#w: analysis

[eistro-phobia]

Frank Woods and Russell Adler

Long ass post of me talking about the relationship between these two

So I didn't really pay much heed to their relationship until now; it just felt like two characters that were given a few connections here and there to fit Adler into the Black Ops universe.

But the more I looked into them, I find a lot more going on between them—enough for me to believe that aside from Mason, Adler might be the closest person Woods has in his life.

So how did it start?

We learn that Woods knew Adler since Vietnam (presumably during MACV-SOG operations, which both Woods and Adler headed). Their relationship isn't exactly highlighted in Cold War, but there's a lot of subtle yet notable interactions between the two:

This little bit brings me so much joy

[Credit to @flyingraijinn]

In the first cinematic, where Russell gets questioned by the officials if his plan was necessary and he responds that they don't have to listen to him—guess who's the first to jump to his defense?

Though this one's subtle, I find it important. Adler keeps Bell within his or Park's sights almost at all times, but the one op where they can't, who does he trust to go with Bell?

Though I doubt Woods knew about Bell, I feel Adler trusted him enough to handle them should they go berserk.

Right after, when the jig is up about the greenlight nukes and Hudson spins the blame on Adler for not apprehending Perseus before, Woods doesn't even need to be told to square up and beat this bitch up a second time

❌️ Woods was stopped by Adler ✅️ Woods let Adler stop him

The last bit, even though it's not canon, I wanted to call attention to

[Skip to 2:46]

It's them! They fucking lied to us! That true, Bell?

Though Adler was already suspicious, its Frank's words that prompted him to finally question them. Maybe I'm reading into it too much, but it seems like it was Woods that made Adler pause and question if, just maybe, he'd failed.

You wanna load up the body? Fuck if I care. Leave it for Perseus to find.

Even after the main game, when Adler is captured, of course he's the first to go look for him

And the one to find him

Even in the field when Adler's on an op, he's in the background keeping an eye on him

And is also the one that goes back to Hudson to report on him when he goes dark

Now, onto BO6, where their relationship is pulled into focus:

First, we have the starting piece that sets BO6 in motion

Woods doesn't take shit talk pt.2

Yes indeed that is Frank Woods defending a wanted fugitive that is, as far as they're concerned, responsible for his state, even as pos Livingstone is actively grilling them.

Then this <3

If I'm not wrong, this is the first time we see Adler genuinely not be an asshole

And then the second time

The fact that he'd let Woods despise him just to keep him safe is 🥹

And a third time, when he rushes to his aid despite the burning house around him

Now, how is this possible? Why does Adler act so uncharacteristically caring towards Woods? Why is Woods so faithful in Adler? Why are they so close? In fact, you'd think Woods would hate Adler the same way he hates Hudson—the authority, the methodical nature, the secrecy—you'd think it was a no brainer. And so did I, for a long time.

So it surprised me when I heard Woods speak so highly of Adler, not even having the slightest of doubts against him:

[Skip to 1:40]

Adler? Turn against his brothers for cash? Are you kidding me? Those threads he loves, they ain't cheap now. Listen, I know he can be a goddamn psychopath, I get it. But he's on our side. He's just got his own way of doin' things.

And even when Harrow was interrogated and she told the truth about her parents, Woods vehemently refused to believe her. Even as far as questioning the victim's own memory and calling her parents traitors.

So why does he place this insane amount of trust in Adler?

Well, he gives us—Case—the answer.

I've known Adler since 'Nam. Give it twenty years, he'll grow on you.

Russell fought with him in Vietnam.

No shit, yeah. But remember how tight knit Woods was to his fellow soldiers. He even cried when the young recruit died in the first game.

So of course, fighting alongside Adler in a hellhole would've brought them closer together.

You keep believin' in the ones who got your back, go to battle for you. Adler was one of those.

Of course Adler had Woods' back; it's Vietnam, you're not surviving without having your team's back. It's not a stretch to say they went through life and death moments that they survived solely because of each other.

But another large part of why I believe Woods respects Adler is because he's, surprisingly, a lot more similar to Woods than meets the eye.

Think back to Break on Through. All the memories that Adler has Bell relive. His memories. Who else but him could describe such scenes in detail? He was the one that survived the helicopter crashing into the trees. He was the one that treaded through trenches in the night dodging a field of VC. He was the one that took out practically invisible snipers gunning for him from the trees. He was the one that cleared a village of the convoy and defended American troops under fire. He's the soldier that survived all that.

He's a killer; a monster, make no mistake. A monster that wasn't always assigned behind a desk holding the title of an officer—hidden behind a mask of nonchalance and charm. And Woods knows that monster. Woods respects that monster.

Adler's persona is ultimately an act. He appears uncaring and practical, but his true nature always slips through. He doesn't get along with Hudson, nor with Park's pragmatic nature. He makes split second decisions not on logic, but his instincts—hell, sometimes even his wishes. He gets vicious, loses his cool, and is unrelenting in his goals, refusing to be deemed some washed up old man. That's the true Adler peeking through—forever embedded yet somehow hidden in the lines stretching across his face, only ever showing its ugly head when he's pushed to the limit.

Who else would know it better than Woods, from a place you survive by being nothing but vicious?

As for Adler, who holds Woods close when he seems to do so for very few, he too tells Case why.

He's loyal.

Russell values loyalty: when he leads people into the eye of the storm, he needs loyal men following him without question. It's why he gave Belikov no choice but to get him the keycard, expected Sims and Park to fall in line and help his ass, made sure Bell obeyed him like a dog; it's why he even orders Case around like one (more on that later). He's a natural born leader that needs people with him and all the decisions he makes, questionable as they are.

And when he's taken to playing the villain with such commitment, to still have a friend that believes in him and his choices—a close comrade he's known from his oldest and darkest days on the job? He'll allow him into his heart, even if just a little.

That or theyre fucking idk

more stuff

[ambrosiagourmet]

Every time I revisit chapter 86 and the events right after the group talks Marcille down, I'm always struck by this bit here:

In particular, how similar it is to this:

The Winged Lion ate the same desire in both of them, more or less (I'm sure there are some nuances in both flavor and intent, but they are clearly similar things here). The Lion basically used this technique to kill Thistle, and for Marcille it was... not insignificant, but something she and her friends overcame without even fully realizing it was an obstacle.

I feel like this is another small piece of the story that shows how important support and love are - in navigating mental illness, in dealing with abuse or addiction, or in working through any other similar struggle that can be read into the Lion and his eating of desires.

It almost feels like Marcille was able to borrow the desires of her friends. She loves them and she trusts them, so even when she didn't have a desire to free herself from the Lion, the care they had for her well being still mattered to her.

It's the same thing later, with her hair.

She isn't able to notice the way her messy hair is making things harder, let alone do anything about it. But when Chilchuck points it out and then braids it back for her...

It's better. She likes it, things are easier now. Even though it isn't a desire she can feel for herself, it's not something that doesn't effect her. And because her friends care - because they know her well enough to notice the difference - she is given the chance to have a preference and to ask for their help.

We can obviously see some parallel ideas here with Mithrun and Kabru as well, but I'd also like to point out that Thistle gets this grace, too. Thistle, who had no one to help him up once he lost his will to resist, or to encourage him to find new desires once the Lion ate them all.

Thistle says he doesn't need anything, anymore...

But he is given an apology anyways.

It is not a kindness he desires. It is not a kindness he is able to ask for.

But it is a kindness that helps. It is a kindness that matters.

[chensaiy]

Um erm my complete collection of Jayce and viktors braces 🧎‍➡️ take all of this w a grain of salt bc it is based off of visuals and the breadcrumbs of info we have but I’m proud of it and I hope it helps :3

[kittytudor]

something i really love about “the crystal pavillion, for the third time” is the fact that the entire plot only happens because a servant was ill.

most of the mysteries maomao solves are related to high ranking officials or concubines, and if they aren’t, they usually happen in such strange circumstances that it’s impossible to not suspect potential foul play. in contrast, this episode’s mystery isn’t even really a mystery at all. a servant girl got sick with a rather common and treatable type of illness, and was put in isolation by her boss. on surface level, it’s as low stakes a plot as it could get. in the imperial court, servants are merely tools that can be replaced once they die. their lives are not seen as valuable, as even maomao acknowledges.

and yet, it is this unknown, nameless servant girl who becomes shin’s downfall. maomao may have had her suspicions about shin and the perfumes, even before this episode, but she had nothing concrete to go on. she couldn’t accuse a high ranking concubine’s chief attendant of trying to harm a preganant concubine with no evidence (at that point, she didn’t even know who shin’s target was). shin may have been a lot of things, but she was no fool, she was an incredibly intelligent woman who knew how to cover her tracks well, which is why maomao had to goad a confession out of her in order to prove her guilt. she’s arguably one of maomao’s cleverest adversaries yet, after suirei and lakan!

but shin’s fatal flaw is pride. she believes she’s better than lihua and she believes she’s better than a mere servant girl. so she cruelly uses her as a means to an end in order to hide the forbidden perfumes through the smell of her sickness. and in the eyes of the palace law, she is not committing a crime either. a servant girl’s life is nothing compared to the life of a high ranking concubine. who would even notice she’s missing? who would care if she quietly died?

but people did notice. the clinician noticed the maid had been missing and was worried enough to ask maomao to look into it. the other crystal pavillion servant loved her friend so much she planted flowers outside the shed because she hoped it would help her get better, which was the key clue that made maomao realize that’s the place where the servant is locked up. all of shin’s machinations get revealed because she refused to treat a servant girl as someone who mattered. it’s such a powerful message and i love it.

[caramel-catss]

thinking about how tenna's in-game appearance does not only use a 3d model, but it uses the billboarding technique instead of rendering him

billboarding was primarily used in games during the n64 era (most notably in mario kart 64) as the hardware wasn't powerful enough to handle tens of character models at a time. tenna, a tv that would run this console, would naturally present himself as a 3d model instead of a 2d one because it was a defining feature of his era and a testament to him being new and unique at the time!!!

however, tenna would likely not have the resources to fully render himself and all his animations alongside everything else. so, to compromise his resources and his desire to advertise his unique brand-new ability to be 3d, he is shown as a 2d sprite that is billboarded to give the illusion of being 3-dimensional.

this is SUCH an incredible detail and is insanely good character design!!!!!! honestly his design gets cooler every time i look at it

[mushyposts]

I saw a post talking abt how Zuko fought as the blue spirit in silence bc he couldn’t risk his voice being recognised, and how difficult it would’ve been for him to fight without yelling, which is very funny and also I agree, but I do have other thoughts on it!!!

I think this is a VERY VERY interesting theme to explore. Fire bending, as we know canonically, is all in the breath. Zuko, when bending, forces power into his breaths vocally. Azula and Iroh in comparison are very quiet when bending, exhibiting extreme breath control, and when Azula does start to lose control of both herself and her bending she becomes vocal. Screaming, grunting, yelling while bending.

Zuko fighting as the blue spirit both in silence and without his bending IMO is such a good way of highlighting where his strengths lie. He’s a good bender, of course, especially by the end of the show where he’s found a new source of strength, but he’s never been as proficient as other fire benders.

I think the blue spirit was such an easy role for him to slip into because while fighting, for once, he didn’t have to force his strength. He took time training with swords, hand to hand, etc because he knew he lacked in bending ability.

I like to think he found it easy to not yell while fighting as the blue spirit, because he felt confident. In his ability to fight, in the hidden identity aspect removing him from the role of the banished prince and the expectations that came with it. Putting a space between himself and the burn that has been used to identify and humiliate him many times.

I just think Zukos bending and fighting evolution is so neat….

[improvapocalyps]

You have 90 minutes to complete. (original poem: r.a.)

In participation of the MCYT Recursive Exchange 2024 hosted by @mcytrecursive!

Inspired by know that all my love will be your breath (i will save you when your lights go out)

[text under cut]

1. Have you ever been in love? (Please circle your answer.) a. It's me and him b. Our hearts beat in sync c. Our lives intertwined

2. Do you understand what you’ve done? (Please circle your answer.) a. I couldn't do anything b. I lost my balance c. I doomed us both

3. It's been god knows how long since you felt phantom hands on your neck and there is no one in sight. If you were soul-bound to him and both of you died at the same time then why are you still waiting in the void? Please answer clearly, in full sentences. (Not a correct answer：I just wanted to see him one more time).

4. Define two (2)： Fate | The feeling of his forehead against yours Curse | The moment you realise he isn't linked to you anymore

5. True or False： i. It was your fault. ii. You wish you had met him under different circumstances. iii. You can’t regret a single moment that you had him. iv. You would do it all over again if you could. v. It ended long before either of you said anything.

thumbnails:

sketch cover thing for imgur link:

[castielsprostate]

the way wade went out there to save the nine people that made up his world, dropped everything and just went, on his birthday! the one day it's supposed to be about you, and he went out to save the timeline with little complaint. he cares so much, and so deeply. he was willing to give up his whole existence for 10 people including a man, thee worst wolverine, he met A DAY AGO!!!!!!!!! he carved out a tenth slot in his world, his timeline, his universe, the moment that logan pushed the gun against his own head!

[rubyfunkey]

GitM => @venomous-qwille

bots on the brain (other gitm comics here if it pleases the court)

[dukeofthomas]

I find the fact that the confrontation at the end of UTRH is often summarized as Jason asking Bruce to kill the Joker for him fascinating.

Because that's not what happened.

Jason holds a gun up to Joker's head, gives Bruce another, and tells him that if Bruce doesn't do something (shoot Jason), he will kill Joker.

Jason doesn't give the gun to Bruce so that he would shoot Joker. He isn't expecting Bruce to pull the trigger on the clown. He's asking Bruce to do nothing. To be inactive. Because that will still be a choice, and despite having done nothing, everybody clearly agrees that Bruce would still, at least in part, be responsible for Joker's death.

...And to me, this moment is a kind of- microcosm, of the rest of Jason's point. Because after being captured and carted off to Arkham, the villain will escape again, and will kill more people. The only way to truly prevent that from happening would be to kill them; Bruce refuses to do so, and I respect his right to choose such a thing for himself, but it is still a choice, and if we agree that Bruce's inaction during the confrontation would leave him at least partly responsible for the Joker's death, then we must also agree that his inaction in permanently preventing the Rogues from killing more people means he is also, partly, responsible for all of those deaths.

[femimation]

Jax and Ragatha are both eachother’s antithesis and parallel.

That is to say: They’re doing the same thing in opposite ways.

In the Jax post I made I mentioned at the end that I think Episode 4’s mask theming goes beyond the main focus of Gangle, specifically that it also applies and is shown through Ragatha and Jax’s storylines.

Let’s dive into that more! The episode literally starts with an interaction between these three.

Obviously Gangle’s comedy mask would have to break to kickstart this episode, and obviously Jax would probably be involved in that, but I still think it’s very deliberate that this scene only contains these 3. They’re the characters the episode is about and that you’re supposed to pay the most attention to. They’re the ones wearing masks, (literal or metaphorical) following the episode’s main theme.

But focusing on Ragatha and Jax, the both have very notable behavior changes in this episode for different reasons. Ragatha acting different because of the stupid sauce and Jax after the training/employee reevaluation/torture thing.

Heeeere’s where I may lose some people: I think their behavior changes are meant to evoke the typical behavior of the other in some subtle ways.

Some specific examples before I generalize: On the stupid sauce, Ragatha essentially repeats a sentiment Jax made earlier in the episode.

She isn’t “acting like Jax,” she says it in a bit of a nicer Ragatha-y like way. She even acknowledges that she was being rude.

On the other hand, once Jax is mellowed out, he asks Pomni how she is. The past three episodes have had Ragatha constantly doting over Pomni and asking her how she’s doing.

Which again, is not to say Jax is “acting like Ragatha” exactly, he’s nowhere near as interested or overbearing as Ragatha typically is.

But that’s all still part of my point, they aren’t mirroring the other one to one, not even close, but their roles are swapped regardless.

Ragatha speaking her mind to everyone however rude it may be: Telling Gangle she’s annoying, Zooble that they’re grouchy, Jax that she hates him, complaining about Pomni’s connection with Gummigoo.

Jax being calm and even downright friendly: Exchanging pleasantries with Pomni, not messing with Ragatha in her… state, (barely even reacting to her) going along with the adventure until it’s over.

Not exactly like the other, but evoking the other. I think this is written purposefully.

Why? Refer to the title of this post. I don’t think it’s a coincidence that these two’s own respective focus episodes are going to be back to back as episode 5 and 6. They’re the same and they’re opposites.

Ragatha’s “mask” is being overbearingly caring, wanting everyone to like her and think of her as nice or even motherly. She will act like this regardless of how she really feels about something.

Jax’s “mask” is being unbearably antagonistic, wanting everyone to think he only cares about his own entertainment and that their wellbeing never even crosses his mind. He will act this way regardless of how he really feels about something.

Their swapped roles in this episode is a display of these masks beginning to slip, making their parallels abundantly clear.

Gangle’s drawing posted on Glitch’s social media really runs this all home for me.

Gangle draws herself with Pomni and Zooble, all happy and talking with eachother. Pomni and Zooble are upfront with the other characters, they aren’t wearing masks. The both make effort throughout the episode to be there for and help Gangle. Therefore, they can be connected with. Their care is always genuine because they’re always honest.

Ragatha and Jax can’t be connected with. Ragatha, despite probably being a genuinely sweet person, is too far behind her mask to reach and tell what of her is genuine and what is a performance. Jax… acts like Jax. Even though he’s probably quite an average person behind the mask.

Jax and Ragatha are both unreachable to the other characters for the same reason, despite their typical behavior being so opposite. Their true selves are both hidden behind opposite masks.

[sublimati0ns]

daily koss #13: hot mess aka they’re bad at this aka I can’t even label this “low-effort” or “shitpost” anymore 🥲 … bsky

I imagine they both like and yearn for physical intimacy, but are insanely neurotic about it… I love them and I had fun colouring this/// (also I know I forgor KO’s arm decal I just got too lazy to draw it… I’m sorry for taking your drip king…)

[idiotsonlyevent]

it is completely understandable to be uncomfortable with the sexual assault in dandadan. it's important to discuss how it's framed, whether it's handled poorly, or if it could be been portrayed better. but the number of people - even fans - stating that it is only fanservice, irrelevant, or could be removed is frankly bizarre to for SO many reasons, starting with the fact that this parallel exists.

the anime made it even more obvious by interpolating cuts from the first scene into the second one.

i thought this scene showed that momo gaining her powers by believing in her relationship with her grandmother gives her the strength to fight back against what is basically a horrific, much more aggressive and abstract (maybe even absurd?) representation of her shitty gross ex - who was demanding she 'put out' and pay for the love hotel in very first scene.

while the escalation from one scene to the next is surprising, it's not something that comes out of nowhere. this first scene is meant to be a set-up to what will happen later. it sets the tone, though significantly more lighthearted at this point. it tells you that sex, sexuality, etc. is something dandadan will touch on - though you don't know what the scope and depth will be until later in the chapter.

i cannot recommend this video enough, as it discusses some interesting interpretations of what the serpoians and turbo granny represent in their respective assault scenes, as well as how right now the treatment of both scenes is unfortunately uneven.

more notes about plot and thematic relevance below the cut. spoilers for anime-onlies (up to chapter 8, will probably be covered in episodes 4/5).

momo was assaulted, and almost cut up by the serpoians, much like the other victims turbo granny appeared around. this is an intentional parallel. turbo granny goes to momo because that is what she does. again, SUPER unclear how that factors into turbo granny's assault of ken, but if we keep the video's interpretation of cynicism in mind, it could be related to that; maybe turbo granny has a cynicism toward men - similar to momo in chapter/episode 1 - and this is why she chose to attack ken. unfortunately, it's still too early to really understand and explain a lot of her motivations.

again, completely understandable to not like how the sexual assault was handled or portrayed, and it's important to keep discussing it. but this is what dandadan does for many different types of trauma and difficult life experiences. this is a huge part of dandadan's identity. if you don't like it, that is fine, but calling the sexual assault 'just fan service' is blatantly untrue.

[polite--cat]

esteban thank u for providing the seating plan 🙏

[cenvast]

"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?

I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.

Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.

The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.

On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.

For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.

Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.

While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."

Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.

As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.

The other Nakamoto household members also internalize its sexist, classist power dynamics.

For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.

Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.

It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.

Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.

But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?

The short answer is absolutely not.

Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.

Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.

Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.

Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.

Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.

Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)

But he cannot and does not avoid consuming food forever.

Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.

Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.

Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.

Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.

Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.

But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.

A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.

Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3

[laikabu]

my controversial opinion is that i like that laios is bigger and more muscular than kabru because, as a poc, buff brown guy x scrawny white guy is so popular and tired, i like it whenever there’s a subversion of it from a work that’s well written. of course, not to mention that they have a very fun dynamic and the comic from the new official world guide spelling out for everyone that they do care about each other lol

i like that kabru does look feminine, especially when fandom makes the brown one always the bigger and masculine one in fanon and any instance of their delicate features is erased, even in yuri (looking at gwitch lol)

speaking of, i really like kikimari in that namari is portrayed as very masculine while kiki is feminine and elegant in fanwork

obviously, fandom isn’t activism duh, but i’m merely speaking from experience as someone who dabbles in both eastern and western fan spaces. i’ve seen it happen so many times that it’s become the staple so i love subversion that’s actually good