01
Do not hesitate to contact me with any maintenance concerns or general questions! Wishing you a smooth unpacking. We are delighted to have you join our community.
Welcome home, Jean-Claude Ravello Building Superintendent
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liked by jiatortellini, kikagomes and 31,652 others yourusername from me to you, a new essay on the unique magic of starting over and the way a stranger can start to feel like a story. up now on substack! let me know what you think xx
user8 “balcony boy” WE CHEERED MOTHER IS BACK AND BETTER THAN EVER ⤷ user9 Her writing isn’t just about the men she’s dating… ⤷ user8 okay congrats you read. do you want a medal?? should we throw a party?? should we invite bella hadid?? marlowetatiana Obsessed ! ♥ liked by author user10 saw the notif at brunch and opened substack immediately like sorry guys my parasocial internet bestie needs to tell me about her new crush user11 @ oprah @ reesewitherspoon @ pitbull GET HER A BOOK DEAL STAT! ⤷ user12 girl what is mr. worldwide going to do… user13 “Maybe Balcony Boy and I will never really meet. Maybe we’re destined to almost-know each other indefinitely… But still, there’s something delicious about the romance of the near miss.” WOW!!!! ♥ liked by author yourbff What did I say… I give it a week ⤷ yourusername it’s been ten days actually. this is what growth looks like! take notes! user14 i get her bc balcony boy has me in a chokehold too and i’ve never even seen him
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OUTGOING AUDIO MESSAGE ▶‖ to: bestie • 02:23 •၊၊||၊|။||||။၊|။•
“Okay, so… I know I was supposed to check in after fifteen minutes and I’m really late and now I’m hiding out in the bathroom like I’m in a rom com from the 2000s because… I don’t know, I just — I just need a minute to breathe. [pause] I thought this was just a stupid little crush and I’d go on this date and get over it but he’s… Babe, he’s really sweet. He opened doors for me. He pulled out my chair. He called me chérie. He even laughed at my stupid joke about the bread basket! And he’s so — ugh. He’s so pretty and he smells so good, it’s rude. It’s actually unfair how perfect he is. [long sigh] But that’s not even the thing. Like, it’s not even that he’s cute. Okay, maybe it’s a little bit that he’s cute but — he’s smart. And funny. And curious, and he listens when I talk, like really listens, even if it’s stupid or rambley, and he asked about my writing and actually wanted to hear about it. I don’t want to jinx it or anything, but… yeah. I might be in trouble here. It feels like it could be something, you know? [pause] Okay. I really need to go back before he thinks I climbed out the window. I’ll tell you everything tomorrow. Love you so much.”
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@ yourusername • instagram notifications you have (1) new follow request from @ bawsixteen !
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liked by hunterh, oliviarodrigo, and 28,253 others yourusername life is looking pretty good lately
user15 is that a m-m-man ?!?!?!?! ⤷ user16 better question IS THAT BALCONY BOY ⤷ user17 It literally has to be! She hasn’t written about anyone else user15 okay i’ve gotten over my shock. who the hell is he bc his hand is fine as fuck rachsyme and you look even better! ♥ liked by author yourbff oh so we’re soft launching now… 👀 ♥ liked by author ⤷ yourusername yeahhhhh so i owe you SEVERAL voice memos user18 LOVERGIRL ERA user19 mother is boo’d up… congrats to whoever’s bouncing on it 😭 ⤷ user20 you almost got it sweetie. don’t worry. we’ll wait. bawsixteen Pretty flowers :) ♥ liked by author ⤷ yourusername almost as pretty as the guy who gave them to me :)
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to: All Subscribers [email protected] from: Y/N [email protected] subject: everything i know about falling
Everything I Know About… Falling
So here’s the thing about me and Balcony Boy (and yes, even though we’re actually dating now, I’m still not graduating to using his actual name with you all!) Somewhere in between our first kiss overlooking the harbor and him learning to make me blueberry pancakes just the way I like them, I’ve realized I can’t lie to myself that it’s casual anymore.
And that is completely terrifying.
You know that feeling when you’re reading a really good book and you look up and realize that you’ve been on another planet for hours? Where you’ve forgotten to check your phone, forgotten to be anxious about deadlines, forgotten about every single thing except the story and the words on the page? That’s what being with Balcony Boy feels like. Like nothing matters except existing in that very moment with him.
I’m not used to staying present like that. My mind is like a summer storm, always pulled in a million different directions. I used to think it was a strength of mine: a skill, even. It made me a better writer, a better thinker. But that constant motion was also my shield — from boredom, from failure, from getting too attached to anything. Self-preservation disguised as independence. Emotional distance disguised as something casual.
When Balcony Boy came into my life, yes, I liked him immediately. Six feet of tan, hot, shirtless neighbor. Let’s be real. Who wouldn’t enjoy that view? But somewhere along the way, he stopped being a charming background character in my life and started being the type of steady presence that made me want to slow down. To sit still. To listen. To trust. And that is such a new feeling that I can’t help but be scared.
Here’s the truth: I’ve dated a lot of men who liked the idea of me. Men who wanted to be a muse and then flinched when I spilled my truth onto the page. Men who liked a complicated woman until the complications weren’t cute anymore. Men who wanted me to be emotionally available for them, and who never really listened in return. All of that was okay, because I wasn’t staying still long enough for the pain to be anything more than a glancing blow.
But Balcony Boy doesn’t just like the idea of me. He doesn’t need to be the story — he just wants to make space for mine. He reads my drafts and underlines all his favorite lines. He twirls me around my kitchen when I laugh and he holds me when I cry. He listens. He shows up, quietly and without spectacle. He brings me coffee and croissants when I’ve been writing too long and forget to eat. It sounds crazy, but I'm scared of this because if I lose it, for the first time in a long time, it'll really, really hurt. But Balcony Boy tells me I’m brave when I’m terrified. And for the first time in a long time, he makes me want to believe him.
I used to think love was about dramatic gestures, but maybe this is what love feels like when it’s real. Not the fireworks (although there are plenty of those, too), but the foundation. Not someone catching you when you fall, but someone taking your hand so you don’t have to be scared of the jump in the first place.
So here I am. Jumping, without hesitation. And if the fall kills me, at least I’ll have had the pleasure of doing it with him.
yours, y/n xx
next week: everything i know about long-distance - on dating someone whose job takes them away more than you’d like, and learning to miss someone properly.
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liked by bawsixteen, rachelchinouriri, and 29,311 others yourusername so in love that i might stop breathing, drew a map on your bedroom ceiling
user21 mama… mama a man behind you ⤷ user22 the launch is getting harder and harder user23 starting the investigation into balcony boy’s identity. james bond has nothing on me yourbff Happy looks sooooo good on you babe ♥ liked by author user24 the note OH LET ME KILL MYSELF !!!!!!!!!! hunterh beautiful girl! ♥ liked by author user25 this has gone on long enough WHO IS HE ⤷ user26 She’s allowed to keep it private for as long as she wants! ⤷ user25 "keep it private" blah blah blah consider i’m living vicariously through her and i want to know :) ⤷ user27 that's definitely a ferrari he's driving in slide 3... bawsixteen Belle chérie ♥ liked by author user28 oh i just KNOW balcony boy is sooooooo fine
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REDDIT: TOP POSTS TODAY r/yourusername • crossposted to r/formula1 • 3h ago posted by u/luvleclerc
hear me out… i think i know who balcony boy is!
okay i know this sounds insane but LISTEN. i’ve been reading y/n’s substack for ages and am also a huge fan of formula one. i’m absolutely convinced that balcony boy is charles leclerc.
EVIDENCE so yall don’t call me crazy:
so y/n moved to monaco a few months ago, and posted this photo from her balcony. she’s never said exactly where she lives but you can see the harbor in the background and we know charles lives near there. and this story he posted the other day? like not to be a stalker but tell me that’s not almost exactly the same view. almost like they're neighbors... also the timeline of her moving to monaco almost perfectly matches when charles started posting less on socials!!!
then we get into the balcony boy content, which if you haven’t read… oh my god. y/n’s writing is so beautiful that it doesn’t even make you feel bad about being painfully single. balcony boy literally feels like a romcom hero come to life. she doesn’t drop a ton of personal details about him but here’s what she HAS said:
“Some people flirt with their eyes and their smile. Others, apparently, do it by playing you a piano étude at golden hour, notes drifting on the sea breeze like a love song.” … guess who else FAMOUSLY plays piano????? charles marc hervé perceval leclerc.
balcony boy is genuinely curious about her writing and reads all her essays. this is exactly how charles is in interviews - always engaged and thoughtful with questions.
balcony boy is fine with being written about and isn’t bothered that y/n is somewhat well known. sounds like a person who already knows how it feels to be in the spotlight!!!!
“Dating a man who’s gone every other weekend means learning to say goodbye. But even when he’s on the other side of the world, he never makes me feel like he’s far away.” F1 CALENDAR HELLO…
mentioned that balcony boy grew up near where they live (“knows the streets of this place like the lyrics of his favorite song”). prince of monaco!!!! i rest my case!!!!
one last thing: her most recent posts are totally a soft launch and the guy’s hair in the 1st slide looks EXACTLY like charles's. plus there’s this comment from someone called @ bawsixteen about the flowers like he gave them to her? i checked the account and it’s private with no profile photo, but the display name says CL. cl… sixteen… it CAN’T be a coincidence!!
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TOP COMMENTS u/f1gossipgirl • 3h ago this is the most unhinged thing i’ve ever read but you’ve convinced me ⬆ 3.4K ⬇
u/fromthedeskof • 48m ago NOOOOO PLEASEEE not my favorite microinfluencer i can’t have everyone finding out about her… she’s MY parasocial bestie ⬆ 2.5K ⬇ ⤷ u/albonnation • 11m ago it's too late she has wag allegations :( she’s about to blow up ⬆ 332 ⬇ ⤷ u/everythingyn • 9m ago rip to our cozy lil substack community, she will be missed 💔 ⬆ 597 ⬇
u/BeanbagGreg • 1h ago This subreddit is focused on racing. Stick to discussion of driving please ⬆ 1.7K ⬇ ⤷ u/piastriwdc • 26m ago literally no one asked you to read this… how many times do we have to teach you this lesson old man? ⬆ 4.8K ⬇
u/romanticrealist • 35m ago ok grandma let’s get you to bed ⬆ 992 ⬇ ⤷ u/sallyrooneyluvbot • 6m ago Literally like as if she would ever date an athlete?? Be so fr ⬆ 81 ⬇ ⤷ u/landoleclerc • 2m ago um have you SEEN charles leclerc? don’t you ever speak on my goat like that ⬆ 133 ⬇
u/charlesdefender • 2h ago wait she’s sooooo pretty what’s her instagram ⬆ 689 ⬇
SEE MORE...
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@ yourusername • instagram notifications you have (8,692) new follow requests from @ leclercwdc, @ charloslover, @ f1ella and others !
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liked by charles_leclerc, bawsixteen, and 95,214 others yourusername privacy sign on the door… taking balcony boy offline for now xx
charles_leclerc Je t’aime ♥ liked by author
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#f1#f1 x reader#charles leclerc x reader#charles leclerc imagine#charles leclerc fluff#f1 imagine#charles leclerc smau#f1 smau#charles leclerc#f1 driver x reader#f1 driver x you#charles leclerc x you#formula 1 x reader#formula 1 imagine#❀ my work .
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List of words for the computer:
LONG POST- more under the cut
STANFORD- Pulls up a file on Stanford Pines, written by an unknown scientist. It discusses his extra finger and praises his intelligence, as well as calling him the “next evolution in the human species”.
BILL CIPHER- Takes you to the Wikipedia page for the Eye of Providence. Also took me to a Sesame Street video about a Jazzy Triangle and a Square. Not sure what prompted the change.
STANLEY PINES: Takes you to a list of EBay listings for brass knuckles.
FIDDLEFORD: Takes you to the music video for Cotton Eye Joe by Rednex.
SHERMIE: Nothing. I sure do wish we got some lore about Grandpa Pines.
GRAVITY FALLS: The text on the computer reads “never heard of it” and the red light on the bottom turns green.
ALEX HIRSCH: Leads to Google Images for “flannel”. Huh.
WEIRDMAGEDDON: Pulls up an article from the Gravity Falls Gossiper about how nothing happened at all and there was no apocalypse.
DISNEY: Screen reads “rat.gif censored for your protection”
SOOS: Leads to a page of writing from Soos himself, referencing many things (including Tad Strange being gay and madly in love with Woodpecker Guy. Love wins!!!)
DIPPER: Leads to a creepy yellow parchment with a message from Bill Cipher himself trying to trick Dipper into blinding himself by staring at the sun for 13 hours straight! Silly! (Also if you keep clicking on it, the page gets darker and blurrier until it implies we've gone blind)
MABEL: Causes stickers to appear on every available surface. Clicking it enough times leads to message “lab now fully Mabelized”.
WENDY: Leads to a note from Wendy that mentions a way to ward off evil triangles written in the bottom corner of the book.
GIDEON: Makes a web recording of Gideon scatting play. It ends with “I love you forever Mabel”. Please shut the fuck up you little creep.
TAD STRANGE: Plays a video of bread with smooth jazz in the background.
TOBY DETERMINED: Leads to a Google search for a restraining order. Holyyyyy shittttttt
WHO ARE YOU: “I could ask you the same question”
SEASON 3: “Season Two”. I guess that’s that lol
This was about all I could find. Please reblog with anything else you can discover! Thank you, fellow Gravity Falls enjoyers!
And make sure to give some love to all the wonderful folks down in the comments! Many of these answers and tips come from what they've found. I can't list everyone, unfortunately- I didn't expect this post to get popular- but, to everyone who's helped out, THANK YOU.
FURTHER EDITS:
BLIND EYE: Pulls up an optometrist’s eye exam. Each line reads “WKHBOOVHH”. Too lazy to translate atm.
PIÑATA: Bill Cipher getting beaten to death /hj
MASON: A note from Dipper listing several anagrams of Gravity Falls characters’ names. You can check in the comments for the answers.
AXOLOTL: “You ask alotl questions”. Thanks for the pun, Alex, but I’m kind of losing my mind rn
MYSTERY SHACK: Leads to a Google search for Confusion Hill, the real-life Mystery Shack!
MYSTERY: “?”
MONSTER: Leads to several YouTube videos for “There’s a Monster at the End of this Book.”
VALLIS CINERIS: Leads to an analog-horror-esque video of Baby Bill and his parents, who have been blotted out by static, and a voice repeating “WHY DID YOU DO IT” over and over again until you stop the video.
PORTAL: “Portal.exe has been deleted. I bet you could build a new one.”
GIFFANY: You need to put it in multiple times. Several warnings about breaching firewall, followed by a message from GIFFANY saying “SOOS! I still love you!” or smth like that, and then GIFFANY herself briefly appearing onscreen. Trying again after that summons her more. Also lets you download some ZIP files.
DORITO: Summons an image of a spinning Dorito, followed by the most cursed image of Bill Cipher I have ever seen.
GOD: A short video of an axolotl in a tank with a Bill Cipher statue plays. This is Alex’s axolotl, shown in the Book of Bill countdown.
REALITY: “Is an illusion”
FILBRICK: “I’m not impressed”
CARYN: “I knew you were gonna write that”
GLASS SHARD BEACH: Leads to an image of the New Jersey Hell Hole.
ANY CUSS WORD: Pulls up a paper reading “NOT S&P APPROVED. WASH YOUR MOUTH OUT WITH SOAP” with an image of soap below.
MATPAT: Leads to a video of MatPat next to a conspiracy board, holding the Book of Bill. He tells us we’re on our own.
BABBA: Plays an audio recording of Dipper singing BABBA. Not Disco Girl, a different song.
CRAZ: Leads to the Jem and the Holograms theme.
XYLER: See above.
AD ASTRA PER ASPERA: Shows us two new journal pages from Ford and Mabel, studying the Cipher statue. They’re definitely worth the read, I teared up looking at them.
ANSWER: “Question”
QUESTION: “Answer”
SEASON ONE: “Season -1: Antigravity Falls”
SEASON TWO: “Season 1” …maybe scratch what I said about Season 3. Or don’t. Things are starting to damage my brain.
CURSED (got from @slimslamflimflam decoding the candle! Thanks!): Shows two pages talking about the dangers of drawing triangles, with the bottom of the second page showing several drawings of Bill and the words “HE IS COMING, RUN”
THE UNIVERSE: “Hologram”
RIZZ: “Life privileges revoked. Now releasing poison gas.” This response is repeated if you type in SKIBIDI or FORTNITE.
BABY: Shows an ultrasound of a fetus Bill Cipher, captioned “Look at what’s growing inside you! See you in nine months, papa!”
JOURNAL 3: “The Journal for Me”
PACIFICA: Leads to a note from Pacifica calling Bill Cipher “ick” and telling us to follow her on social media under “Platinum Paz”
PLATINUM PAZ: Pulls up an image of Northwest Manor with the llama symbol overlaid and a “NW” logo beneath. There's also a short story beneath!
LOVE: Leads to an audiobook of “The Love Triangle”. Need to read later.
BLENDIN: “The time agent lost and presumed incompetent”. Uh…?
SCARY: Leads to another audiobook of a cheesy Goosebumps-esque horror novel written by Bill himself, apparently.
DIVORCE: Shows you the logo of the bar Bill went to after his fight with Ford… Billford bitter exes confirmed
ROBBIE: Leads to the cringiest messages ever. He’s such a failure I love him
CONSPIRACY: Leads to a video of a man losing his mind over the countdown counting up. I feel so seen. (I have been informed that his name is Charlie Day, he's an actor from It's Always Sunny in Philadelphia and that one meme, he had a quote on the back of the Book of Bill, thanks to everyone who explained that to me, I'm sorry, I'm uncultured)
RAT: “Thurburt’s number?”
BLANCHIN: Leads to a YouTube video on how to blanch vegetables.
TJ ECKLEBURG: “Never mention that name again.”
NOTHING: “Something”
SOMETHING: “Nothing”
BURNSIDE: “Burned inside.” Well… at least we know what happened…
WADDLES: Leads to the pig placement network!
THERAPRISM: Pulls up a sign from the theraprism regarding an emergency situation. The code reads "THE OLD ONE".
SHAPE: Pulls up an article on Plato, triangles, and Ancient Greece. This article is presumably written by Bill.
LLIB and BILL: THIS leads to the Sesame Street video every time.
WEIRD: Shows a video of a frightened Weird Al panicking about being trapped in a computer. Sorry, man...
CLONE: Pulls up an image of Paper Jam Dipper, a warning about not getting him too close to liquids, and an option to print.
TRIANGLE: ")" or "Tri harder."
THEYLLSEE: "Is seeing believing?"
DEER TEETH: "For you, kid!"
LIFE: "Life: 72% complete. Now loading: death."
DEATH: "Life's goth cousin."
PINES: "A good family tree."
OWL TROWEL: A slab of hieroglyphs, translating to an ancient ad for an owl trowel.
SCALENE: "Life form not found." EUCLID has the same outcome.
WELL WELL WELL BEING: Some assorted notes from Bill's Theraprism file. These include his greatest love and fear, his art therapy notes, and notes on his phobias. Three clicks is required to read them all.
BOO BERRY: Offers a poem on the meaning of life! Wow! I feel so enlightened!
LOVE YA BRO: Shows us a doodle from Stan of one of his and Ford's Sea Grunks adventures, and another code on the back. It translates to "Kings of New Jersey." I've been told it lets you download the code as a font.
SORRY: Reveals the repaired Backupsmore photo, with a note from Fiddleford about his and Ford's growing friendship. Fiddauthor fans, we are eating well tonight!
HORROR: Pulls up an image and report on The Always Garden, which is essentially a cheap Italian restaurant hidden in the backrooms.
HOLOGRAM: "Universe."
NAITSUAF: Pulls up a page that looks like it would be from the Book of Bill, in which Bill tries to convince us to sell us his soul. Clicking "ARE YOU READY?" pulls up a contract where we can sell our soul to Bill (with an alarming amount of coded fine print. Will need to translate later). You can print this document out, back out, or sign it right there on the web. Hitting "SIGN" causes the words "PLEASURE DOING BUSINESS WITH YOU!" to appear, and the document to close. In other words, I no longer have a soul.
IMSTILLONYOURMIND: Plays a recording of the ocean, with Stan faintly talking in the background. Poor Ford ain't quite over the divorce yet...
HOTXOLOTL: Pulls up a "MOST WANTED" doc on the henchmaniacs.
SEVENEYES: Pulls up a faded polaroid of The Oracle with text on the back that reads "LEAVE HIM. Escape to dimension *blurred out*. It's against the rules but it's the only reality where you'll be safe from him." The code at the bottom (once again decoded by the powerhouse that is @slimslamflimflam) reads "Set a course for Dimension: R34LITY." Is another Cipher Hunt in the makes? Only time will tell, hehehe.
JUST FIT IN: Plays an old commercial with a few moments of speech in the glitches at the end.
EVEN HIS LIES ARE LIES: Shows a transcript from a therapy session at the Theraprism. Bill discusses his relationship with Ford and cuts off the session when someone brings up his parents.
NOT A PHASE: Shows a Google search for "black hair dye stained an entire bathroom."
PAPER IS BOOK SKIN: Instantly downloads a page of fleshy pink paper with the word "ENJOY" written on it!
SHAVE YOUR GRANDMA: Pulls up a few more pages about the human life cycle.
LIES: Pulls up an image of "The Game of Lies" board game, with a long stretch of text from (I assume) Bill, ending with "LIE UNTIL YOU ARE NOT LYING ANYMORE." Someone has some issues...
SAY BAAAA: Pulls up a neat little rhyme about being Bill Cipher's obedient flock of sheep. The code at the end translates to "Black Sheep."
ONE EYED KING: Plays a video of a hypnotist's spiral, with Bill proclaiming "YOU WANT TO PLEDGE YOUR SOUL TO BILL CIPHER" in the background. There is also morse code that translates to "NAITSUAF", leading to a previous discovery- the soul contract.
TANTRUM: Pulls up a transcript of a spat between Bill and Time Baby.
TITANS BLOOD: "HOOT HOOT! Password please!"
CURSE WITTEBANE: Pulls up an image of a Bill Cipher ouija board.
FORDTRAMARINE: Pulls up several rejected files from Ford trying to convince us Fordtramarine exists.
SUCK IT MERLIN: Pulls up a tapestry of Bill riding a unicorn. The code at the top reads "DAY MARE VS NIGHTMARE."
HEY NERD: Plays a commercial advertising things such as a Bill Cipher calendar, the Scrubba-Bill, a severed hand, and the entire Cygnus-XIII galaxy. Half of the image can be found in the Book of Bill.
DESTRUCTION IS THE FORM OF CREATION: Pulls up a frantic page of notes from post-portal-shit Fiddleford. A sticky note at the bottom has a code that reads "Unreality."
RUBBERHOSE: Plays "The World is Small Ever After for All."
IRREGULAR: Shows us Bill's mugshot in color. The code below reads "No prison or attention span can hold him."
UNREALITY: Offers a guide by Bill on how to become immortal.
GUN: "Oh yes oh yes oh yes they both."
ABUELITA: Leads to a video on vacuuming the walls.
YES: "What's McGucket's favorite soda?"
NO: "Your loss..."
REPEATEDLY CLICKING STAN: This stuff deserves a section of its own, away from the OG Stan stuff. It takes you through several Ebay listings on various Stan-ish items until you get to a page written by Bill about Stan's secret shames. "Ex-wives" further confirms our theory on Stan and Eda's relationship, as well as revealing many other bits of lore. "Fears" is somewhat goofy to be honest. "Secret Shames" reveals that Stan is a fanfiction writer and that his mother is the only member of his family who truly loves him outside of Ford and the kids. "Unreported Crimes" is somewhat goofy as well. "Failed Products" basically confirms that Stan is that world's Alex. "Lowest Moments" is genuinely depressing, and "Darkest Thought". Well. I'm not spoiling it lol. And the bit on "How He Beat Me" causes Bill to get more and more frantic/angry the more you click it! Comedy GOLD!
DIPPY FRESH: Leads to a Reddit post of the Burger King Kids Club.
MEOW: Leads to a TikTok of a man playing the Gravity Falls theme on that cap keyboard.
HELP ME: Pulls up another video of Alex's axolotl and the tiny statue. Rip Bill ig :/
R34LITY: Pulls up several photos of the henchmaniacs in live-action, captioned "They found a new home."
JOURNAL 1: "The journal of fun."
JOURNAL 2: "The journal for you."
FBI: "Your webcam is on. We are watching."
BURNED INSIDE: Shows an image of a charred Oregon Parks badge and nametag on the ground.
HECTORING: Plays a silly little country song!
OROBOROUS: Pulls up two journal pages about Fiddleford buying Ford an axolotl to keep him company, and Bill subsequently telling Ford to get rid of him. There's also some code on the first page that reads "CHONKY BOY." Ford, you wonderful dork.
#the book of bill#gravity falls#thisisnotawebsitedotcom#bill cipher#stanford pines#stanley pines#dipper pines#mabel pines#soos ramirez#wendy corduroy#gideon gleeful#(please help I don’t know what’s going on)
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CREAM SODA — gojo satoru minors dni
prologue. → you've always known that gojo satoru is a real piece of work. arrogant, haughty. definitely has a praise kink for when people always call him 'the strongest.' but you're not even friends anymore, so this isn't any of your business...right?
what you didn't know is just how nasty he is, caging you in front of a mirror to lick away blood that he spilled from the veins of another man, one who dared to touch you.
pairing. gojo satoru x afab!reader
warnings+. secondary love interest in the form of a random oc, jjk lore being mildly twisted, history around the world, in-jujutsu universe (not an au), gojo going feral and batshit bonkers, rough séx, créampíe, INSANE glass-shattering jealousy, hate séx but only a bit, brééding, oràl (f. receiving). enemies to lovers, former friends, PLOT AND WORLD BUILDING BTW this isn't pẃp, éxhibitionísm, mirror séx, overstímulàtion, bratty reader but with a reason to be a hater, working together on a mission, mentions of alcohol and the crime underworld, DEFINITELY a bit dark because reader goes through emotional whiplash, descriptions of a fight and heavy injury, biting because i always somehow write gojo as a vampire type of freak?? the PRIME example of the miscommunication tropes and a case where neither person is in the right...nuance is your friend here, fake bodyguard!gojo, reader wears a dress + makeup for a formal event, angst, hurt, lashing out, some comfort and fluff
excerpt: part of you knows that you just aren't seeing those pearly gates of heaven.
you know there's going to be a bouncer at the doors, with your face printed on a photo titled: dni! fraud! liar! the world's most incompetent jujutsu sorcerer! would bounce into a criminal's bed at first chance!
word count. 22k!!!!!!! AURKAY!! song inspiration. cream soda — exo, is there someone else — the weeknd
a/n. spent way too long trying to learn ps for the header 😭 wrote this only because of the new grey suit gojo art <3 there's a secondary love interest in this for the ✨ plot ✨ but he's just a character i made up for this story. i would have used one of the other jjk men but it would made it into an au that i didn't feel like expanding on 😭
mp3.. feel that tinglin', that silky smooth cream, each swirl deepens the flavor, babe. baby, go dumb dumb!
"f-fuck, if i had known it felt like this, would've stuck my fingers in h-her a long time ago," gojo unfurls his fingers that only just separated from your fluttering pussy, and you can only watch.
equally mesmerised as his slender fingers are coated in strands of your slick, clinging to the curves of his short nails and coating them in a mirror sheen.
"have some c-class, gojo! you've lost your fuckin' mind -"
smack!
the dewy pads of his fingers have come down in a harsh arc, slapping right at your throbbing clit, and the jolt sends such an incredible crack of lightning down your spine that you're bucking your hips back up into his hand, back for more.
"some class? hah, 'm not able to do that now, baby," and you can feel gojo shudder under your touch, as you paw at the linen of his black dress shirt, raking your nails over his pectorals, "not when it f-feels like your pussy is about to, fuck, vacuum my fingers off."
"i swear to god, gojo. never say that corny shit a-again."
but it's hard to convey any sense of righteous fury like this. not when he's back to pushing the tapered ends of his long fingers in and out of your tight heat. each brush from the pads of his fingertips leaves you squealing, tugging at the snowy strands on the back of his head.
but gojo's teeth are sharp as they sink into the damp skin of your neck with an almost reverent press, easily snapping through the delicate flesh.
and you're squealing, shocked at how fucking bold gojo satoru has become, whining at how a sharp hiss pulses through you, and you can feel the warmth of blood beginning to bloom and pool over your collarbone.
"shit, 'm sorry, baby. so sorry. but i'm gonna need to see you l-like this," and suddenly gojo snaps away the pussydrunk babble falling from his candied mouth, and he's pressing a searing kiss to your jaw, and the air becomes hazy with the scent of an insanely expensive cologne, cedar and something...sweet, like cardamom.
still, there's hardly time to dissect that.
not when his thick arm is around your waist, handling you until you're smack bang between his legs, right between dark slacks. and gojo has shifted, so your back is flat against the hard planes of his chest, and your knuckles can only grip at the vanity sink. so your eyes can only see your naked torso twisting in the mirror.
"keep your eyes h-here, sweets. on us."
wait. you need to pause this tape, and do a little rewind.
how did you end up here, getting finger-fucked in a luxury five star suite? by the one man on earth that you swore that you could never stand?
(earlier that day)
the chandeliers had been shimmering overhead like stars, each fine crystal caught the golden light and scattered it across the grand lobby, and it was making your eyes flare and twitch.
this entire hotel felt frozen in time, some opulent relic of the roaring twenties, translated straight into tokyo's beating heart.
it was all so...pristine, and gaudy. and even the air carried that faint scent of hefty chanel no.5 and furniture polish.
but hey, this cheque wasn't coming out of your pocket, so who were you to complain?
that's how you rationalised it to yourself, right after a smartly-dressed waiter had floated past with a tray of shimmering champagne, one that you had easily helped yourself to.
ah, fuck it.
let the bill rack up on yaga's card. the least he could do after volunteering you to the higher ups for this mission.
a thick folder rested in your lap, clipped papers inside threatening to spill over from the sheer volume of information, that made your head spin.
of course, it was all courtesy of the jujutsu administration's obsession with drowning sorcerers in needless bureaucracy. and so you leafed through it idly, your thumb skimming over the crisp edges.
names, places, dates, all laid out in haphazard detail.
what a mess, it was a lot, but not enough to fill in the gaps that gnawed at you. the higher ups never gave you everything, fuck, they hated making it easy. still, your eyes caught onto key phrases.
urgent recall of cursed object. yes, that's why you were here. and not enjoying your saturday afternoon at home.
declaration of most expenses covered, in the instances of losing a limb. fair enough, insurance was honestly hell these days.
gain access to the auction being held by the voiceless. find their leader, naoki sato.
you knew of the voiceless, most higher grade jujutsu sorcerers did. a crime syndicate so shrouded in mystery. operating overseas for decades without so much as a cloudy whisper to the general public.
you made an unimpressed face as you kept reading, crinkling sheets under your fingers. smuggling, extortion, and a great deal of unexplained murders that would leave the cast of criminal minds scratching their heads.
how tasteless. still, you weren't the law, each to their own.
however, something made this case different. it made it your apparent problem.
for the voiceless were not your usual ragtag team of ruffian criminals, intent on scamming the vulnerable and sad.
their ranks comprised of wayward jujutsu sorcerers, with a hearty appetite for special artefacts, including cursed objects.
and now here they were, back on tokyo's soil, their hands covered with more than just the regular mundane crimes that could land a man behind bars for life.
you shifted in the plush, sinking seat. flipped to a page that had been practically painted in the most unforgiving shade of neon yellow highlighter.
ah, so this was the cursed object. raijin's amulet.
there was a grainy, slightly off-centre photograph clipped to the top of the document. the image was not much to look out, all washed colours and shadows that clearly didn't speak highly of the skills of whoever was behind the camera.
a circular pendant, a darkened forged creation of bronze and jade, covered in the soot of the ages gone by. spiralled with intricate carvings that reminded you of swirling storm clouds on a summer's evening.
and at it's centre sat a jagged shard of some precious golden stone, rough-hewn at the edges.
you were certain that this was the cause behind the distorted photography, for a modern camera was simply just not meant to capture such high levels of cursed energy.
there was even a faint shape of a dragon coiled around the pendant's edges, with its claws gripping the frame as if guarding it...or imprisoning it.
you weren't sure which. you're not sure you wanted to know which.
the accompanying notes were sparse, filled with frustrated gaps that left you squinting.
believed to be an ancient relic of the heian era. captured from the treasure hoard of the early medieval sorcerer, ryōmen sukuna, after his death.
huh, you hadn't heard that name since your school-days, back when you had poured over fraying history tomes, trying to pen the perfect essay to beat out suguru's flawless grades.
said to be imbued with the power of the lightning deity, raijin. capable of summoning and manipulating thunder, and disrupting various veils and curtains. last known location: the british museum, 1982. current location: unconfirmed.
clearly not an artefact meant to sit behind public museum glass.
dangerous in the wrong hands, and priceless in the hands of all. this must have been at least leagues above your current pay grade.
your thumb hovered over the corner of the page, bruising the white paper underneath as you scanned over the rest of the text, hoping and looking for a section that would be titled: and here's how to track raijin's amulet down and find it, with no bloodshed, and just in time for dinner!
no such luck.
"figures," you muttered under your breath, shoving the folder shut with a disgusted sigh.
this entire mission reeked of playing politics. for years, the voiceless had operated under the radar of other nations, disguising the tell-tale jujutsu as unexplained natural disasters and accidents.
there had been no intervention. they had been untouchable because no-one had the foreign jurisdiction, nor the guts to intervene.
but now, with the voiceless back on home soil, it seemed the higher ups wanted to make a statement. something like 'hey, we're actually useful at our jobs of protecting the jujutsu world!' and who better to clean up their mess than you and...
gojo satoru.
speak of the devil. you glanced up towards the grand entrance of the hotel lobby, as an unfortunate doorman stood by revolving, glass doors.
your...partner strode in, with dark sunglasses perched on his nose, and you scrunched your nose, taking in his appearance.
despite gojo's striking features that could render anyone speechless, he always looked like an odd bird of prey to you.
hawkish with creepy eyes, like a big snowy owl that had been hit by a curse, transforming him and forcing him to assimilate into the world of humans.
"i wasn't sure if you would come," you called, hoping that you masked the bitterness well that he had arrived, and significantly decreased the quality of your day.
"you wouldn't say that in bed," was gojo's snarky, automated reply, before he gave you a mildly embarrassed look, as if his immature mouth moved faster than his common sense did.
"still, sorry to keep you waiting," and gojo was crushing the heel of his boot into the cream marble of the floor, tapping it, all ridiculously long legs in the same uniform dress pants that you also donned, "traffic was hell."
"you don't even have a license," you grouched with a glare that you hoped was sharp enough to cleave time and space, but you stood up all the same, "and i wasn't waiting, i was working."
click! click!
gojo snapped his fingers, reaching for the folder stacked in your arms, "yes, of course you were, sweets," and he clicked his tongue, "now, why don't you hand that to me, and go check us in? i can look over what i need to do, let's get this done before night falls."
the audacity. the absolute nerve. how so typically gojo. swooping in at the last minute for kill shot, as usual, while others poured through all the paperwork, and did all the mental heavy lifting.
"you mean what we need to do, gojo," you snapped, your scowl deepening, "you're the late one. you go check us in."
gojo arched a pale brow, and the corner of his mouth twitched as though he wished he could just unwalk through those doors now, caught between amusement and exasperation. "you used to be so nice. what happened?"
"tsk! i think you happened, gojo. didn't ask to be stuck here with you."
"ah, so you do think about me, at least. but now you're jus' so difficult all the time."
"fuck off, i'm not difficult!" you shot back, before shrinking at the foul look that an elderly couple had directed your way, muttering something about how youth just didn't know how to act indoors, "i'm just saying it's not fair -"
"fine, whatever. don't care, sweets," gojo interrupted, already rolling big, blue eyes and turning away, "i'll go do it. you just stay nice and comfortable here."
and just like that, after comfortably raising your blood pressure (and heart rate), gojo satoru strode off towards the vast front desk, hands shoved lazily into his pockets, as though the two of you weren't on the clock to hunt down and find a dangerous criminal, his syndicate and a cursed object.
you trailed behind him, resisting the violent urge to grab his stupid sunglasses and fling them across the lobby. or stomp on them.
or just sit on them.
meanwhile, your eyes landed on the last and final page of the file, where a bright pink sticky note stood out sharply against the dull black and white of the case file.
final task: retrieve artefact. execute naoki sato on site. alternatively, bring in for execution.
the words were scrawled in thick, impatient strokes of a black marker. the kind that spoke more of efficiency, than humanity.
typical. there was just nothing that higher ups of the jujutsu world loved more than lopping the head off anyone that they deemed inconvenient. quick, clean and final.
still, this decision wasn't your business, not really.
you looked up to see gojo casually leaning against the counter, and his entire demeanour radiated smooth confidence as he spoke to the receptionist.
the sweet-looking woman had fumbled her worlds almost immediately, and she had dropped her pen twice. and he had caught it with an easy smile and wink that would have made you roll your eyes clean out of your skull.
you wanted to gag.
in less than a minute, gojo had the black keycard in his hand, spinning it between his fingers like some trophy as he sauntered towards the elevators.
you sighed as he stopped in front of you, extending the card with a flourish, like a knight presenting a courtier with a wreath of fresh-cut flowers.
"we're here for a mission, gojo. not to get it wet."
the tips of his ears flushed a bright, vibrant red. but his grin didn't falter as he huffed, and snatched the keycard back. leaving your arm floundering in the air before you dropped it.
"how crude. that's not even what i asked her. but still, you're welcome, sweets," he had said, stepping into the elevator and holding the door open for you with an exaggerated stretch of his arm.
"i didn't say thank you."
gojo smiled, tilting his head in that distracting, no. what? in that irritating manner of his, "no need. i could feel the gratitude radiating off you," and he's crossing his arms against his broad chest in a way that made the tailored uniform seem unfairly snug, "warms my heart."
"what if you don't have a heart?
for a fleeting moment, something unreadable flashed in gojo's eyes, irritation easily — but something unrecognisable, but he must have smoothed it away with practised ease. for that same cocky grin returned like clockwork, infuriatingly charming and just as insincere.
"what if it only beats for you?" he shot back, wiggling his fingers dramatically, and the motion was so over-the-top that it leaned closer to sleazy than heartstopping.
"now i'm worried, you need to get shoko to check that out. sounds like a serious health issue."
"your tender concern for my well-being is what keeps my blood pumping," and you know that gojo has little regard for the personal space for others, the way that the distance between you is closing once more, in a way that makes your own pulse flicker.
"please," and you take a deliberate step back to reclaim your own space, "if i wanted you gone, i wouldn't waste my time hoping for a heart attack. i'd do it myself."
gojo shrugs, tilting his head like you had just told him a sweet joke, "you're cute when you're homicidal, y'know that?"
"and you're insufferable all the time. we all have our talents."
gojo's barked out a laugh, and the sound is annoyingly genuine. it has you grinding your teeth together, making your jaw tight.
"hey, gojo," you swivel back to the towering bean-pole behind you, leaning against a steel bar.
"mhm, what?"
"i'll give you a hundred thousand yen if you keep your mouth shut during the entire elevator ride," you mutter, staring at the ground floor map, and up to where your suite was meant to be, hands fiddling over the buttons.
"deal."
you glance back, "that easy? clan money running low, gojo?"
gojo sighs, shaking his (ridiculous) snow-cone hair, "you have no idea. spent it all on a sweet talkin' girl who kicked me to the curb. even took the dog with her. who takes the fucking dog?"
despite yourself and your iron-clad resolution to not validate gojo satoru in anything, you snort, the first genuine laugh he's pulled out of you.
you choose not to notice how his eyes suddenly seem a shade brighter, as you snicker, "you're so ridiculous."
he doesn't reply as you press an index finger into the cool metal of the elevator button, and you turn around to see him sadly miming out his broke plight, with a sack of imaginary things over his shoulder, jingling the few coins he has.
tsk. you bite your lip to stop the corners of your lips lifting up to match gojo's own, wrinkling your nose in faux distaste as you spin back around, with gritted teeth. away from the mild bane of your existence.
true to his word, and shockingly so, gojo stayed silent through the elevator ride. mostly.
you caught his restless sighs, the shuffle of his ridiculously polished boots, and the occasional sharp intake of breath like he was simply dying to say something, but kept biting it back.
good. for once, it was nice to make gojo satoru stew.
the elevator dinged, and you had already stepped out, planning to ditch him in the suite, but clearly, gojo had other ideas.
"alright, sweets," he said, hand extended, "i won the bet. hundred thousand yen, i can take a cheque too."
you stopped short, glaring at his outstretched (sculpted) hand.
"right now? just as we're gonna plan how to catch a criminal? can't we do a pay later type of thing?"
gojo's responding grin was wolfish, and his voice dropped enough to make you bristle, "sure. pay later, with a kiss."
your groan must have echoed down the hall, and without thinking, you shoved past him. your shoulder colliding with his chest in a way that was deeply satisfying.
"my kisses," you snapped, refusing to look back at him, "are worth way more than a hundred thousand yen."
gojo didn't reply immediately, no. and for a second, you thought had finally managed to shut him up enough for a moment's peace to gather the thoughts that the white-haired man always managed to unravel.
but when you dared to glance back over your shoulder, his sharp gaze was fixed on you, and his lips were pressed together oddly — the faintest dusting of cherry pink peeking out underneath his sunglasses, and falling over his cheeks.
nary a peep from gojo then, save for him rushing past you to slot the keycard into the door. but holy fuck, the sheer luxury of this suite almost made you forget that gojo satoru even existed.
sleek dark woods, glowing orange accents, and a massive window that offered a panoramic view of tokyo's skyline. and then, there was the bed.
ridiculous in its decadence. a king-sized masterpiece, draped in plush linens that looked softer than the clouds dotting the afternoon sky. framed by polished ebony bedposts that gleamed in the warm light of the suite. the mattress was practically calling out to you, to sink your back into it.
wait, where was the other bed?
"nope! absolutely not," you blurted, spinning on your heel to face gojo who had sauntered in after you, pausing mid-step and clearly, equally caught off-guard with a stunned expression on his face — before morphing into something maddeningly smug.
"what?" gojo said, leaning casually against the doorframe, "it's a bed. you've seen one before, right?"
you tried to speak in a way that wouldn't quite make it show that you felt like your tongue was lead, jabbing a finger at the bed as though it had personally offended you, "there's only one!"
gojo's lips quirked upwards, his blue eyes gleaming with that irritating mix of amusement and mischief, most likely derived from your displeasure, "now look at that, we can count to ten. baby steps."
"don't start with me," you snapped, "i'm not crashing out there. i'd rather sleep in the hallway."
gojo tilted his head, the white tufts of his hair falling around his face, as though he were considering the suggestion seriously, "not sure the hotel staff would appreciate you loitering in their five-star corridors. won't stop you though, sweets."
"you can sleep on the couch," you try to offer helpfully, relishing in how it's his turn to scowl at you.
gojo's glancing towards the sleek leather sofa in the corner, most likely worth more than your monthly rent, "tempting," he drawls, "but i don't think that thing was designed for someone with legs this long," and he's slapping his hands on his thighs, and you do your very best to not track your stare down.
"then curl up like the overgrown house cat you are -"
"fuck you mean by that?"
"or sleep on the floor!"
"i'm liking these options less and less."
but then gojo straightens, and you're starting to see a small tick reach to the corner of his bright eyes, the faintest hint of irritation seeping through his drawl, "you know, for someone so desperate to avoid me, you spend a lot of time wondering where i'm gonna sleep."
you hate the traitorous flush heating up your face, "i'm thinking about it because you're my problem."
"well i hope i'm at least your favourite problem," gojo murmurs, brushing past you to toss his dark bag onto the bed.
"so, what's it gonna be?" gojo's voice was a lazy purr, patting the mattress beside him with a grin that could have launched a thousand arguments, "join me, or keep fighting a losing battle? because -" he faked a yawn, "i think i'm starting to get a bit sleepy."
"sleepy? you're a grown man, and it's barely three in the afternoon."
gojo arches a pale brow, and you have to force yourself to stop staring at the pink curve of his lips, "and? scared you won't be able to resist me in the middle of the night?"
"you should be scared you'll wake up with a pillow smothering your face."
gojo sighs, melodramatic and loud, rolling over onto his back, "i'd rather be smothered by -"
"gojo!"
his laugh is low and rich, and it vibrates in the air in a way that make your teeth itch, and your eyes roll, desparate to change the subject and actually get back on track.
you shove the hefty file in his direction, letting him flounder to grab a hold of it, "last page. naoki sato."
gojo's entire demeanor shifts, and falls under the mention of the name, eyes a touch darker, and suddenly serious in a way that almost makes you regret being on the clock. but he's pushed himself up from the bed, his legs dangling off the edge.
"what about him?"
you frowned, still turning over the situation in your mind, "well, he's supposedly working out of this district right, i mean, even this hotel? but why? i always thought crime bosses had creepy lairs in dark alleyways or something. and not," you gesture to the five-star architecture around you, "this."
gojo's broad shoulders shrug in that lazy way of his, like everything was beneath him, but there was something else flickering behind his perched sunglasses, "i've never even met him. just heard of him," but gojo seems to be chewing each word, as if choosing them carefully, "but what i've heard? not your typical criminal? he flies high, lives the wild life out in the open, rich and shameless."
you privately held back any biting comment that came to you as easy as breathing, about gojo also being the epitome of rich...and shameless. time and place, yeah?
gojo, thank the lucky stars, had not noticed you fighting demons to keep a straight face, "but then every so often sato vanishes off the radar, and then, bam!" your partner splayed his fingers, "he strikes again. always showing in a different place. the united states, france, england, egypt..."
you raise an eyebrow, tapping at your phone, "egypt?"
"egyptian artefacts are ridiculously powerful, sweets. i mean, on a whole other level. they aren't linked with y'know...jujutsu," he gestures vaguely between the two of you, "but whatever they've got is ancient and ridiculously potent. last the higher ups heard, naoki sato managed to get his hands on an old obelisk."
you shake your head at the prospect, humouring gojo, "whatever for?"
"whatever twisted things he does in his free time, fuck if i know. but of course, he couldn't control it. instead, it summoned the spirit of a massive serpent, killed a bunch of innocent civilians."
you have the faintest collection of the mythos surrounding an ancient serpent, and the thought makes you shudder, "wouldn't the local authorities have arrested him for that?"
gojo pushes his sunglasses up his head, so you're now looking back at unblinking blue eyes ringed by white lashes, "how do you arrest a guy who's practically a ghost? they couldn't even find him after all that shit. besides, his technique is something else. enhance. practically has control over every cell in your body."
you nod slowly, hoping that you're piercing it all together correctly, "so this auction is because he's got more of these artefacts? like raijin's amulet?"
gojo nods sharply, and you're struck by the intensity of big blue eyes with whorls of storm clouds lingering between his gaze, "i guess even villainous criminals want to make profit. but we can get a front row seat to whatever he's planning next."
"and stop him before that."
"right. that's what i said."
your frown deepens, "how the fuck does an entire auction stay hidden from the public?"
after all, you had scoured the floorplan of this hotel from base to rooftop, and not a single room or corner would accomodate naoki sato, and the voiceless that follow him.
gojo shrugs with infuriating nonchalance, his fingers tapping idly against the edge of the bed, "there's jujutsu that can create entire illusions. beneath this very hotel lies an entrance to a hidden ballroom, but it's been in and out of use for decades. we jus' need to slip in, find sato, and maybe shake him a few times until he spills the amulet's location."
you cross your arms, and the unfortunate truth lingers on your tongue, "if it were that easy, the higher ups wouldn't have sent you with me as backup."
"was that a compliment for me? careful, you might actually start liking me now."
and at your affronted expression, laugher is spilling out gojo satoru, sharp and cocky and awfully infectious.
you hated the sound, not because it wasn't nice, but because it was. too rich, too easy. the kind of laugh, from the strongest sorcerer to walk the earth, that made you wonder if ever took a damn thing seriously. with the unfortunate side effect of questioning why it was so annoyingly attractive at the same time.
nobody should get to look that good while being such an unbearable ass. it was unfortunate, you thought grimly, how much you liked seeing him laugh though.
"i don't think i'd ever like you at all, gojo."
but alas, the world has a cruel way of making you wish that the earth swallowed you whole. and your heart and mind certainly aren't on speaking terms with each other to coordinate properly. for the barb flies out of your mouth like an uncontrolled reflex, a rogue arrow hitting its mark.
and you're left grimacing as gojo's smile stills. not vanishing completely, but frozen while something cooler and sharper slips into his gaze. the awkward silence that follows is loud enough to make you wince and pray that a lightning bolt strikes you down right now.
gojo gives a quiet cough, and you're wondering just how much of his nonchalant facade he has left intact. fuck, you were a bit of an ass yourself.
"ah, gojo. i didn't mean -" you started, stumbling over the words, desperate to backpedal, if only for the sake of the mission. right?
"don't strain yourself pretending," gojo cuts you off, and you're mildly stung by the smooth edge of venom coating his voice, despite his relaxed smile, "let's just get this job done, yeah? it's just us two here because no-one else could put up with you. i was the only one left who actually wanted to try."
well. ouch, that was a low blow. motherfucker.
your jaw tighten, and for a moment, all you can do is stare into vibrant blue eyes. surely, that wasn't true...right? and how awful that the sharp look in his eyes softened into a smug satisfaction as he registered how his own barb had found his mark.
now, gojo satoru is leaning back with an air of victory, crossing his arms as if to bask in it. talk about drawing more blood from a wound than necessary.
"you're awful, gojo," you bit out, praying that whatever tremor lives in your throat is not enough to appear in your voice.
"yes, i know. you say that all the time."
it was almost tragic, you thought bitterly, how in those fleeting few minutes, you had found gojo satoru bearable. likeable even. insightful, in his own smug way.
but now, the two of you were back to square one, staring each other down with walls firmly back in place.
sure, your quip had been mildly unnecessary, but it wasn't like he hadn't heard your blithe and bland comments by now?
but still, gojo's words gnawed at you. the idea that no one else wanted to put up with you, except him, of all people, burrowed deeper than it had any right to.
maybe it was petty, but you weren't about to let gojo satoru have the last word.
"remember that the higher ups want naoki sato executed," you said, breaking the terse silence.
gojo didn't even glance up from the file he'd been pretending to skim, his long fingers casually flipping a page. and that nonchalance made your stomach churn with irritation.
when he finally looked up, his expression was a mix of curiosity, and disdain, as if you had become a particularly stubborn puzzle that he'd decided was not worth solving, "yes, i know that too. so what?"
"you and i both know you've had trouble executing criminals in the past."
a calculated jab, sharper than they needed to be. and you saw the impact hit almost immediately. gojo's jaw tightened, and the glint in his frosty blue eyes disappeared, replaced by something darker, furious even.
suguru geto was still well and alive, often appearing on television as a friendly priest who would cure one of all their ails such as lower back pain or bad headaches, for the low price of joining the ranks of his organisation (read: cult). but he still remained a sore point for...everyone. you, included.
gojo, especially.
and now the air between you shifted, chilling like a winter draft had snuck into the room. your eyes fell on gojo's knuckles as they tightened around the file, his expression stony.
you shouldn't have felt proud of yourself for getting under his skin, for pulling a genuine reaction from him. but you did. you'd found a crack in his flawless armour, without needing to bypass infinity.
and it was satisfying.
"f-fuck you," gojo said finally, the razor edge in his voice was matched only by the glare he pinned on you.
you crossed your arms, doing your best to feign indifference despite the adrenaline surging through you. ignoring how you felt an awful pit in your stomach sprout, rendering you rather nauseous, and quoting his previous words, "don't strain yourself pretending it's not true."
gojo satoru's glower could have melted steel, and for a moment, you wondered if you'd gone too far. but he stood, slowly, his movements deliberate as he slammed the file shut with a resounding snap.
you watched as he snatched up his smaller bag, and swung the door open with enough force that you were surprised that it didn't fall off its hinges, "just be ready by the time i get back. 'm gonna take a walk."
and you were left, alone, in a room that suddenly felt so much more suffocating.
you weren't sure how long it had been since gojo had stormed out, leaving the room icy in his absence. you hadn't moved from your spot by the door, though you told yourself that you were entirely fine.
arms crossed, lips pressed into a thin, defiant line. but even as you stared at the dark panels of the door, the lie began to unravel.
you told yourself that you just didn't care for gojo satoru. that you didn't like how he was too loud, too reckless, too overwhelming, a force that just didn't fit into the neat confines of your world.
the heat rising to your cheeks must have betrayed you, as did the tight knot in your chest. it had been...not your wisest choice to lash out at him, or to even bring up his name. suguru geto, a wound that would never close for anyone.
but more than that, you hated the memory of his expression just before he left. hurt, and anger. and something far more raw.
he would come back, you knew that much. gojo was much too dutiful to leave a mission and abandon a chance to do some good in this world. it should have been a comfort, but it did little to ease you. instead, that certainty only twisted the guilt tighter in between your ribcage.
finally, you yanked the door open, fuelled by an impulse you didn't care to name. you wanted to catch him outside, mid-pace and brooding. just so you could say...something. anything.
but the hallway was empty, stark and silent, with only the dim flicker of warm light as your witness. you bit your tongue as your stomach churned sourly with disappointment.
and instead, you just slammed the door shut, letting the sound reveberate with just as much force that gojo had slammed the door with, on his way out. you leaned against the wood, closing your eyes as you did your level best to swallow that lump of regret making a home in your throat.
pacing helped for about...three minutes. shuffling through the case files on the table did nothing but remind you of why you were here, why you had both been sent. after all, was this mission not bigger than you, or him? was this not about bringing naoki sato to justice?
it didn't feel that way.
your gaze landed on the garment bag handing from the chair, untouched from when you had pulled it out earlier, back when gojo had been inviting you...to bed.
sort of.
you unzipped the bag with (mildly) trembling hands, letting the fabric spill into your grasp. no doubt that the dress was beautiful, a masterpiece of icy, powder blue and shimmering sequins that caught the light like scattered stars.
well, this had certainly been worth half your paycheck.
your fingers brushed over the delicate embroidery, and for a moment, you felt a mild sting of your own hypocrisy and yearning heart. you accused gojo of being cold, distant and unfeeling, and yet here you were, holding a dress that reminded you of him in every way. the pale blue of the fabric, like the frost in his storm-eyes when they rested on you for too long.
if you ever came face to face with cupid, you would beat him with a baseball bat.
you sighed, dropping the dress onto the bed before gingerly stepping out of your uniform, as cool air stung your skin.
what had you been thinking, treating gojo like that? he didn't deserve your anger, not truly. you knew how much your former classmate carried, how much he gave himself to this cursed and thankless world.
but of course, the little pronged-devil on your shoulder whispered around the shell of your ear. he often drew equal blood from stinging cuts, no-one wanted to put up with you, anyway.
still, there was no use in showing up to a gathering of some of the world's most rich, wealthy and seedy looking like a hollow and shaken ghost. and this mission was just not about gojo, it was about the greater good of the jujutsu world, and that's what you repeated in your head like a mantra, as you swiped plush-red across your cheeks and lips.
a diamond necklace around your throat was the final touch. well, you say diamond, but the truth was more...cheap. still, the strand shone in linked chains of pretty crystals. and that had still been a minor fortune for one who lived on a jujutsu paycheck.
the hours had stretched the afternoon into evening, settling a fragile calm over the suite that made you ache to stretch your limbs out, and take in some fresh air.
but the silence was shattered by a sharp knock at the door, purposeful and deliberate. and it made you freeze, hands still resting on the straps of your glitzy shoes, a frown knitting your brows.
gojo had the keycard, did he not? but who else would be banging your door down?
with a sigh, you stood and lifted the hem of your dress as you crossed the room. opening the door with every intention of scolding him for whatever drama he was dragging in this time.
instead the words just about died a sad and lonely death on your tongue.
gojo satoru.
for a brief second, your thoughts emptied entirely, as though he had cast infinite void right over you, leaving you staring with a heart that hammered like a caged bird.
gone was his usual, drab uniform. instead, he had swapped the dull fabric for a sleek, black dress shirt that clung just right, paired with a crisp, grey jacket that framed his broad shoulders.
you tried to not let your gaze linger on the open gap right under the white tie that hung slightly loosened from his neck, where silk kissed creamy skin.
but gojo’s face was unreadable, distant and cool. you hated how his mere presence always seemed to tilt the world off its axis.
and you blinked, forcing your mouth to close, and you stepped back to let him in.
"you’re late. again," you snapped, but your voice lacked its usual venom, tempered by the sharp edges of minor guilt that refused to settle in you.
"whatever. ‘m here now, aren’t i?" gojo’s tone was casual, but his eyes lingered a second too long, leaving your skin prickling with self-conscious awareness.
it seemed that the universe needed to hit you with some karmic intervention, and you decided to take the rare moral high ground, "about earlier," you began, trying to steady yourself, "i shouldn’t have said -"
"forget it, sweets," gojo interrupted with a shrug, though his jaw was tight, "i’m not keen on hearing excuses. i get it."
you bristled, biting back the immense urge to shove him, an urge that becoming disturbingly frequent, "i wasn’t making excuses," sounding out each word slow and deliberate. anger simmering under the surface at his holier-than-thou attitude, "that was an apology."
that made gojo pause, and now he fully turned to you, expression shifting. though it was hard to read, caught between painful acknowledgement and absurd pride that would include him admitting that he was affected by what you said.
for a moment, he said nothing, and the silence stretched unbearably heavy. but then gojo’s ice-gaze dropped to the necklace scattered over your throat, and he tilted his head, "not too bad," a flicker of a scoff curling at his lips.
"tch, they’re not even real," you blurted, then immediately regretted it, what was wrong with you today? you reached up, fingers grazing the cool crystals as if to shield them from his bemused scrutiny, "just thought i needed something to fit in."
gojo slid a pair of tinted sunglasses from his pocket, sliding them up his nose, smooth and practised, "in a room full of the filthy rich and tastelessly overdressed?" his pink mouth twitched, "you’ll fit in perfectly."
gojo was right. this was just…tacky.
the ground floor of the building had been nothing but a sleek, cold lifeless maze of marble, and now he had led you down into what could only be described as a scene for criminals with bad taste. an abandoned parking lot stretched out in front of you, a grimy stretch of concrete that left you expecting a quiet dead end.
until gojo waved his hand, and the illusion clearly met for non-sorcerer eyes shattered.
before you, a set of massive double doors emerged, seemingly from nowhere, and the lifting of the veil had left you disoriented, nauseous. but when the doors swung open, you almost felt like you were stepping into a warped fever dream.
this room inside was the most bizarre mixture of garish opulence that you had ever seen. gold…everything. the walls plastered in a deep red, like someone had dipped the entire place in velvet swathes and then covered it with more gold leaf.
plush, overstuffed settees sat like soft, jewel-toned thrones in every corner, and glass boxes lined the walls, each holding what looked like nothing more than expensive junk, tacky figurines and diamond-encrusted trinkets.
it was the kind of place you’d absolutely expect a mob boss to call home after a particularly long, indulgent afternoon making questionable life choices.
the hall reeked of wealth, the kind that demanded to be seen. opulence dripped from every corner — gilded fixtures, crystalline chandeliers, and glass displays showcasing treasures that screamed money but whispered nothing of taste. you twitched as you passed a goblet encrusted with enough jewels to buy a small city-state. the thought of how much it probably cost made your stomach twist.
"focus," gojo muttered at your side, his tone clipped. he squinted slightly, his sunglasses doing little to shield his six eyes from the garish light that spilled over the room like liquid gold., and you could tell it was a bit...much for his senses, making him blink rapidly. "we’ll sweep the displays, see if the amulet’s here."
you tilted your head, gesturing toward his snowy mop of hair, the unruly strands falling messily over his face and grazing the edge of his glasses. "and you’re sure they won’t recognise you, in this whole...circus?"
gojo's responding glance was sharp, flat, and utterly devoid of humour.
"most of these people wouldn’t recognise a threat if it was biting them in the ass," he said, voice low and laced with disdain. "they’re not sorcerers. just your garden-variety rich and bored — criminals, trust fund brats, maybe a politician trying to look cultured. the kind of people who buy antiques because they match their curtains and makes them look good for their friends."
the corner of your mouth betrayed you, twitching upward at his cutting dismissal of the glittering nonsense around you. he had hit the nail on the head, making contempt seem like an art form.
and worse, you hated how there was something almost…sexy about it.
the thought hit you like a slap, and you forced it down immediately. gojo and sexy didn’t belong in the same sentence. not in the same universe. fuck, not even as a passing joke.
"charmed as i am by your high opinion of humanity," you said dryly, trying to ground yourself in sarcasm, "maybe don’t make it obvious you hate everyone here. we're not here to arrest every person in this room."
gojo snorted softly, his lips curving into what might have been a smirk — or at least the ghost of one. "you think so little of me. i don’t hate everyone." his eyes flicked toward you, just for a second, before returning to the vast hall ahead.
it wasn’t much. barely a glance of electric blue. but it was enough to send your pulse into a sprint, and fuck him, he had to know it. you turned your attention to the nearest display, praying he didn’t notice the warmth blooming in your cheeks.
traitorous.
"let’s just find the amulet, and sato. and get out of here," you said briskly, your voice a shade too sharp.
"mhm," gojo's voice was infuriatingly calm, but when you looked up, his gaze wasn’t on the displays. it was on you.
"you look lost."
a voice, smooth and low, slid over you like silk, stopping you cold in your tracks. it hadn't come from gojo by your side, thank the heavens above, but it didn't make your heart any steadier. you turned towards the source, and your stomach did a three-point flip.
well. hello, gorgeous.
the type of good-looking that just felt unfair. the type that made you forget your name for half a second, and then hate yourself for it. the strnger stood out against the room of puffed-up men in overpriced suits, glittering with real diamonds of their cuff-links, and rolled cigars in their hands.
your eyes fell on dark auburn strands that fell in perfectly tousled strands over his forehead, and a tailored black suit that hugged a slender waist.
"i hope you didn't wander into the wrong hall," the stranger said, curling his lips into a faint smile, fraught with suspicion as it was.
you forced yourself not to stare — at an absurdly sharp jawline, at big brown eyes. but words were a different matter entirely. you struggled to conjure them, grasping for anything remotely coherent.
you settled on an appropriate response.
"um. no, we didn’t."
not your finest moment. not even close.
before you could mentally regroup with a few brain cells, a sharp jolt yanked you back to reality. you sucked in a sharp breath as gojo's long fingers pinched the underside of your arm, a deliberate sting that left you glaring at him.
he didn’t even bother to meet your eyes.
his entire focus was fixed on the stranger, his posture taut with unspoken tension, gojo's jaw clenched so tight you thought he might crack a perfect tooth.
the air shifted subtly, a faint hum of energy emanating from gojo. you knew that hum. it meant trouble. gojo, ever the master of simmering hostility, was gearing up for something, and he was looking weirdly agitated.
and you found it tasteless to jump the first person you had run into here.
"i usually know most of the guests at my events," the stranger continued, his voice calm, unbothered — but there was an edge to it, like he already knew the answer to the question he hadn’t asked.
oh.
you felt your stomach plummet as recognition dawned.
naoki sato.
no wonder gojo looked ready to snap someone in half. naoki wasn’t just anyone — he was the head of the voiceless. the host of this auction. the man whose fortune was built on enough shady dealings to fill a large library. the one who had more blood on his hands than those who had been dealt life sentences.
one of the most wanted jujutsu criminals in the world.
"you've — " gojo started, his voice sharp, but you cut him off with a forced, almost too-bright smile.
"you've thrown quite the party," you said, your words tripping over themselves as you elbowed gojo subtly, hoping to god he’d take the hint. "i’m actually quite new to the area. just exploring, hoping to find something good tonight."
gojo let out a low grunt, a sound that promised retribution later. you ignored him and plastered on a wider smile, one you hoped would distract from your partner's upcoming reversal: red.
"and, ah. this is my bodyguard...genji," you added, giving gojo's arm a firm retributive pinch through the fabric of his jacket.
the look he shot you could've melted steel, but you held your ground, determined not to let him ruin this.
if for once, he could take your plan into account, a great deal of bloodshed could be avoided.
naoki's faint cherry smile widened, bemused, "your…bodyguard?" he echoed, gaze flickering to gojo satoru.
gojo who stood like a coiled spring, gojo who certainly was no method actor. his icy glare practically speaking volumes of 'i will burn this room down.'
"well," naoki drawled, his tone almost playful now, and you flushed, "i hope you find what you’re looking for here."
behind him, his entourage, a cadre of hulking men stuffed into suits barely containing their bulk, followed with synchronised precision. they looked more like walking fortresses than bodyguards, with their cold and suspicious eyes cutting through the room as they passed.
one of them shot you an odd look, and you forced yourself to feign interest in a nearby display of sapphire-encrusted forks.
the moment the criminal was out of earshot, gojo leaned down, "genji? really?"
you shrugged, ignoring how you felt your nerves fray. and refusing to meet him half-way, "what? okay, i panicked. it was the first name i thought of."
"yeah, that was so convincing," gojo muttered darkly beside you, and you caught some bitten off words about how he was never going on a mission with you again, how yaga should never have roped him into this.
all things you blithely ignored.
you didn’t need to look at him to know he was furious. it rolled off him in waves, the tension in his posture, the barely audible hum of cursed energy still crackling under the surface.
"we don't even know where the amulet is. and imagine if we show up in front of yaga without it. you can do whatever you like with him after we get our hands on the cursed object," you whispered back, pretending to study the ridiculous cutlery with exaggerated focus.
gojo lowered his head, as though he suddenly saw the worth in gemstones embedded in cutlery, but just enough so he could glower at you. "you're flirting," he hissed, "i could have blasted through half this room, and just finished the job by now."
you coughed and hackled, "not all of us think effective battles are fought with a hollow purple."
"and not all of us,” gojo bit back, "feel the need to blush like schoolgirls the second someone bats an eyelash at us."
heat shot through you, part anger, part something you didn’t want to name. "blush?” you snapped. "i wasn’t blushing."
"you just wanted to jump his bones. thought we weren't here to get it wet."
"i'm not entertaining this conversation," but your voice was mildly higher pitched, drawing attention, "is that why you were there? standing like an idiot, or a jealous ex-boyfriend?"
gojo's sneer faltered, just for a split second, but it was enough to make your heart lurch with a strange, vindictive triumph.
"i wasn’t jealous," he said, "i was doing my job. y'know, being a jujutsu sorcerer. bringing a criminal to justice."
you opened your mouth, ready to retort, but no words came. because he wasn’t entirely wrong, and that infuriated you more than anything.
so instead, you lifted your hand, placing it firmly on his shoulder, onto the crisp and fine fabric of his jacket. you didn't miss the way he stiffened, briefly disarmed.
"look, i've got this. just stay close."
gojo's jaw tightened, and you could feel the unspoken protest simmering there. before he could get a word in, you turned away and called out.
"hey! naoki!"
the red-haired man stopped mid-stride, turning his head back toward you with a quizzical look. the confident words you’d planned evaporated the moment his sharp, brown eyes pinned you in place.
"i mean, naoki sato. mr. sato," you fumbled, mentally kicking yourself.
brilliant start. truly one of jujutsu tech's finest.
naoki raised an eyebrow, his expression shifting from confusion to faint amusement. his gaze flicked to gojo, who had crossed his arms like a fortress of disdain and immense ill-will.
"found something you like?" naoki asked smoothly.
you ignored the huff that escaped the white-haired man next to you, and forced a smile, "actually, i was hoping you could help me choose something out. i'm not an expert here, and there's just so much to see."
naoki's bodyguards shifted, their expressions darkening as if you’d committed some unspoken faux pas. but the crime boss merely tilted his head, the faintest hint of a smirk playing on his lips.
"ah, well," he said, drawing the word out lazily, "i don’t usually get this forward with my clients, but i suppose i'll make an exception."
his eyes slid once again to gojo, who was now glowering at a waiter hovering too close to his personal space, on the edges of infinity. "your bodyguard," naoki added helpfully, "can walk behind you. perhaps he'd like a drink to keep him occupied."
gojo's snarl could have peeled garish paint off the walls, "i don't want it."
you resisted the urge to roll your eyes at the stubborn ass.
instead, you pasted on a smile, tight and sweet, and shot gojo a look that could cut glass, "our host is offering you something. you want that drink, genji."
"i don’t want cream soda," gojo muttered, all mulish in his six foot three glory.
gritting your teeth, you flashed naoki a helpless look, like what can you do? bodyguards, am i right?
and you reached for the waiter's tray, grabbing a tall glass of the offending soda and thrusting it into gojo's warm hand. then you leaned in, your voice a whisper, "take it. smile and act normal. ten minutes, that’s all i need."
for a moment, his blue eyes locked on yours, a storm of irritation twirling in them. you were now close enough to feel the heat radiating off him, close enough to notice the faintest hitch in his breath.
but gojo, for once, didn’t argue. with a final glare, he downed half the glass in one long, defiant gulp, his adam’s apple bobbing as he drank.
naoki laughed, watching the scene unfold with thinly veiled amusement, "you're very kind to the help. shall we?"
you shot gojo satoru one last look — a mix of triumph and warning —before stepping forward.
but your partner, predictably, looked like he'd rather swallow glass than stand a moment longer here. still, bodyguard is as bodyguard does, and he trailed after you like a reluctant shadow.
"i must admit," naoki began, his brown eyes catching the glittering lights as they swept over you, "it's rare to see someone so beautiful at these things. i think i would have remembered seeing you before, too. i'm usually stuck with old men trying to swindle me out of my fortune."
a flush climbed up your neck, unwelcome and irritating at what must have been calculated words, enough to flatter and also to disarm.
behind you, gojo audibly scoffed, clearly abandoning all manner of proper etiquette. you glanced over your shoulder to see him gripping the stem of a champagne flute, his knuckles white. the empty glass of cream soda had been abandoned in favour of something stronger.
he caught your eye and rolled his, making a slicing gesture at his neck followed by a pointed hurry up motion.
"ignore him," you murmured to naoki, pushing forward.
naoki’s eyes gleamed with amusement, easily unbothered as he gestured for you to continue walking. "does your bodyguard always look like he’s seconds away from murder, or is this special treatment for me?"
you didn’t dare look back at gojo, “he’s just protective," you said carefully.
naoki chuckled, "protective, sure. but of his job...or you?"
the words struck a nerve you refused to acknowledge, so you pressed the conversation forward. ignoring the jitter that erupted in your stomach.
"can i ask...," you said, tilting your head just enough to feign casual curiosity, "are these all cursed objects? or just pretty trinkets?"
naoki's amusement didn’t falter, but his gaze sharpened, assessing you like you were a puzzle he was only now beginning to piece together.
"why?” he asked smoothly, "are you interested in jujutsu? i thought you were here to...browse."
fuck, caught, but not completely.
you played it off with a small shrug. "some members of my family dabble in jujutsu," you said, letting a sliver of truth escape, but letting the rest of your words drip with lies, "i can only see curses, i'm not a sorcerer. but most of my family still hates me for how i was born."
behind you, gojo shifted, his movements a touch sharper than before. he hadn’t known that, hadn't known the small truth that you had snuck into your words.
but naoki's expression softened, his smile more thoughtful now. "that’s rare. and often not appreciated, i imagine.”
you hesitated, cautiously, but nodded. "not by them, no."
"i understand. my parents hated jujutsu. thought it was unnatural, and against the way of the world. my grandfather...he was the only one who didn't," and there's a quiet sincerity threading naoki sato's words, "he raised me when my parents refused to. at least, until he passed."
something in his story tugged at you — a familiarity you hadn’t expected. your family’s disdain for your own jujutsu, their rejection, mirrored in his words. it was unsettling, but oddly not unwelcome.
"i’m sorry about your grandfather," you said softly.
"and i, about your family,” naoki replied, a calm mask settling over his features once more, reminding you so painfully of the sorcerer who trailed behind you, "no-one should be made to feel lesser, sorcerer or not."
you caught your lip between your teeth, hoping the red stain didn't catch onto your teeth, "i thought most sorcerers hated humans."
naoki shrugged, "we aren't all that different. all flesh and blood with temporary lives."
oddly wise words from a mass murderer, thief and criminal.
you glanced over at gojo again, and just as you predicted, his scowl deepened and the glass looked like it was about a shatter in his hands. if looks could kill, naoki sato would be the first to go, no questions asked, followed by you.
naoki snickered, "your shadow grows restless."
"ignore him, please," you muttered, stepping closer to a glass case to distract yourself, "what’s this?"
naoki followed, stepping closer so you could catch the scent of expensive almond and saffron, "ah," he said, gesturing at the artefact inside, "a blade, from ming dynasty china. the jade serpent on the hilt grants its wearer the ability to control minds. some say it can even raise the dead."
the claim sent a shiver down your spine, but you masked it with feigned interest, nodding as naoki moved on.
"and here," he continued, pointing to a golden ring, with an oddly boyish grin for someone dealing in murderous items, "the lion's eyes. said to see through any veil, any curse. the last treasure of the dynasty of the pharoahs."
you tried to listen, but gojo's presence loomed larger with every word. his disdain for naoki sato, his barely concealed anger at the stolen objects— it was all too palpable. when you glanced back, his scowl had deepened, and the champagne glass in his hand looked on the verge of shattering.
if looks could kill, naoki sato would already be six feet under. you would be next on the list.
you swallowed hard, turning back to naoki sato and pointing at the next display. "and this?"
naoki pushed his hands into the pockets of his slacks, "the broken english crown. apparently worn by the last king to die on the battlefield, and i haven't tried it on," he shares this with you, with a conspiratorial smile, "but legends say it fractures the bones of anyone deemed not powerful enough to wear it."
this criminal was not what you had expected at all. it was hard to reconcile the image of a hardened criminal with years of ruthless ambition, with this effortless charm and disarming way of making you lose the blurred line of correct propriety. you tried not to stare at how the warm light caught his auburn hair, like the autumn leaves in the dappled sun.
and yet, it wasn’t just his looks that threw you off. it was the way he carried himself — like he had nothing to prove and everything to hide. dangerous in a different way, one that was far harder to guard against.
it reminded you of gojo satoru.
"you know, i have to admit," naoki said, gesturing to the gilded displays around him, "most of this stuff? tacky as hell. but then, you would be surprised what most people would pay for tacky."
from a swindler, fraud and scammer? you were quite sure.
"funny, coming from someone whose livelihood depends on it. isn't that gaudy by association?"
naoki winked, and you averted your gaze from long brown lashes fluttering against soft skin, "touché. but people don't want to just buy the artefact, or the cursed object. they want the story. that shit's priceless."
you swallowed, focusing on how gojo was trying to draw your attention to a glass case hidden by all the others, and you hoped you weren't squinting, "so, you're just a storyteller then?"
but beside you, naoki sato tilted his head, "you could say that."
you thought of the clipped photos printed into the file. some in black and white, and some in raging shades of colour. where naoki sato's hands had painted entire buildings in shades of sticky red, and heads rolled on the floor. where his enhance technique could burst arteries and lungs, leaving people in pieces on the floor.
"sounds dramatic," you said, though your voice came out quieter than you intended.
"life's dramatic, and too short to not take what i want," naoki replied with a faint smile, his hand lightly brushing your waist as he guided you further past long tables.
you leaned into it without thinking, a tiny movement that made a creamy, berry flush paint over naoki's features. and the sorcerer's laugh was warm, low, like he’d already won something you didn’t realise was at stake.
behind you, a sharp cough broke the moment.
gojo.
you let your lips curl into a faint smile and leaned into naoki's just a fraction more, with a very deliberate look, one that spoke of triumph and having tamed a beast.
gojo's scowl deepened, his shoulders taut with barely restrained frustration, and he started mouthing at you, silent as his lips parted. if you read his mouth carefully, well...
he was calling you rather unflattering names.
"what's that?" but it was gojo's voice that roughly cut through the air, like gravel grinding underfoot. his shaded eyes were fixed on the glass case tucked in the corner.
you followed his gaze, past his outstretched arm, and your stomach twisted.
raijin's amulet.
the cursed object you’d been hunting, the one you’d sworn to protect at all costs, gleamed innocently behind its protective glass. you could recognise the serpentine dragon coiled protectively around the stone at its centre, its intricate carving daring anyone to claim it.
your frantic eyes met gojo's. his were sharp, seething. then, both your gazes flicked to naoki.
naoki, of course, noticed nothing — or pretended not to. he let out a soft hum, following gojo's pointed stare.
"the bodyguard's interested too?"
you coughed, cutting through the rising tension before gojo could turn that look into something explosive. the glass case between them might as well have been kindling for the fire brewing.
"it's mainly for academics," you said, feigning an air of curiosity. then, with practiced innocence, you tilted your head and smiled at the dangerous special grade cursed object as if it were nothing more than an ordinary trinket.
"but it’s so pretty. what is it, really?"
naoki's hand tightened subtly on your waist, and you tried to ignore the guilt that bubbled up in your chest when his sharp features softened at your feigned interest.
"it’s just an old thing," he said, his voice lowering as if sharing a secret meant only for you, "did you know it once belonged to ryomen sukuna?"
your mouth was dry, but you kept your face blank, tilting your head as though you’d never heard the name before, "sukuna?"
naoki pressed his palm to the glass case, his expression shifting into something darker, more reverent.
"the king of curses," he murmured. "lived over a thousand years ago. ruthless. when he died, most of his treasures were plundered by clans too greedy for their own good. but this..." he tapped the glass softly. "this one? it wasn't easy to get my hands on."
you leaned closer, feigning fascination while calculating your next move, trying to figure out how you could get close enough to that glass case without shattering the illusion cast on naoki sato, "what does it do?"
for a moment, naoki's eyes narrowed, suspicion flickering in their depths. but just as quickly, his expression smoothed out, and he chuckled.
"trust me, beautiful," he said, his voice like silk with an edge of warning. "you don’t want to wear that thing. i could get you something far more...safe."
you forced a smile, ignoring the chill that ran down your spine. instead, you threw a quick, desperate glance at gojo — a silent plea for the strongest to listen to you: i'll distract him. you get the amulet.
gojo's expression tightened, but his head snapped once, briefly, in the faintest hint of acknowledgement.
time to move.
you let out a soft, breathy laugh and tugged naoki toward a table, your hand brushing his arm with casual ease. "let’s sit," you suggested, leaning into his toned chest just enough to sell the act. "all this walking is making me tired."
naoki's laughter was warm, a touch too easy, and he let you guide him without resistance, "tsk, whatever you want," he murmured.
now you're trusting gojo satoru, simply because you had no other choice. he had to get the amulet out of the glass before alarms began to blare, and before needless blood was spilt over the glimmering floor.
and so you sat, letting naoki have his back to gojo, oblivious to the white-haired shadow slipping closer to the case. your eyes lingered on gojo, pulse racing each time he disappeared behind one of naoki's own burly guards.
but then naoki sato's gaze locked onto you, drawing your attention back with a searing warmth that caught you off guard.
"so," he asked, eyes glinting, "what do you think of all...this?"
"it's impressive," and you're surprised at how the truth has found a home in your mouth, "i didn't ever think of different sorcerers, around the world."
naoki leaned closer, with his elbows on his thighs, propping his face upon his hands, "most people don't. here, it's all about jujutsu. tokyo, this. kyoto, that. the higher ups are so narrow-minded. stuck in their ways, obsessed with tradition. they don't know anything about the world out there."
for a moment, his words startled you. they weren’t the boastful musings of a crime boss but something else. they reminded you of how gojo spoke about the rigidity of the old ways, about why he fought so hard to change things, to create a better world for jujutsu sorcerers.
ah, focus.
"hey," naoki suddenly said, pulling you out of your thoughts. his gaze was sharper now, more intense. and over his shouder, you caught the faintest blur of white hair in the background, gojo's movements.
but it was hard to focus on anything but naoki sato's face — the sharp lines softened by his proximity, the warmth in his dark eyes that you didn’t want to admit was almost magnetic.
he was a man marked for execution, and the warrant must have been burning a hole through your suite on the highest floor.
yet here he was, looking at you like you were something worth risking everything for.
and suddenly, you weren’t sure you wanted to see autumn's locks matted with rusted blood. to see eyes go dull and lifeless.
you felt like you had the moral spine of a sponge.
"can i kiss you?"
the question hit like a punch to the gut. your lips parted, but no sound came out. and suddenly, the steps in the background stopped too.
naoki's hand came up to your jaw, his touch unexpectedly reverent, and all you could think was: distraction. right. distract him for gojo. what the fuck is taking him so long?
so you closed the distance.
naoki's lips captured yours with a softness that disarmed you, but the kiss was anything but tentative, and you could taste a sweet tang like lemons and sugar. but you let his large hands pull you closer and his touch was warm and intoxicating.
the kind that made you forget, just for a moment, that this was all a ruse.
his lips moved against yours with a heat that made everything else fade to black, and his hands slid down your waist and back, tracing lines that felt dangerously real.
when you finally pulled away for air, your lips tingled, and your breath came in short bursts. you couldn’t help yourself — you reached up, your fingers brushing against his now-flushed lips, glossy under your touch, and you hated the way your stomach twisted from the way naoki sato melted under your touch.
focus, again.
you hoped, prayed, that gojo was doing his part, taking advantage of the way you had naoki sato, one of the most dangerous men in the entire world, wrapped around your finger, and bruising his tongue into your mouth.
but your gaze flicked upwards, past his shoulder and collided with something that stopped your heart cold.
electric blue. devastatingly vibrant, crackling with a fury that hit the air like a thunderstorm.
gojo's eyes pinned you in place, shadows pooling in sharp cerulean, from shades that had slipped just a touch down his nose. no mask to shield whatever expression gojo had clearly painted across his face.
hurt? anger? what the fuck, was that betrayal?
your throat tightened, and you resisted the urge to dig your nails into naoki's tailored jacket, to hiss at gojo to get a move on. to stop standing there like he had been hit with a shovel.
but the words didn't quite form, didn't pull at the corners of your mouth to silently shape them. his expression just held you captive, no. shamed you.
and that made you angrier. he had no right to look at you like that, like you had just crossed a line that you didn't even know was there.
but under you, naoki shifted, tilted your chip up to meet his lips again, and you let him. you...wanted him to. but the heat of his lips didn't drown out the chill of gojo's stare. your own body betrayed you with a shiver, one that you couldn't quite place yourself.
nerves, or desire.
the kiss was firmer this time, insistent, as if naoki sato was staking his claim in front of an invisible audience. his hand cupped the back of your neck, his thumb brushing the edge of your jaw with maddening ease, over the pulse of your neck.
and for a second, it was too easy to fall into the lie. but you felt it: the searing weight of gojo's glower burning into you, not far away.
naoki pulled back just slightly, his breath fanning your lips, "hey, you're distracted," he murmured, his voice low and teasing, his eyes scanning your face as though he wanted to read every thought. "should i be offended?"
"no," you said quickly, almost too quickly, "just a lot to take in."
naoki smiles, all coy and glazed lips, clearly pleased by what he thought was pure flattery, and not the glowering six-eyes shining behind him. "good. i think 'm gonna like leaving you speechless."
part of you knows that you just aren't seeing those pearly gates of heaven.
you know there's going to be a bouncer at the doors, with your face printed on a photo titled: dni! fraud! liar! the world's most incompetent jujutsu sorcerer! would bounce into a criminal's bed at first chance!
naoki's warm thumb lingers against your jaw, and your breath hitches just enough for the sorcerer to notice. you don't miss how his eyes darken, a hint of triumph gleaming in them.
you risked a glance past his shoulder again, and gojo was still there, stony-faced as naoki's own guards. but there's something else broiling in his eyes, rolling over his face like a thunderstorm cracks over a grassy plain. the fury in his eyes hadn't lessened, but now it was laced with something sharper, something that you can finally read.
jealousy. absolute glass-shattering, world-stopping levels of envy paint over gojo satoru's face.
the realisation hits you like a punch to the gut.
was he jealous of naoki sato? of you? of this entire charade that you both had agreed to? or rather, the one you had roped him into.
the idea shouldn’t have thrilled you, but it did. and it terrified you just as much.
you let naoki kiss you again, forcing yourself to deepen it this time, your hands coming up to rest against his hard chest. you don't miss how he suddenly parts from your lips, panting softly into your mouth, and suddenly you're hit with the most awful wave of longing for a man who cannot have.
naoki’s large hands, however, weren’t idle. one brushed the edge of your dress, under the shoulder strap of your powder-blue gown, his thumb grazing against the fabric, and your breath hitched.
you shift, your breath stuttering as naoki's other hand slides higher, his fingers brushing against the flesh of your thigh, pushing your dress higher, and his hand brushes against the silver details on the side, scratching your skin. it's maddening how cool air meets the heat of your now exposed skin, and naoki's mouth crushes against yours, as if he's equally savouring the taste of you.
"t-there are people here," you gasp, your voice a fractured whisper, trembling at the edge of composure, "what if they can see or watch?"
gojo satoru is here. gojo is watching. you know your partner is close enough to hear every breathless sound you make, every treasonous whine that slips past your lips.
but naoki sato's mouth is curved into a plush, wicked smile, "let them look," and his teeth are grazing against the curve enough in a way that makes you arch your back into him, he who is now leaning over you, as if he's the one trying to capture you, "who cares - hah?"
any reasonable thought of your duty. of honour, of a mission flees from your head.
the sight of gojo's softly parted mouth and darkened eyes as he watches you in another man's arms spurs you on, and you let naoki sato press his lips against the hollow of his throat.
naoki's long fingers are blazing as they reach the very apex of your thighs. as they press two rough pads into the sopping slick that's gathered in your panties, as they run themselves along dampened fabric in a way that has you openly keening.
"can i?" and your eyes meet the mahogany gaze of the man above you. it's electrifying. you should be ashamed, furious at how you're just being taken like this, on display. but this is a room of the seven deadly sins, where each corner of the room is a lesson in hedonism, and obscene wealth.
"please."
but your eyes are only on gojo satoru behind him. on how he catches the pale-pink of his bottom lip between his teeth, and his face is seething. how his darkened eyes drop to naoki's hand working its way between your legs, and you wantonly roll your hips up to meet him there.
you let writhing fingers slip under the waistband of your pale-blue underwear, dipping into glossy, thick arousal. but you also don't miss the tent in gojo satoru's grey slacks, only metres away, and the frenzied look making him look pained.
you would be lying if you said you didn't enjoy moaning openly, spreading your legs just a bit wider, so gojo could get a glimpse of your drooling cunt.
"fuck, 's good. so good, naoki."
a finger travels up, away from your winking entrance to press a soft flick against your throbbing clit, "yeah?"
and the beautiful man in between your legs all but purrs. pleased beyond measure at how you've apparently been captured, heart and soul by him. and your attention snaps back to how he suddenly draws his fingers off your soaked cunt, and brings them up to his mouth.
"sweetest thing i've ever tasted, i think 'm gonna have -"
and then, it hit you.
a hot, sticky spray of liquid.
the scent of iron slammed into your senses as fresh blood splattered across your face, your chest, and stained the delicate blue of your dress into a deep and damning red. it clung to your skin, to your lips as you pressed your mouth shut, fighting the bile rising in your throat.
reversal: red crackled in the air, cursed energy humming sharp, and it had sliced through the hall like a whip. naoki's arm had been torn from your waist, wrenched away as he staggered back with a guttural hiss, and you avert your eyes from the blood that paints the space between you.
"that's enough."
gojo satoru's voice is like a thunderclap, reverberating around your ears, and when you finally meet his gaze, you're met with unbridled fury. you're not sure where his shades have gone, but you're met with the full weight of six-eyes, blazing and unrelenting.
naoki stumbles ahead of you, clutching his shoulder where blood seeps through his fingers, torn between shock and raw rage. his cherry-lips are curled back into a snarl, flush with indignation.
"hah, you're a sorcerer?," and naoki sato's voice drips with venom, heavy with disbelief.
you're not quite sure gojo satoru needs to answer. not when his presence alone sends waves of cold through the hall, cutting the air precisely, cleaving it.
but there's a man running towards the commotion, a guard encumbered by a hefty black suit, and there's a cold shock that runs through you as your eyes fall on the gun at his side.
"we think that's gojo satoru," the guard wheezes, breathless.
"you're telling me this now? i gave you fuckwits one job," naoki snarls, shaking the man, with his nails dug into the guard's shoulder.
and you're quickly pushing your dress down, letting the fabric spill over your legs once more, fighting back the hot sparks that sting at your eyes.
it's enough to snap naoki's attention back to you. and for a moment, for the briefest of moment, he wasn't the hardened criminal you had been playing this dangerous game with. a boy your age, wild and beautiful, and utterly undone.
and it heaves your stomach at how the fury in his gaze trembles slightly, just enough to reveal betrayal underneath that strikes you harder than any limitless could.and it struck you harder than any whip of magic ever could.
"i must be stupid, fuck," naoki's voice cracks as he spits the words, his expression twisted with something raw, something painfully human, "you’re a jujutsu sorcerer too, aren't you?"
the accusation was a dagger, his voice trembling with disbelief but its wholly true, and your head wavers in a half-shake, half-nod.
"you’re with him, aren't you? just another one of the higher up's lapdogs?"
the words weren’t a question — they were a condemnation.
naoki's lips are curled, and his bloodied arm is now trembling but steady, defiance burning through the pain.
and a whisper in your mind tells you to smash the glass case holding the amulet, to push through it with your bare hands, just so you can bleed alongside him.
but naoki sato's bitter scoff shatters that thought, and his gaze must have followed yours, sharp and knowing, for his hand has moved faster, pulling the gun from the guard's holster.
the blast came before you could even think, loud and jarring.
but you never saw the bullet's path, only gojo.
gojo, whose arm has snapped in front of you like a barrier, impossibly fast, and well within the bounds of his infinity. as if he had tore through space itself.
the bullet collides with infinity, ricocheting into the chaos of the panicking crowd.
naoki’s gaze didn’t waver. it slices back to gojo, sharp, calculating, and darkly amused. he must have seen it now, everything.
the truth was etched in the way gojo had positioned himself, the way his blazing blue eyes never left you, the unspoken claim humming in the air like a second heartbeat.
naoki sato's laugh is lower, bitter, and you watch the mesmerising plink! of crimson on the floor.
"he's protecting you, isn’t he?" his voice dripped with venom, each word striking like a dagger, "how sweet.”
and just like that, something broke. gojo's restraint, most likely.
you can see how his fingers are flexing, his hands lifting and cursed energy is coiling at his fingertips. his thumb and index finger brush, a telltale sign of an impending blast. hollow purple.
you clench your eyes shut, bracing for the devastation of the impact —
but naoki sato was faster.
his arms snapped outward, a surge of his own jujutsu ripping through the space between you. the bodyguards around you crumpled like ragdolls, their bodies bursting under the pressure. blood sprayed in thick, sticky waves, painting the walls, the floor — against the edges of infinity.
you opened your eyes in time to see gojo falter, his hands trembling as he stared at the carnage. even he, the unflinching sorcerer, the strongest, looked shaken by the sheer brutality of what cursed technique: enhance was capable of.
and in the heartbeat of his hesitation, naoki was gone.
"fuck's sake! s-satoru! let go of me!" you snap, voice cracking with fury as you fight against gojo's tight grasp.
his vivid focus shoots back to you, his expression a storm of anger and disbelief, "what?" and gojo's voice is razer-sharp, "if you think i'm letting you go after that stunt you pulled -"
"shut up!" and you can feel your own desperation cut through the air, "you go after him, i'll go after the amulet."
you toss your head to the shattered glass and the chaos erupting all around you, "if that thing gets lost in the mess, we've done this all for nothing!"
gojo's jaw is clenched, his mouth pressed into a hard and furious line. for a moment, you think he's going to argue with you again, but then you're dropped unceremoniously to the ground.
pain shoots through your knees as you land, but you're soon hauling yourself up.
"go!" you hiss, shoving at his shoulder, "i'll come find you when i have it."
gojo hesitates for a fraction of a second longer, then he's gone — a blur of movement faster than your eyes could track, leaving you alone in the chaos.
your hands tremble as you grab a heavy steel bar from the wreckage, swinging it with all your strength at the glass case. the sound of shattering glass barely registers as you reach inside, your fingers curling around the cold, smooth surface of the amulet.
wild shocks run through you, and you almost keel over, feeling the rush and pulse of such a cursed object against your skin. but it's safe. you have it now.
with it clutched tightly in your hand, you turned and run.
by now, you can't find it within yourself to stop the hot tears from running down your cheeks, streaming freely as you tear through the blood-soaked scene.
you run, the air sharp and cold against your skin, your heartbeat an unrelenting drum in your ears. the thump! making your head pound.
you can follow the residuals of gojo's cursed energy, lingering like a sickly beacon, drawing you back to the dull parking lot. you pushed open the doors with both hands, red smudging onto the concrete as you ignored the sting of your palms
and then you saw it. saw it all.
the scene hits you like a wrecking ball, knocking the breath clean from your lungs.
a body lies crumpled on the ground, its lifelessness more harrowing than the carnage that surrounds it. blood, thick and sticky, smears across the concrete. massive pillars, toppled like a child's toys in the wake of a clear explosion.
your gaze snags on a limp hand sprawled on the floor, and you feel your stomach twist. instinctively, your tongue slides against the back of your teeth, and the metallic tang of iron is already sleeping into your senses.
and then, there was gojo satoru.
he stands amid the wreckage, like a figure carved from shadows, and ice. and fury. his chest softly rises and falls, as though he had been running for miles, his hair disheveled and darkened with sweat.
the sight of him might have almost been human, almost comforting. if not for the gore streaked across his hands, and the thing he drops onto the concrete with a hollow thud.
you don't look at it. you don't think you can. your stomach knows the truth before your mind catches up, bile heaving within you once more.
the head of naoki sato. he would never have stood a chance against the strongest sorcerer in modern history.
final task: retrieve artefact. execute naoki sato on site. alternatively, bring in for execution.
you mind flashes back to that dastardly pink sticky note, still stuck to the case file.
what did you feel now? anger? sadness?
maybe both. maybe neither.
the blood pooling in front of gojo is already congealing, its sickly shine dimming in the cold, fluorescent light of the lot.
you were tired of seeing blood, of tasting it on your tongue, of breathing it in like the very air you needed to survive.
you’d thought there would be relief in the end. but instead, disappointment had rooted itself deep inside you, twisting itself.
naoki sato, for all his crimes and cruetly, had been...something. somewhere beneath the sly smirks and sharp words, there had been glimpses of something that almost looked like hope. he had said he wanted better — for everyone. for you. was it a lie? or had you twisted his words into something more comforting than the truth, desparate to see light where there was none?
your throat burns, but no tears come. just a hollow ache that matches the cold weight of raijin's amulet in your hand. you looked at it now, the thing you’d fought so hard to win, its edges biting into your skin, the dragon leaving its mark.
gojo's voice cut through the silence, low and ragged, and tired, "don’t look."
you hadn’t even realised you were staring, your eyes hovering dangerously close to the lifeless hand on the ground.
"i'm sorry," he had continued, his tone strangely neutral, as if apologising for a cracked glass rather than the irrevocable violence around him, that seemed to trail after him, "i had to do it."
you laughed then, short and bitter, the sound cracking like a whip against the cold air. "had to, gojo?" your voice trembled, not with fear, but something darker. something far more raw.
his gaze had snapped to you, and there it was — the thing that always churned between you two. a storm of emotions, tangled so tightly you could no longer tell where hate ended and yearning began.
"you think this is the resolution i wanted?" gojo shot back, his voice laced with something too jagged to be regret. "you think i enjoyed that?"
and in the most twisted, perverse theatre of your mind's eye, you see gojo's open-mouthed stare, focused on how another man touched you, made you his.
"i don’t know what you enjoy anymore," you take a step closer, your grip tightening on amulet until your knuckles whitened. but the air pushed from your lungs, "but - god, gojo. forget it. i-i don't even know. 'm sorry, too."
gojo sighs, and you see the exhaustion hanging over him too, "we'll go back tomorrow morning."
the walk back to your room is…suffocating. the air is thick with everything that you just cannot say, words that you can't even bring your heavy tongue to shape.
gojo is beind you, and you can feel the weight of his presence pressing between your shoulder blades, but you just can't turn around. you don't dare to. raijin's amulet is still clenched in your hand, and its edges are cutting into your palm, a form of self-flagellation you suppose.
you push the door open, and your breath catches and hitches as you slip inside, slamming it shut after he follows. locking it with shaking hands.
in the suite, the moonlight now slices through the half-drawn curtains, as the tokyo skyline glimmers underneath you. it's painting silver lines across gojo's spectral frame, and he strides to the amenities sink, a smaller outlet near the door.
you watch, as though you're holding a sacred vigil.
your gaze doesn't leave gojo's figure as he throws his jacket off his sharp torso with a disgusted sigh, leaving him in his black dress shirt and a loosened tie.
still watching as his movements are tense, restless as he cups water from the faucet in his hands, splashing it onto his face.
when he finally looks up, gojo's white is hair dripping, his tie slightly askew, and his tired eyes catch yours like a snare.
for a moment, you’re frozen. neither of you say a word. the air feels too thin to breathe, and his gaze is too much — too piercing, too relentless, too him.
you can’t take it.
with a sharp motion, you slam the amulet onto the table, the sound echoing through the quiet room. you spin on your heel and lock yourself in the bathroom, shutting him out.
inside, the luxurious space feels surreal. marble floors gleam under the soft glow of recessed lighting, gold fixtures glinting and stinging your eyes. it smells faintly of jasmine and mint, too perfect for the mess you're about to create.
you grip the edge of the sink as the first sob wrenches its way out of your chest, hot and raw.
tears spill over, cascading down your cheeks in waves you can’t control. they come faster, harder, until you’re gasping, choking on gulps of air that burn in your throat.
you sink onto the cool floor tiles, your knees pulled to your chest as the sobs wrack your body. the weight of everything, what you did, gojo's eyes gleaming, naoki sato's hands on you, the smell of blood, it all crashes over you like a tidal wave. it’s too much for a human heart to bear in one night.
but your hands are shaking as you reach for the hem of your once beautiful dress, peeling it off with clumsy, desperate motions. the air is cool against your skin, you who is now left in undergarments.
and you stare blankly at the blood that smears your arms and legs, before grabbing a small towel, dampening it under the sink and wiping crimson stains away.
small cuts sting on your skin, faint patches where glass struck you, and you hiss.
a knock rattles the bathroom door, sharp and unrelenting, dragging you back to reality.
you close your eyes and exhale through gritted teeth, your voice brittle, "not now, gojo."
silence follows, stretching out long enough to offer the illusion of peace. but then it breaks. another knock, louder, more insistent this time.
"satoru, i swear to god," you snap, your exhaustion fraying into something sharp, laced with more venom now.
there’s a sigh from the other side, audible even through the thick wood, "don't make me blast this door down."
you groan, rolling your eyes as you toss the bloodied towel onto the counter, "you wouldn't dare."
"try me. just open the door, would'you?"
you don’t have the energy to argue, and something in his tone tells you that gojo isn’t bluffing. and so you dragged yourself upright, swinging the door open with more force than necessary.
gojo stands there, with damp hair still clinging to his forehead, beads of water trailing down his templates. and his sleeves are rolled up now, revealing thick forearms flecked with rust and crimson. it wouldn't be his. no, gojo hasn't bled in over a decade.
you straighten, aware of your own state right now. in your undergarments, only shielding you from being entirely bare under his gaze. but the only clothes in this room with you are now crumpled on the floor, in a heap of ice-blue and dark red.
let him look. he's seen more than enough now.
and so you lean back against the sink, crossing your arms as your eyes meet blue, "what do you want?"
gojo hesitates, his jaw tightening as he braces himself. when he finally speaks, his voice is low, rough around the edges, "just...asking if you're alright."
the laugh that escapes you is sharp and hollow, devoid of any humour, "why wouldn't i be?"
gojo's faze flickers, his expression unreadable, but his eyes linger a moment too long. you let him trace the dried blood smeared across your collarbone, the faint scratches on your skin.
"after all of that tonight..." he starts, but the words hang in the air between the two of you, unfinished. his voice suddenly falters, and you're struck by how gojo's razor-sharp confidence has dulled into something weaker, more conflicted.
you know exactly what he means. the stunt he's referring to, in his own earlier words. you wonder what exactly is eating at him now. is it honest concern, pride? residual envy?
"please, trust me. i'm fine, we managed to do what was asked of us, anyway," you clip curtly, hoping your tone is final enough.
gojo looks at you like he doesn't believe a single syllable that slips from your bitten lips, but then his shoulders sag and he exhales sharply, "fine," he mutters, turning on his heel as if he's the one that can't stand to be near you any longer.
"wait."
the word slips out before you can stop it, and gojo pauses, and his eyes are narrowed with suspicion.
you swallow hard, suddenly unsure of yourself, and lift a clean towel from the counter, helping yourself to another one of the hotel's free amenities, "can you help me with this?"
an olive branch.
you gesture with a single finger, over dried blood that has streaked over your back, your neck. the hollow of your collarbone.
you can see the refusal dancing on his tongue, the hesitation in the way his throat bobs, and how gojo's eyes flicker over you once more.
but he doesn't refuse. gojo just wordlessly steps forward, taking the towel from your outstretched hand. you watch, silently, as he moves to the sink and runs it under cold water. you're sitting on the edge of the counter now so you face him, watching the warm golden glow of the overhead lights in his pale hair.
the porcelain is cold against your thighs as you angle yourself away from the mirror, facing gojo. the towel in his hand drips faintly, and you watch as he hesitates again, just for a fraction of a second before stepping closer.
at first, his movements are slow and careful. he's raising the towel, and his hand is steady as you feel the first touch of the cool fabric against your back. a shiver practically races down your spine, not from the cold, but from the way his arm snakes behind you, brushing against your bare skin.
it's subtle at first, but you notice it. the hitch in his breath, the faint tremour in his movements.
gojo, who is always so infuriatingly composed, is shaken. you hear it in the sorcerer's uneven exhale that he doesn't quite manage to suppress, the way his fingers press the towel just a little too harshly.
the suite is silent now except for the faint drip of water and the rasp of fabric against your skin. you should say something, anything, but the words don’t come. instead, your gaze fixes on him, his profile illuminated by the warm glow of the bathroom light.
gojo's features are always striking, almost ethereal: the ice-white hair that falls messily against his forehead, the long white lashes that frame those sharp, cerulean-blue eyes. there’s something softened by the warm light, as though the harshness of his presence, of a man who stands above heaven and earth, has been dulled just enough to make him seem almost...human again.
but you feel as though your heart must just give way, pounding so hard that it may burst. where the blood that fell from another man's veins had somehow drawn a line to gojo satoru instead.
an hour ago, you had been arched into another, naoki sato, one who had been a dead man walking. an hour ago, his hands were on you, his lips hot and insistent, and his eyes were warm, and now he’s gone. dead. gojo made sure of that. and that was always meant to happen.
the thought should make you furious. it should make you push gojo away, but instead, all you can do is sit there, feeling his hands —gentle now, impossibly careful, on your skin.
it's wrong. it's so deeply, fundamentally wrong, and yet the space another man left feels like it was carved out for gojo satoru all along.
gojo's touch slows as he runs the towel over your skin, tracing the line of your collarbone with a precision that feels almost tender. your eyes slip closed for a moment, the warmth of his hand lingering even as the cold water wipes away the blood.
then he moves again.
it happens fast enough that you barely register it. one second, gojo satoru is standing tall and focused on the task, and the next...he's leaning down. his breath ghosting over the hollow of your neck.
you feel your entire world tilt as his lips press softly against the curve where your neck meets your shoulder, a touch so light that it feels stolen.
but now you've frozen, every breath catching as though the air was snatched from your lungs. every nerve feels as though it's on fire, hyper-aware of how soft the brush of his lips was, the faint scrape of his teeth just shy of your skin.
how gojo's lips were almost reverent, like a prayer offered in silence. how he was worshipping something he couldn't ever have.
but your eyes snap open to meet his.
gojos's cerulean eyes are molten, the usual ice cracked and melting into something deep and desperate and all-consuming. they bore into yours, wild and unguraded, and the pale lashes framing them tremble lighting as though even he's unsure of what he's just done.
but gojo's pupils are also blown wide, and electric. like a storm trapped in glass.
you swallow hard, your pulse thundering in your throat. slowly, cautiously, you dip your head, just enough to give him permission without saying a word.
the look in his eyes shifts — hunger, disbelief, and something darker all tangled together. he presses his lips to your neck again, firmer this time, lingering as though committing the feel of your skin to memory. then again, slightly higher, his breath hot and uneven against you.
"satoru…" the name slips from your lips in a whisper, trembling and unbidden.
the warmth of his tongue catches you off guard, tracing the curve of your neck in a way that sends a jolt through your entire body, heat down to your thighs. it's...unhinged, but the part of you that should push him away is nowhere to be found.
gojo pulls back just enough for you to see the faint smile curling at the corner of his mouth, though his eyes remain dark, intense, and burning with something that feels too big for the room.
"another man got to taste you," he whispers, "now i've tasted him."
you almost laugh, sharp and bitter. the sound lodging in your throat. the absurdity of it all, the jealously lacing his words like a poison vine, the way his breath still fans against your skin.
"that's insane," you manage, your voice shaking. it does little to stop the searing heat curling low in your stomach.
for a second, gojo's breath is still hot against your neck. and then suddenly, his hands are on you.
and fuck, it's not delicate at all. there's a roughness to his touch, desparate and unrestrained, as though something inside him as finally snapped.
his palms trace along your bare shoulders, sliding down to your arms, and then to your waist. his fingers press into your skin with a heat that makes you feel like you're burning from the inside out. you don't even realise when you had opened your mouth slightly, panting as if you're trying to pull more air in.
"gojo," you manage, barely audible, and you're acutely aware of the low tense ache beginning to throb in your groin.
his hands slow for a moment, resting on your sides as if he’s trying to ground himself, or stop himself. and gojo's eyes find yours again, and they’re ablaze.
"can i keep going?"
you wonder just how you've managed to unravel this man, to leave his voice hanging by a thread in the air.
you don’t answer right away, your head swimming with confusion, slick desire, and something dangerously close to surrender. gojo satoru is watching you so intently it’s like he’s searching for every unspoken answer written on your skin.
finally, you shift — subtle, but enough. your knees part slightly, just enough for him to step between your bare thighs.
"what do you want me to do?"
you're aware of the insistent, rhythmic pulsing under your panties. of how every small shift of gojo's body against yours amplifies the soft arousal forming, as your heart pounds faster.
and so you let your fingers hook onto the pale waistband of your underwear, and you watch as his gaze follows your movements.
"i want you to touch me, there. please."
you hear the white-haired man breathe out a thankful, reverent fuck before he's following the path of your own hands, hooking a slender finger into your waistband and pulling your underwear down, and off.
and you're so painfully aware of your own arousal right now, the wet that is pooling beneath you. it feels like a relief, parting your legs so your searing heat meets cool air.
"that's perfect, look at t-that," and you're suddenly whining as gojo's fingertips begin grazing sloppy folds, raking themselves over your fluttering entrance, "she's practically been beggin' for my touch all this time, hah!"
"you - ohh, gojo!" you moan, feeling awfully faint from the rippling warmth making your cunt tighten around him, each pshh! echoing in your burning ears, "y-you wish!"
gojo's laugh is a little crazed, undone as he rolls his fingers in practiced curls, at an inhuman pace. bullying his fingers into your opening, as he rasps, "yeah, i w-wish. 'm wishing for this all the time. you never knew, huh?"
"f-fuck, if i had known it felt like this, would've stuck my fingers in h-her a long time ago," gojo unfurls his fingers that only just separated from your winking pussy, and you can only watch.
equally mesmerised as his slender fingers are coated in strands of your slick, clinging to the curves of his short nails and coating them in a mirror sheen.
"have some c-class, gojo! you've lost your fuckin' mind -"
smack!
the dewy pads of his fingers have come down in a harsh arc, slapping right at your throbbing clit, and the jolt sends such an incredible crack of lightning down your spine that you're bucking your hips back up into his hand, back for more.
"some class? hah, 'm not able to do that now, baby," and you can feel gojo shudder under your touch, as you paw at the linen of his black dress shirt, raking your nails over his pectorals, "not when it f-feels like your pussy is about to, fuck, vacuum my fingers off."
"i swear to god, gojo. never say that corny shit a-again."
but it's hard to convey any sense of righteous fury like this. not when he's back to pushing the tapered ends of his long fingers in and out of your tight heat. each brush from the pads of his fingertips leaves you squealing, tugging at the snowy strands on the back of his head.
but gojo's teeth are sharp as they sink into the damp skin of your neck with an almost reverent press, easily snapping through the delicate flesh.
and you're squealing, shocked at how fucking bold gojo satoru has become, whining at how a sharp hiss pulses through you, and you can feel the warmth of blood beginning to bloom and pool over your collarbone.
"shit, 'm sorry, baby. so sorry. but i'm gonna need to see you l-like this," and suddenly gojo snaps away the pussydrunk babble falling from his candied mouth, and he's pressing a searing kiss to your jaw, and the air becomes hazy with the scent of an insanely expensive cologne, cedar and something...sweet, like cardamom.
still, there's hardly time to dissect that.
not when his thick arm is around your waist, handling you until you're smack bang between his legs, right between dark slacks. and gojo has shifted, so your back is flat against the hard planes of his chest, and your knuckles can only grip at the vanity sink. so your eyes can only see your naked torso twisting in the mirror.
"keep your eyes h-here, sweets. on us."
and god, that's exactly where your eyes are. falling on a tense forearm around your waist, as the other works its fierce way through the clamping, gummy walls of your leaking cunt. and you're shuddering underneath him, feeling each brush of his fingers in you.
"w-we make a pretty sight, don't we, yeah?" and the words are spilling from gojo's lips with a certain smugness, but it's rough around the edges, strained. and you just can't look away from how utterly ruined he looks, from touching you.
you watch the glossed shine of your trickling pussy twinkle in the warm lights, as gojo pushes your thighs open wider. his frame leans over yours, taut and straining. and his lips are flushed and parted, betraying the deep ache of his breath.
"go onnn, say it. c'mon," and now gojo's whining in your ear, letting his hand push further into the mess as your pussy is practically weeping onto his fingertips, "won't let you c-cum if you don't say it."
your chest heaves with each desperate, gulping breath. and you can see gojo's vision narrow on how your tits threaten to spill out from their confines, the swell of your chest rising as you try to draw air through your close orgasmic daze. where the edges of your vision blur, and your heart is pounding erratically, "ahhh, gojo! 'm gonna, i think 'm gonna, oh my god!"
but there's more, you want so much more.
and against better thought, you push and elbow back into gojo's chest, heaving as he flicks his thumb over your aching clit.
"hah, what is it now? fuck was that for?" and the man is scowling at you, seemingly irritated that you drew him away from the hypnotic pull of your pulsing walls.
you swivel, away from the mirror so you're facing him. and your eyes fall on the heavy, pitched tent in gojo's grey slacks, one that must be aching and awfully painful from the way he's running his pink tongue over his bruised mouth.
"wan' more, gojo. on the bed."
you've reached up behind your back, unhooking the clip that was holding your bra together. it falls, and you toss it into the pile where gojo had flung your clingy panties, over your gorgeous dress.
and you think gojo satoru might have just had a minor heart attack.
his expression has shifted, lips parted as he takes in your naked form. you think you hear his breath hitch, as his eyes roam over you, unblinking. you're certain that the mildly brighter light in the room has nothing to do with what's overhead, rather the bright blue of gojo's six eyes.
you snicker at his dumbstruck expression, letting your hand curl around his wrist — marvelling at how he almost whines at the sight of you pushing him out of the bathroom suite, and onto that glorious bed that the two of you had argued over earlier in the day.
"n-not so opposed to sharing a bed with me now, sweets? oh, fuck," you don't let him get any more words out, since you're reaching for the sleek leather belt threading through the loops of his slacks, pawing at them so you can finally undress him. have him as bare as you are now.
something in your desparate touch must have made gojo snap, because now he's shuffling the two of you around, so you're practically splayed out under his warm, large hands. thighs spread, parted so your dripping cunt is displayed to the room, as he scoots closer. his knees pressing against the carpet.
"hnnghh, f-fuck, look at her. practically cryin' on me."
and what a sight. gojo satoru, the most powerful man to walk this earth in centuries is slumped beneath your thighs, close enough to your clit that when he breathes, he knocks his nose right over the sensitive bud, coating his face in that syrupy glaze.
and then its slow, painful. how his long tongue descends onto your weeping pussy, writhing flat in wide, broad strokes that leave you whining out his name.
you spread your legs even wider, fighting against gojo's tight grip on the flesh of your thighs. the thighs that are trembling as he brings his teeth up to graze your clit, and your arousal drips from his lips. making candied pink lips look like they've been glazed and dipped in sugar.
briefly, in the back of your mind, you wonder how you're going to continue to function tomorrow. how you're going to even be able to walk after gojo satoru has rendered you boneless.
you also wonder if there's a cosmic deity out there, looking at an invisible and heavenly camera with a dull look on their face. something like what can you do?
"mmhph, y'know i l-like this a lot better than that drink from earlier," and he's cooing at how you squeal and moan, "hah, what was that s-shit called? a cream soda."
you pull at the white strands of his hair, yanking gojo's head back from where his tongue had been lolling around your clit, ignoring his whine, "if y-you make a stupid, fuckin' joke about creaming, i'm g-gonna leave."
gojo rolls his eyes, but this time? this time, there's no malice in it, no irritation. his expression is almost fond, if not shadowed by the enormity of his own lust, "leaving before the main event is dumb choice, sweets."
"tch! get to i-it then, oh! what the fuck, gojo!"
he's found the right place to prod, to roll his fingers over the hood of your clit, occasionally propping his mouth down to suck at it lightly. your mouth is clamped shut, so you don't release an absurd amount of babble, wordless and airless about how good he's devouring you.
"hah," gojo huffs, pressing three flat fingers against your entrance, letting them curl into your walls, enough to tease you, "i can feel her beating for me. 's pulsing all over."
"c-can't you jus' make me cum?" your hands are desparate for some friction, running past your perked tits, down to his hair again. now clamping your thighs around his head, and the soft, snowy hair of his head tickles at your skin.
"can' believe you're talking shit when i'm e-eating you out," gojo chuckles, but you're just too mesmerised by the glint of your slick lighting a beacon over the lower half of his face, strands of slick as he pulls away from your pussy, "y'not that patient, huh?"
he's practically attached to your clit now, kissing it with a tender and yet firm press of his lips, seemingly aware of just how sensitive you are to that type of pressure.
you whimper and mewl as gojo's head disappeared back between your legs, deeper and lower as his tongue pushes into your pussy, flicking shallow thrusts that makes you breathe out gasps of his name.
"now i think 'm gonna cum, so close, satoru," with your hand firmly lodged in his platinum strands, you're rocking your hips messily, sloppily against his awaiting mouth.
"y-yeah? go on, sweets," he's moaning now too, and you don't miss how the edge of the bed rocks just a bit from him grinding the frame for some release on his own erection.
your orgasm makes your mind foggy, and you practically quake in gojo's large, warm hands. with a sharp cry of his name, followed by an endless chant of praise for the unearthly man between your legs, lapping at you as though you are his last drink, his last meal on this earth before he ascends elsewhere.
the hard streaks of white shoot through your vision, even as you come down from the incredible high, and you realise gojo has not stopped.
gojo's jaw is still locked as your slick dribbles down your folds, into his open mouth and onto his waiting tongue. the extra stimulation makes you deliriously cry out, "fuck, s-satoru! 's too much, holy fuck!"
you were still shaking, and a second orgam blurred your sight into an incredible spectrum of colours, white hot starlight and streaks of blue. that cascade of vivid tints flood your vision, each one jerking your hips and cunt forward until you felt your legs give way.
until gojo finally separated himself from your thighs, satisfied at how he had pulled two climaxes from you.
he's absolutely lost it, lost in that daze of being pussywhipped, and his eyes gleam with a feverish intensity. and when he crashes pink, glossy lips down on your mouth, you can feel him shake under your touch.
you moan, loud, as he nips at your lower lip. at how you can taste yourself on his tongue, syrup strands falling into your mouth as gojo suddenly twitches.
"i think 'm gonna have to be in you right now, otherwise i'll literally fuckin' die."
a breathy laugh falls from your lips as your partner pulls himself up, heavy limbs finally extracting themselves away from your naked body, reaching up to hook his fingers over the black crinkle of his rumpled dress shirt, pulling the fabric off.
leaving your mouth dry.
the moonlight spills over gojo's torso, and you track your eyes over his broad chest, rising and falling and flushed from his own arousal.
you follow the faint dusting of pale white hair as it disappeared past the waistband of his slacks that he's quickly making short work of, and you feel your pussy clench thinking about how badly you need to jump gojo satoru's bones.
but you're too transfixed by him, by the sculpted figure of a supposedly cold and arrogant bastard you've spent months and years rolling your eyes at.
he's real. all hot flesh and blood, and stunning. not that sneering, and infuriating man who's always one step ahead, always one callous word away from making your blood boil.
for a different heat has settled in you now, as your eyes fall on his throbbing cock that has sprung forth, up over his stomach. the tip is an angry, and furious berry-pink and you wonder just how you're going to make these inches fit.
"hah, didn’t think you'd be this shy, you know,” he says, voice a low, husky tease, as if he’s been watching your struggle. gojo's eyes glint with amusement, but there’s something deeper beneath it, something that you hope with lead him to take mercy on you.
"n-no. no," you repeat yourself more firmly, but it's far too breathless to be convincing, "no, 'm not shy."
but it's hard to form coherent thoughts when gojo satoru is towering over you, and his absurdly long and girthy shaft is twitching in between your slick folds.
"fuck you, s-satoru," you're whimpering, feeling the pulsing, rounded head of his flushed tip brush past your sensitive, drooling slit, "taking too long. jus' put it in already."
"mhmm, sweets," and gojo's bustling at your thighs now, pinching the soft and tender skin in retaliation for your touch undoing him so easily, "she can't even be patient, hah, trus' me. just lay back."
you comply, just this once. just because gojo satoru's cock looks so big, you think you need to gather all your thoughts so you'll be able to form coherent sentences later.
resting your head back on plush sheets, with the skyline twinkling in your peripheral vision as gojo's aligning himself with your cunt. he's gasping in low, shuddering breaths as his tip teases and hooks onto your inner walls.
"look at thaaat, oh! baby, fuck, wasn' even joking before, just sucking me up so fuckin' good!"
you don't reply, just mewling as he pushes inch after veiny inch into your dribbling walls, gasping as his large hands rest on the back of your thighs, pushing them further up so he can slot his torso in between your legs.
"oh my god, satoru! s-satoru, hnnhgh, it's too much — i don' think it's gon' fit," you always thought you would be embarrassed to lose composure like this in front of gojo, but you find yourself panting into the crook of his neck, raking nails down his flushed neck.
he's big, and you can feel every vein of his tapered curve hitting the right spots within you, as you shift your hips, desperate to let his sinuous cock kiss every inch of your pussy lovingly.
"gon' dumb already?" gojo's huffing, but you can see that he's not unaffected. his eyes are glazed over, hazy as he slowly draws his hips back just an inch, before scooting them forward already, "jus' gonna have to make this pussy learn from now on. don' worry, sweets. it'll fit."
the 'from now on' makes something in your pounding heart flutter.
but you have little time to focus on it as he bottoms out in your drenched cunt, as though you're hearing the slosh of your pussy coat him entirely, right up to the wiry, white hairs on his groin.
"hahh, there we go! the w-wonders of a positive attitude, don'tcha think?" and you're left with your eyes rolling to the back of your head, as he begins to pick up the pace. a steady staccato that has you jostling underneath his ministrations.
you let his mouth chase yours, capturing glossy lips with your own bite, letting him pant, and whine and praise the heavens above for how tight you're snatching him right now.
"she's p-perfect, isn't she? t-thought about it so much, y'got no idea, got no c-clue about how much i thought about you under me like this n' how you'd f-feel!"
gojo satoru is absolutely drunk from a nectar that he has tasted once. the same nectar that coats his cock in frothy, filthy rings as he pistons his hips out of your pussy.
"happy for y-you, satoru," and you're letting your nails scratch over the shell of his ear as he twitches and shudders, "but fuck, y'talk too much! jus' focus on fucking me!"
gojo's mouth quirks upwards, that knowing smirk playing on his lips as he looks at you bemused, and so hazy.
"god, a lot of that attitude now, hahh?" and he's drawling the words out, and you don't miss how he shudders when you clench around his shaft, on purpose. he's leaning in closer, barely brushing past your lips, and you wonder briefly for a split-second, gojo satoru might just really love you.
and then, without warning, his hand comes down to your side, just underneath the fat of your tits, pinching lightly at the abdomen. causing you to take a sharp intake of breath, and a dizzy huff of his name.
if you ever believed that gojo satoru was malicious in the workplace, a bane on your sanity, you had not been prepared for how he was stretching you out in all the right places.
that inhumane pace of the strongest had him snapping his hips sharply, over and over until he's hitting the spongy patch, deep within your walls.
"clamped around me like, ohh, like a fuckin' vice," gojo's grunting now, each breath coming out short puffs that match the timing of the slap! each whack of his cock delivers, pressing your hips together and coating his hips in sweet slick.
"mmph, feels so good, satoru!" you squeal, pressing a hand over your mouth so you don't wake up the entire top floor of the hotel, tits jostling with each shuffle and movement.
it's all coming down on you too quick, that electric haze shooting down your spine. made all the worse by gojo groaning and slipping his hand between his jackhammering hips, down to where your clit is practically throbbing for his touch.
he's running tight circles, before pressing the flat of his thumb under the hood of your clit, ripping a raw cry from the back of your throat, rolling your eyes to the back of your head as gojo's lips are leaving blooming marks over your neck.
"satoru, i t-think 'm gonna c-cum again," you moan, fluttering your lashes against your skin, rolling your hips up into gojo's quick fingers and brutal cock. but it feels different this time, nothing like your past two orgasms. you feel something draw its claws further into your groin, like you're going to burst and the breath will be stolen away from your lungs.
you hear gojo say something, snarky but tender as he laughs into your collarbone, as he's slapping his fingers down quickly over your clit, making you jolt. but you don't hear his words as blood roars in your eears, gushing all over his cock with a clear, sticky sheen that coats him deliciously.
makes gojo satoru groan out filthy praises over your marked skin, "didn' know you were that nasty? hahh, squirtin' over me on your first go, yeah? it's gettin' too much for me too, s-sweets. think 'm gonna hafta maaa -"
you have no inkling as to what gojo was aiming to groan out, fluttering his own blue eyes shut as his orgasm catches up to him, pumping you insanely full of thick, stringy seed. practically painting your inner walls a translucent white as you huff and whine.
but in the back of your mind, you think he wanted to marry you. a bridge you'll cross when you get to it.
"fillin' you up, good, aren't i?" and he's lost in a daze, and you watch as his muscles ripple in the light of the moon, pectorals gleaming as he stuffs you further, as if plugging his seed to stay in you, making you squirm from the delicious stimulation.
you should have paid a little more attention to your surroundings. less attention to the thick veins of his cock drilling a home in you. or less attention to how his lips curl up into a sweeter smile as he presses soft, happy kisses to your cheek while you lay exhausted, caged by his thick arms.
then, you might have noticed the lights flicker and then shatter for half the hotel's rooms.
the morning sun peeks through the curtains like an overenthusiastic alarm clock, dragging you out of sleep with its gentle warmth. you stretch lazily, limbs still heavy and sticky from the weight of...the previous night's activities.
the sheets feel ridiculous soft, kudos to the insanely over-priced hotel. and for a second, you entertain the thought of just staying here. forever.
that is, until your eyes fall on raijin's amulet over on the wooden table.
and the fact that gojo is nowhere to be found.
you blink, squinting at the empty space beside you. your first instinct is to check besides the bed, and then under it, for fear that the six-foot three man has simply fallen off.
but your gaze falls on a tiny pink sticky-note on the nightstand. one that you suspect was pilfered from the scattered case file on the couch. you peer at looping cursive, scrawled in a blue marker.
don't eat anything yet! gone to get a proper breakfast!
you can't help the soft huff that leaves you, fond in its escape. you feel this sudden urge to don some proper clothes, to go down and join him in the warm sunlight.
but then you pause. perhaps, you ought not to. it would be fun to let him miss you just a bit. the thought of the gojo satoru standing there, waiting in line for entirely average pancakes is amusement enough for you.
but before you can pull the crisp sheets over your head, your eyes catch a glimpse of something else by the bed. a small, satin-blue box that didn't exist yesterday, in the world of cruel choices and...semi-successful missions.
the memory of yesterday pulls a frown from you, but you shake your head, determined to clear your thoughts.
you reach for it, letting your fingers run over the smooth surface, before tugging at the silver ribbon cautiously. half-expecting to find something weird like gojo's usual idea of a joke like a half-naked framed photo of him with a lipstick print.
ah!
but instead, inside the box lies a thin necklace. you've stared longingly enough at shop windows to know that these are real diamonds. not the cheap kind either, a well-cut carat that makes you gasp to yourself, a flush running over your cheeks.
for a moment, he said nothing, and the silence stretched unbearably heavy. but then gojo’s ice-gaze dropped to the necklace scattered over your throat, and he tilted his head, "not too bad," a flicker of a scoff curling at his lips. "tch, they’re not even real," you blurted, then immediately regretted it, what was wrong with you today? you reached up, fingers grazing the cool crystals as if to shield them from his bemused scrutiny, "just thought i needed something to fit in."
you pick it up, feeling the cold weight of it in your hand. what is this, romance? a necklace? gojo satoru doesn’t even do romance. at least, not in the way anyone would expect.
he’s the kind of guy who would absolutely get you diamonds just to throw you off balance. mission accomplished.
you glance at the sticky note again, then back at the necklace. this is way too much for your sleep-addled brain. and yet, there’s this funny little thing inside you, a warm spark that you don’t know what to do with.
fuck, when did he even have the time to get this gorgeous gift?
you’re definitely not soft, but gojo does this thing to you — he has a way of turning your whole world upside down, and now…apparently, he’s gone and done it again.
your cheeks warm, but you don't admit to it. not yet. but there's no denying the softer spot that's growing in you, the urge to have gojo satoru in your arms in this very moment so you can run your hands through soft, white hair to watch him purr. to see his cheeks flush from a sweet blush as his blue eyes flutter shut.
your eyes fall on his crumpled uniform jacket from yesterday, his discarded clothes. perhaps, you could just join him. after all, you feel words threatening to spill from your mouth and you want him to hear them.
a surprise of your own? you think you want to see gojo satoru speechless for once.
do not plagiarise or repost! likes and reblogs appreciated. btw, this jenny packham was the dress i envisioned for reader but imagine whatever you like!
#gojo smut#gojo satoru#gojo satoru smut#gojo x reader#gojo x you#gojo satoru x reader#jjk x reader#jjk smut#jujutsu kaisen smut#satoru gojo#gojo x y/n#jjk gojo#jjk#jujutsu kaisen#works#gojo satoru x you#anime smut#jujutsu kaisen x reader#jujutsu kaisen x you#gojo satoru x y/n#oh naoki sato you had a short time here on this blog but i think you will be missed i kinda became sad writing about you#this was meant to be short and then we got lost in translation along the way i cant help it i love plot#not proofread yet....i will do that in an hour#daphworks
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i've just pulled out some interesting quotes from the metal hammer article for myself and anyone else interested. anything bolded for emphasis by me.
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George Lever [Sleep Token producer 2016-2021]: The starting point was removing this idea of the music you listen to being related to the person making it. By being anonymous, the listener is forced to relate to what they're actually hearing.
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James Monteith [Tesseract guitarist/publicist at Hold Tight PR]: I was approached by Tom Quigley, who was a scene regular and ran a few blogs at the time. He said he was working with this new band, would we maybe be interested in doing their press? We ended up talking for an hour, and he rolled out the whole concept, the imagery and everything about it... other than the music.
George: The lore/narrative was pretty loose still, but it definitely existed.
James: There was nothing specific as such, more this idea of creating an occult vibe and feeling, led by this prophet-like character who leads a religion.
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George: A lot of the first EP was actually us trying stuff out. We recorded the drums on a whim at Monnow Valley Studio in Wales. I introduced him to one of my friends, who actually still drums in them now.
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James: We always got requests [for interviews], but the band said from the start they were anonymous and wouldn't do them. It helped create more curiosity because nobody could get access to them.
Matt Benton [Metal Hammer writer]: You can't do an introductory piece without an interview. We managed to get an agreement for an email interview with Metal Hammer. Even then, the band knew they didn't want a voice.
Matt: It's one of only a few interviews they've ever done. It's something I'm glad exists, because it's like getting the Word Of God.
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George: I had freedom to offer interpretations of what I was hearing. It was a very fortunate combination of personalities and ideals. There was never any, 'We're going to take over the world' -type chat. It was more, 'Do we like this? Let's do more of that.'
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Nathan Barley Phillips [co-founder of Basick Records]: Trying to keep some sense of anonymity was a real mission. Particularly getting them to and from the stage [at Great Escape festival 2018] without anyone seeing who they were.
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George: We did Sundowning in three months - we went from demo to final master being released in just 12 weeks. We didn't have days off; we'd do seven in the morning until seven, eight or even nine at night every day for three months. We were in each other's pockets; we'd go to the gym together, swim, do the sauna... All this stuff to recover from being sat down all the time. There was a lot of time to spend holistically being friends making this record. We didn't know how to make this thing, but we had a confidence that we'd get there in the end. That's my favourite three-month period of my life.
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George: We started making [TPWBYT] and the first day was when lockdowns began. Tomb... was tough for all of us emotionally. There were lifestyle pressures as a result of the lockdown that made it not very conducive to making art that is supposed to be welcoming. A lot of those songs are, in one way or another, about love, love being lost or remorse, they are compassionate tales that are designed to bring the listener towards the artist. It's hard to do that when it feels like the world is going to end.
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Matt: I've got friends in merchandising and they say Sleep Token shift more merch than any other UK heavy band - more than even Iron Maiden.
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Nathan: Bands like Ghost and Sleep Token aren't successful because they wear masks. They're successful because they write great music. Masks don't mean anything if the music isn't any good.
Matt: I'll be interested to see, when the first official TV movie of the band gets made, the difference between the reality of what happened and the story that gets told. In a way, the myth becomes reality.
#sleep token#george lever#sleep token vessel#metal hammer#i wanted these quotes on my blog so hope this is interesting for others too!#i loooove a tidbit!#some v cool insights in here#biggest takeaways...#george introduced ves and ii??? CRYING#vessel was originally just known as Him#the sundowning bts is so special to me.. they became besties <3#we have george to thanks for vessel's abs i guess?#also tv movie hello?? OKAY#lots of other bits in here too but mostly just like how they went from small shows to big ones#also doesnt sound.. at least to me.. that the anonymity is going away anytime soon. good for them#im sure the full article will float around soon#let me know if you still want me to upload the full thing#i can prob scan it at work or smth#*
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wish lantern rewrite
I can’t be the only one that wishes we had actually traveled to a new location… that we had learned about a new culture and holiday… that Riddle had actually had more character development in Wish Lantern instead of being cooped up in the library, being forced to play pretend princess in order to get out, and give like maybe a handful of lines max in the second half of the event 😭 What we ended up getting was fun too, but I keep thinking about the missed opportunities and how great this story event could have been.
If Twst won’t give it to me then I will have to cook my own food 😤
Here’s how I would write Wish Lantern if I was in the Twst writing room:
Since Riddle is the SSR, I feel the story and its set-up should center him. I’m thinking maybe he’s invited to (or told by his mother to attend) some kind of conference or event in the Kingdom of Heroes or the Sunshine Lands for aspiring medical mages. Let’s say it is being held in the same place where the story of the Princess in the Tower originated because the Sundrop flower mentioned in the tale has miraculous healing properties (and the city/kingdom has since become known for its medical advances).
Riddle is uneasy about going there by himself (the implication being that this event is set after book 1 and, more specifically after book 6, when Riddle expresses to Azul he has been considering pursuing law instead of magic medicine/the career his mother chose for him). Maybe he mentions this unease around Deuce, that he feels obligated to go because “Mother knows best… She has always known what is best for me, hasn’t she?” It could even be in the library. Say that Riddle is brushing up for the conference and happens to run into him, who is looking for a book to help with completing an assignment. After listening to Riddle’s woes, Deuce, being one of the people who knows about his dorm leader’s complicated feelings toward his mother and finding his own independence, offers to come along as emotional support.
As for how Jack gets involved, he’s Deuce’s club member. Maybe he overhears Riddle talking about sports medicine or panels presented by medical mages who work with athletes, or Deuce mentions it in a club meeting. Jack becomes interested because he’s the type of person that’s always looking for ways to enhance his training and to learn more about this subject.
Kalim can either join because he's conveniently in the library + wants to learn more about poisons and antidotes (on his own self-development journey to be more self-sufficient instead of relying on Jamil all the time) or because the Asims are sponsors of the event and he gets a free invite through his Rich Privilege.
Use the usual "Grim overhears and whines until he and Yuu get invited to go along" excuse or maybe have Yuu and Grim come because they, too, want to be emotional support for Riddle. (They could have heard from Deuce?) With that, we have all of the main characters for this event assembled.
Even though this is a rewrite, I'm going to try and follow the conventions of OTHER "hometown" events. That means most of this rewritten event will be exploring the new area, learning about its customs and traditions, souvenir shopping, and sampling food. This would be a great chance to, of course, throw in Tangled references. Because I proposed that this event be focused on a conference for aspiring medical mages, we can also learn more lore about what medical technology and practices exist in Twisted Wonderland and how magic has played a part in advancing medicine.
So it turns out, there's a festival going on in the area at the same time as the conference. That's because there's a holiday in this kingdom that celebrates the Princess in the Tower finding her way home by following a trail of lanterns. Since the conference doesn't start until the next day, we can go out and enjoy the festivities! (Riddle can be hesitant at first, but the others convince him to loosen up.)
The new outfits + hair can be explained away as part of local traditions. Everyone is provided with a potion that lengthens their hair so they can emulate the Princess in the Tower. Or maybe there can be a potion-making station, and length still correlates with the skill at which you were able to brew it. (In this version, the hair lengthening potion isn't made with super rare ingredients; it is something easily accessible for even non-mages to brew and can be made cheaply.) YES, THAT MEANS WE GET LONG HAIR GRIM.
Local specialties could include dishes mentioned or depicted in Tangled, like hazelnut soup (Rapunzel's favorite).
HERE ARE SOME CUTE INTERACTION IDEAS BASED ON RAPUNZEL'S OWN EXPERIENCES IN CORONA: the gang doing chalk drawings and clowning on each other's artistic abilities (or lack thereof), trying out cupcakes (the reasoning being that they're "single servings" so it's okay for Riddle to indulge), exploring bookshops, painting on the walls, and everyone joining in a big group dance! (For the dance, maybe there’s a competition to see who can drag in the most bystanders into the dance and Riddle gradually finds his footing in that + is crowned the winner?) There could even be a tavern that pays homage to The Snuggly Duckling.
While we're out having fun, there should be a consistent pattern of Riddle having to be convinced that it's okay to be participating in these activities. He feels that he should be focusing on studying for the conference, but the others are there to reassure him it's okay to take breathers.
"You won't perform at your best if you're always at 100%. In terms of a workout, you'd be asking to pull a muscle if you push yourself to exercise without end." (Jack)
"Mmm? But how often are we going to be in [name of city]? We're here now, so we might as well experience everything that's here!! The food, the music, the games, the people... You can't find that anywhere but here." (Kalim)
"I get the importance of preparation, but I'm kind of curious about the celebration that's going on. If Rosehearts-senpai wants to study, then he should do that. I'd feel bad exploring the city without him, though... He might miss out." (Deuce)
"Shouldn't you at least grab some grub first? I'm pretty hungry too! Let's check out the food stalls!" (Grim, maybe Yuu can also get a dialogue option)
At some point, the group decides to browse and buy souvenirs. They discuss who they are shopping for and come upon the subject of family. Kalim and Jack want to buy stuff for their siblings and Deuce thinks his mom might appreciate a locally made handkerchief with the kingdom's sun emblem on it. (As a trucker, Dylla often drives for long hours so she might find use in a handkerchief to wipe her forehead.) Yuu and Grim can also bring up potentially getting something for the Ramshackle Ghosts, who are like their found family.
Riddle becomes visibly uncomfortable when the topic of family is brought up. Everyone else sounds so happy talking about theirs, but he has no idea what a happy family is supposed to be like. Deuce (and maybe Yuu + Grim too) realizes why Riddle is uncomfortable and quickly apologize. Kalim and Jack, who aren't familiar with Riddle's background or his attempts to speak with his mother over winter break, are a little confused but the others feel it's not their place to explain why and Riddle doesn't know them well enough to elaborate on personal matters. (Here, Jack and Kalim serve as an in-universe reason to keep his family history vague so as to not spoil people who haven't gotten that far in the main story yet, but the awkwardness is palpable enough to imply something is wrong to serve the narrative of the event story.)
Now, "hometown" events tend to introduce a new character, typically a family member, to us. However, the new characters are not those who appear as the "trauma source" for the respective OB boy. (For example, Falena was not the character introduced to us in Tamashina Mina/Cloudcalling on the Savanna and we met Kifaji instead.) Following this trend, we will not be encountering Mrs. Rosehearts but rather MR. Rosehearts.
I realize that we don't have a ton of lore about Riddle's dad yet so everything I write about his personality is completely headcanon (primarily based on the personality of the King of Hearts). The only things that are canon in this depiction is that 1) Mr. Rosehearts is a medical mage like his wife is and 2) Mr. Rosehearts does not have a happy marriage with his wife.
Anyway, we run into Mr. Rosehearts out in the city. Turns out that he is one of the presenters at the conference and he was supposed to meet and receive Riddle. He's a quiet and slightly anxious man but overall is kind to his son (though we should get the impression that Mr. Rosehearts isn't good with confrontation and folds easily).
Maybe have a part where Mr. Rosehearts is surprised that Riddle has friends because uh... the last time he recalls his son having friends, it was because his wife ranted at them for 5 hours and banned them from their home. But hey, he's chill about it and promises Riddle this can stay between them and he won't tell his mom. Could insert a line or two that implies that the winter break talk didn't go over well. (This is just my headcanon, but you could also stick in a line that insinuates that the Rosehearts parents don't just outright divorce because Riddle's mom can't deal with the potential social fallout + realizing that she is "wrong" in her marriage.)
Every "hometown" event thus far has presented us with some kind of minor external conflict to be resolved. In this case, Riddle's conflict is more internal. He's wrestling with what he wants to do with his future and trying to cope with the reality that his mother isn't the loving, "always correct" woman he thought she was. This, of course, mirrors Rapunzel's struggle with Mother Gothel, who tries to keep her in the tower and doing as she commands.
We finally make our way to our quarters for the night (Riddle has his own room; everyone else has to share one), perhaps in tall tower to mimic Rapunzel's home with Gothel. Riddle knows he should retire early because the conference is first thing tomorrow, but he admits to everyone that after spending time in the city, he has become curious about the tradition of releasing thousands of wish lanterns into the night sky. It happens pretty late in the day though, so he brushes it off and says they should sleep.
... But the others get really hype about Riddle "finally getting into the spirit of the holiday" and decide they should see the lanterns!! The only problem is, Riddle is locked in his hotel room for the night. There could be a local superstition, tradition, or security reason for this. Like maybe due to the story of the Princess in the Tower (and Gothel locking her up), people who are indoors at a certain time of night can't leave until the next day?? Or maybe Mrs. Rosehearts had prepared Riddle's room for him in advance and instructed staff to ensure he doesn't leave because she has been paranoid about him "breaking the rules" again after the tart incident. I don't know, pick your reason.
YOU KNOW WHAT THAT MEANS??? It's time for Jack, Deuce, Kalim, Grim, and Yuu to be Riddle's Flynn Rider + animal companions to break Riddle out. Our group represents the freedom and childhood wonders Riddle missed out on, the antithesis to Mrs. Rosehearts'/Mother Gothel's control. I can see Riddle using his long hair to hoist himself down, Jack using his UM to help everyone race to the water in time to catch the lanterns, Deuce being the muscle if they run into any thugs, Kalim using his social skills to quickly befriend the locals and ask for directions to the best vantage point or using his $$$ to rent the group a rowboat, etc.
We can keep the rhythmic/twistune from the original version of this event where Kalim, Deuce, and Jack were able to safely descend using Riddle’s hair but Riddle hesitates before he’s able to get himself to follow. The reason is the same; he worries about breaking the rules and how his mother would disapprove of him leaving the home. Riddle wonders if the Princess in the Tower felt the same, but ultimately his friends convince him it’s fine (by baiting him with the rules). He will be trapped in this tower forever if he doesn’t summon his strength and take the leap. If not now, then when? When will my life begin? “There are people waiting for me outside, so… it must be okay for me to leave. Right… Mother?”
Riddle keeps nagging everyone about how many rules and social norms they're breaking, but eventually he loosens up and even laughs a little at some of the dumb things they do. We can maybe have him thinking, This is just like… and then flashback to his childhood days with Trey and Chenya.
They're out on the waters just in time to see the lanterns being released. Alternatively, the even runners could be having trouble lighting up all the lanterns or something so Riddle has the opportunity to help with that (this way, we’d still get the other rhythmic/twistune featured in the original event). That particular rhythmic/twistune ends on Riddle with five lanterns floating overhead, which I think could be important symbolism (five lanterns -> five mentions of Heartslabyul).
It's beautiful. Everyone oohs and aahs at the sight--most of all, Riddle. He can say something like... "This city is known for its many contributions to magic medicine. I know that, and yet... I don't believe any magic or medicine could replicate what I am feeling in this very moment." There is some part of Riddle that acknowledges the healing and therapeutic properties of just... being allowed to have freedom, of allowing himself to live in the present and not stress about the rules or gearing up for a future someone else has decided for him all the time. He just doesn't know how to fully verbalize it + has not fully come to terms with it yet, so this is how he expresses it. At last, he sees the light.
While the new location they travel to + the conference provide us with the backdrop of medicine and health for this rewrite, I think there’s also something to be implied about the injuries we don’t see, the pain inflicted that isn’t physical. Both Riddle and Rapunzel were trapped in towers but were also emotionally controlled and prevented from leaving/made scared or the world and disobeying their mothers. When Riddle sees the lanterns, it’s sort of a “wake up” sign to his soul, a reminder of how healing it can be to just… live by one’s own terms, to not be ruled over by fear of disappointing someone else or failing to meet expectations. Rapunzel and Riddle bear scars on their heart from having been raised in the households that they were, and it is seeing the lanterns in-person that helps to “heal” what hurts them.
Riddle recalls the story of the Princess in the Tower and how she made a wish to see the lanterns, so now people make wishes upon these lanterns before releasing them into the sky. He lets go of his own lantern and wishes that, someday, he can be like the Princess in the Tower and this lantern floating up to the sky… and follow his own Road to Freedom.
Everyone sneaks back into their rooms and rest for the day. Uhhh, and there can be a scene of slicing off their hair for tomorrow. Riddle can talk about how the Princess grew her hair long because her mother told her to, but that it must have been cumbersome to walk like this. This way, by cutting off the hair like how the Princess does at the end of her story, it's a liberating act.
It doesn't matter what happens at the conference because what was important was the experiences Riddle had with his friends leading up to it. At most, maybe we see Mr. Rosehearts again while heading to the venue and they have a brief exchange where Riddle lets it slip he's a little tired. "That's so unlike you," Mr. Rosehearts remarks. "Well," Riddle replies with a small smile, "I am a growing young man, after all. I am changing every day."
I want to be clear that this does NOT mean Riddle has had a full character arc to come to terms with how he was raised. He would NOT feel 100% okay with rebelling against his mother by the end of this (hypothetical) event. The point of my version of Wish Lantern isn't to empower Riddle to fistfight Mrs. Rosehearts or to tell her off. The point is that it's supposed to be a small step in helping Riddle through the very complicated process of recognizing he was traumatized and/or abused, accepting that reality, and learning about how he can grow from it and his abuser (who is someone he thought he loved and could trust). This can take YEARS to process in the real world, and it would probably be similar to Riddle. Again, this is meant to be a SINGLE STEP he takes, NOT THE ENTIRE JOURNEY.
So in my rewrite, the event would be split up like this:
Episode 1: invitation to the event; gathering all the relevant characters, hopping through the mirror
Episode 2: arrival in the new location and having fun in the area
Episode 3: souvenir shopping, meeting Riddle's dad
Episode 4: retiring to room, changing mind and deciding to break out instead
Episode 5: seeing the lights, ending
As you can see, the structure is very similar to a traditional "hometown" event. I didn't want to stray too far from Twst's usual writing conventions, as it could mess with the cohesion with the rest of its story events. I did, however, try to change things up a little (like having an internal conflict instead of an external one) and tied in this (hypothetical) story with Riddle's overarching character development, as those are elements that I personally prefer in a story. I realize that the biggest change here is tying my rewrite much more strongly to the main story than similar events have 💦 BUT LET ME HAVE THIS, I think I cooked 😭
... What Wish Lantern could have been OTL Don’t get me wrong, though!! The version we did get wasn’t all bad. There was lore about the NRC library, lots of involvement from the staff, and fun character interactions with the whole student cast. I just feel like those could have all been used for a different event and not the Tangled one which could have been so much more interesting for Riddle and his character.
#twisted wonderland#twst#disney twisted wonderland#disney twst#twst rewrite#twisted wonderland rewrite#notes from the writing raven#jp spoilers#Riddle Rosehearts#Deuce Spade#Jack Howl#Kalim Al-Asim#Yuu#Grim#Tangled#Rapunzel#Maximus#Pascal#Flynn Rider#Mother Gothel#book 4 spoilers#book 1 spoilers#Dylla Spade#book 6 spoilers#tamashina mina spoilers#Falena Kingscholar#Ortho Shroud#fairy gala: what if spoilers#Chenya#Trey Clover
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My demons' periods cycles. By Mc
Note: these are purely my headcanons at the moment, they are based on animal ethology and behaviours that I think would suit each character depending on their personality and Lore. I would love to read your headcanon in case you have them.
Warning: Long text. Possible grammatical errors. It's written as if Mc was writing for themself.
Hey, it me Mc, the best human. Here is a compilation of the behaviours of my demons during their periods, cycles, for practical day to day use. It wasn't easy but I sat them down and got to talk to them, with a little effort I now know what they need. So now I am ready to assist them during these complicated times and be prepared in case I find a dead goat on the porch as a tribute.
Lucifer, Mammon & Levi || Satan, Asmo, & Beel || Belphie, Barbatos & Diavolo || Simeon & Raphael
Lucifer

Light does not bother him, but he rarely sleeps during its periods.
During his cycle his wings are filled with new feathers, to make them more noticeable and showy, many are small and iridescent.
His horns are also covered with iridescent scales.
He's constantly preening his wings, and they are always stretched to their fullest extent (Be prepared to be plucking feathers off your head for months)
The more feathers the better health (The stress of everyday life affects his plumage at this time so if at any time you see it scarce don't tell him :()
Unlike what you might think his nest is not in his bedroom but in secret rooms in the HOL.
Peacocks build their nests by making holes in the floor, Lucifer simulates that feeling by making a nest with high walls (good luck trying to get in and out) .
During his cycle he becomes very territorial and protective over his chicks (his siblings) and his mate (Interestingly Satan has woken up in the nest the most times over time, followed by Belphie)
He doesn't go outside his territory (the house), he feels a strong need to protect the fort (so all RAD paperwork falls on this sheep) .
Lucifer has a pre-heat period which is when he starts to grow new feathers, he eats a lot more and stores some food.
During the cycle he hardly eats, for that he has been accumulating energy ( you have to insist and feed him yourself so that he doesn't end up weakened after the cycle) .
He can talk normally, although when someone outside his family approaches a guttural sound comes out of his throat as a warning.
He produces very strong pheromones, but does not mark with them because there is no need (No one will dare steal what belongs to him)
Although physical contact soothes him, don't rub him if you don't see him relax, especially his wings. Let him initiate the contact.
He's always on guard since he does not sleep. But don't want that his brothers see him in his period.
His main way of courtship is to show off, so to get him to let you live, flatter him, tell him how beautiful his wings are or how majestic he is.
It's funny because sometimes he'll expect you to court him back (I don't have wings Luci, I can't do it) .
His senses are uniformly heightened. Nothing gets out of his control. (Good luck going to the toilet)
His body temperature rises (prepare light clothing, more than for him for you, you're going to need it)
Does he purr? Yes, although it's more like the sounds certain birds make before they sing. It is difficult to hear >:(.
During the cycle his anxiety is accentuated.
Normally demons end up exhausted after their cycle, but because he is so proud he doesn't let you take care of him, and he ends up much worse off.
Mc: So the nest is important?
Lucifer: Very important, yes.
Mc: Essential?
Lucifer: Yes
Mc: … *thoughtful* Are you going to let me leave the house?
Lucifer: No.
Mc: And from your nest?
Lucifer: No.
Mc: …. Let's buy cervical pillows then
Lucifer: *grinning*
Mc: So if I forced you, will you eat?
Lucifer: I think it's possible.
Mc: *grinning * And how do I do it with a spoon or mouth to mouth like the chicks?
Lucifer: *blushing * You… don't make me regret having told you all this
Mc: *half asleep* Everyone is sleeping.
Lucifer: *watching them in the dark with his eyes shining*
Mc: Everything is in order *trying to climb the nest*
Lucifer: *picking them up and lifting them to the nest* … *purring*
Mc: Now, now, let's try to sleep…*still half asleep* you are warm.
Lucifer: *covering them with his wings* Rests Mc.
Mammon

He can stand the light but doesn't like it, during these periods he has a reduced sleep schedule.
During his period he feathers, these feathers help him to be more aerodynamic.
He needs to groom them but as he normally doesn't have that many he is terrible at it (So be prepared to give him a hand) .
He nests, but like crows he does it high up, (make sure you prepare a hanging platform on the second floor of his room or he will end up nesting on the roof) .
Unlike Lucifer, he goes out almost every day, looking for small prey or presents. And don't care if his brothers see him in his period.
During his cycle his obsession for shiny things is accentuated, they don't have to be valuable, just shiny: stones, crystals, metals, floors or polished surfaces (thanks for the idea)…
He is a collector and will bring these objects to the nest.
Mammon is not overly territorial, he doesn't expect his parnert to be in the nest for 24 hours either, but when he comes back from his outings please be there or he will panic. Last time the house almost burned down.
He produces pheromones, and he will only use it on his mate.
He does not have a pre-heat, but you can identify that he's approaching his period by her lack of attention (more than usual).
Mammon eats throughout his cycle, more than usual, mostly meat, but also certain grains and seeds that his relatives collect for him.
He will want to feed you and you will want to feed him. You can't get away from that, you just can't.
His pupils dilate and constrict in an exaggerated manners. And his eyes shine in dark.
Although he talks, he prefers to communicate by squawking and growling.
However, when he is affectionate mood mainly with taps and caresses.
During the cycle he becomes very needy of physical touch, at sleeping, eating and grooming times he must always be skin to skin. Stroke him between the wings or plumage and he will start to purr.
He is happy for you to initiate contact, he doesn't mind if you do it whenever you want.
He sleeps curled up on his companion.
Does he purr? Yes, like his brother it's a similar sound to certain birds, but it's easy to make him purr (pretty much whenever you pay attention to him)
And you always have to pay attention to him.
His form of courtship is to bring you gifts, where did you get coins, pretty stones, luminescent flowers … you can not refuse these gifts or he'll cry (however give a stone or a coin and will not leave the nest in hours, he will think that you have reciprocated the courtship and will be happy)
His senses are sharpened especially his hearing and sight, he can see for miles, there is no threat that escapes him, that is why he is able to leave the territory so much.
He is more honest than usual, if he wants you to hug him he will tell you straight out.
Mammon: *trying that mc eat a leg of an unidentified animal*
Mc: No- NO!, youuuu stay baaaack
Mammon: *grunt*
Mc: *giving him part of their bread * take it
Mammon: *with pupils dilate* Oh *happy bird noises*
Mc: *holding back laughter*
Mammon: Farther to the left
Mc: Here?
Mammon: *stretching his wings higher*
Mc: Here?
Mammon: *purrs*
Mc: How the hell did you preen your feathers before?
Mammon: *curled next to Mc holding tightly a monopoly coin*
Mc: *smiling while stroking his feathers*
Mammon: Love you...
Mc: So your period makes you soft…I wish you were always as honest.
Levi

Nocturnal, light bothers him and can hurt his eyes.
During his period he sleeps more than usual (although he should sleep more often).
His scales cover his whole body and become more colorful. And his horns grow new branches.
He does not need as much grooming as other types of demons, but he needs constant humidity.
During his period the bathtub in his bedroom is full, but sometimes a humidifier is enough.
However during the final part of his period he needs to be totally submerged (so be prepared to go diving)
During this phase Lucifer puts a spell on him to track him. Because his envy can lead him to hide in the deepest pit of the ocean.
Some snakes nest, but most do not, so Levi's safe place during his period is under a pile of blankets, thin cloths and other things (like a burrow).
Since Levi is Levi, you have to make sure to give him wet towels every so often to moisten his body.
Levi is very territorial but he is more elusive and prefers to hide, his insecurity increases and there is no way to get him out of his burrow ( make sure he hydrates because it wouldn't be the first time he gets sick)
He doesn't eat much during his cycle, and if he does it has to be raw, but he has poor hunting skills, guess whose turn it is to take care of this?
Although the final phase of the period (Underwater) Lotan often takes care of finding nutritious prey for him.
When sleeping he wraps his tail around your body, first because you are a source of warmth and second because you are you.
Levi becomes partially non-verbal, he uses a lot of hisses and grunts. After two days they can be easily identified.
He likes physical contact, but he is the one who has to initiate it. (Touch him without his permission and be prepared to search for him in the depths of the Devildom water bodies).
Levi's courtship occurs underwater.
First he shows off, where all his scales glow many colors, this is indicative of health (as Levi does not have a very healthy diet or routine, his color could be better, but we won't tell him that)
And in the second instance it gives a single stone of sea crystals.
The sense that develops the most is the sense of touch and hearing. His skin becomes super sensitive so he can only wear certain types of clothing. And excessive friction hurts him.
His body temperature decreases a lot, more and more as the period progresses because he can not thermoregulate ( that's why he needs to be submerged and that's why you will wake up underwater)
Does Levi purr? Of course, when you talk to him or when he is embarrassed.
After his cycle he will need several days to look you in the eye again.
Levi: *sad hiss*
Mc: I'm telling you that your scales are very pretty.
Levi: *self-deprecating hiss*
Mc: No, I'm not just saying this... but if it really makes you feel bad, starting tomorrow you're going to eat more protein.
Levi: *hiss of indignation* >:0
Mc: Levi, I bring you the food!! Levi?
Mc: *looking for him in the burrow* Levi?
Levi: *poking his head over the bath water*
Mc: There you are… Ah! The humidifier has turned off!!
Levi: *grabbing their sleeve*
Mc: *sighing* we have to be more attentive…. *getting into the bathtub* but now you have to eat.
Underwater
Mc: Who had said that automating a spell would save my life.
Levi: *snuggled next to them with his tail wrapped around their body*
Mc: Are you confortable Levi?
Levi: *nodding*
Mc: Good, love u.
If you have made it this far, thank you very much 🩷
#obey me#obey me! shall we date?#obey me headcanons#obey me imagines#Obey me periods#obey me shall we date#obey me mc#omswd#lucifer obey me#mammon obey me#levi obey me#leviathan obey me#obey me mammon#obey me lucifer#omswd lucifer#omswd mammon#omswd leviathan#om! mammon#om! lucifer#om! leviathan#om! mc
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