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raven-at-the-writing-desk · 9 months ago

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Tale of the Cursed Raven -- Author’s Notes & Afterthoughts

The full series:

Miss Raven sketch is by shimmeryspark!

Well, it’s been quite the journey but we’ve finally made it to the end of ✨ Raven’s origin saga ✨. It was such a wild experience to write it all and hear your feedback for each installment. I hope that you all enjoyed reading it as much as I loved creating it... and I hope that it sheds more light on why Raven is the way she is.

Now that the series is done, I’m feeling really nostalgic about it (maybe it’s Mis Raven’s enchanted inks working their magic on me)💦 so I wanted to relive the memories a little, and share some of the feelings, insights, and thoughts I had before, during, and after writing the saga.

If you’re interested in reading that, it’ll all be below the cut for your convenience.

“May those who accept their fate be granted happiness, may those who defy their fate be granted glory.” — Edel, Princess Tutu (2002)

The Origins

I’ve always loved stories—more specifically, fairy tales. When I was little, they’d always be on my mind. Actually, they still are to this very day. If I wasn’t reading them, I’d be watching them or thinking about them, making theories and spinning stories of my own.

I loved the fantastical elements, the whimsy of magic and talking animals, the witches and the monsters, the royals and the warriors that protected them... I loved it all. That childhood love of fairy tales followed me into adolescence and adulthood. That’s really where this all began.

Of course, I gravitated towards media that prominently featured elements of, or borrowed from, fairy tales. This would lead me to the rabbit hole that is Twisted Wonderland 😷 (you all knew this was coming). Due to the blank slate nature of the game’s protagonist, Yuu, TWST was ripe for an OC community to crop up.

I saw a lot of unique characters in the fandom, so I wanted to create a character too. However, no matter how hard I tried, I struggled to develop a “Yuu” that I was satisfied with. At times, I even felt uncomfortable because I felt I was either putting too much of myself into “Yuu”, or not enough. It was then that I realized I would have much more fun making a character based on a preexisting story. A theme, a concept—they’d all be pre-set for me, and I could let my imagination run wild from those.

I didn’t want to adapt a character from a Disney movie (say, the Mad Hatter or King Triton). While I had seen many cool interpretations made by other people, I didn’t want to limit myself to personalities and character traits that were already determined by the movies or stories for me. I started looking into fairy tales themselves, looking for a character or a concept vague enough for me to base my OC on—and I found it in the wording of a riddle from Alice in Wonderland.

Why is a raven like a writing desk?

It captured the spirit of whimsy I wanted to evoke in the OC. Ah, but there's also an underlying sadness and dread to her character. It's mostly Alice in Wonderland with a whisper of Edgar Allen Poe.

And thus, Raven was born.

Tsunderes — but why???

At first glance, you might look at Raven and label her personality as “tsundere”. It’s a popular trope in Japanese media where a character that is initially cold and harsh shows or develops a warm, friendlier side over time. One problem that I’ve always had with the tsundere archetype is that the media that employ it rarely, if ever, explain the reasoning for why a character is a tsundere. More often than not, tsunderes are used to comedic effect nowadays, with the tsundere characters acting violent towards their supposed love interests—and that’s something that has never really sat well with me. I don’t think that’s necessarily good writing, but I won’t fault the people who do enjoy that kind of thing. I personally prefer it when we get to know the characters and the reasoning behind their personalities and decisions more. Character-driven storytelling is my jam.

Familiar of Zero’s Louise lacks the magical power to back up her noble lineage, and she has an inferiority complex as a result of that. Toradora’s Taiga has a complex family situation which has left her distrustful of others. When writing Raven, I didn’t want her to fall into the trap of “no explanation” tsundere. I wanted to outline a clear reason for why her personality is “hot and cold”, like Louise and Taiga. Even more than that, I wanted Raven’s reason to line up with the concepts of “freedom” and “expression” that tie with her bird and storytelling motifs.

And so, her story started taking shape in my head. (If you want to read more specifics on my thought process, I’d check out this post. I also talk more about the concepts behind her there.)

Her Magic

I wanted to tie in her personality and philosophy into her unique magic too. After all, it's a spell that defines who she is as an individual. In the beginning, Raven was excited about the prospect of writing, as it would help her comes to understand others--however, she struggles to come to grips with their emotions and keeps holding herself at a distance. Only when she empathizes with her characters and with the people around her does her unique magic come into fruition. With it, she can see into others' hearts and rewrite their feelings--that is, if her willpower and coaxing can convince them to.

I didn't want Raven to be a particularly gifted magic user; she's someone that had to work hard to come into her own. I think of her humanoid form as something still awkward and developing, which sometimes interferes with her spellcasting. What really makes Raven shine is her determination, and the strong imagination that pairs with it. All she truly lacks is the ambition and the confidence, things that I hoped would be honed at Night Raven College.

The Characters for the Series

Initially, I wanted to feature a much larger cast of characters. At some point, I was ambitious enough to think I could somehow include every NRC student in the plot... but thank goodness I realized that just wasn’t feasible. I saw the narrative mess that happened whenever a creative piece tried to get too many characters involved. It just made it hard to keep track of and care about anyone on an individual level. Sometimes, it also distracted from the central themes and conflict. Now, that’s not to say that Raven has never canonically engaged with other characters (because she definitely has)! It’s just that those interactions aren’t as important to this story, so I left them out of it.

In hindsight, I’m so glad that I kept the core cast (up to a certain point) small. That way, I could dedicate more of my time writing each of their individual thoughts and emotions. Raven remains the main character throughout, while Rook, Crowley, Jade, and, to some extent, Azul, Floyd, and Octa A, are secondary characters. Idia, Vil, Epel, the Fates, etc., are very much tertiary characters that showed up a few times total 😂 but they all played their parts and still contributed the overall story.

A character that was introduced in part 6 was the timid but well-meaning Octavinelle A-kun (whose name is Kon, like konbu, or Japense kelp). He was actually included as a gag character because I couldn’t think of someone from the main cast for the role he ended up filling. I unintentionally got attached to Kon and decided to bring him back later in the story, because I guess I like the irony of a mob character that lacks eyes having more screen time than two Dorm Leaders (Vil and Idia). I think the inclusion of Kon also really helped the themes of the story, because, in a meta way, he’s like Raven. He’s a “background character” who ended up having time in the spotlight (and even earned himself a small but dedicated fan following), which proves that it’s possible for Raven, who also sees herself as a “background character”, to ascend and become a “main character”.

Speaking of semi-original characters, I also had fun doing my interpretation of the Fates in part 10. I doubt that’s what they’re like in canon and watch TWST prove me wrong, but it was super fun to write regardless of that. I think my favorite thing about them was how they bicker when they’re out of the public eye, but it was also interesting to come up with their idol poses and phrases.

The cast noticeably expands around part 15, and that was a very purposeful move on my end. Raven has had her revelation then, as well as a stronger understanding of how her unique magic works. Art that point, the story shifts from Raven being on the outside looking in to the characters witnessing her tale unfold. It's to indicate that Raven has finally properly begun integrating herself with the stories that she has always isolated herself from. Characters that have previously had smaller roles before (Vil, Idia, Azul) return for a reprise and to add their own context to what's happening now, and the characters never previously mentioned (Lilia, Riddle, Kalim, Leona) give their perspectives as people who had no direct involvement. I wanted to show the shades of familiarity that they have with what Raven's been up to on her lonesome, and how these different kinds of relationships and points of view are all important when looking at a story.

I was very excited to introduce the Enchantress (Estella) as an onlooker that has a tenacious history with Lilia; she's an original character I've been working on and hiding in the shadows until her first appearance late in this saga. Estella is a very complex person, whom I would describe as a mix of the Enchantress (Beauty and the Beast), Giselle (in both Enchanted and Disenchanted), Isabela (Encanto), Frollo (The Hunchback of Notre Dame), Mother Gothel (Tangled) and Fairy Godmother (Shrek 2). She gives... "tough love", but often acts in morally self-righteous and self-important ways, believing that it is for the "own good" of the people she becomes entangled with. Sadly, I was not able to go into her own background and motives, but someday I'd really like to!

The Plot of the Series

There’s a lot that you don’t see that goes into writing. I went through several iterations of Tale of the Cursed Raven, especially with the rising action and climax. You should see my writing drafts--there’s no rhyme or reason to them! You might see some bullet points to show a sequence of events, but the rest of the document is just random lines or ideas I think would “sound cool” that I just scribbled down while on the bus or something.

When I write a story, I usually know how I want things to begin and how I want them to end, and I have trouble filling in everything that’s in between. I usually took large chunks of time between the release of each installment to review information from the previous part and make sure the continuity carried over to the part I was currently writing.

It was also common for me to write, rewrite, and rewrite the parts again several times over before I actually put it to the public. Sometimes I would almost be done with an installment, and I’d delete it all and start over because I thought of something much better. I’d be irritated with myself in the moment for wasting all that time and hard work, but I think it ended up working out.

sadibasudbad Okay, I want to talk about some of the plot points that I scrapped, because some of them were actually interesting... They just took the story nowhere or caused issues with other things I had planned, so I had to drop them 😅

After Jade’s betrayal is revealed in part 3, I was going to have Raven become Azul’s business rival. Not in the restaurant sense, but more like she would offer similar “wish fulfillment” services as Azul, mostly because she needs something to do to keep herself positive. Her services were going to be called “Fairy Godmothering” and involved sending wishes on slips of paper in little black boxes she placed all over campus. However, she’d probably need a lot of help or strong magic to make that happen, neither of which really applies to her. I guess the tradeoff would have been that Azul offers more but asks for a price, whereas Raven offers less but works for free. She’d write stories as kind of a “road map” or “plan” for how she would personally fulfill her a wish, as opposed to Azul’s contracts, and which required a mutual agreement to the terms. I also didn’t know where to take the story after this point was introduced, so it had to go.

Part 8 was originally going to open with Raven and Riddle having a tea party and catching up. Floyd was going to emerge from some rose bushes with Cater and Trey chasing after him 😂 and Floyd was going to kidnap Raven from there for the boat scene with Jade. Like I mentioned before, I decided to cut this out to keep the number of characters the story had relatively short. (Plus, I guess Floyd would have had to run a shorter distance to the lake if Raven was already in the forest area than if she were all the way in Heartslabyul?)

There was a large hiatus between part 10 and part 11, because a lot of rewrites had to happen for the latter half of the series. Part 11 in particular went through several different versions—one of which would involve Prince Rielle visiting NRC for a magift game and knocking Raven out cold with the frisbee. Because Raven didn’t remember the face of the “prince” that saved her from drowning when she was a bird, I was going to have her mistake Rielle as that “prince” (similar to how Eric mistook Ursula/Vanessa for Ariel). Djsbsjsbshs But I already took a huge chance by writing my interpretation of the Fates, so I didn’t want to also do my interpretation of Rielle in case TWST gives us more details about him later. Rielle is based on a Disney princess, so I thought it was more likely that he got more details revealed about him over of the Fates, and I didn’t want to make my series too reliant on headcanons or unconfirmed information about a character we haven’t even seen yet.

Finally (and this is the biggest change of all), parts 10 through 20 were originally going to be heavily focused on action and adventure. Raven was going leave NRC in search of the Enchantress (who originally cursed the Storyteller several years go) and ask her to lift the curse, and the Enchantress was going to send her on a series of heroic quests to prove that she is “worthy”. But the more I thought about it, the more I thought the scale was too grand 💦 At the end of the day, Raven is just a bird trying to be a normal human girl... and I wanted her development to be more of a traditional coming of age story instead of a literal hero’s journey where she confronts dragons and saves villages. Something more down-to-earth makes her more relatable, so I went with that route instead of the action-adventure one.

I don’t know if you noticed, but the saga happens alongside the events of the main story (as some main story events, such as Overblots, are referenced). The last 5ish parts happen around the transition from the Ignihyde arc to the Diasomnia arc, sooo... :)) You can think what you like about whether Raven’s happy ending is reality or a dream conjured up by Malleus~

I argued with myself a lot while writing the series, especially about the ending. I had a lot of my friends (and readers, too) telling me “you’d better not kill Raven” and “Raven and Jade should kiss and make up/date each other at the end” (some of which came true, some of which didn’t). I was so conflicted at the time because while I never intended to kill Raven, it was clear that my audience was expecting a perfect “happily ever after”... and I didn’t know if such a conclusion would fit the overall tone of the series. I think what I ended up doing was satisfactory, though. It’s happy, but not overly so, and it keeps the door open for future shenanigans in a light-hearted and hopeful way. I think leaving it open-ended like this suits the theme of the saga and Miss Raven's struggle to find her freedom.

Raven’s Growth and Development

Raven has come so far.

The saga here is written kind of like “oh, this is her main story”, but it’s meant to be supplemented by “vignettes” and “event stories” (ie all the side content of Raven which fleshes out her relationships with other characters). The idea is that all her experiences at NRC helped her to develop her own sense of self, and granted her the confidence to fly in the face of her own fate, which she was once so hopeless about. When I look back on the last few years, I’m amazed at how much of it there is, whether produced by myself, by friends, or by fans. It’s really humbling that I get to share this journey with you all.

Raven used to be scared and shy, a timid bird with little to no understanding of the world, or of the creatures in it. Then she picked up a quill, ink, and paper—and a whole new world opened up to her. Her story is one of how freedom of self expression and creative works can connect us not only with others, but with ourselves. Because of that, Raven was able to grow and become a much more mature person (with the support of her friends and family, of course)!

Just because the saga is over doesn’t mean Raven is suddenly perfect, though. She still very much struggles to be emotionally expressive and honest with her feelings of affection (since she has gone so long burying those), so she’s still got a long way to go in that regard 💦 She also has some lingering self-esteem issues that she’s got to work on. Raven’s always changing...! Always willing to learn! Jade and Rook, please help her—

When people read Tale of the Cursed Raven, I don’t want them to ��just see it as a love story” or “TWST OC x TWST Boy” fanfiction 💦 because the focus isn’t just on romance, but on Raven discovering herself, and her voice, in a world that once confused and scared her. It’s not just a story about finding love, it’s also about a girl growing up, gaining confidence, finding new family and friends to support her... It’s a lot of things, and I feel that it’s doing the saga a disservice by calling it just a love story.

I’ve mentioned this a few times before, but while Raven is not meant to be a self-insert character, I feel that her struggles are very relatable and I hope that you, too, can see some part of yourself in her and her journey. A lot of the writing process involved me analyzing and coming to terms with difficult feelings, particularly ones of self-loathing, self-acceptance, coming to terms with emotions, and trying to find one’s place in a world that can be confusing and scary to navigate. I feel that writing Raven’s tale was able to help me through those tough times in my life. For that reason, this saga will always hold a lot of sentimental value to me.

So... What’s next?

There were originally plans for me to make a follow up/spin-off series where Octa A/Kon was the main character. The theme of that series was “even the unnoticed and ordinary can be noticed and extraordinary!” It was going to focus on Kon and his mob student friends (one from each dormitory), along with their struggles of being “noticed” (as they are often just one face in a sea of mob students) and “fitting in” with their respective dorm’s ideals. I think it would have been a series that resonated a lot with introverts and people who see themselves as “less than” others or as “not fitting in” with others’ expectations. I might still do this, but it would probably be another huge project that would take months of planning and revision.

Another idea I had was to write a series of stories that are just flashbacks of Raven’s life prior to Night Raven College, whether as a bird or whether as the Storyteller’s apprentice. I also considered writing in-depth about how the Storyteller was originally cursed, and about the Enchantress responsible for it. I would like to get into her backstory and her motivations for spinning the Storyteller’s curse to begin with. (Maybe I’ll do those as blog anniversary or follower milestone specials?) Some friends of mine also jokingly suggested I write a sequel series focused on Raven and her relationship with L*ONA 🤢 dfhlbahefvqoeuq Lots of ideas, lots of possibilities!

As for Raven, she’s definitely not going away just because her origin saga is done. She’s still the beloved poster child of this blog, so of course I want to continue writing about her! It’s just that she’ll be a little freer to speak her mind now that her curse has been lifted. After all, "the end" is just "the beginning" of another story!

I kind of feel like a proud parent, seeing my bird daughter growing up, making friends, finding love, and developing her own sense of agency and independence 😭 I’m excited to see where this next chapter of Raven’s life takes us.

Before I sign off, I’d like to thank you, dear readers, for following Miss Raven’s story until the very end. None of this would be possible without you!

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melodic-haze · 11 months ago

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FINALLY REQUESTS OPEN WOOHOOO!!!!!

okie so. Imagine just making Zhu Yuan wear vibrator in work which is totally evil!! She needs to arrest people and do all the paperwork, yet she can’t concentrate on all the things because of the vibrator. Also, making the vibrator go faster when she’s on the meeting and she’s supposed to listen and be quiet… anyway!! And even when she’s on her duty, she just can’t take it anymore and all she needs is her girlfriend’s cock in her soooooo like. Sex in her office so real, no matter if she still have work to do or not! Poor girl needs relief 🙏

love you haze my wifey 🫶

☆ — DEMO TRACK: sub!Zhu Yuan x dom!fem!gp!Reader

☆ — TYPE: NSFW

☆ — CONTENT WARNINGS: fem reader with a dick, semi-public sex, public use of a vibrator

☆ — NOTES: love you too Rayne 🥰🥰 ik how long you've been waiting for this so ty for the patience babe 🤗

First off idk how people can see her as a dom sorry I just wanted to get it out there 🫶

Anyway convincing Zhu Yuan to WILLINGLY fuck around like this on the clock AT HER WORKPLACE would be a challenge, not because she's avidly against it (even though she makes a show of protesting due to it being inappropriate, you find that her 'protest' is a lot weaker than if she actually meant it) but because she's fucking shy

She's SHY about these kinds of things—sex already has her flustered anyway, having a toy inside her IN PUBLIC is even WORSE!!! For one, yes, how the FUCK is she supposed to concentrate her work in such a state?? That UNDOUBTEDLY gets worse overtime bc Why Wouldn't It? Just having it inside of her, without you even doing anything, turns her on due to the embarrassment and the anticipation bc genuinely who knows when you're gonna turn it on 😭

Oh but you WILL have to make good on the promise that you don't use it in genuinely dangerous situations bc she CANNOT be risking lives over a distraction like that

Though just because you promised not to do anything in life-threatening situations, doesn't mean you were gonna prevent yourself from doing anything in other risky situations. No, if anything, you planned to make the most of it since the very moment you stepped into the Bureau.

Credit to where credit's due, Zhu Yuan did give her best effort into seeming like she didn't have a certain distraction inside of her threatening to take her attention.. and the last of her dignity, if you pushed her to the edge far enough. Though unfortunately for her, that did mean you took her determination as a challenge.

You're thoroughly aware that her and the rest of the response team were in an important meeting, with all the Hollow appearances getting much more frequent. And yes, you're thoroughly aware that the term 'important' there is metaphorically underlined and highlighted in bright red...

So you swing open the door, a coffee tray in hand and the most innocent smile you could muster on your face as you approached the table, "Coffee, anyone? I thought I'd make some."

You see Qingyi shrug nonchalantly as she sips on her own tea (respect to the android for having it there instead of even pretending to look like she cares too much), contrasting to Seth's enthusiastic hand raise and some of your other colleagues' individual forms of assent. Though as you moved around to hand people their extremely needed liquid caffeine, your focus was more on the woman at the board, with her eyes widening and her otherwise pale skin reddening immediately at the sight of you.

"What-- Uh, what are you doing here?" She stammered out and only making her blush worse than it already is, "Is there an emergency or--"

You shook your head with a small laugh at her current display, "No no, no emergency. I just wanted to check in, see how it's going."

"..The meeting's going fine."

"Is it?"

Her eyes dart to look at your moving hand before looking back at you with slightly narrowed eyes at the realisation of what you're about to do, not to mention the suspense that only the both of you are privy to.

Just as Seth goes to answer enthusiastically in her stead, keeping everyone's attention anywhere but your true focus, you see your beloved's lips mouth out a few words to you.

'Don't you dare.'

So of course, like the kindest, most merciful person ever, you switch it on at full power.

A loud yelp escaped her already open mouth, much to your barely-hidden amusement and her reluctant-and-now-horrified embarrassment. The others' heads all whip back to Zhu Yuan's stumbling figure as she slams her hands on the desk and holds herself up, shaking her head as if she could shake away the red that coated her face.

Before anyone could ask of anything, though, it was you who spoke first, "You alright there, officer? You look a bit.. flushed."

And in this game between you and her, there was no way she was going to blurt out anything indecent in front of her work peers, especially not when she needs to be professional.

"Fine, I'm.. I'm fine," she says after taking a long breath before turning back to the board and crossing her arms, "but maybe we should.. mm, put a-- a pin on this for now. It's-- been a while anyway."

You wanted to tease her more but Seth pipes up questioningly, ever so diligently that it's starting to slightly annoy you, poor fool, "But I thought there was more to discuss?"

"Considering the.. interruption, I think we should take this as an opportunity for a break, no?" You hadn't actually registered Jane's presence until you hear her yourself, her smooth voice tinged with something suspiciously close to cheeky awareness, "Been a while since we've heard of sounds other than work discussions and Hollow risks."

"But--"

"You're telling me you aren't hungry?"

"No-- well, yes, but--"

"So take the chance! I personally will."

You see her push herself off the wall and opens the door, though before she fully left she stops. Then, she turns around with a complimentarily knowing look, her eyes darting to both you and Zhu Yuan specifically as she practically purrs out her words, "I don't think I'm the only one who's hungry, either."

She walks off, and the others follow her (one of them with reluctance), leaving the two of you alone.

Looking at her face though, she looks pissed. Beyond embarrassed too, yes, but also as if she could kill you right here right now. Maybe you took it too far, you think as you turn the toy off immediately.

Maybe you should apologise.

Before you could do anything, however, she makes a beeline for the door and hastily locks it. And it is only when the room is quiet and she is stood stock still that you can hear her ragged breathing.

You hear her lick her lips, not quite looking af you, before she speaks with something of a tremor to her voice, "You are insane, you know that? There is something seriously wrong with you."

"I just thought it'd be fun and it was tempting, sorry if I took it too far--"

"Turn it back on."

"What?"

"Turn it back on."

..Oh.

"Oh," your prior guilt has been quickly washed away and replaced with a smirk, "well, if you're being rude then--"

"Please." And she turns around and darts over to you, her hands clinging onto your hips—your proximity is so close to the point where you can feel her hot breath and see her clearly dilated pupils, "You know I don't like to beg but you've-- just please--"

You snaked your hand around her before giving her ass a smack, eliciting a sharp gasp from your tall lover, "Patience, you big baby. I thought I taught you better than that."

"Plus," you continued as your other hand went to lead her own to the bulge of your pants, "I think I'd much rather have you fall apart on me rather than some toy I used to play with you."

She lets out a whine as she buries her face into your neck, and you know that you'll have her falling apart in no time at all.

Will be extremely real she'd be SO PENT UP GENERALLY 😭😭😭😭😭 she doesn't tend to herself bc it's just at the back of her mind. Keeping citizens safe and just her work in general is always her top priority!!! So the moment she gets some sexual relief it is SUCH a feeling for her

Within her is the conflict between the fact that it's appropriate to do these things at work and the need to just have you at whatever kind of capacity......but that all gets overshadowed when you shove your dick inside of her 😜 suddenly ALL train of coherent thought flies of the fucking window!!!!!

I think everyone was thinking of those handlebars on her back and I am NO EXCEPTION❗️❗️❗️ Grip onto them as you piston into her over and over and it has you hitting some VERY deep spots that have her clawing on the table

NEEEEED to have her filled though really is that a surprise in this fuckass blog???? No????? Exactly. I genuinely don't know how people could see this woman as a dom bc she's such a fucking loser that as much as she thinks that begging is so embarrassing, she does it anyway bc she needs this ache to go away and needs her head clear!!!! So you have to take responsibility for what you've done to her through the whole day!!!!!!

Despite Zhu Yuan's best efforts along with the securital soundproofing, you'd be surprised if nobody had heard you beyond these walls.

The officer had taken to switching between covering her mouth and biting her knuckles in an effort to prevent her desperate whines from escaping as she bounced up and down on your lap. You, however, were sat on one of the chairs with your tits pressed on her back. One hand had gripped her now-messy ponytail and your other alternating between assisting her with her movements (not as if she needed it, considering just how in-control she was with her own body despite her thought-clouding desperation) and slapping her skin.

The room was hot, or maybe it was just the two of you—it didn't matter though, not when the two of you were going at it like animals, with your hastiness spurred on both by the fact that the others could come back at any time now and realise that something may have happened and your lover's surprising need for you.

Calling her pathetic had earned you a shake of the head, though you could feel her insides clench onto your cock. Perhaps it was due to her strength, but even despite how audibly wet she was due to the mix of both your very rushed releases, her cunt still had such a grip on you that you just couldn't help but cum inside her again.

You'll probably get told off by her about practicing safe sex later and pulling out when you needed to, but really who was she to say anything when she refused to let you cum outside under the guise of not letting this room become even more of a mess than it already is?

..That'll wait for when you're done though. Right now, you were solely focused on your now-quivering girlfriend as she squeezed onto your cock once again with a gasp.

Having a quickie but instead of just doing it quickly, you do it for a consecutive amount of times jsut bc your loser gf really wants you to rail her idk 🫶

It DID end up leaving her more relaxed though!!! Despite the fact that she couldn't stand for a while LNAO

You both get a text from Jane saying that neither of you are slick at all though..........and a VERY intrusive text about how she could smell your concoction of sex scents even stronger as a Thiren, to which Zhu Yuan REFUSES to see the light of day again (she goes to work the day after)

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