#writeblr advice

[thewriteadviceforwriters]

✏️ Writing Dialogue That Sounds Like Real People, Not Theater Kids on Red Bull

(a crash course in vibes, verbal economy, and making your characters shut up already)

Okay. We need to talk about dialogue. Specifically: why everyone in your draft sounds like they’re in a high school improv group doing a dramatic reading of Riverdale fanfiction.

Before you panic, this is normal. Early dialogue is almost always too much. Too polished. Too "scripted." So if yours feels off? You’re not failing. You’re just doing Draft Zero Dialogue, and it’s time to revise it like a boss.

Here’s how to fix it.

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🎭 STEP ONE: DETOX THEATER ENERGY I say this with love: your characters are not all quippy geniuses. They do not need to deliver emotional monologues at every plot beat. They can just say things. Weird, half-finished, awkward things.

Real people:

interrupt each other

trail off mid-thought

dodge questions

contradict themselves

repeat stuff

change the subject randomly

Let your characters sound messy. Not every line needs to sparkle. In fact, the more effort you put into making dialogue ✨perfect✨, the more fake it sounds. Cut 30% of your clever lines and see what happens.

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🎤 STEP TWO: GIVE EACH CHARACTER A VERBAL FINGERPRINT The fastest way to make dialogue feel alive? Make everyone speak differently. Think rhythm, grammar, vocabulary, tone.

Some dials you can twist:

Long-winded vs. clipped

Formal vs. casual

Emojis of speech: sarcasm, filler words, expletives, slang

Sentence structure: do they talk in fragments? Run-ons? Spirals?

Emotion control: are they blunt, diplomatic, avoidant, performative?

Here’s a shortcut: imagine what your character sounds like over text. Are they the “lol okay” type or the “okie dokie artichokie 🌈✨” one? Now translate that into speech.

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🧠 STEP THREE: FUNCTION > FILLER Every line of dialogue should do something. Reveal something. Move something. Change something.

Ask:

Does this line push the plot forward?

Does it show character motivation/conflict/dynamic?

Does it create tension, add context, or raise a question?

If it’s just noise? It’s dead air. Cut it. Replace it with a glance. A gesture. A silence that says more.

TIP: look at a dialogue scene and remove every third line. Does the scene still work? Probably better.

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💥 STEP FOUR: REACTIVITY IS THE GOLD STANDARD Characters don’t talk into a void. They respond. And how they respond = the real juice.

Don’t just write back-and-forth ping pong. Write conflict, dodge, misunderstanding. If one character says something vulnerable, the other might joke. Or ignore it. Or say something cruel. That’s tension.

Dialogue is not just information exchange. It’s emotional strategy.

Try this exercise: A says something revealing. B lies. A notices, but pretends they don’t. B changes the subject. Now you’ve got a real scene.

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🔍 STEP FIVE: PAY ATTENTION TO POWER Every convo has a power dynamic, even if it’s tiny. Who’s steering? Who’s withholding? Who’s deflecting, chasing, challenging?

Power can shift line to line. That shift = tension. And tension = narrative fuel.

Write conversations like chess matches, not ping pong.

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✂️ STEP SIX: SCISSORS ARE YOUR BEST FRIEND The best dialogue is often the second draft. Or third. Or fourth. First drafts are just you figuring out what everyone wants to say. Later drafts figure out what they actually would say.

Things to cut:

Greetings/closings ("Hi!" "Bye!"--skip it unless it serves tone)

Exposition disguised as chat

Obvious thoughts spoken aloud

Explaining jokes

Repeating what we already know

Readers are smart. Let them fill in blanks.

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🎧 STEP SEVEN: READ IT OUT LOUD (YES, REALLY) If you hate this step: too bad. It works. Read it. Mumbling is fine. Cringe is part of the ritual.

Ask yourself:

Would someone actually say this?

Does this sound like one person speaking, or a puppet show with one hand?

Where does the rhythm trip? Where’s the breath?

If you can’t say it out loud without wincing, the reader won’t make it either. Respect the vibe.

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🏁 TL;DR: If you want your dialogue to sound like real people, let your characters be real. Messy. Annoying. Human. Let them interrupt and lie and joke badly and say the wrong thing at the worst time.

Cut the improv class energy. Kill the urge to be ✨brilliant✨. And listen to how people talk when they’re scared, tired, pissed off, in love, or trying not to say what they mean.

That’s where the good stuff is.

—rin t. // thewriteadviceforwriters // official advocate of awkward silences and one-word replies

P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages 👀 you can grab it here for FREE:

[iloveyou-writers]

Just reblogged a post asking what to post about as a new writeblr blog, and now I'm feeling inspired to post about this topic... so here are some ideas of things that you, as a writer, can begin posting (or can post more of) on your writeblr... this list is by no means exhaustive. There are sooo many topics, it's impossible to cover them all, but if you struggle to think of what to post about, here are some ideas.

[yvesdot]

How To Get Roughly 50 Notes On An Original Writing Post And Possibly Net A Single Reader

I had someone ask today how I get people to click through and read my writing, and I'm realizing that I've never actually made a post all in one place of everything I do to get a new piece of short fiction off the ground... so here you go! How to get (some) eyes on your work, even if it is not published anywhere of interest and you don't have a marketing team behind you.

The #1 thing is presentation. You want to get people's attention, and once you have it, convince them to keep paying attention. Fortunately, people tend to be both reasonable and predictable, which means all you have to do is follow The Formula.

(original post link)

Here's the formula from the above post broken down:

[giant horizontal title card, preferably animated to catch the eye] OR [a few tasteful parallels, if you're good at parallel posts]

TITLE (linked to where you can read the piece) / wordcount

a quote that is representative of the tone, themes, prose style, and/or the "promise of the premise"

A longer pitch, featuring the overall subject of the piece (transsexual reality TV drama), any comp titles (Detransition, Baby), the main draw (in this case, watching trans people be awful to clueless cis people), major themes (performance), and any other promises you'd like to make (food romance and tigers). You can see that the quote I chose delivers on the promise of trans people intellectually outperforming cis people-- if I were a reader, I would be more likely to trust that the rest of the pitch was accurate based on that assurance.

If you have any positive reviews on your piece, say so. If it has won any awards or contests, say so. If your work has made people cry, Doja Cat - Say So. Always. Generally speaking, more personal and more detailed is better, but keep it to one or two people-- e.g. "when I gave this to my S/O to read he shot milk out of his nose so far I had to go clean under the couch" or "my favorite review of this piece is the reader who said they read it chapter-by-chapter under their covers because they wanted it all to themself." This should be one sentence.

Depending on where the story is published, what you usually promote, etc., it may be worthwhile saying the story is free. Use your judgment on whether the reader can tell.

I also like putting my links at the bottom so someone seeing this on a friend's dash can easily track me around the 'Net. They make me look more professional (I now include a link to my website) and they visually balance the post, in my opinion. This post also happened to have some additional links for bonus content.

This is not as high stakes as it seems. I'm not 100% happy with the pitch here, and I'm not 100% happy with the graphics I've used in other cases. These are some bones that help to sell the piece even when the details aren't as sharp.

REBLOGGING

When is the last time you read something the first time you saw it on your dash? I schedule reblogs of all important posts at least twice over the next 2-3 days, often three times so I can get the morning/afternoon/evening reblog. If your followers tend to be more active at certain times, go ahead and use those. In the past I've intentionally scheduled posts for times I knew more popular mutuals were active, and it has paid off!

I also schedule a reblog for a week and a month and sometimes even a full calendar year out, because I know there is going to be that person who tags the piece '#to read' and instantly forgets about it, only to get excited when they see it weeks later. I am very often that reader. The goal is to catch people when they're ready to read immediately, and this is a game of chance.

Every so often, I go through my entire #writing or #important writing updates or even just #popular tag(s) and queue two dozen posts before shuffling my queue to redistribute matters. This keeps my older work circulating, ensuring new readers get a chance to see older pieces and giving those older pieces another shot at dashboard space. (More on #popular later.) This sounds like a lot, which is why you have to space everything pretty far apart. Fortunately, this is the world's best site for cool things to reblog. I guarantee you that you can find something new you love to post in the meanwhile.

COPING WITH FAME

The post above is what I, a published author, consider "doing well" for a post about my writing on Tumblr. As of October 10th, 2024, over two years after its initial posting and over five years into my posting doggedly about my original fiction, it has 77 notes. More than half (43) are likes. Around half of the reblogs are me promoting my own work or the same very sweet person dutifully reblogging me every time I do so. Glancing through the reblogs now, I know of four people whom I can confirm have read it. Presumably, there are more who are completely silent and have never interacted with the post whatsoever. Genuinely: wahoo!! I am so grateful and happy for the attention and reception of my work.

This is the number one thing I suggest: focus on what you have, and not what you lack. Imagine your post from the perspective of an outsider: even one reblog means you convinced that one person to spread your art! How cool is that! This is also good advice because moping is simply not helpful; it will not get you more reads. (And no, neither will guilting others. Kill that vent post in your head!)

GETTING FOLLOWERS

I don't have that many followers. Of the followers I do have, people are very unpredictably active. When I hear about other people's follower counts I am consistently surprised, because people with half of mine will have fans and haters the likes of which I could not possibly dream of. I follow 500-follower folk who post "I ate a strawberry today" and get 6 asks ranging from "Wow I respect you so much for eating that strawberry" to "I'm going to come to your address at [REDACTED REDACTED REDACTED] and shove bananas down your throat for hating on my favorite fruit."

I point this out to establish three important things. 1) Be grateful for what you have (in my case, 0 anonymous hate asks about fruitpinions), 2) followers have far less impact on interaction than one might think, and 3) followers don't engage with the things you might like them to.

Think about yourself. Are you more likely to reblog a photo of a cat in a pumpkin (alright, here) or something advertising fifteen minutes' worth of writing, which could be, for all you know, bad? Or, for that matter, by a person you should not like to support? Reblogs on generically interesting things are 'safer' (unfortunately) than reblogs on art, and it makes perfect sense that people are skittish around the latter. People don't often reblog things they haven't read, and nobody can reblog every artpost on their dash. Having someone else put it there, however, is incredibly powerful—someone's vetted this post as Worth a Reblog, after all. Having more followers allows for much more of this.

(Followers don't guarantee any one sort of interaction, but having more of them is rarely bad. Rarely.)

Across my most popular posts, one theme becomes very obvious: people like things that apply to them or their blog. I try to post writing advice/opinions/memes every so often, because I know I have a loyal base of writerfolk who like to see that from me, and it's "easier" to reblog than my writing. This is simply the nature of the universe. I used to pretty frequently go into the #writeblr tag and check out what was recently popular so I could figure out how to serve the same base, and from time to time it worked.

You're welcome to examine the list of #writing posts that made it to 100 notes, because each tends to have a notable reason behind its success: a reblog with an exceptionally good review, a contest win, a wordcount that lends itself to pasting the whole thing in one go.

(Posts about my book's release are a notable exception, in part due to Blaze and in part due to my absolutely relentless flogging of their reblog buttons during the ~year of promotion. Also in large part to a dedicated circle of friends who passed the post around nonstop! Thank you so much!!)

A lot of people will tell you to attempt covert reciprocal promotion. You know—reblog a lot of stuff, in the hopes that people will reblog yours. If I could change one thing on Tumblr, it would be this: the culture that quietly encourages disingenously interacting with other people with a secret True Goal in mind. (On the autism website.)

Please, for the love of all that is good and holy, do not do this. If you comment on other people's work, do it because you're happy to do so. When I released Paper Tigress, I went through everybody else who responded to the same prompt and read their work, because I had the day off and I was curious. This has led to Paper Tigress having more comments on Reedsy than one of my contest winners, and even outranking the shortlisted story in the same prompt category. However, this would have been a waste of my time if I did not genuinely enjoy reading the other stories. I read 80+ stories, taking several hours, and gained 30 comments from the venture (half my comments are my responses).

Crucially, I do not promote other writers' work on Tumblr in the hopes of them reading or boosting mine. This is the #1 tip I see thrown around that I viscerally disagree with. While, again, I am grateful for engagement with my work regardless of the context, I do not want people suffering through my work in the hopes that I will promote them. I work a full-time job, and my reading calendar is perpetually overbooked, including with work by my absolute best of friends. Even if it wasn't, I think it would be quite insulting if I were posting works in the hopes that someone would choke it down like medicine. I post what I think is good so that people can read and enjoy it. If you are not enjoying it, I do not want you to feel as though you have to read it. My aim is to give to others what my favorite authors have given me, which is most certainly not A Bad Time Spent Being Dishonest In The Hopes Of Getting Something Back. You have better things to do with your time. Please be honest.

CONCLUSION

Realistically, the readers I have, I gained through being a published author for five years promoting my behind off on Tumblr, the least forgiving social media for promotion. People like it when you have a book they can buy, especially if it has Goodreads reviews that make it look like you have been vetted for them. Many people who follow me have read only Something's Not Right and nothing else. (Many people who follow me have read everything but Something's Not Right.) I have posted dozens of pieces on Tumblr and Wattpad (and AO3). I gained a small number of readers writing and posting fanfiction for the Locked Tomb Tri(?)logy, even though I marketed it absolutely terribly.

Just keep writing. Keep writing, keep posting, and keep making sure everyone who follows you knows you write. And keep writing because you want to. There's no better advice than that.

[mysticstarlightduck]

I'll be happy to better spitball some ideas when I get home/am not on my phone, but any little tidbits you can share to give an idea of the villain or plot you're trying to hash out to get a truly detestable little guy? 👀

Ooh thank you so much!!!!

Okay so, here's what I got so far:

Still deciding the name and gender but this character will be in their mid 20s.

(Setting info) Its for a dark high fantasy WIP I have become hyperfixated on during the past few days.

This character will be a recurring minor villain/side character who is a twist on the "Twist Villain" trope - in which the fact that they're detestably evil isn't exactly hidden but they sure are ANNOYING at first, enough that the audience will go "UGH I WANNA THROTTLE THIS MF SO BAD-" every time they show up even if they don't say anything in the scene lmao. So, when they're revealed to be more than just an annoying obstacle but a complete psychopath the audience and the MCs can go "I KNEW IT--"

This'll be the kind of character for whose death the audience cheers (:<

[ellierenae]

today i learned you can download all of wikipedia to a $20 flashdrive on a keychain and still have room for all the books you're writing

[lucy-ashton]

So many ideas of fanfictions that I let go…

Countless stories that slipped away because I didn’t think I could handle them. For, when I finally dive into a project, I owe it to both myself and my readers to see it through. Such a flood of ideas… which tells me one thing: a writer's inspiration knows no bounds. This "writer's block" may seem like a looming threat, but really, it's just a temporary hiccup in one particular and individual project's journey. Think about it: as a writer, you never run out of ideas, your imagination never stops running wild for thousands of other projects that you may never start. There are endless stories waiting to be told in your mind, each bursting with potential. Sure, writers hit rough patches, but they're fleeting.

Being a writer means finding inspiration in the unexpected, in those moments that catch you off guard—that's the real beauty of it all.

[redwritesreads]

I’ve had a Pinterest account since 2016 when my A level art teacher ordered us all to make one and it’s just occurred to me that some of the 29k images I’ve saved since then could be useful to other writers/creatives. So here:

- character creation board (including dynamics, pets and vibes)

- setting inspo board (both interiors and exteriors)

- fashion board

- figure pose reference board

- tattoos board

Hope this is helpful to someone <3

[nondelphic]

"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[luna-azzurra]

Emotional Walls Your Character Has Built (And What Might Finally Break Them)

(How your character defends their soft core and what could shatter it) Because protection becomes prison real fast.

✶ Sarcasm as armor. (Break it with someone who laughs gently, not mockingly.) ✶ Hyper-independence. (Break it with someone who shows up even when they’re told not to.) ✶ Stoicism. (Break it with a safe space to fall apart.) ✶ Flirting to avoid intimacy. (Break it with real vulnerability they didn’t see coming.) ✶ Ghosting everyone. (Break it with someone who won’t take silence as an answer.) ✶ Lying for convenience. (Break it with someone who sees through them but stays anyway.) ✶ Avoiding touch. (Break it with accidental, gentle contact that feels like home.) ✶ Oversharing meaningless things to hide real depth. (Break it with someone who asks the second question.) ✶ Overworking. (Break it with forced stillness and the terrifying sound of their own thoughts.) ✶ Pretending not to care. (Break it with a loss they can’t fake their way through.) ✶ Avoiding mirrors. (Break it with a quiet compliment that hits too hard.) ✶ Turning every conversation into a joke. (Break it with someone who doesn’t laugh.) ✶ Being everyone’s helper. (Break it when someone asks what they need, and waits for an answer.) ✶ Constantly saying “I’m fine.” (Break it when they finally scream that they’re not.) ✶ Running. Always running. (Break it with someone who doesn’t chase, but doesn’t leave, either.) ✶ Intellectualizing every feeling. (Break it with raw, messy emotion they can’t logic away.) ✶ Trying to be the strong one. (Break it when someone sees the weight they’re carrying, and offers to help.) ✶ Hiding behind success. (Break it when they succeed and still feel empty.) ✶ Avoiding conflict at all costs. (Break it when silence causes more pain than the truth.) ✶ Focusing on everyone else’s healing but their own. (Break it when they hit emotional burnout.)

[thewriteadviceforwriters]

🕯️ NEW DROP: Dark Academia x Horror Writing Prompt Pack 🕯️

tumblr writers. rotters. girls who keep their journals under lock + key. i made this one for us.

✎ 75 creepy little writing prompts ✎ themed like: cursed schools, mirror girls, haunted dorms, and literary dread ✎ also includes: gothic title generator, dark academia word bank, printable tracker ✎ made to help you write horror stories in fall semester-core settings ✎ aka ✨school is evil✨ and you have a paper due at midnight from the dead

🎓 if you’ve ever wanted to write: – a student disappearing mid-lecture – a thesis defense that ends in blood – a dorm room that exists in three timelines – a library book that knows your name – a mirror that’s not a mirror

this is for you. download it, light a candle, and go full victorian ghost girl/boy. 🖤

📥 get it here (costs $1): 🕸️ tag me if you use it: #thewriteedvice

(reblogs appreciated if this speaks to your writer soul)

[helpful-writing-tips]

if you're trying to get into the head of your story's antagonist, try writing an "Am I the Asshole" reddit post from their perspective, explaining their problems and their plans for solving them. Let the voice and logic come through.

[yvesdot]

WRITING RESEARCH: BOOK COVERS

Friday, August 25th, 2023 @ 10:00 AM PST on Twitch

What's in a book cover? Join me as I hop through the biggest new releases on GoodReads and talk about what you can take away as both a reader and a writer. We'll be live about an hour touring some books I've never seen before to see whether I (and you!) can guess genre, tone, and more from a book cover alone. Thanks to OHHOW for sponsoring this one with the theme 'writing research'!

RECORDING AVAILABLE NOW

Bonus: I go full Kat Blaque on a Romance novel cover.

Support the author: all posted writing | book | ko-fi | Patreon

[physalian]

Small fantasy worldbuilding elements you might want to think about:

A currency that isn’t gold-standard/having gold be as valuable as tin

A currency that runs entirely on a perishable resource, like cocoa beans

A clock that isn’t 24-hours

More or less than four seasons/seasons other than the ones we know

Fantastical weather patterns like irregular cloud formations, iridescent rain

Multiple moons/no moon

Planetary rings

A northern lights effect, but near the equator

Roads that aren’t brown or grey/black, like San Juan’s blue bricks

Jewelry beyond precious gems and metals

Marriage signifiers other than wedding bands

The husband taking the wife's name / newlyweds inventing a new surname upon marriage

No concept of virginity or bastardry

More than 2 genders/no concept of gender

Monotheism, but not creationism

Gods that don’t look like people

Domesticated pets that aren’t re-skinned dogs and cats

Some normalized supernatural element that has nothing to do with the plot

Magical communication that isn’t Fantasy Zoom

“Books” that aren’t bound or scrolls

A nonverbal means of communicating, like sign language

A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

[snakebites-and-ink]

I've already said that my number one piece of writing advice is to read.

But my number two piece of advice is this: be deliberate.

Honestly this would fix so many pieces of bad writing advice. Don't forbid people from doing something, tell them to be conscious and deliberate about it. This could help stop people from falling into common mistakes without limiting their creativity. Black and white imperatives may stop a few annoying beginner habits, but ultimately they will restrict artistic expression.

Instead of "don't use epithets": "Know the effect epithets have and be deliberate about using them." Because yes, beginners often misuse them, but they can be useful when a character's name isn't known or when you want to reduce them to a particular trait they have.

Instead of "don't use 'said'" or "just use 'said'": "Be deliberate about your use of dialogue tags." Because sometimes you'll want "said" which fades into the background nicely, but sometimes you will need a more descriptive alternative to convey what a character is doing.

Instead of "don't use passive voice": "Be deliberate about when you use passive voice." Because using it when it's not needed can detract from your writing, but sometimes it can be useful to change the emphasis of a sentence or to portray a particular state of mind.

Instead of blindly following or ignorantly neglecting the rules of writing, familiarize yourself with them and their consequences so you can choose when and if breaking them would serve what you're trying to get across.

Your writing is yours. Take control of it.

It probably sounds like I'm preaching to the choir here because most of my mutuals are already great writers. But I'm hoping this will make it to the right people.

[literaryvein-references]

When your Character...

Gets into: A Fight ⚜ ...Another Fight ⚜ ...Yet Another Fight

Hates Someone ⚜ Kisses Someone ⚜ Falls in Love

Calls Someone they Love ⚜ Dies / Cheats Death ⚜ Drowns

is...

A Ballerina ⚜ A Child ⚜ Interacting with a Child ⚜ A Cheerleader

A Cowboy ⚜ A Genius ⚜ A Lawyer ⚜ A Pirate ⚜ A Spy

A Wheelchair User ⚜ A Zombie ⚜ Beautiful ⚜ Dangerous ⚜ Drunk

Funny ⚜ In a Coma ⚜ In a Secret Society ⚜ Injured ⚜ Shy

needs...

A Magical Item ⚜ An Aphrodisiac ⚜ A Fictional Poison

A Coping Strategy ⚜ A Drink ⚜ A Medicinal Herb ⚜ A Mentor

Money ⚜ A Persuasion Tactic ⚜ A Quirk ⚜ To be Killed Off

To Become Likable ⚜ To Clean a Wound ⚜ To Self-Reflect

To Find the Right Word, but Can't ⚜ To Say No ⚜ To Swear

loves...

Astronomy ⚜ Baking ⚜ Cooking ⚜ Cocktails ⚜ Food ⚜ Oils

Dancing ⚜ Fashion ⚜ Gems ⚜ Herbal Remedies ⚜ Honey

Mushrooms ⚜ Mythology ⚜ Numbers ⚜ Perfumes

Roses ⚜ Sweets ⚜ To Argue ⚜ To Insult ⚜ To Kiss

To Make False Claims ⚜ Wine ⚜ Wine-Tasting ⚜ Yoga

has/experiences...

Allergies ⚜ Amnesia ⚜ Bereavement ⚜ Bites & Stings

Bruises ⚜ Caffeine ⚜ CO Poisoning ⚜ Color Blindness

Facial Hair ⚜ Fainting ⚜ Fevers ⚜ Food Allergies

Food Poisoning ⚜ Fractures ⚜ Frostbite ⚜ Hypothermia

Injuries ⚜ Jet Lag ⚜ Kidnapping ⚜ Manipulation ⚜ Mutism

Pain ⚜ Paranoia ⚜ Poisoning ⚜ More Pain & Violence

Scars ⚜ Trauma ⚜ Viruses ⚜ Wounds

[these are just quick references. more research may be needed to write your story...]

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