#understanding characters

[danaclese]

Let's look at this throughline of characterization for Dick, in Batman & Robin: Year One #5 & #6

A "circus", a "show" a performance

These are not light whimsical words to Dick Grayson. These are the words that fed his family, the words that kept his entire community together and healthy.

A show, a circus? his family was murdered over a circus show. He sweat and bled every day for a circus show.

Dick lived every day of his life in the reality that if the "show" at the "circus" wasn't perfectly executed with military precision his family would be injured and his entire community would lose some ability to buy food and medicine.

The most serious business. And Batman is a performance, Dick sees this as intrinsic, but Bruce probably doesn't realize it yet. Dick sees this PERFORMER, talking shit about the circus and calling him undisciplined, saying this isn't a show? If there's one thing Dick knows it's show business and therefore by extension, discipline.

IDK, you should be reading Batman & Robin: Year One, #6 just came out, there's 6 left. I'm not (insert reason) enough to write the essay this story deserves, but i can tell the writing deserves the essay.

[eminthegrave]

It's funny how you learn more about you character by simply writing them. I just wrote a line in my latest chapter that really made me understand how that character relates to the mc.

Ironically it was the line that shattered his view of the mc, that made him rethink everything he knew about her. I guess it also made me rethink everything he knew about her too.

[enigmeyyy-writes]

I definitely think a lot of this is really interesting now that I'm rewatching the show again to write my fanfictions...

Katara definitely had her faults (and it was kinda wrong of her to tell her older brother that he didn't love their mother as much, especially because he most likely had more memories of her alive in comparison), but she was still a 14-year-old girl thrust into adult responsibility in the middle of a war. She is misunderstood a lot of the time from a fan's perspective because (in all honesty) a lot of us watched the show as kids and either thought she was super cool or super annoying. I even only started to find Katara annoying after I was older--and that was mainly because in times when she did attempt to "solve" things or "fix" something she wasn't mature enough yet to understand how to handle it responsibly. Sokka was a lot like this too, and we see him getting blamed a lot less. Both of them were standing in as leaders in their tribe during the war, and both of them left. Sure, the Avatar showed up, but even Aang was running away from responsibility until he realized he had to face the consequences of his actions!

Past this point is a lot of me talking about how I'm addressing a lot of this in my fan works, so check it out if you're interested!

I think a lot of my thoughts on this topic stem from the fact that I want to explore the emotional and responsibility commitments the characters of ATLA have weighing on them. In the AU I'm writing, for example, the characters (set in canon) are aged up and a lot of them have more people they are attached to. Since this was a Katara-centric post, I'll also include what I have in mind for my Katara fic.

Growing Pains centers around the letters Katara sends home to her and Sokka's childhood friend, Mali. He was the oldest of the boys left behind by the tribe because he just didn't quite make the age cut, and now serves as a hunter and protector for the tribe. He was definitely upset when his friends left him, but he knew that if they were to travel with the Avatar he had to stay and protect their tribe. Katara sends her letters detailing the stories of her adventures to Mali but soon realizes that she left a lot behind at home for what was turning out to be a perilous and risk-filled adventure.

And on the Aang side of things (because let's face it, a twelve-year-old boy having childish immaturity and the weight of the world on their shoulders is NOT the best combination), I wanted to explore more of his energy and experience of learning maturity after hardship in a Book 3 and post-war fic titled Spitfire.

Spitfire centers around one of Zuko's childhood friends (an OC because I think he deserved friends he could actually trust prior to joining the Gaang) named Soru coming to terms with the fact that he never truly was against the Avatar even though he's from the Fire Nation. Escapism at its finest--truly. As Aang has to come to terms with the new reality the world is entering after the defeat of Fire Lord Ozai, he has to learn how to deal with the weight of the political aspect of society the rest of his friends (and former enemies for that matter) were already wrapped up in.

All in all, I really think exploring aspects of the characters of such a beloved show that aren't really addressed is such an interesting thing to do. I applaud all other ATLA writers on the platform (and any platform) for either just sticking to canon or coming to terms with the flaws that are either over-exaggerated or under-represented in fanfiction, but I am not one of you! I want to explore the inklings of depth we get from this fun show, especially since I'm approaching this from a perspective in which the characters are older and arguably have more responsibility on their shoulders.

I'd really appreciate it if anyone would check out my stories (will be posted on here and ao3) or at least show interest in them! I've worked really hard to put all the details together behind the scenes, so any support or showing you enjoy my works/ideas is greatly appreciated!

I just watched Avatar for the first time all the way through, and yeah, it’s great, but the one thing that surprised me was how different Katara was compared to the fandom interpretation I’d seen and internalized before watching.

Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.

Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.

Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.

Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.

The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such an interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.

[demaparbat-hp]

He's never happy

[cronchy-baguette]

Unspoken history

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[thepiratekitty]

It's so interesting when you also start to get the viewpoint of older characters and start to understand them better.

They sometimes were not mean. They were concerned. They tried.

But the Protagonist is also not bad for thinking they are mean or overprotective or embarassing. Because we felt this the same way we feel about the other viewpoints now.

the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.

[softestaries]

oh wyatt callow, the boy who weighed everyones odds in the arena and still threw himself in front of a blade for lou lou, knowing hers too.

[a-drama-addict]

not caring too much about a fandom’s favourite guy is the worst. you’ll think “oh i’ll look into the tag see if anything new and cool’s there” and it’s just that fucking guy again

[churroach]

Full of Desires

[sukinapan]

[danaclese]

Killer Croc is written best when he's depressing

I should be feeling sorry for him, make me desperately wish Batman understood

He should always be a dumb, strong, ugly, guy who is by the laws of the universe, never allowed to catch a break.

If a story gives him something like a family, its so he can have the veil ripped away and be left even more alone.

The only thing he is allowed to be is the villain the world wants him to be, anything else is punished.

You know, I really believe that if circumstances afforded him better opportunities, Waylon Jones could have used his mutations to become a superhero.

In a world where Charles Xavier found Waylon in very early life he could have been a great hero

But the only time he is allowed to be happy is the place where everything is "wrong". Absolute universe is the bad one?

[pcktknife]

i miss the static youd get from kissing old tvs and the buttons and the av cable ports and how some of em had built in vhs or dvd players and the volume they had and huggability

[star-pup01]

I was promised a vessel and got thrown into a teenager who has their own shit to work through that is not being helped by this situation, and if I ever give up then the world is covered in darkness.

[josephsaturn]

I think that “Anakin was a slave child who was groomed by Palpatine and raised by someone who wasn’t ready to take on a child, thereby leaving him in a social limbo state where he’s surrounded by people but only has a few close confidants, with the one he trusts the most actively trying to take advantage of him”

and

“Anakin was taught right from wrong from a young age, first by his mother and then by Kenobi, but any time he was presented with a choice, actively CHOSE WRONG EVERY SINGLE TIME”

are two sentences that can, should, and MUST coexist to fully understand Anakin Skywalker as a character

Edit: PART 2 of this post here

[forgettable-au]

But that's dessert!

I FINALLY FINISHED THIS THING LET'S GOOO

I hope u all like it