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MIIIIN!!! :D :D :D :D

This is adorable! I love everything about this, she looks so huggable :D

Min Jeung plushie.

[1moreff-creator]

Danganronpa: Despair Time Mastermind Ranking (Least to Most)

Yeah, I should’ve known that I needed to get around to this someday.

You see, the reason why I hadn’t made a theory about the identity of the Despair Time mastermind is that… I'm not totally convinced on any one person being the mastermind. Like, look at these clowns! They’re all so weird! I love them all for it, obviously, but none of their personality quirks or roles in the story stand out to me as particularly mastermind-y. There are a lot of characters that I believe could be the mastermind, but it’s also pretty easy to convince me out of it for one reason or another.

However, it’s not like I had any idea about who the P:EG mastermind would be, either! At least with two chapters under its belt, I can feel more comfortable that I’m not just fully mischaracterizing the Despair Time cast. And I definitely have things to say about various DRDT masterminds, just… in a way that’s kinda hard to rank.

But, that’s no reason for me to be cowardly! I’m sure that seriously scrutinizing all of the characters’ mastermind potentials and ultimately coming up with who I think the most likely candidate is will be super fun. It’s just… going to be really long, so, buckle in. And maybe prepare to take breaks in the middle.

(Spoilers for all three main canon games and DRDT.)

Why is it going to be so long? Well, it’s because, when it comes to DRDT, I think that my predictions will be at least partially based on how long I think each character will make it into the story. If I have a particularly strong inclination that a character is going to die in Chapter 3.456, no matter how unfounded, it might make me feel worse about their prospects of being the mastermind. That’s not to say that a mastermind can’t appear to die (or actually die) before Chapter 6 rolls around, of course. However, it is an uncommon additional hurdle to the story that would require some justification and a little suspension of disbelief if I’m trying to call it years before it transpires.

So, if we’re going to talk about the mastermind, I need to share my current feelings about where each character might place in the death order. Should I update the title…?

Danganronpa: Despair Time Mastermind Ranking (Least to Most) AND ALSO Death Order Predictions

These are my mastermind rankings, so my opinions on where the characters might be headed will obviously be used as the baseline. Naturally, you don’t need to believe in anything I'm about to throw out here. I’m just trying to explain my thought process so that nothing I say later on will come as a total surprise.

Also, since it’s kind of long, here’s the top of the death order section. I think it’ll provide some important context, but if you want to skip it, look for the other green, bold text.

Some of my thoughts were inspired by anderscim’s death predictions theory, as I read that pretty soon after I joined the fandom. I encourage you to go read their work as well!

The tiers are mostly pretty self explanatory– 3-4 means I think they’re at risk of dying sooner and 4-5 means I think they’re at risk of dying later. But, I’ll give everyone what I hope to be a quick rundown on each character just to explain my thinking. 

Xander: Xander canonically died as the Chapter 1 victim.

Min: Min canonically died as the Chapter 1 blackened.

Arei: While I respect the concept, I personally don’t believe in the “J and Arei swapped places and Arei is actually still alive” theory, and I will be writing the rest of this post accordingly. So, to me, Arei canonically died as the Chapter 2 victim.

Eden: Pretty much anyone who’s seen my DRDT theories at this point shouldn't be surprised that I’m listing Eden as the Chapter 2 killer. The logic behind this belief has been explained by my lovely mutuals here and here.

Levi: Alright, on to the ones I don’t have any concrete evidence to support! (There is concrete evidence behind the ch2 murder, even if you believe it points elsewhere.) Levi has had a decent amount of focus already in his trainwreck of a relationship with Ace and discussions of morality with Eden and Teruko. If he does serve as an accomplice to the Chapter 2 killer (see the first link in Eden’s section), then I feel like his clock will really be ticking. He’d be trapped with the branding of a bad person, his greatest fear, and left without any relationships to lean on. I wouldn’t be surprised if someone targeted him as a victim they “believed deserved to die after what happened,” or even if Levi decided that he was doomed to be a villain from the start and decided to kill. Alternatively, he could try to redeem himself as a classic Chapter 4 buff curse sacrifice in some way. In either case (or even in the case of him just being the Chapter 2 killer), I have my doubts that he’ll be making it too much later into the game.

Arturo: To me, Arturo doesn’t feel like a character set up for incredible longevity. That doesn’t mean I’m pigeonholing him as a one-dimensional villain or pure comedic relief, just that Arturo seems like a character who might be set up to have his ideology lead to his downfall. I don’t think he’s dying in Chapter 2, as I believe the narrative would want to see how he reacts to J burning the bridges between them, but I could definitely see the story only needing one more round of daily life (or possibly a trial as well) to resolve wherever his character is going.

Charles: Look, it’s not only because he’s already been pronounced dead at 3. As I elaborated upon in Charles’ section of this post (The Jerk), Charles feels like he’s speeding towards the end of his character arc far ahead of schedule. It could just be that he needed to learn to make friends quickly before Whit makes an early exit, sending him on a secondary arc where he learns to process his current grief and fears as a parallel to regaining memories about Elliot. However, I find it much more likely that the Inevitable CharWhit Doom Scenario plays out in the opposite direction. He makes a lot of sense as a Chapter 3 victim to me.

Nico: Similar to Arei and J, I am writing all of my theories with the assumption that it really was Nico who attempted to murder Ace in Chapter 2, because I think it makes the most narrative sense. (I could keep typing out a “well, unless” every time, but I don’t really want to eat up my time writing or your time reading all of that.) Through that lens, the fact that Nico has already murdered someone and “gotten away with it,” more or less, puts them in a really weird situation. I don’t really see them killing again, as it feels like we’ve already explored the emotional and narrative implications of that happening through Chapter 2. Although, I can’t deny that it would be interesting to see the fallout of Ace being proven totally right and Hu 100% wrong. Still, if they were to be a survivor after doing something so severe so early into the game, it seems like they would have to undergo some sort of redemption for the audience to accept them as a face of hope in the end. I don’t currently see any great paths to that happening, although there’s obviously still plenty of story time for something to open up. For now, though, I feel more confident in placing them as a early/mid-game victim, likely as a consequence of choosing to harm someone else.

Hu: Given her overall lack of focus in the story thus far, I find it likely that Hu will be one of the focal characters of the Chapter 3 daily life. That could be bad news, considering how Xander and Arei fared after being focused upon in their respective daily lives, but… I dunno, I just feel like Hu would survive it, somehow? Wouldn’t be too surprised if she didn’t, but my gut instinct is that she would. I kind of see her character exiting the story in Chapter 4, no preference on killer vs victim.

Veronika: Veronika is a very weird character (an “oddball,” I’ll call it), and thus, my predictions for her are strongly based on the patterns that oddball characters normally follow. I’ll be using canon characters only, because I believe that those are the only killing games that I have the right to assume every DRDT fan has seen. But, you can apply these same kinds of patterns to many fangan characters. Don’t get me wrong, I’m all for fangans breaking from typical Danganronpa norms and following their own paths. But, in the case of how oddballs are treated, I think these characters generally tend to follow these patterns because they’re sensible writing practices. I’ll try to explain why each of these conventions makes sense in the following bullet points.

Oddballs tend not to die in Chapters 1 or 2. This is because oddball characters are generally created to supply a very niche kind of comedic relief– examples from DRDT could include Arturo’s commentary on ugly people or Ace’s bizarre remarks of cowardice. Any character deemed worthy of being included in a fangan occupies one of 16 highly contested slots. So, if you include a character for the purpose of making jokes with them, you'll want to get your bang for your buck! It’s hard to fit every joke you have in mind into only a chapter or two. The best example I could come up with for a (canon) oddball who dies early is Teruteru. In his case, the writers likely anticipated that his hyper-flirtatious nature would get tiring if it continued on for too long, and thus, exhausted all of the jokes they wanted to make in Chapter 1 before his exit. An oddball who dies this early has a limited shelf life, and is likely accompanied by other oddballs who can pick up the comedic slack.

Many have pointed out that silly oddballs often die in Chapter 3 (Hifumi, Ibuki, Tenko) as a way to signify the death of fun and innocence. You also have a chance to get rid of some of the more sinister oddballs (Celeste, Kiyo) at a point where it seems unfeasible for them to have stuck around this long without… well, killing someone. In either case, it’s because Chapter 3 is a great balance of letting a character stay in a story for long enough that they achieve whatever strange effects you wanted from them, while also clearing them off the stage before you get into the really serious business. Silly oddballs especially may not be equipped to handle the often turbulent natures of Chapter 4 without breaking the serious tone too much, so it’s best to axe them at the midpoint.

Endearing oddballs (Gundham, Gonta) have a hard time making it past Chapter 4. If Chapter 4 is serious, Chapters 5 and 6 are even more so, and the Chapter 4 killer slot in particular is a viable dumping ground for characters who don’t really have a place in the finale. Their deaths are meant to pull at your heartstrings and prove how a killing game can make literally anyone– yes, even that guy– a killer. (Miu is an outlier; more like an extended Chapter 3. Unlike THH, which has its tonal shift at the end-of-Ch3-Sakura Traitor Reveal, and SDR2, which has its tonal shift at Mikan’s insanity and death, v3’s tonal shift comes at Kokichi's accusation and Kaito and Shuichi's argument, or possibly even Miu's death itself. The Chapter 4 Daily Life isn’t all that serious in and of itself. Thus, Miu dying as a Ch4 victim functions more like killing off a silly oddball before she has to deal with all the betrayal and scheming that occurs later on.)

Oddballs really only die in Chapter 5 to the extent that you can count major antagonists like Nagito and Kokichi as Weird Dudes. As the precursor to the big, showstopping, mind-bending Chapter 5 Trial, the mood is typically pretty… straightforward. Depending on the overall plot’s arc, Chapter 5 is either the point where most of the surviving students are concluding their character arcs and learning how potent a weapon teamwork is (THH, SDR2), or a “dark night of the soul” type moment where all of the slowly growing inter-character conflicts are finally coming to a head (v3). It can also be Version A for some characters and Version B for others, but, either way, hijinks are not ensuing, basically. Plot relevant things happen here, and as such, plot relevant characters are the ones who are dying. It can be hard for an oddball to find a place in the narrative relevant enough to serve as one of its final, poignant deaths without also being a major antagonist.

Despite everything I’ve said about oddballs dying, it is definitely possible for oddballs to survive. Danganronpa is, at its core, a dark comedy, and as such killing off all of your funny joke characters before the ending is probably a bad move. Hiro, Toko, Kazuichi, and Himiko are all characters I’d call oddballs that survive until the very end. The difference in their case is that part of their oddball nature is being… kind of pathetic? I think it helps them fade into the background more. It's also probably easier to give them a character arc than some others... like Veronika.

I’m sure that you can find exceptions to these “rules” I’ve laid out, especially amongst casts that have a high percentage of oddballs (which you could certainly argue fits DRDT). However, pattern recognition brain go brrrr. I don’t think that Veronika fits the description of a Chapter 1-2, Chapter 4, or survivor oddball particularly well. That leaves Chapter 3 (sinister) and Chapter 5 (bewildering antagonist). I don’t know if it’s that Veronika doesn't seem to have much of a reason to kill at this point in time or all of Veronika’s weird mastermind coding that makes me think DRDTdev might have greater plans for her. Either way, I’m leaning Chapter 5, probably victim. Jeez, that was a long section for one character. Favoritism, I guess?

J: J gets her own category because, honestly, I have no idea what to do with her. Could J make it to the end? Sure! Could J die in a Chapter 3 scheme? Sure! Could J be the Chapter 2 killer? Well, I personally believe the evidence points elsewhere, but in terms of narrative? Sure! The only real inclination I have is that I think it’s more likely that she would be a killer than a victim, mostly because Ultimate Effects Artist is a talent that could lend itself to some really creative and fun murder setups. Given that I have more characters pegged as early game deaths right now, I lean towards J late game, but… man, I don’t know!

Teruko: Teruko is the protagonist, and also is a Lucky Student who allegedly “can’t die.” Especially after she made that claim, it would be silly if she died before the ending– it’d just kinda make her look like a fool. I’m not averse to theories where Teruko is no longer the protagonist by the end, whether by her death or someone else taking up the role for whatever reason, but in the sense that “Survivor” = “Chapter 6,” I think Teruko will survive. I’m not here to predict crazy last-minute Kiibo-blowing-himself-up twists.

Rose: I think that Rose has a really nice arc of overcoming her fears and becoming less passive set up in front of her. We spent enough time establishing her relationship with Teruko that I could see her being a good potential friend/support character to Teruko in the endgame if relationships with people like Eden or Charles fall through. (And, at this point, you know what I think about Eden and Charles…) She’s also good at delivering low-key jokes that can provide some levity without totally ruining the tone. We already saw some of that in this scene. The main things that I think could be standing in her way are her photographic memory and history of debt. The photographic memory could be too annoying of an obstacle to write around for the entire game, and instead be an ongoing effect set to expire in in Chapter 3. Additionally, a money motive paralleling THH’s in Chapter 3 could be too tempting for Rose to pass up. Really, what I’m saying is, if Rose can make it through Chapter 3, I think she’s golden. We’ll just have to see how that Chapter pans out in the future.

David: Oh, David. Currently serving as Teruko’s largest antagonist, I can see why people would think that he would die in Chapter 5. However, I’m not going to beat around the bush and pretend that I’m the only person who thinks David might survive, either. As an inspirational speaker, David is established early on as a character who should be a beacon of hope, before revealing that he’s more of a hope-sucking black hole. It would make sense if, alongside Teruko, he learns to find more of a balance between blithe optimism and cynical depression and heal as a person. He has a lot of very obvious depth that I think a lot of people want to see explored, and whose exploration would be very on-brand for the themes of a typical killing game story. Plus, if Teruko ever does stop being the protagonist, David probably needs to be alive at that point to pick up the slack.

Ace: Similar to Nico, it seems like we’ve already gotten a taste of what Ace being a victim would be like, in a way where I don’t think we’re going to see it again. He could still be a killer, but would the cowardly Ace even want to attempt killing someone and throwing himself into the scrutiny of a Class Trial? Well, it is true that Ace believes that “[neither] dying young or living a long, shitty life of suffering… are as bad as this” (the killing game?). So, he could simply grow fed up with the killing game and decide that risking a Class Trial is worth it, even if he does wind up dying young. However, if that were to occur, Chapter 2 seems like the narratively best time to do it, as it’s when his emotions are most potent and probably when others would least expect him to do it due to his weakened state. Like Rose, I feel the period Ace has most to worry about is this upcoming Chapter 2 killer slot, but if he makes it through, his arc of learning to escape his fear by bravely rising above it instead of lashing out to try to knock everyone down feels very viable.

Whit: The pro of the Inevitable CharWhit Doom Scenario is that, hopefully, one of the two would manage to make it as a survivor after the other one dies. And, I’m Team Whit Surviving! Not just based on which of the two I like better (they’re my first and second favorite characters, so I’m taking a massive L either way), but because I think it makes more sense for it to be Whit that lives further on. Unlike Charles, who feels like he’s already in the final lap of the character arc race, Whit has barely left the starting line. The laundry scene in Chapter 1 and Whit’s secret in Chapter 2 have both been used to establish that Whit focuses on his and others’ bliss in hopes of remaining ignorant of everything that stresses him. The main offender, of course, being that Whit lies about his mom being alive to presumably stave off his grief. The easiest way to give him a character arc that resolves that issue is to give him something to grieve– namely, Charles– and soon. If Whit’s main character struggle is pretending that people dying doesn’t bother him, he might need an entire Chapter or more to stubbornly show off his central flaw. Now, it is possible that, if Whit can’t overcome this flaw, he could die soon after Charles and meet a tragic fate. But, those just… aren’t the vibes, to me? A post-character arc Whit who knows how to grieve fiercely but healthily might come in handy if Teruko finds herself handling her own emotions about Xander, Min, and/or anyone else at the end of the game.

And here’s the bottom of the death order section!

Finally finished writing something that nobody asked of me at all. Well, I still think it was important, and I hope you feel the same.

Now that we’ve laid all that out, I think it’s finally time to actually see who I think the Danganronpa: Despair Time mastermind might be! Although, please keep in mind that, despite the large preamble full of story predictions, I’m still pretty uncertain on who I think the mastermind is. So, my points might not be the best supported, and I might change my mind again pretty soon after I post this theory. I expect to be far better at disproving why everyone is the mastermind rather than proving why anyone would be, because that’s generally how I feel… but, onwards we go!

#17: Arei Nageishi

(Forgive me for reusing art here, I’ve drawn these bastards ENOUGH /j)

If I were writing this after Despair Time’s prologue, like I did with P:EG, there’s a pretty good chance that Arei, at the very least, wouldn’t have placed dead last. But, well, now Arei is dead. And also last.

Obviously, there are other dead characters too. But still, Arei is the one who I most struggle to see as the mastermind. Given that Arei died as a victim whose body was thoroughly investigated by several parties, it’s pretty hard for me to believe that anyone could have missed any signs of life. I don’t get the sense that DRDT is in some kind of simulation where everyone can magically be alive again at the end either, so I think Arei is, sadly, well and truly dead.

On top of all that, we know a lot about her backstory from her Chapter 2 breakdown, and none of it seems to point her towards masterminding a killing game specifically. She doesn’t have any particular ties to any big organizations that would have helped her accomplish it, either. While she is NOT just a temporary weather spell whose absence will be celebrated and then forgotten, David… I have a hard time believing that the audience would find her character relevant enough(?) to be a good twist mastermind come Chapter 6 several years down the line.

I don’t think I really need to keep elaborating on this. Arei isn’t the mastermind.

#16: Charles Cuevas

I know it’s a bit of a bold move to put a character who’s currently alive below characters who have already died, but… man, I really just don’t see how Charles could pull this off.

And it’s not (just) because I think he’s going to die in Chapter 3 as part of Whit’s character arc, or that I want to believe that he’s a good person. Really, it’s mostly because of his phobias. How is a guy who started gagging at the sight of blood splattered on the floor supposed to be the one who orchestrated an entire death game? Could he get through the process of creating a brutal execution like Min’s without freezing up and freaking out? Even if he could do it, why would he? Sure, he didn’t seem to remember the fact that he had necrophobia until Xander died, but that might be even more of a problem. Wouldn’t the mastermind, who’s certainly had to consider the others’ deaths before, remember that they were afraid of death? He would almost certainly have to be lying about at least the scale of his reaction, although that’s probably a given if he is the mastermind.

Of course, there are mastermind subcategories that could better benefit Charles. If DRDT is actually a simulation, especially one in which the participants don’t actually die, that would definitely make it easier for him to be the one behind it. We’re also meant to believe that Charles has childhood amnesia, so he could have amnesia in other areas as well and be a mastermind who forgot they were one.

However, as I said before, I don’t particularly believe that DRDT is going to be a computer simulation or that Charles is an amnesiac mastermind. I just… don’t see this one in general.

#15: Xander Matthews

Let me preface this by saying that I’m not trying to argue that Xander is actually still alive. The concept that he would be able to fool not only Min, making her believe that she dealt him a fatal blow, but also everyone else as they identified his body, seems outlandish to me. However, just because Xander is dead doesn’t mean that he couldn’t have entered this game as the mastermind.

We know for a fact that Xander wanted to kill Teruko due to his dialogue regarding the note he received, which lines up well with the popular theory that Xander is the individual speaking in the first scene with the papers and the blood. If we assume he is that guy, then it may seem a little counterintuitive to think that the person who says “I have to end the killing game” would be the one behind the killing game. However, he also says, “Even if I can’t do that… I have to kill Teruko Tawaki,” implying that killing Teruko is of a higher priority than ending “the killing game.” Thus, if, for some reason, Xander thought that orchestrating the killing game was the only way to kill Teruko, it’s possible that he would be willing to let the death game roll for as long as it takes to eliminate his bigger target.

However, I can’t deny that the Xander mastermind theory has some massive flaws to it. For one, Xander is dead. I don’t think we’ve technically seen any evidence that the mastermind has to still be alive as of Chapter 2, but a mastermind-less Chapter 6 would be… an interesting challenge to write, to say the least. Also, while Xander betraying Teruko and the others was a great surprising hook the first time, if it happened again, it would be kind of… underwhelming, in my opinion. It’s the same kind of concept I brought up in my Eden’s Garden ranking:

Then, in Chapter 6, we’d be faced with the revelation that, wow, the mildly antagonistic character was actually a really antagonistic character all along! It just doesn’t seem like enough of a dramatic hook to me, I guess?

“Wow, the guy who betrayed Teruko and became a killer actually betrayed Teruko and was the mastermind all along! And now, he’s not even around to reap the social or karmic consequences of it!” You see.

And then, there is the literal interpretation of the text that Xander (if he is bloody hands man) obviously stands against the killing games. He’s also the Ultimate Rebel, someone who stands against corrupt institutions in general.

If Xander is revealed to be evil later down the line, it would make much more sense if it was as a traitor type. As for being the one and only mastermind, I think the odds are pretty low.

#14: Ace Markey

Hey, it’s another character that’s alive! And, this one doesn’t even have a crippling fear of death. However, he is a massive coward, and that’s the main thing that’s dragging him down for me.

Similar to Charles, what would Ace stand to gain from hosting a killing game such as this? Ace doesn’t seem to have any interest in notoriety, money, the destruction of society, despair, or any other things that I can think of that would motivate a typical mastermind. We’ve seen time and time again that Ace cares most about having control over both his life and how other people see him, even though he often fails on both fronts. I guess both of those things could be solved by hosting a killing game, but… Come on, there have gotta be easier ways to do that which don’t threaten your precious life.

Furthermore, what exactly would Ace being the mastermind have to say about the story as a whole? Jockey has to be in the running for “talents that are least relevant to a potential killing game host.” How about the idea that the mastermind nearly died in Chapter 2, only to go off the rails threatening and blaming his assailant? I… always knew that Nico was… fully in the right for doing that, because it would have killed the big bad early??? Ace Mastermind is the preferred ending for those who believe that Nico can do absolutely no wrong, lol.

I can’t remember where I saw it, but I once saw a theory of writing that said that there are two major kinds of character arcs. One is the typical character arc, where the narrative pushes a character's traits to change over the course of the story for better of for worse. The other, this theory posited, was an arc on the part of the viewer, where they learn that a character that they thought was flawed was actually not as flawed as they thought all along. You could potentially apply this kind of thing to Eden: in the first chapter, some people may have seen her as a dim-witted positive girl, but in Chapter 2, we firmly establish that her kindness is not stupidity and learn how her optimism is a strength.

So, you could say that the character arc DRDTdev is going for with Ace is something more like that, where we spend the entire game learning to treat him more seriously just in time for him to be a real threat as the mastermind? It still feels like a bit of a stretch, though– I don’t know exactly what Ace would do to make us take him more seriously that wouldn’t either send him on a growth arc not super befitting of a mastermind or wind up with him being a blackened. Ace as the mastermind certainly isn’t impossible, but I obviously found it unlikely enough that I placed him below one character who is currently (presumed) dead.

#13: Arturo Giles

Arturo’s role in the story so far is not very mastermind-ish, in my mind. In the prologue, we establish him as a cold and judgmental person who puts his own opinions of how the world works over everything else, especially how other people feel. This already feels like how a mastermind would act, so if he turned out to be the mastermind, it would be more of the same.

Then, in Chapter 2, we establish that he’s a massive simp for celebrities, to the point of transforming into something adjacent to comedic relief. We’re meant to think that his over-the-top sprites and refusal to actually listen to anything J is saying is hilariously pathetic. Other characters are constantly dunking on him, such as Teruko calling him a “bigoted” “crazy person,” and even the narrative gets in on the action when highlighting how he cares less about the fact that J’s life was at risk than that she didn’t come out of it with drip. Narratively, we’ve already seen these characters get the better of Arturo. If we the audience interpret that as confirmation that the surviving cast could easily beat Arturo should he ever come to stand in their way, it could diminish the stakes upon his mastermind reveal.

However, for all of his negatives, there are some definite positives to Arturo being the mastermind, too. Despite his comedic effects, we have seen through his threats to Eden that Arturo is very capable of being very scary in a way that I don’t think we have with Ace. The horror factor of a plastic surgeon as the mastermind could be a really fun and creepy design theme to explore. And, Arturo is obviously super obsessed with celebrities. If hosting a deadly TV show is what he thought it would take to get him in with the Hollywood celebrity scene, he might be willing to go for it.

I don’t really know why he would have made his secret what it is if he was going to get that upset about it, though. I guess if there just weren’t any better options that wouldn’t tip his hand…? Also, Arturo would blend in terribly as a survivor. If you’re heading into Chapter 6 and you have to pick the evil character out of (let me spin a wheel real quick...) Teruko, Eden, Rose, Charles, and Arturo, Arturo is definitely the evil one. (Okay, that was actually a terrible randomized draw for Arturo on the innocence front, but I hope you can imagine how he would oddly stick out of most groups.) Like I said in his death predictions, I find it hard to imagine a character arc for Arturo, which is why I find it hard to believe that he would make it as far as Chapter 6.

#12: Min Jeung

Honestly, if Min weren’t (most likely) dead, she might be pretty high on my list of mastermind choices. While not as suspicious as the Spurlings, XF-Ture Tech is pretty suspicious, even more so with the introduction of that one altDRDT character. Min is related to XF-Ture Tech, so if that company has anything to do with the operation of the killing game, she could have been the one behind it. Min is also very smart, and her talent has obvious applications for how it could have been used to set up/influence the killing game. The fact that her talent is so similar to Teruko’s, Ultimate Student versus Ultimate Lucky Student, could have also set them up for some great parallels and duality down the line.

However… Min’s role as the Chapter 1 killer throws a pretty big wrench in her chances. Beyond the dying part, Min’s role as the blackened was incredibly evitable. It’s not like she was thrown into a situation where she had to kill or be killed, or even one where a motive was particularly difficult for her. If she wanted to be the mastermind and survive until the end, all she had to do was walk away from Xander stabbing Teruko and pretend she never saw it. However, if Min’s goal was the inverse of ol’ Bloody Hands (keep the killing game running, but most importantly, keep Teruko alive), her actions could line up. And then, perhaps Min could have falsified her own execution early to draw suspicion off of her, much like Junko did by killing Mukuro.

Beyond her death, though, it’s really Min’s reaction to being the blackened that makes me think she can’t be the mastermind. The stellar voice acting in Min’s breakdown scenes makes me really believe both that this was the first time she had ever hurt anyone as gravely as she did to Xander, and that she fully believed that she was about to die. Those are two things that a mastermind, especially one headed into a fake execution, would not be feeling. Maybe Min memorized how to be a great actress too amongst all those textbooks, but I doubt it. I can still see several reasons why Min would have been a good mastermind, but her actual death and her reaction to being told she was dying knock her down several pegs in my mind.

#11: Hu Jing

Hu is a bit more suspicious to me than some others just because I think she has something to hide. Between her refusal to share whose secret she received or had herself, mysterious “I want to pay for what I’ve done” hidden quote, and intense desire to be relied upon, there’s definitely something about Hu as a person that the narrative has yet to uncover. Could that something be “Hu is the mastermind”? I dunno, maybe.

Hu also has a tendency to react to things with her temper. That could be a sort of foreshadowing to how she would act as the mastermind, much like how David’s brief spell of apathy during the prologue hinted at the way he would act further down the line. Hu’s defense of Nico could act much the same way. Our overall impression of Hu at this point is that, while she is a flawed person, she’s one of the nicest and morally best people in the game, who’s always looking out for others. Defending Nico to the point of babying them might cross the line a little, but she’s only trying to help everyone…! Hu could make it to the end as a believably heroic survivor and then reveal that all of her presumed poor decisions were actually active malice, and I think she could pull that off.

All that being said… I don’t, like, actually think that’s going to happen. In fact, I’m probably overexaggerating the extent to which people think that Hu is nice and morally good. I’ve seen several people discuss the unjust amounts of hate Hu gets in this fandom, which implies that a lot of people hate her, even if I haven’t particularly seen much of it myself. At the very least, I definitely over exaggerated the extent to which people believe Hu could survive! As implied in the death order predictions, I do personally think Hu is going to die, possibly as a consequence of getting too invested in everyone else’s business when they don’t want her to be and/or wearing herself too thin. There are paths which I believe could lead to Hu being the mastermind, but they seem to be the roads less likely traveled.

#10: David Chiem

While I have no doubts that David has the fame, charisma, and worldview to pull off a killing game… I’d have to wonder about how he would see himself playing into all of it. As we saw in Chapter 2, David knows that his career has a lot of value, possibly to himself but definitely to other people, and therefore, he doesn’t want to jeopardize it. In fact, the reveal of his manipulative secret was the inciting incident behind his massive change in characterization. So, if he were the mastermind of a televised killing game… How would he think that would play out to his viewers?

Now, to be fair, there’s a lot we don’t know about the worldbuilding of DRDT. MonoTV claims that the TV show will be broadcast to a widespread audience. Perhaps that indicates that, in the world of DRDT, publicly broadcasting talented young peoples’ violent deaths is normal, or even sought after. Maybe the cast of DRDT forgot about it.

However, David seems to think that people learning that he sees everyone as manipulable would do damage to his reputation, so it’s a bit of a contradiction either way. If the world has been wracked with despair and craves intense violence on TV, then David’s reaction to his secret is either an elaborate lie or the result of the mastermind erasing his own memories regarding the situation. (Or, I guess the public could see death as fine and dandy but manipulation as a cancellable offense, which is… one of the interpretations ever.) Otherwise, in the scenario that the DRDT world is a normal one, David wouldn’t care about being revealed as a manipulator if he’d already committed to the mastermind bit. If his career was already preemptively ruined by agreeing to commit literal murder, why get so worked up about the thought that people might abandon ship over you not being 100% honest?

And then, there’s also the whole “surprise factor” thing that I keep bringing up. Admittedly, it’s been a longer hiatus between the start of Chapter 2 and the end of Chapter 2 than DRDTdev might have been hoping for, but that doesn’t change the fact that this part of David’s characterization happened in Chapter 2. DRDT fans far and wide have written thousands of words gushing over “the David reveal” or “evil David.” If David were unveiled as the mastermind, we’d have to start writing stuff about “the first David reveal” or “when David showed his true colors again.” You see how it kind of takes the hype away from such major plot points? That’s the sort of concept I’ve been trying to get across with some of my other choices too, but a bit more clear cut.

I don’t know why I sound so much like a hater in this section (in my opinion) when I’m literally putting David at #10, above seven other characters. I guess it’s because I can see why his theatricality and traits foiling Teruko could make him a good mastermind, but also have some major issues with the logistics of him getting there. A lot of good points versus a lot of bad points settle out to him winding up someone in the middle.

#9: Levi Fontana

With our first single digit number, we’ve also reached our midway point of mastermind candidates: Levi!

Levi would be a really interesting mastermind choice because of how his character centers around grappling with his morality. I think it would be really intriguing to have a mastermind outwardly struggling with their attempts and failures to be a good person throughout the entire game, only for the player and the characters to receive the full context of the debacle at the very end. I guess in this situation, it would be pretty likely that Levi would be redeemed at the end? That’s not necessarily a problem. (Honestly, I don’t know if I think the DRDT mastermind could be redeemed or not based on the fangan’s themes… that’s a post for another day, perhaps.)

Anyways, I think that what we know of Levi’s backstory could work well with him being the mastermind. If he does have the “murderer without remorse” secret, that would be in line with orchestrating a killing game. We also know that he’s “been disowned” and that he and his family were ���all bad influences on each other.” We’re meant to assume that Levi was fortunate enough to escape a bad/abusive situation (and in all likelihood this IS what actually happened!!!!), but we are hearing about the situation from his point of view alone. There is a small possibility that, if Levi is actually a despair enjoyer, his family cut him out because they thought he was a danger to their lives.

I will reiterate again, though, that I don’t think this is the case. Levi seems like he’s a chill guy, or at least that he’s trying very hard to be one despite how he’s been told to react all his life. The whole “mastermind wanting to become a good person” lens also makes less sense given how channeled Levi’s development is through Ace. Like, I would imagine that, if this were the angle DRDTdev was going for, Levi would be making an effort to get along with everyone as part of his atonement. The mastermind randomly choosing to focus on just one person out of the crowd seems kind of strange, especially when that person is someone as disagreeable as Ace. That kind of plot would have big “the mafia CEO vampire prince fell head over heels in love with me, the random average girl” vibes. Repenting mastermind Levi is the preferred ending for pining lovers to enemies to lovers AceVi shippers, lol.

And then there’s the part where I think he’s going to die. I don’t think Levi is the worst mastermind choice, but I think there are better out there.

#8: Nico Hakobyan

Yay, we finally got to one of the characters that Anon thought was suspicious! It only took… 7k+ words. Oh boy.

I definitely think that the cat coding is the strongest thing that Nico has going for them. It would be pretty funny if the extent to which “Ultimate Pet Therapist” is relevant to the plot is the climactic reveal that “yeah Nico has been talking to a (robotic) animal the whole time.” That’s a joke, as Ultimate Pet Therapist is already quite relevant to Nico’s characterization as someone who prefers communicating with animals over people, but it would be funny as hell from a character designing perspective.

There are less silly reasons to believe that Nico is the mastermind too, though. While it seems like, similar to David, pulling the trigger on Nico’s change in behavior in Chapter 2 would be a bit early, I don’t think it’s as destructive to mastermind Nico as it is to mastermind David. There’s a lot more doubt in people’s minds that Nico even did anything to Ace, to the extent that a decent number of people (in the story and out of it) think that it was someone else trying to kill Ace entirely. Nico also has a stalwart defender in Hu, which adds an extra level of intrigue to the situation. Instead of confirming that everyone was right to be suspicious of David, at least some amount of focus could be placed onto Hu being wrong for trusting Nico and failing to see someone’s true colors again, which could be interesting for her characterization if she was alive at that point.

On the other hand, the biggest reason that I think Nico isn’t the mastermind is also because of the attempted Ace murder. Why would Nico, as the mastermind, try to kill Ace at this time? If Nico wins the Class Trial, then the killing game is over, which is probably counter to the mastermind’s goals. If Nico loses the Class Trial, well, we’ll say that the possibility of Nico dying isn’t an issue, as they could just fake their own death or deny entering the execution. But still, why?

It could be that Nico was trying to remove themselves from the killing game on purpose, but I don’t see why it would be necessary. No one was particularly suspicious of Nico being the mastermind, and if they were worried about their gender identity getting out, they could have simply made their secret something else. A mastermind could kill to avoid the killing game falling into a standstill, but tensions were really high at the time that Ace almost died! With a full day left to go before the motive secrets were revealed, such drastic action wasn’t yet forced. I guess the best option would be that Nico was just really angered by what Ace said, and wanted to retaliate as part of their vicious mastermind nature. Is that worth taking yourself out of the killing game and risking the show’s termination, though…?

There is also the possibility that Nico is the mastermind, but didn’t try to kill Ace. In that case, suspicion of Nico would be such a huge in-universe coincidence that I’m doubtful DRDTdev would have included it as a major plot point.

Speaking of “show’s termination,” I also don’t know why Nico would have any involvement in creating a TV show, both from a backstory/talent perspective and a personality one. Nico doesn’t like interacting with people. Therefore, I don’t know what would possess them to want to create and join a TV show for which the major draw is a big stressful discussion between a bunch of people.

I guess I had fewer reasons why I thought Nico would be the mastermind than I thought. I would love to hear more details about why you suspect Nico though, Anon! I’m definitely willing to believe that they could be the mastermind.

#7: Eden Tobisa

Make no mistake, I still think that Eden is the Chapter 2 killer. However, in the case that she isn’t… mastermind isn’t a terrible choice for her.

The biggest draw of Eden being the mastermind would definitely be the shock value. The seemingly nicest character suddenly being revealed as the mastermind would create a huge hurdle for the surviving characters to overcome. Teruko especially, given that she probably would have grown at least a tad closer to Eden if they survived five chapters together. It would be a little mean to give Teruko a trustworthy friend just to rip it away from her again, but I could see the opportunity being used to highlight Teruko’s growth. When Xander and Min betrayed Teruko, she panicked and shut everyone out, but when Eden betrays Teruko at the very end, she’s able to remain strong and rely on the other friends who she continues to trust. Or DRDT could have an unconventional feel-bad ending, I suppose.

If some kind of time loop is at play within DRDT, then Eden’s talent would obviously be thematically and perhaps practically relevant as well. I could see a lot of comparisons being made regarding a killing game being run “like clockwork.” Her secret quote “you can’t go back, no matter how hard you try” is... actually kind of anti-time loop, but at least the concept of going back in time is somewhat related…? Speaking of secret quotes, her Mai quote, “she kept calling the number, even though no one picked it up” is also really weird. That suspicious hidden evidence could point to her being the mastermind.

However, Eden’s personality is a pretty major issue when it comes to her being the mastermind. Shock value is great in the moment, but it can ring hollow in retrospect if people find that the twist doesn’t make any sense. Masterminds aren’t typically known for their kindness or optimism. So, if Eden is the mastermind, it seems like her whole “even if this world is cruel, I’ll still make the choice to be kind” speech is a complete lie. And, that would be a shame! I don’t think that having an unexpected mastermind at the end of the game is worth the cost of completely demolishing a character that we’ve come to know and love over the course of six chapters and several years. (I’m not saying that complete demolition has to be the case if Eden is the mastermind, but I think it’s a reasonable worry that many people have.)

And, I know that all this talk about how wonderful Eden is might sound rich coming from someone who strongly believes that she just killed someone who wanted to be her best friend. But, that’s kind of the point, isn’t it? As someone who thinks that Eden is the killer, I know very well how a lot of people have a really hard time believing that Eden could do something as terrible as killing Arei. I can only imagine how hard it would be to accept that Eden was the one who put Arei, Min, Teruko, and everyone else in danger, and the one pulling the strings behind every execution.

Eden as the mastermind, to me, is more tempting in concept than it would be viable in execution. And also, I don’t even think she’s going to live to see the light of Chapter 3 day. However, there’s also some definite emotional power behind the accusation that makes me see how shooting for this ambitious choice could be worth it in the long run.

#6: Whit Young

Alright, it’s finally time to talk about Whit. I know that he’s a really popular mastermind choice, but… I just don’t see it, personally. Even though I put him at 6th place. (I do not enjoy putting him in 6th place.) Is that just because he’s my favorite and I’m attached to my interpretation of the character? Perhaps. But, I’d still like to explore some points that I find faulty.

Perhaps the biggest reason behind suspicion of Whit that I’ve seen is the way that he breaks the fourth wall. People connect his asking people to pause for the evidence list to MonoTV invoking similar mechanics, and lines such as “do you really think she’d be hanging out in the playground” to him knowing more than he’s letting on. However, there are a couple of ways that this accusation can be depowered, in my opinion.

Firstly, Whit isn’t the only person who says stuff like this. Veronika alludes to the killing game before it begins, Teruko also breaks the fourth wall to tell the viewer to pause (albeit only in her thoughts, not out loud), and Arei makes the same kind of “hanging” wordplay in Eden’s flashback that Whit did. I won’t say that characters addressing the fourth wall can’t be important at all, because I believe there are some moments where the other characters commentate on how weird it is that MonoTV is talking to no one. However, I also think that breaking the fourth wall may simply be part of DRDTdev’s humor, as exemplified by that “make sure to like and subscribe so that Teruko has enough mental strength to carry on” joke. Whit is a funny guy, so it just makes sense that if DRDTdev’s brain generates funny meta jokes, Whit would get some of them. Everything that Whit says reminds me more of Mia AceAttorney saying “hit tab to open the Court Record” than some sort of groundbreaking DDLC-Undertale direct communication with the viewer. However, I can see why others would think otherwise.

The second is that I think some of Whit’s comments (more so the “dead at 3” and “hanging in the playground” than the pause) are just meant to showcase his intuition. And, yeah, it could be that DRDTdev has been leaving crumbs of Whit’s intuition behind so that in Chapter 6, he can use it to exploit everyone’s insecurities and greatest despair. To me, though, Whit’s intuition has always reminded me of the myth of Cassandra.

For those who don’t know, Cassandra is a figure in Greek mythology who was blessed/cursed to receive prophecies, but for no one to ever believe them. By my interpretation, Whit is a really smart and perceptive guy who has strikingly accurate gut feelings about how things will play out down the road, even when he doesn’t realize it himself. However, the curse of his own coping mechanism– choosing to act like an eternally cheerful goofball– leads the majority of the other students, and perhaps some of the viewers, to never take his point of view seriously. He can only realize the accuracy behind what he said after the bad things have already happened, leading him to blame himself more and more for not being able to speak up and help when times were tough.

This kind of behavior would line up with two different themes we’ve seen from Whit before. The first, that when he jokes around without thinking, he can accidentally say hurtful things that he later reprimands himself for. We saw that when Charles blew up at him at the end of their shared FTE. The second is Whit’s major theme of good things hiding a darker undercurrent. Being the Ultimate Matchmaker is great until you’ve never had a successful relationship yourself. Having an awesome mom is great until the truth comes out that she’s actually dead, and you’ve been covering it up. Growing super close to someone is great until he dies. Having an amazing intuition and understanding of everyone is great until you can never actually use it to help those you care about. Joking around is great until it's all you can do. Pretending everything is fine is great until it’s not.

Like I said, very specific interpretation. I promise I was not citing classical literature to make my argument sound smarter than it actually is. I am aware that my interpretation of Whit is no less or more valid than everyone else’s. However, it’s one that I hold very close to my heart, and thus, I personally have a hard time seeing around it.

However, I’ve also seen a lot of people argue some valid points for Whit, so I can at least acknowledge that he deserves to be in the upper echelon of choices. There’s a lot of weird stuff regarding him in Literature Girl Insane, and he’s certainly an option of someone who felt so much grief that they became totally empty inside as shown in that one hidden quote. I would be appropriately surprised and heartbroken if Whit revealed himself as the mastermind in Chapter 6, so he checks the box in that regard. There isn’t anything from his backstory that opposes the notion that he set up the killing game, and, to quote what I said about our other Ultimate Matchmaker, Toshiko…

While Ultimate Matchmaker might seem like a silly talent to give the mastermind, it could also be a ruse to distract us from the fact that [Whit] has a talent that allows [him] to read people well and make choices that will impact their lives dramatically.

I don’t like it, but I can see the argument… kind of. To me, most mastermind Whit interpretations feel like mischaracterization, but as a theorist, I always try to keep in mind that I’m the one who could be twisting the text to my whims as well. In this my-opinions-based list, though, he’s not getting any higher than 6th.

#5: Veronika Grebenshchikova

Ooh, what spooky art for a spooky mastermind. Let’s be real, though, Veronika is way too obvious of a mastermind candidate to actually be the mastermind. Unless… she’s so obvious that she loops back around to not being obvious, and thus, is the perfect mastermind candidate?!

Veronika is in a really weird place. I obviously have no doubts that she would have any moral qualms about hosting a killing game, because she’s told us herself that she doesn’t. She knows what Monokuma is in immense detail, but claims to have no idea what a killing game is. She’s dressed really similarly to Junko, though. Is that just a coincidence? Are giant pigtails also a symbol of fear in the DRDTverse? I need ANSWERS, LADY!!!

The biggest problem I see with Veronika is the potential for obviousness. Similar to Arturo, if she actually made it to Chapter 6, I feel like it would be pretty obvious what’s going on. An oddball like Veronika is not the typical survivor type (although she could break the mold). Because Teruko’s character arc is all about trusting people, it would make sense if the reveal of the mastermind was someone who challenged her trust to some degree. With Veronika being obviously unhinged the whole time, I don’t think that Teruko would have any particular difficulties with kicking her to the curb.

However, Veronika clearly has the motive to start a killing game, and potentially to spread despair. DRDT has taken inspiration from Trigger Happy Havoc in the past, so it could make sense if DRDT’s mastermind was also inspired by THH’s. Having a so-obvious-it’s-not-obvious mastermind could also be another way to mess with theorists like me, as DRDTdev did with the comments section portion of Literature Girl Insane. “bro Veronika being the mastermind would be WAY too obvious” sounds EXACTLY like “I just hope XXXXXX doesn’t go crazy and kill in chapter 3. That would be way too predictable” or “XXXXX will obviously die in ch5”. If part of the point of DRDT is to make know-it-all analysts rethink the rules they believe to be set in stone, I could see Veronika as a subversive choice.

Veronika definitely seems to be building up to something, but I don’t know if being the mastermind is exactly it. I think that Veronika could make it pretty late into the game, but I still struggle to see her making it all the way to Chapter 6. I would absolutely love to see what DRDTdev does with her writing if that is the case, though. 

#4: Mai Akasaki

(Well, now I feel bad that I’ve never made a colored portrait of Mai.)

As you may have noticed back at our first entry, Arei, I started the countdown off at seventeen, not sixteen. (If you didn’t remember that, I don’t blame you– it was a WHILE ago.) That’s because I thought it was only fair to include DRDT’s best kept(?) secret, the lovely Unnamed Student herself, Mai Akasaki, as an option! Because, man, is she mysterious in some suspicious ways.

“But, didn’t MonoTV tell the students that the mastermind was one of them? Mai isn’t one of the students in the killing game (unless prosopagnosia is REALLY going crazy), so she can’t be the mastermind, right?” Well, yes and no. The scene where MonoTV confirms the existence of the mastermind is SUPER weird. Let’s take a look at it.

On one hand, MonoTV is still in the Movie Screening Room, where it was JUST talking to the student body, so it would only stand to reason that it’s a continuation of the scene we just saw. However, the setting also seems to be doing everything in its power to tell us that this is NOT the same scene we just saw. The lights have been turned off, even though they were on in the scene just before this. They return to being on in the first scene of Chapter 1, which the students treat as being directly after the scene during which the lights were on before. The widget denoting the time, chapter, and episode has completely disappeared, placing this at an even more unknown time than “Time Unknown.” The text indicating that the speaker is MonoTV has even disappeared! I mean, I assume that MonoTV is still the one saying it, considering that it’s on screen and the speech bubble is pointing right at it, but we don’t even know that for sure!

Additionally, MonoTV refers to the viewers directly (“dear viewers”) two speech bubbles after this one, which makes it seem more like MonoTV is talking to us the audience rather than the students in the room. But then, if the mastermind is “one of you,” and MonoTV is talking to us, wouldn’t that mean the mastermind is someone in the audience? That could lead in to some really meta interpretations of the text (i.e. “DRDTdev is the mastermind of DRDT because he’s the one who created the killing game”) or it could indicate that I’ve gone fully off the rails. 

A midpoint between those two ideas is that the mastermind is part of the in-universe audience watching the killing game, as in, a fictional character who is watching the real-to-them TV show that is Danganronpa: Despair Time. That could include Mai, a very notable character who is not one of the sixteen participants in the killing game.

Side note, I’ve seen some people fight back against the concept that Mai could be the mastermind with the idea that making the mysterious character the mastermind would be too obvious. While I sort of agree, I feel like we’re somewhat overestimating the extent to which Mai is obvious. It’s not like no casual viewers would know who she is, because her image was shown pretty obviously in Chapter 1. However, the name “Mai Akasaki” is only accessible by finding the hidden quotes on the optional associated website’s character profiles. To learn anything about her beyond that, you have to have the thought to type the name into the website URL, and then solve another puzzle just to see the bare bones of what’s there.

I’m not trying to assert any sort of dominance or superiority over DRDT fans on YouTube, Twitter, TikTok, or anything else, but from what I’ve gathered, Tumblr is the place you want to go for deep analysis and theories on DRDT (possibly because of Tumblr’s longer word count). Therefore, anything about DRDT that may seem like common knowledge on Tumblr may only be common knowledge to the fans who specifically bothered to come to the deep lore and crack theories website to find deep lore and crack theories. Essentially, this:

Sort of similar to what Gravity Falls did with the reveal of Bill Cipher back in 2012 (at least I think, I wasn’t actually in the Gravity Falls fandom at that time), I think it would be reasonable to plant clues about an overarching villain that people who want to analyze can analyze ahead of time, such that the villain’s arrival can come as a victory to the puzzle solvers and an exciting new development to the more casual viewers.

However, while I believe that Mai has an awesome setup that she could use to become the mastermind, whether she would actually fit the role is another question entirely. As I alluded to back in the first Mai paragraph, I’m rolling with the widely held (among theorizers) belief that the Unnamed Student in Xander and Min’s bonus episodes is supposed to be Mai. In those episodes, Mai seems to be incredibly caring, peppy, and sweet. She knows a ton of little heartwarming details about Min and Xander, and I wouldn’t be surprised if the same is shown to be true with Arei and whoever else’s bonus episodes in the future. Those hidden quotes on Mai’s profile also give off the impression that everyone in the cast really loves Mai– one could call them a “portrait of a person dearly loved,” perhaps.

While it’s possible that these scenes are supposed to highlight Mai’s social prowess and how much she can get people to fall in love with her, they… don’t really seem to be giving off those vibes. We see her thoughts in those bonus videos, and she really does seem to be dedicated to helping Min and Xander out. Mai’s change from someone who wanted nothing more than to help out her friends to someone who was willing to throw all of them into the killing game is something that would have to be explained, and it could be difficult to communicate that shift within the confines of bonus material, if Mai’s content is mostly kept there. There is the concept that Mai could have put her friends into a killing game to protect them somehow, which could be a way to avoid Mai’s character seemingly doing a total 180, but that rationale would need a lot of explanation too.

Otherwise, there’s also the problem that Mai is almost certainly dead. I won’t get super into it myself, because the amazing @1moreff-creator has already done a great job explaining why here (starts in the XI. God is Dead section). I don’t think I need to elaborate on why Mai being dead potentially before the killing game even began would be detrimental to the idea of her being the mastermind.

To be honest, I don’t know how much this idea actually makes sense. I think I’m personally more inclined to believe that Mai could be the mastermind just because I really don’t get mastermind vibes from pretty much anybody in the cast. If the mastermind simply wasn’t one of the members of the main cast, that could solve that issue, right…? Mai is very likely involved in the inception of the killing game somehow, so extending that role to one of being the mastermind isn’t the biggest stretch. However, her personality and living status do throw in some pretty big question marks, so I don’t think she should go any higher.

#3: Teruko Tawaki

Teruko was definitely the first character who I believed could be the mastermind after I watched the series for the first time. However, over time, I’ve sort of fallen off of the idea that she would be. Is that because I’m forgetting key details of the plot, or because I’m drifting closer to the truth…? Honestly, I have no idea.

Let’s start with the strongest “evidence” we have against Teruko, her motive secret: “How could I even select which secret to make your motive? Just about everything you’ve done in your life is worth killing for. The killing game is all your fault.” Although “the killing game [being] all [Teruko’s] fault” sounds pretty damning, there’s the obvious counterargument to be made that this isn’t even Teruko’s motive. In fact, the board currently shows it assigned to Xander. However, the majority of people (including myself) seem to believe that David was lying, and this secret is Teruko’s. So, let’s analyze under that assumption.

Teruko did admit to Veronika that she doesn’t know what secret could be used as her motive because there were so many. Even if that motive secret isn’t hers, that still means that Teruko has done a lot of shady stuff. Teruko’s decision to live on set forever could line up with the mastermind's goal of wanting to keep the cameras rolling as well. The very first scene of DRDT shows that someone who wants the killing game to end also wants Teruko dead, which implies that Teruko and the killing games are on the same side.

Teruko also has a prior history of concealing things about herself from us, the viewing audience. We knew basically nothing about her past or trust issues before Xander stabbed her, causing her sudden change in attitude to come as a blindside. Teruko apparently has a “risky” killing game-ending plan in mind for the end of the second Class Trial that she’s told us absolutely nothing about. And, most notably, Teruko clearly knows things about Mai that she’s decided not to share with viewers at home. (I do believe that Teruko genuinely can’t remember Mai’s name, but she does remember that Mai is similar to Xander and wanted to help, which is more than anything we would have known from the main text on our own).

Point is, DRDT is written in a way where we don’t hear a ton of Teruko’s thoughts. That would make it much easier for her to scheme something behind the scenes, as opposed to someone who we get a lot of emotional reactions or logical theorizing from. It’s actually kind of similar to the difference between Kaede and Shuichi’s styles of narration, as pointed out by ShortOneGaming in their impeccable v3 playthrough! I recommend watching their entire letsplay if you're in the mood for v3, but I found one time where they talked about this concept here. I’ll transcribe it for anyone who doesn’t want to open YouTube right now:

Gina: I do want to call– as my final sort of note– what’s interesting is that you called out immediately that Kaede’s narration was weird. That, it was always, like– dictation? Allison: Yes! Gina: It’s always, like, speaking directly to a person– Allison: Yes! Yes, I did say– It never really felt like actual internal monologue. Like, she never was expressing her thoughts or anything to us. I mean, yes, she was, but then there were those weird moments where she was, like… y’know, hiding it from the player, and… probably from herself, too, to some extent. Like, she was just like, “and then I had to go do this thing.” Um, and like, “we won’t really address how I’m feeling about this.” Gina: Yep. Allison: And at the same time, it hides it from the– the player. And that was very clever. Really good. I mean, her– yeah, her narration was always kind of weird. But, she did have moments where she had internal reflection.

Hopefully, you can see the comparison. By putting a greater emphasis on actions as opposed to what Teruko is feeling (“I kneeled down and touched his neck” after finding Ace’s presumed-dead body; “Everyone else started filtering in” when people walk into the Playground and find Arei’s corpse), it becomes much easier to have Teruko hide exactly what she knows or exactly how she feels about certain events. It’s actually the opposite of the kind of narration that Damon had (“I’m trapped in a killing game… with people who despise me. How… how did this happen? I just wanted to help… I wanted to make sure we didn’t trust each other too easily… and now I’m being treated like the bad guy” after the 0th Class Trial) that made me believe he wasn’t the mastermind!

So, do I think that Teruko would be a mastermind who remembers, or a mastermind who forgot? Well, I could kind of see it either way. Personally, I think that Teruko being a mastermind whose memories are intact is the more interesting version, and I do believe it’s possible. I also don’t understand why someone with as many trust issues as Teruko has would want to remove her own memories if it weren’t necessary. Then again, Teruko being an amnesiac mastermind could make up for some of the… issues that arise with her as a mastermind candidate.

What? She’s in third place, not first. Despite how long I’ve already talked about Teruko, there’s still more to say!

First, the problems if Teruko did retain her memories: why would she ask MonoTV about the mastermind’s identity when the two were alone? Why would she be creating a plan to end the killing game? Why would she pretend to not know who Mariabella Rosales was even though everyone else clearly knew?

And then, the problems that persist even if Teruko did lose her memories: where would Teruko have gotten the resources to plan a killing game of this caliber? Even if she had them, why would she use it on this? Assuming that secret is hers, why would she write that about herself in a plausibly public place (beyond the swapping, Arei looked over Whit’s shoulder)?

Oh yeah, back to that secret. Just because “the killing game is all [Teruko’s] fault” doesn’t mean that she’s the one who planned it. In fact, the wording sounds very accusatory and hostile for something that Teruko would have theoretically written to herself. From the first scene, we already know that there is a person or group of people somewhere who are out to get Teruko. It could make more sense if that entity is the mastermind, and wrote the secret to blame Teruko for whatever she did that got her on their bad side.

There’s probably more to be said, but hopefully you can see why I have so many mixed feelings about Teruko. I definitely think she’s one of the more likely mastermind candidates out there, but I still don’t know exactly how likely that is, y’know?

#2: Rose Lacroix

Once upon a time, a wise and powerful theory alchemist known only by the epithet @1moreff-creator postulated that Rose could be the mastermind of Despair Time, and then never elaborated on the idea at all. For centuries (a couple of weeks) the townsfolk (me) were baffled by these dark and mysterious ramblings. However, as seasons passed by, as travelers came and went, as the tide advanced to kiss the land before slinking back to its home once more– the idea… started making more and more sense?

Rose is a really smart character who has already shown her proficiency in Class Trials. In the first, she utilized her ability to perfectly capture the scene and her knowledge of chromatography. Although her talents haven’t been as useful so far in the second, she’s still managed to keep up with the conversation despite never looking at the scene of the crime. Thus, I can see why, from a writing perspective, DRDTdev would choose to make his mastermind the Ultimate Art Forger.

There’s also the angle that Rose is a criminal, and therefore could be willing to do illegal or immoral things. However, she does seem to be pretty remorseful about it, and she’s already been caught for her criminal behavior before. Unfortunately for her, her relationship with her saviors the Spurlings only makes her all the more suspicious. Even if Rose didn’t want to be the mastermind of a killing game, if the Spurlings forced her to do it, she might have not had a choice. (Xander is very against the Spurlings… Xander is bloody hands guy → stop the killing game → stop the Spurlings?)

I also like the angle of “the Spurlings forced her to do it” because of what I talked about back in Mai’s section– the concept of the mastermind not being among the students. In Rose’s case, you can get the best of both worlds. The entity behind the killing game, the Spurling Foundation, would be a group outside of the killing game for MonoTV to contact, but there would still be a student among the cast’s ranks to suspect and accuse come Chapter 6.

What’s the argument against Rose? Well, I would ask why Rose would want to put herself in this kind of situation, but if it was the Spurlings’ choice, then that explains that. You could say Rose has been too helpful to be a bad guy, but everything she’s done so far has been to help the students win a Class Trial. That keeps the killing game running, which keeps the show on. The biggest problem I’m thinking of at the moment is the notion that the Spurling Foundation would have chosen to make Rose’s secret about how her backstory led her into their clutches. However, the secret doesn’t actually acknowledge the Spurlings by name, and it also frames Rose’s crimes in a way that makes her look like a good person– the opposite of what someone would think of as a mastermind. The secret was also only intended for Rose’s eyes, so it could have functioned as more of a low-key threat to remind her why she needs to stay in line.

Shouldn’t all of this talk of Rose lacking agency make her a bad mastermind candidate, though? If a villain doesn’t even believe in their villainous motivations, the story could end on a really flat note, with the good guys steamrolling an evildoer who doesn’t really care. How are we supposed to reach a satisfying conclusion if the mastermind hardly has anything to be held accountable for?

Those are normally things I would argue, but as many have pointed out, Teruko isn’t a normal protagonist. Actually, I think that this kind of mastermind setup for Rose could be a great way to end Teruko’s arc about learning to trust other people. Rose is the mastermind, somebody who shouldn’t be trusted…! It would be so easy for Teruko to just crush this person who betrayed her into dust– Rose isn’t even putting up much of a fight. But in the end, Teruko will choose to be patient, and see that Rose never wanted to betray Teruko. Even if her actions wound up hurting Teruko and many others, she still deserves a second chance, or at least a second evaluation.

As you saw in the death predictions, I obviously believe that Rose has the potential to make a late game run, whether as a survivor or something else. Writing all of this out, I can see even more clearly why Rose just might be the DRDT mastermind. However, despite all that I wrote, the idea still feels kinda more like a fun AU than the actual truth to me…? So, I still think there’s one person whose chances I like slightly better.

#1: J Rosales

Whaddya know, J’s personal ??? tier catapulted her into the lead. It is probably true that my uncertainty about where she might land is contributing to me deeming her the mastermind– it’s a really weird space in the kill order, as someone who survives long enough to theoretically have a positive character arc while sometimes not being counted among the survivors at the end.

Part of why I put J this high is that I really like the theory of J being the mastermind along with her brother, Ryan. Sadly, I cannot find any of the original theories that postulated this idea to link to, so I’ll try my best to explain what I remember myself. Basically, some people found the scene in c1e4 where Rose doesn’t remember who J is suspicious. They combined this scene with J’s younger brother, Ryan, and J’s talent, the Ultimate Effects Artist, to suggest that J could be using her FX talents to disguise Ryan as herself and have them occasionally trade places. From this Q&A, one of the few things we know about Ryan is that he enjoys crossdressing, which furthers the idea that he could enjoy pretending to be J. Ryan is also (to my memory) the only DRDT character’s sibling whose name we have seen in the main text, which could indicate that he’s more important than Arei’s sisters, Levi’s brothers, or other potential siblings.

I think it’s a really fun idea that I would at the very least want to see come to fruition, regardless of how likely it is. If J was working with Ryan, you can once again repeat the argument that there’s both a mastermind for MonoTV to talk to outside the game and one to be accused within the game. The biggest issue with it is that I don’t know how Arturo wouldn’t see the differences between the two, even if Rose may have. Maybe if J and Ryan haven’t swapped since the Rosales secret got out, and won’t swap again until Arturo dies…? I don’t know, I’m getting ahead of myself.

The thing is, other than just being a unique and interesting concept, I’m not really sure what the point of having J and Ryan swap would be, in universe or out of it. (This is why I wish I could’ve found a link to the original theorist... :,( ) My best argument for in universe would be that there are some things that only J has the skill to do, her being the Ultimate Effects Artist while Ryan is not. However, they couldn’t just have Ryan be the one in the killing game full-time, because he’s too young and therefore wouldn’t have been part of the original Hope’s Peak class. Thus, there are some points in time where J needs to be working behind the scenes (like on the executions or something), and during those intervals, Ryan subs in. Metatextually, I guess it could show how every person in the entertainment industry can be cutthroat, or that every child of a celebrity is bound to get messed up about it somehow…?

Regardless, even if Ryan isn’t involved at all, there are plenty of reasons to suspect J on her own. Ultimate Effects Artist is a highly suspicious talent when it comes to the deception of a killing game (just check out how many people think J already used it to kill Arei), and in connecting her to Hollywood. J may claim to specialize in theater as opposed to television, but 1) she could have been lying, or 2) that could be true, but she’s making an exception this time. Even if she normally works in live theater, if you were a TV executive approached by the daughter of Mariabella Rosales who is also a Hope’s Peak Ultimate student in her own right, would you really turn her away…?

J’s custom weapon is also pretty suspicious. Even if it doesn’t seem to be able to trigger traps like the one used on Levi (though that could be another lie), I could still see it being pretty helpful for subtly operating MonoTV, turning on a monitor, starting an execution, or stuff like that. Charles essentially confirms that the custom weapons were in the students’ rooms since they all woke up, which means that J could have had this remote on her the entire time.

J’s relationships also seem potentially mastermind-y. Thus far, the two characters with which she’s been associated most are Arei and Arturo. Those two (at least, prior to Arei’s change of heart) have been so clearly villainous and hateful that J would obviously look like a nice person in comparison. Why is this helpful? It means that J can get away with doing more objectionable things without raising any huge red flags. If J is the mastermind, we can look back on her demolition of Arturo in the Chapter 2 Trial as a brief early glimpse into how cruel she can really be. But, for the moment, although it’s definitely memorable, many people (including myself) can react to it with a, “yeah, but based on what Arturo was doing to her, it’s kinda justified…” (Not saying it isn’t somewhat justified either way, just that it could also be something more.)

J could also have a range of motivations related to her hatred for her mom. Maybe she’s trying to turn people against the Rosales name to ruin Mariabella’s reputation. Maybe this killing game is a plan to finally have a big artistic success all on her own (or with Ryan) to prove her mom wrong. Maybe she thinks that a world so enamored with fame and glamor deserves to rot in a pit of despair. I don’t know which of these options would be the most likely, but I could see how any of them could be possible explanations for how J got to this point.

I think my biggest argument against J once again comes back to the “why”. I think that J has a lot of potential to be a good mastermind, but I don’t know if that carries over to being a good mastermind for Teruko. Unlike with Rose, I don’t have a good sense of how J being the mastermind would tie into a satisfying ending to Teruko’s trust arc.

@venus-is-thinking and I sometimes like to run randomized killing games as a fun writing exercise (randomize the cast, motives, and mastermind; see where it takes you), and we’ve generally found that the most compelling protagonist-mastermind duos either have the protagonist sharing the same worldview with the mastermind, or being the only person who believes the opposite.

If the protagonist starts with the same beliefs as the mastermind, then defeating the mastermind is a showcase of the protagonist’s development. Hajime and Izuru work as protagonist and mastermind because Izuru is the manifestation of Hajime’s belief that only talented people are important and can make an impact on the world. By renouncing Izuru, Hajime proves that he’s learned that anyone has the chance to change their future if they put in the effort. 

If the protagonist has the opposite opinions from the mastermind, then it proves how crucial the protagonist is to the narrative because they are the only one who could deliver the critical message. A great example of this is Shuichi and Tsumugi. When Tsumugi tries to set up the conflict of “hope good, despair bad” that will keep the killing games going, all of the other surviving students fall for it. Shuichi being the only character who has spent the entire game learning the importance of balancing two extremes makes his callout of Tsumugi incredibly satisfying, and justifies the protagonist swap by proving that Shuichi is the only hero who could have saved this day.

That’s why I think that J would be a great mastermind for a protagonist who has issues with family or stardom, but might not be the best choice for a story with Teruko at the helm. Those are only my observations, though, so I’d understand if DRDTdev planned things differently.

And that is finally the end! Here’s the final tierlist I wound up working off of, which I fiddled with a TON while writing:

(It’s based off of Ocean Unknown’s tierlist!)

Since this has already gone on so long, I’ll try to keep the conclusion brief. Please take all of this with a grain of salt, as I wound up making a lot of claims about writing that don’t necessarily have the strongest foundation. I didn’t write anything that I think is blatantly false, obviously, but whether it’s good advice or not doesn’t necessarily mean that DRDTdev considered it. We may have different priorities in telling a compelling story. And, we’re less than two chapters in! Even the end of the Chapter 2 trial could throw a positive or negative wrench in any of these profiles.

Thank you so much for reading through this whole thing, and if you got through it and still have anything you want me to elaborate on further (a specific character, a specific theory, a specific aspect of fangan writing, etc), I would be happy to do so. I, uh, really hope that this answered the question that Anon asked, haha. Until next time… stay wary. There could be masterminds lurking about...!

[1moreff-creator]

Question: For the Kanji spelling of some of the characters' names, did you come up with these yourself? Or is there a place where these are confirmed?

Oh, they were confirmed in this Q&A the dev did after chapter 1!

[1moreff-creator]

Happy Birthday Teruko Tawaki!

It's the protag's turn for a birthday post! You know what that means! Small character analysis, fun facts and songs that remind me of her! Let's celebrate! Just make sure to bring out the fire extinguisher before lighting any candles... actually just keep the extinguisher handy in general :v

-Being the protagonist of the series, we actually know quite a lot about her backstory. Enough to know it's quite sad in general terms. This is because she appears to have supernaturally horrendous luck, which she claims affects her and those around her. She's mentioned several instances of highly unlikely, unlucky situations she gets into constantly. From washing machine explosions, vehicles crashing, theaters being "too flammable" for her, all the way to being stuck in a killing game where she gets betrayed, stabbed, her friends die, etc.

-She's an orphan who's never known her parents. She had a brother who was compassionate, but constantly hurt by her misfortune. That brother got adopted when Teruko was around five, and she's never seen him since.

-She doesn't have an ID, which meant she had to attend schools by stealing uniforms and infiltrating them. She then usually gets caught and repeats the process several times a year. She is also in a lot of medical debt as a result of her constant injuries. Given all of this, she actually prefers living trapped in the killing game, though obviously she'd rather not have people killing each other around her.

CW Suicide

-That said, it seems her luck prevents her from dying. She told Xander that she wouldn't die because she was the Ultimate Lucky Student, and it was implied she's unsuccessfully attempted suicide by hanging.

CW over

-This misfortune has led her to develop a tremendously pessimistic view of the world and her life, believing her fate can't be changed and resigning herself to her bad luck.

-This also extends to her relationships. She tried to be amicable at the beginning of the killing game, but after Xander stabbed her, she decided to stop trusting everyone else. She now carries around her unique weapon, a hunting knife, for self-defense. This is a pretty understandable reaction given everything she's gone through, but it will inevitably go wrong (prediction).

-Her numeral in the David MV is unlucky number 13 (XIII). Go to 1:22:20 on this video for an explanation!

-The secret quote on her page's source code is "It is an equal failing to trust everybody, and to trust no one at all." Probably something she'll say in the final trial, given that this is one of the main messages the series seems to be aiming for.

-The quote on Mai's page attached to Teruko is "Some years ago, she was searching for someone named ‘Teruko Tawaki.’"

...

-Yeah, Teruko's relationship with Mai is one of the most mysterious parts of this series. Given that quote, it's very possible they knew each other several years before the killing game, got separated, and reunited some time before the killing game. After all, Teruko does remember meeting with Mai in the CH 1 Ep 6 dream sequence. If you want to read some of my other opinions on Teruko and Mai, I'll recommend reading the related portion of this post.

-Though adding to that, Teruko and Mai seem to have matching phone charms :D

-There is a lot more to talk about with Teruko, but I'm done for the day :v

Fun facts!

-Her nationality is "legally in question", whatever that means.

-She's left-handed, the only lefty in the cast!

-In kanji, her name is spelt 田脇【た ・ わき】暁子【て る ・ こ】

-She has prosopagnosia, aka face blindness. And fun fact about me, I actually have this too! I may have learnt about it when Teruko was a bit too relatable in that one conversation-

-Her favorite color is red due to "association." Possibly because it's Mai's hair color. Her least favorite color is pitch black because it's unsettling.

-Her hair recently started turning grey, probably from stress. Wild.

-Her favorite ice cream flavor is red bean.

-Her sexuality is unlabeled.

-She smells of dirt, sawdust, and burnt smell.

-Straight from a Q&A, "Her fashion sense diverges from what she’d actually wear. Secretly she wants to wear girly, cute things, but is unable to afford that kind of thing. She likes skirts."

-She likes fresh food, food which can be prepared without endangering herself with knives and stoves.

-Her birthday, January 7th, lands on "distaff day", "I am a mentor day", "old rock day", "bobblehead day"... still don't know how these come about. I think my favorite for this day is "I'm not going to take it anymore day." That's hilariously in character for Teruko xD

Songs!

-Again by Crusher-P

-The Things I Deserve by Ghost & Pals

-God-ish by Pinocchio P

-The Medical Anomaly by RIProducer

-End-World Normopathy by Ghost & Pals

-Scapeg∞at by Ghost & Pals

-Chronic Wasting Disease by RIProducer

-Those Who Carried On by Ghost & Pals

And Happy Birthday! Well, that was fun. Now I have to deal with the meteorite which struck me midway through writing this post! Take care!

(to be clear the meteorite thing is a joke)

[1moreff-creator]

Happy Birthday Eden Tobisa!

Turns out our favorite clock girly has her birthday on New Year's Eve! What a nice date for such a nice girl! Let's do a character analysis, fun facts, and songs!

-We know relatively little about Eden's backstory. The most notable thing we know about her life before the killing game, apart from her fascination with clocks, is what is revealed in her chapter 2 secret: "Ever since you kissed her, you were afraid your sexuality would ruin your friendships." Which is pretty straightforward; she's canonically a lesbian and is worried it would negatively affect her friendships.

-Literally the only other thing we know about her backstory is that she lived in Japan for a small period of time when she was younger, before moving back to the US. This was revealed in a Q&A.

(... You know, I made a deranged theory in my Mai post that maybe the girl that Eden kissed was actually Mai. It wasn't very serious, since it was just a silly way to try to explain what the hell Eden's quote in the Mai page could mean. But... we know Teruko was in Japan for a while when she was younger, and it's theorized she knew Mai before being separated from her at some point. Combined with Mai's name being seemingly Japanese, it could imply Mai also lived in Japan at some point. And if that's the case, it's possible she met Eden there? To be clear, that's still an insane possibility, but I do find it a funny possibility, which is why I'm sharing it)

-Apart from that, Eden's defining trait is her optimism and her trust in others. She sticks to Teruko's side even after she starts pushing everyone away in CH 1, and confesses to her that she believes "not caring about others is the worst way to live." She's importantly not naive, she does know their situation is horrible, but still she constantly searches for an exit and tries to build good friendships with the others.

-This includes baking with Min, Rose and Teruko in CH1, inviting Teruko and Arei to make clocks on CH2, etc. Basically, she's awesome and nice and mature.

-Also she loves clocks. Regular Ultimate stuff, she can apparently spend hours and hours working and losing track of time.

-Although for such an optimistic character, her secret quote is quite ominous. "You can't go back, no matter how hard you try." We have zero clue what this means at the moment, but at least it does fit the symbolism of time always moving forward.

-Meanwhile, her quote in the Mai page is "She kept calling the number, even though no one picked it up." This is even more incomprehensible! Eden, what in the world are you talking about?

-Alright, David MV. She doesn't have a color in Color Theory, but her numeral is XII (twelve). Go to 1:48:28 in this video for an explanation. God it's so convenient to have that lol.

Alright fun facts!

-As stated, her birthday (December 31st) lands on New Year's Eve. Maybe representing new beginnings or change, which certainly goes well with her character. How nice!

-Like most of the cast, she's American and right-handed.

-She's one of the only characters with dyed hair. Her hair was originally just brown.

-Her favorite color is daffodil yellow, because it's happy, and her least favorite color is blue, because it's "kind of a downer color." Areden shippers in shambles.

-Her favorite ice cream flavor is honeycomb. I didn't even know that existed but go off queen.

-She enjoys cute fashion, but also enjoys wearing androgynous style clothing.

-She likes food which is fun to make or prepare. How nice!

-She's biracial; her mother is black and her father is Japanese. This is why she spent a bit of time in Japan when she was younger.

-Her name in kanji is 飛佐【とび ・ さ】楽【いーでん】. Gonna leave any actual meaning as homework, but it's worth noting her name was anglicized. I think that would translate to "Iden", but her mother liked the name "Eden", so they went with that instead.

Finally, songs that remind me of her!

-Positive Parade by DECO*27

-Gone Fishing by Ghost & Pals (friendship!)

-Aura by Ghost & Pals

-In Iolite by Ghost & Pals

-Magnet by minato

-Those Who Carried On by Ghost & Pals

-I'm Glad You're Evil Too by PinocchioP

And Happy Birthday! And a happy new year! Well wishes to all you Tumblr peeps. Take care!

[1moreff-creator]

After his VD and MV, with a total of 31 votes (15 Forgiven - 16 Unforgiven), David Chiem has been elected UNFORGIVEN for Trial 1!

[1moreff-creator]

Happy Birthday Nico Hakobyan!

Meow meow! (Our favorite cat person's birthday has arrived!)

Mrow. (As always, small character analysis + fun facts + songs!)

CW Transphobia, bullying, blackmail, death threats, murder attempt

-Nico is the Ultimate Pet Therapist! This is because, as they've explicitly stated, they like interacting with animals more than humans. They feel as though there are many unwritten rules of human conversation they don't fully understand, while animals are a lot simpler by comparison. Mood.

-Their secret may also play into why they prefer interaction with animals. It was "No one accepted you for your identity. You were constantly mocked by your family, your peers, and everyone else." Basically, people made fun of them because they're non-binary, to the point apparently they threw rocks and mud at them :(

-Speaking of secrets, the quote on Mai's page associated to them is "Everyone confided in her." Presumably they came out to Mai out of their own will, instead of being essentially outed by David (which is one of the many morally wrong things with David's whole "sharing secrets" operation, but this ain't about him).

-And speaking of secret quotes, the one on Nico's page's source code is "Why should I own up for the mistakes that someone else made?" A bit vague, and one which will probably only make sense with future context. Although, it may actually be referencing something we already saw.

-Time to talk about The Gym Incident.

-Ace got Nico's secret at the start of CH2, and because of his own set of issues, he decided to use this power over Nico to bully them relentlessly. Now, Nico also got Ace's secret, but for one reason or another never brought it up. Possibly because they had a "better" idea for how to stop the bullying: in the heat of the moment, Nico threatened to kill Ace. I mean, killing the guy is a lot simpler than the blackmail equivalent of mutually assured destruction, and we know how Nico feels about complicated social rules and norms.

-Thankfully Hu stepped in before things escalated further, although her method might have been, uh, flawed. Giving her friend the benefit of the doubt, she blamed Ace for everything and slapped him. Which, yes, Ace was horrible to Nico. But the death threat should probably be addressed, shouldn't it? Or should they "not be forced to apologize for someone else's mistake?"

-One thing led to another, and Nico tried to kill Ace in the gym.

-To be fair, the whole situation is still surrounded in speculation, but they have admitted to it. To be clear, I don't actually think this is the situation their secret quote refers to, since they did say "I shouldn't have done that" in the trial, so they presumably feel enough remorse to feel like maybe they should apologize, even if Ace is far from blameless. Or maybe I'm wrong and this is the situation the quote refers to, who knows.

-Additionally, they never denied stealing Rose's turpentine to pull this off, so it's very possible they did.

-Oh, yeah! Nico and Rose and friends :D (or at least they were before the turpentine thing). They shared an FTE, which only had a 0,4% chance of happening apparently :O

-It's a very sweet one, where they vibe for a few minutes without talking, then call each other cats, and talk about their issues with communicating their feelings. It's revealed Nico has a pet cat named Tractor (because he meows very loudly), which is pretty old, and that they miss other cats they knew before the killing game. Also, when Rose brings up she's scared of what she knows because of her memory, Nico drops this while thinking of the killing game:

Nico [thought]: Everyone here probably is afraid of themselves and what they might end up doing.

Foreshadowing is a narrative device-

-Their numeral in the the David MV is VIII (8), which is "even if I try to think, IDK!!!". Explained at 1:58:22 in this video, though it's not too complex.

-According to Color Theory they get light blue, with the words "cry, cry, idk!!!" I don't think I need to explain why this applies to Nico, who might actually have more crying sprites than the rest of the cast combined (I don't think that's true, but you get the idea). Mood.

-Their birthday, December 19th, lands on National Hard Candy Day, National Harry (yes the name) Day, National Oatmeal Muffin Day, and National Emo Day, among others. At this point I'm no longer surprised by these things.

Fun facts!

-They like cat-themed things and dislike bathtubs. Cat behavior.

-Like most of the cast, they're American, right-handed, their sexuality is unconfirmed and their hair color is natural.

-They don't have a favorite color, as they are not interested in such things, but their least favorite is white. They find it unsettling.

-Nico cuts their own hair, as stated in their FTE.

-Their favorite ice cream flavor is "the flavor." No elaboration. Mood.

-They smell like a kitty-cat.

-Their favorite food is unprocessed and natural food.

Songs!

(I was really tempted to give them some of Muu's songs from Milgram, but whether or not they work depends on what their secret quote actually means so :p)

+The Chattering Lack of Common Sense by Ghost & Pals

+Scapeg∞at by Ghost & Pals

+God-ish by PinnochioP

+Karma by CreepP, CircusP

+Nobody Makes Sense by PinnochioP

+Monster by KIRA (listen evil Nico lives rent free in my head ok?)

+The Spider and the Kitsune-Like Lion by MASA Works Design (So about the evil Nico thing-)

+And Happy Birthday! Sung by kitties of course.

(Wow I did not have a lot for them rip)

[1moreff-creator]

Exchange #7: Arturo's gift for Min!

[1moreff-creator]

Exchange #6: Min's gift for Eden!

[1moreff-creator]

(03) David Chiem - First Trial (DRDT - Milgram AU)

IMPORTANT: This had to be reposted due to technical issues (it wasn't showing up on tags). There were two votes on the original before I privated it to avoid confusion. Please check you've voted if this disclaimer wasn't there when you first saw the post.

Another entry in this crossover AU! This time David, with his VD Nebula, and his MV Star in the Night! Wait. David… MV? David MV? Oh God no not again I don’t wanna go back no-! (/joke) 

Thumbnail:

So for the content warnings, you know what, I’ll just make an universal list of all the content warnings I think the AU will need, hopefully I don’t miss anything. So, here are the universal CWs! Not all of them apply to David, but I do this to prevent sorta spoiling things in the CWs. In no particular order:

Universal CWs: Violent murder, suicide, self-harm, stabbing, strangling, poisoning, gun violence, fire, child abuse, animal death, bullying, road accidents, betrayals, transphobia, mass death, conspiracy to harm.

By the way, important note: when I originally made the Undercover post, I fucked up with his kill-shot. The victim was supposed to have one shoe off, and I forgot to mention it, oops. I’ve edited it, but  just in case you hadn’t seen the edit, keep that in mind. 

Voice Drama: Nebula

(Why is David so hard to write send help. Hope he's not too ooc)

*Footsteps*

Es: Hi!

David: Hello there! My name is David Chiem. A pleasure!

E: And I’m Es! Nice to meet you, David!

D: I hope you don’t mind me asking, but you are the Warden of Milgram, right?

E: That’s right! Why do you ask?

D: Well, I wanted to know if I could bring certain… issues, to your attention. After all, you are an authority figure here, from what I understand.

E: Oh! Of course! Is there something wrong? Are any of the other prisoners causing you trouble?

D: Oh, no! Nothing like that. It’s just, well. See, you’ve claimed every person here is a murderer, right? 

E: That’s right, yeah.

D: Well, it seems there’s been a mistake. But don’t worry! I won’t hold it against you!

E: A mistake? What do you mean?

D: Well, how do I put this? I… have been wrongly imprisoned, you see. I’ve never… killed anyone.

E: Huh, really? You know, it’s funny. You’re not the first to say that.

D: Oh? Well, I wouldn’t be surprised if there were other innocent people here. But it’s fine! Mistakes can be corrected. It’s not difficult to change, if you’re willing to!

E: … Is that so? You know… you seem pretty calm about all this.

D: Hm, I guess you could say that. But it’s just who I am. See, I try to be as positive as I can, since I know there's a lot of people that don't get the privilege. 

E: Really now? And you don’t think a situation like this merits being at least a little bit worried?

D: Ah, I guess so. I…am worried, deep down. But being negative can only make things worse, right? When it feels like everything else is against you, the least you can do is help yourself. 

E: Hm…

D: A lot of the people here are extremely distressed, understandably so. And I have to think, well, these people might have bigger issues than me, yes? I live a pretty good life, I can look forward to returning to it whenever this all blows over. So it’s my responsibility to keep morale high! 

E: Alright…  And what does your life look like that you are seemingly so content with it?

D: Want to count my blessings, huh? Well, let’s see. Although I’m an only child, I have a good relationship with the rest of my family, and I have good connections with people outside of it as well. I consider myself talented, there are some things I’m quite good at! I am quite wealthy thanks to my work as a professional inspirational speaker, so I don’t have any financial concerns. In fact, one of the other murderers even recognized me!

E: Oh! What a coincidence!

D: Yeah, right? I was surprised too-

E: So why did you call them a murderer? 

D: *Sputter* I’m sorry?

E: You said they were “one of the other murderers.” I thought you said you believed some of the others could have been wrongfully imprisoned? I would imagine someone as positive as you would only want to assume the very best, right? 

D: *Sharp breath*

E: *Slightly smug* Not to mention, “other murderers?” I thought you hadn’t killed anyone, David.

D: Yes, that’s right! I’m- I’m sorry, it was a slip of the tongue. 

E: Is that really it? You seem nervous about something. 

D: *Nervous chuckle* Didn’t you tell me I should feel worried about my situation? But now you’re suddenly concerned with a bit of stress over false accusations. *Fake-sounding chuckle* You’re giving me contradictory information, Warden!

E: *Cheery* Well, at that point you hadn’t revealed you knew you were a murderer! 

D: Huh? What do you mean, know I’m a murderer?

E: Well, sorry! But you are a murderer.

D: … Are you- Are you serious? I make one little mistake, just misspeak once, and you immediately assume the worst?

E: …

D: You know, things like this have happened before. People like to pretend I’ve said things I haven’t said, misinterpret actions and statements… That can hurt people, you know? 

E: …

D: Just jumping to conclusions… all of you are the same. You hear only what you want to hear, and then decide I’m a murderer just because I misspoke-

E: No, that’s wrong.

D: …What?

E: I don’t think you’re a murderer just because of what you said. I just never believed you from the start. Again, sorry!

D: … Excuse me?

E: You are a prisoner in Milgram. That is all the proof I need to know your actions have led to someone’s death. Because of that, when you told me you weren’t a murderer, I knew there were only three options.

D: … Do enlighten me, please.

E: One option is that you are mistaken. Maybe you don’t consider what you did murder, when in the eyes of Milgram, it could be judged as such. The second is that you were lying to yourself, in an attempt to protect yourself from your actions.

D: …

E: The third is that you were lying to me.

D: …

E: That Freudian slip of yours was enough to tell me you do consider yourself a murderer. So you’re not mistaken, and you’re not lying to yourself. Therefore, you must have been lying to me!

D: … I see. 

E: So you admit to it?

D: … Admit to it? Admit to what? Your reasoning only works if you assume this accursed prison can’t get things wrong, which is just delusional. 

E: Perhaps you feel that way. Except, I know you don’t, since you consider the others murderers as well. 

D: Will you just-?! *Deep breath*

E: Listen, David. I’m not mad at you. I understand your murder must have been traumatic-

D: I didn’t- 

E: But lying and hiding it all isn’t going to help you here. I will find out the truth anyways, so being honest is probably your best bet!

D: Being- *Mix between a chuckle and a short wheeze* Do you even know what you’re asking me to do?

E: I don’t think I’m asking too much! Just tell me what you did and-

D: You really don’t understand anything, huh? 

E: … Your eyes…

D: Oh? Are the stars gone? Yeah, they do that.

E: N-Nevermind that. What do you mean I don’t understand anything?

D: … Well. How do I put this? I can’t have you- You shouldn’t be allowed to know everything about my life, right? What gives you the right to invade my privacy? Nothing! 

E: That’s unfortunate for you, then! I will find the truth, whether you like it or not.

D: … *sigh, his voice is filled with poison* You really are arrogant, huh? 

E: … And you aren’t really as positive as you say, right? 

D: …

E: David?

D: Ah! Apologies. It seems I was losing track of myself there. I apologize if I said something hurtful.

E: *Sputter* The stars-

D: In any case, if I may, I’ll once again state. Nothing I've ever done could be considered murder, and I wholeheartedly believe that.

E: But that's a lie.

D: Perhaps. But, you see... If you do find the truth…

E: …

D: Then you might as well just kill me on the spot!

*Machinery whirs*

E: Huh? Wait, what do you mean?

D: Oh, it seems the extraction process starts now, right? That’s unfortunate.

E: Wait, I still have questions! I just need more time!

D: Ha… well, we all want what we can’t have, I guess. 

E: Huh? 

D: Ah! Sorry, maybe that came off a bit depressing. In any case, I want to leave you with one last message, a quote from Shakespeare’s Othello. 

E: What are you-

D: “To mourn a mischief that is past and gone is the next way to draw new mischief on.”

E: Huh?

D: "Holding grudges and focusing on the past will only lead to misfortune." It is better to focus on the future and-!

E: Are you serious?! Stop trying to convince me into not doing my job! It’s not going to work.

MonoTV: Well, it sorta is! Why are you taking so long? We’re on a schedule here. 

D: *Chuckle*

E: Urgh…

E: Prisoner 03, David Chiem, sing your sins!

------------------------------------------------------------------------------

Trial 1 Cover: Magical Girl and Chocolate by PinnochioP

(Listen I saw the chance to play into the magical girl joke and had to do it)

------------------------------------------------------------------------------

Music Video: Star in the Night

(By the way, I reference Chinese tally marks quite a bit, so here they are for reference. Also to clarify they are used in other countries but I'm calling them that because their origin is Chinese (from what I understand I hope I'm not getting this too wrong), I don't know if there's a better term for them, sorry)

(I also call out real books by name, which I hope isn’t too immersion breaking, but I felt it was fitting considering who we’re dealing with lol. Now the song)

[The music sounds like a pretty standard “inspirational” pop song. Think Firework by Katy Perry]

[David speaks the first few lines]

Welcome ladies, gentlemen, and everyone else! It’s the start of another wonderful day! Let us make the most of it! I hope you can trust me when I say, It will all be alright

The video starts on a shot of an empty stage, the front row seats barely visible around it. In the center stands David, who looks small in comparison to the stage. Several spotlights shine on him, his arms out beside him. He’s wearing his canon outfit (pre-CH2 EP11), as well as a white domino mask with golden highlights (the one from the thumbnail) over his eyes. He also wears a pin on his right, which looks like a pink camellia. A red dot is visible on the top left of the screen, alongside the word REC.

The camera slowly zooms in, and David puts his left hand over his chest as he continues talking. He smiles wide and bright as the opener ends, and the camera glitches.

[Now he starts singing. I’m still basing this off Firework tbh]

Waking up again, Watching the sun rise, (I) Another brand new start, Another breath of air! (II)

(I) We get a shot of David sitting up on a bed with a deep blue blanket decorated with stars. The walls are grey, but there’s a window with purple curtains in the background, which lets in sunlight. His head is off frame, but he’s reaching up towards it with his left hand. There’s a nightstand off to the left. On it we see a simple lamp, a photograph frame (the photograph is obscured), and a phone with a blue case. There’s a grey circle visible in the top left of the screen. 

(II) We zoom in on the phone, the grey circle at the top right still visible. The phone screen lights up with a message. 

Edward W. 

Good morning. Remember we signed an agreement for an advertisement with…

After that message arrives, David’s hand appears on screen and grabs the phone.

Burning ever bright, the passion for your life. (I) Don’t ever put it down, And hope will never drown! (II)

(I) We’re back at the stage, the same scene as before, but now we’re looking at David’s back. The seats for the audience are visible, and on them sit a bunch of grey figures with no discernible features. The circle at the top left is red again, and once more the REC word appears next to it. 

(II) Grey circle again, as we switch to a scene with a pure white background. A hand with the following bracelet appears from the top right, holding the white domino mask.

(Please pretend that's not the shittiest image ever made)

Another, smaller hand appears from the bottom left, grabbing the mask and taking it off screen. 

[Pre-chorus, the instrumental builds]

See a quasar that now spins Emitting hope, emitting dreams! (I) The center, truly irrelevant When the light is all we see! So- (II)

(I) Grey circle. Back to a front-facing shot of David, who is holding the mask with his right hand. The shot starts with the mask covering the screen, but David swiftly brings the mask closer to him. His eyes lack stars. His expression is neutral-to-dead inside, and he looks down at the mask for a few seconds. 

(II) He takes a breath. Then, he brings his head down at the same time he brings the mask up, covering his face with his hand. He holds that position for a moment, and as the song says “light”, spotlights begin shining on him. At the same time, the circle turns red with REC again. When the “so” plays, David brings his hand up and we zoom in as he points to the sky.

[Chorus!]

Tally up the good things like dots in the sky! (I) You’ll find there’s always hope if you’re willing to try! (II) And even when you feel that you’re lost in the dark, (III) Then I offer my advice, allow me in your heart And then let me be your star in the night! (IV)

(I) Thumbnail image, except the tally symbols start off as yellow dots that look like stars before turning into the tally symbols we see in said image. 

(II) David continues singing, but we get different angles to make the shots a bit more interesting. 

(III) Front-facing shot of David again. His right hand is over his chest as he sings with a slightly less enthusiastic smile. The stars in his eyes fade out. When the song says “dark”, there’s a quick flash to another scene. The background is now black instead of blue, and while David is standing in the same position, his appearance is a bit different. Hair clips off, messy hair, tie undone, black circles around his pupils. He’s wearing a black and blue domino mask, similar to the other one he was wearing before. The pink camellia pin has disappeared, but now he’s wearing a black rose pin on his left. He looks vaguely frustrated. The circle is grey.

(IV) After only a moment, we’re back to the previous scene, and David continues singing as the camera slowly zooms out. Just as the chorus ends, the camera glitches a bit. We see this for a moment:

(Okay so there was an image here, but it gets the post shadowbanned for unknowable reasons. I'll just put the image description here:

"David stands neutrally, with his white mask outfit. He's in front of a green screen on a grey wall. It looks as if he's being recorded by a camera which shows things such as the time of recording, the camera battery, the pixel size, etcetera. Red REC circle on the top left.")

Then, the camera suddenly goes dark with a bright flash at the center, as if it had been turned off.

[More spoken words]

There will be times in your life, when you feel that (I) you don’t have anything worth living for. (II) This will always be false. (III) Let me tell you some, uh, paraphrased quotes from books I like, which help me maintain a positive attitude! (IV)

(I) We see David from a POV to his right. He’s sitting on a comfortable looking blue and yellow chair as he talks with a calm smile, wearing the white mask and pin with the red REC circle visible. He’s in a small room, with star decorations hanging from the ceiling. On the blue walls, there’s a poster of David (white mask and all) holding a book with a big smile on his face, alongside some unreadable text. The book has David's face on the cover.

(II) The screen glitches, and we’re now looking at David from the left. He’s still sitting on a similar chair, except it’s black and purple. He’s back to his bed-hair, black mask, dark circles around pupils, black rose pin costume. He’s smirking as he talks. The background is completely black, but the circle is still red with REC. 

(III) Screen glitches again, and we’re back at the same scene from (I).

(IV) We’re now in a different room, with a wooden floor and blue walls decorated with stars. Red circle with REC. The back of David’s head covers most of the screen, a hand with the same bracelet as before on his shoulder. In the background, there are four blurry, white silhouettes of people.

[Back to singing]

One: (I) Being harmed by cotton wool, Happiness scares the weak (II)

(I) We see a grey background with a horizontal line glowing bright yellow in the middle. There is a small table in the foreground, which shows a book with a pink cover and a black silhouette on front. The side reads “No Longer Human.”

(II) Red REC circle. We see one of the white silhouettes, with long hair, holding up a daisy flower as David (white mask) gives a thumbs up with a wide smile. The background is completely blue.

Two: (I) Our doubts, traitorous Make us lose what we may win (II)

(I) Same grey background as before, but now the glowing symbol in the background is the Chinese tally mark for 2. “No Longer Human” is still there, but now there’s a book standing next to it. It’s orange and has a scale on the front, alongside the words “Measure for Measure.”

(II) Grey circle. The screen is split in two. On the left, David without his hairpins (post-reveal hair), but also without a mask, is staring blankly at his phone. The background has the grey walls and purple curtains from his bedroom. On the right, we see someone in a suit with a pin which looks exactly like David’s hairpins accepting money being handed to them by a white silhouette. The white silhouette has similar pins on their other hand. The background there is blue.

Three: (I) Time and the hour, Run through even rough things (II)

(I) Same scene with the books, but now the symbol is the Chinese tally mark for 3 and there’s a new addition. A book with a red cover with a skull and a crown, labeled “Macbeth.”

(II) We see a white silhouette with short hair slouched over on a desk, in a dark room. They’re looking at a computer screen showing David’s white-masked, smiling face. The circle isn’t visible in its usual spot, but it’s on the computer screen, red with REC. The desk the computer is on has discarded candy wrappings all around the keyboard, as well as a white mug with a yellow star drawn on it.

Four: (I) Time soothes sorrows,  Be content you have known me. (II)

(I) Book shot. The symbol is now the Chinese tally mark for 4. Apart from the books which were already there, there’s now a white book off to the side, with a small, stylized drawing of a person with blond hair and green clothes standing on a grey sphere. We can barely see the words “The Little Prince.”

(II) Another white silhouette in a blue background, a book with David's face on the cover beside them. Red REC circle. The silhouette is on the floor, their hand outstretched towards (white-mask) David, who is leaning down over them and offering them a hand with a placid smile. It looks as if David is trying to help them stand up.

Five: (I) There’s relief when you know, You won’t carry burdens, see…

(I) The same scene as before, except all the books are gone. The symbol in the background is the Chinese tally mark for 5. On the table stands a book with a dark cover showing a big house, with the title “And Then There Were None.”

(II) We see David’s face (white mask, but hair undone), with a smile that doesn’t reach his (starless) eyes, as he accepts his usual hairpins being handed to him by a hand with the previously shown bracelet. 

[Pre-chorus]

And there is so much, so much more (I) So many reasons to carry on (II) Even when the world’s against you You just have to find your hope! (III) So (IV)

(I) Back to the scene with the comfortable looking chair for a moment. Red REC circle again.

(II) Grey circle. We see David’s back (post-EP11 hair) as he looks out the window of his bedroom, which shows a pitch black sky, the purple curtains framing the shot. 

(III) David walks off frame, but his reflection remains still on the window. It’s David with the black mask outfit, smirking. 

(IV) Screen glitches, and the window disappears, but David (black mask) is still there, on a black background. The circle turns red with REC, and spotlights begin shining on him. 

Tally up the good things like dots in the sky! (I) You’ll find there’s always hope if you’re willing to try! (II) And even when you feel that you’re lost in the dark, (III) Then I offer my advice, allow me in your heart (IV) And then let me be your star in the night! (V)

(I) David (still black mask, black rose pin, black circles around pupils, no hairpins and post-CH11 hair) points up, the camera zooms in on his hand. It quickly goes back to showing his full upper body, he’s still smirking. The background remains completely black, but the circle is still red with REC.

(II) We zoom in a bit. David tilts his head and rolls his eyes behind his mask.

(III) We change to the back of David’s head. We see the four white silhouettes on the black background, looking as taken aback as silhouettes can look. 

(IV) Screen glitches, we see a side shot of white mask David holding his hand out with a bright smile. Screen glitches again, now black mask David is standing in the same position.

(V) We see this:

[There’s a small guitar solo, as the music suddenly switches to a very fast-paced rock style instrumental. David can be heard laughing]

Still with his black mask outfit, David sits down on the same comfortable looking purple and black chair from before. He’s laughing.

[The next lines are sung very quickly]

One: (I)  I wonder, does it make me a villain… (II) Two: (III) If I choose to discard the ideal? (IV) Three: (V) Should I regret what is true now? (VI) Four: (VII) Is it my fault? Does it make me inhuman? (VIII) Ah… hahaha! … (IX) “Correct” (X)

(I) Back to the grey background with a table in the foreground. We again see a horizontal line glowing bright yellow in the background, but now there’s a withered daisy laying on top of the table.

(II) Screen is split, the circle is gone. To the left, David (black mask) has his mouth open in a smirk as he points to his head in a finger gun gesture. There is blood on his hand. To the right, we see the long haired white silhouette’s head laying on the ground with their head turned to the side, a splatter of a pink liquid under it. 

(III) Grey background with Chinese tally mark for 2 glowing. The withered daisy is still there, but now there’s also a broken pin beside it which looks very similar to David’s.

(IV) Screen is split again. To the right, a side shot of David holding his now bloodied neck with both hands, again with a big smirk. To the left, another white silhouette laying on the ground, face down with their hands to their sides, and without any pink liquid visible.

(V) Chinese tally mark for three on the grey background. Alongside the withered daisy and the pin, we see the broken pieces of a white mug with a star drawn on it.

(VI) In the bottom left, a shot from David’s left, where he’s giving a thumbs down with a bloody hand, the blood still on his hands and neck. On the top right, another white silhouette laying on a pool of pink liquid on the ground, their limbs bent in unnatural positions. 

(VII) Chinese tally mark for 4 in the grey background. Alongside the other objects, we see the book with David's face. It’s completely drenched in water, several pages ripped out and strewn around the table.

(VIII) To the right, a side shot of David pinching his nose, still smirking. On the left, another of the white silhouettes lays on the ground with their head tilted to the side, again without pink liquid.

(IX) We see David’s upper body as he stands up and cackles, throwing his arms out to the sides. As the laugh trails off, the screen glitches. David changes a bit. His hairstyle turns into his pre-Ch11 hairstyle, but he doesn’t have the hairpins. His eyes have neither stars nor dark circles around the pupils, though he does have eyebags. He’s not wearing a mask or a pin, and his tie is undone. He’s looking at the camera with a horrified expression. The grey circle returns. The screen fades to black as the laugh fully disappears and there’s silence for a moment.

(X) An image fades in from the black. It’s the same table from before, but lit more dimly. The grey background shows the Chinese tally symbol for five written in blood. The only thing in the table is the bracelet, stained with blood.

[Bridge, the instrumental slows down again]

Count up my mistakes, like stars in daylight.  You will find “me” again, if you’re willing to try. And even when it feels it’s all lost to the dark (I) Then I beg you, I beg you… (II)

(I) Screen fades in again, and we see David standing in the stage from chorus one. Grey circle, no spotlights. The shot is zoomed out, so David’s face is impossible to see, but his arms are to his side neutrally, and his head is tilted down. His hairpins and chest pins are missing, and his tie is undone. There is a stool next to him, the white mask laying on it. 

As he stands still, words appear behind him, slowly rising from the ground and scrolling to the top of the screen. 

CREDITS

Main cast:

Chiem D. 正 Williams E.

Producers:

Chiem D. Williams E. MILGRAM

Script-writing:

Williams E. Chiem D.

Camera Operator:

Chiem D.

Original Idea:

Chiem D.

Special Thanks:

Background Characters:

As the credits scroll, David brings his hands to his chest and fumbles around a bit. When he moves them away, his tie is now done correctly and his pink camellia pin is back up. He then takes something out of his pocket, and brings his hands to his hair. After removing the hands, his hair pins are back up. 

(II) Right as “Background Characters” appears on screen, we cut. Zoom in on the white mask on the stool, and David grabs it. Shot switches to David’s face, his eyes closed and mouth pressed in a thin line. He slaps the mask on his face, and quickly swipes his hand up. As he does, his mouth twists into a big smile, the circle turns red with REC, and the spotlights begin shining on him again.

Tally up the good things like dots in the sky!  You’ll find there’s always hope if you’re willing to try!  And even when you feel that you’re lost in the dark, (I) Then I offer my advice, (II) allow me in your heart (III) And then let me be your star in the night! (IV)

(I) The camera zooms out slightly to show David’s upper body, as he points up. The credits behind him now start scrolling backwards (top to bottom). He’s singing cheerily, but there are no stars in his eyes. Right as he says “lost in the dark”, the credits fully disappear from the screen.

(II) Cut to the ‘正’ symbol, written in blood, on a grey wall. Grey circle. 

(III) David’s hands appear on frame, holding a mirror with a golden frame. He puts it over the ‘正’ symbol, covering it completely. In the reflection, we see white mask David frowning at the mirror with starless eyes. 

(IV) Screen glitches, and we’re back to the same screen as before (white mask - no stars - spotlights - red REC circle - stage). David finishes singing, but he’s still breathing quickly.

[Instrumental begins to wind down]

The camera zooms out as David continues breathing heavily.

Let me be your star in the night!

The camera fades to static before suddenly cutting off.

------------------------------------------------------------------------------

MonoTV: On the topic of inspirational speaking, do you need any encouragement?

Es: Uhm, I guess it couldn’t hurt?

M: Too bad! I’m not gonna be nice to you! 

E: Who are you talking to again? 

M: The only encouragement I’ll ever give you is when it comes time to cast your verdict. And speaking of that, it’s… g

VOTING TIME!!!

[1moreff-creator]

You ever have so many posts you want to write that you can't decide which one you want to work on at any given time so you get analysis paralysis and decide to watch minecraft let's plays instead? Yeah.

[1moreff-creator]

Exchange #2: Whit's gift for Charles!

[1moreff-creator]

"Oh yeah, Youtube does music recaps too!" I think, cluelessly. "I wonder what my top song wa-"

Yeah I don't know what I expected.

[1moreff-creator]

(02) Arturo Giles - First Trial (DRDT - Milgram AU)

Hey there! Back again with the AU, sorry this one took a bit, I’ve been busy. Anyways, today we have Arturo, with his VD Varicose Veins and his MV Wilting. It is pretty hard to write Arturo btw, I just hope he’s not too ooc. Anyways, attempt at a thumbnail!

I struggle a bit with what to do with the CWs, since I feel they can be a bit spoilery. What I'm doing for the moment is just putting warnings for stuff that explicitly happens in the MV and the VD, not things which are implied. If you think I should do something else, do tell me!

CW Hospitals and plastic surgery, angry confrontation, Arturo Giles (so intense prejudice based on appearance)

VD: Varicose Veins

*Footsteps*

Es: Hey the-!

Arturo: Ugh. Do I really have to be judged by someone this ugly?

E: … Excuse me?

A: Are you deaf? If you’re going to baselessly accuse me of being a murderer, and trap me inside a ridiculous prison filled with people so ugly I’d rather not breathe the same air as them, the least I was expecting is that you would be beautiful enough to justify it. 

E: …

A: And stupid. You really don’t have anything going for you, do you?

E: Okay, you know what? Let’s start over. *Shuffling* My name is Es! What’s yours?

A: Arturo Giles. Get your hand away from me, I wouldn’t shake it even if we were wearing three pairs of gloves each. 

E: *Deep breath* Alright. *Shuffling*Alright! Alright… It’s nice to meet you, Arturo! If you don’t mind, could you tell me a bit about why you seem so averse to… uh, what you call “ugly” people? It’s not nice to judge people on appearance, you know. 

A: Tch. *Whispering* As if I care about being “nice” to you. *Full volume* Anyone who interacts with as many ugly people as I have would understand why I cannot stand them.

E: What do you mean? How have you interacted with so many so-called ugly people if you despise them so much?

A: I’m a plastic surgeon. Do you know how many truly hideous people come to me regularly, asking me to fix their unsalvageable appearance? It’s only natural I would eventually start seeing every one of the masses’ imperfections. 

E: Uh, right. But that doesn’t answer the question. Why be so judgmental about something so superficial?

A: If given the option, would you rather spend your time with an ugly person, or a beautiful one?

E: That depends on who the people are. Appearance doesn’t have any weight on people’s worth.

A: Wow. You are either stupid, blind or delusional, maybe all three. Have you ever stepped outside? Ever tune in on the news? Looked at social media at all?

E: Not that I remember. 

A: Beca- Wait, what?

E: All I can remember is being the Warden of this prison.

A: ...

E: There’s books here, though!

A: …Alright, so maybe you’re just ignorant. Let me enlighten you. *Dreamy sigh* There’s a special type of people, the most successful, the most important people in the world, who are a marvel to look at. These are truly beautiful people! The ones who would only need me to enhance their splendor! The ones I actually want to operate on!

E: … *Sounds of someone struggling to form words* Okay, okay, so. Before, addressing… any of that. You do realize plenty of people have been successful without being conventionally attractive, yes?

A: And? Plenty of people have been struck by lightning, but you don’t see me staying inside just because of some rain.

E: *Pause, their voice grows frustrated* Even then, you do realize success doesn’t necessarily make someone a better person, right?

A: Ugh. It’s the same thing as before. Would you rather spend time with successful or unsuccessful people? With someone important or a complete nobody?

E: … Don’t- Don’t take this the wrong way, but do you know what a friend is, Arturo?

A: Tch. This is a waste of time. At this rate, I don’t think you’ll ever come to your senses. 

E: *Sigh* Right, sure. We just think way too differently.

A: Good. Are we done here now? 

E: Huh? No way! We still haven’t talked about the thing this interrogation is supposed to be about! 

A: *Groan* Are you serious? What is this even supposed to be about, then? 

E: The thing all of you are here for. The murder you committed. 

A: Hmph. Right, that nonsense. I'll have you know, I've never murdered anyone. I don’t know why you seem to think otherwise. 

E: Are you certain? Milgram considers you a murderer, and there is no doubt in my mind that is correct. 

A: I know my life far better than this mockery of a prison ever could. I haven’t done anything that could be considered murder, not a single thing. 

E: Are you certain? Do you mean to tell me you aren’t responsible for anyone’s death? I find that hard to believe from the mouth of one of Milgram’s prisoners.

A: No, I- I, well… *Whispering* I mean, there is... no, no, that wasn't my fault. That isn’t murder. 

E: Oh? Is something coming to mind?

A: I- Look. If- Let’s say something I did… led in some way to someone’s death. But I didn’t do anything, I never wanted them to die. That doesn’t count as murder. Right?

E: In the eyes of Milgram, perhaps it could. 

A: Hk- Are you serious?! This is ridiculous! I never laid a hand on her, you have no right to call me a killer!

E: Her? This doesn’t sound like a hypothetical anymore, Arturo. 

A: Agh! Ugh, you little-!

*Chair sliding, a thump, mystical noises*

A: Huh?!

E: Oh… wow. I didn’t know that was a thing! I guess prisoners can’t attack the Warden. 

A: Really? I guess you feel confident behind this stupid… barrier thing! But that still doesn’t make you right! Her death is not my fault! If you were in my place, you would have done the same!

E: Can I ask who you’re talking about? 

A: That’s… irrelevant, you nosy parasite!

E: *Sigh* Look, Arturo. I’m sorry if it upsets you, but we need to talk about this in more detail. It’s for your own good! If whatever happened really isn’t your fault, then I’m sure I’ll… I’ll…

A: You’ll Forgive me, right? That’s-

E: ... You really are presumptuous, Zero Two. Milgram has deigned you a killer, and thus there is no doubt in my mind you hold some responsibility for your murder. 

A: Are you serious?! I’m telling you, I didn’t do anything wrong!

E: You make me laugh. Do you really think I will Forgive any prisoner who asks for it? You’re delusional. 

A: !

E: As the Warden, my verdict is mine to make. Your opinion makes no difference. Withholding information will not help you either; I will learn the full extent of your sin, whether you want it or not. 

A: What’s with this sudden change in attitude?

E: As if you have any right to complain about that, Zero Two. 

*Machinery whirs*

A: Huh?!

E: The time has come. Any other comments, sinner?

A: Yeah. Whoever you are, you’re ugly, too. 

E: I will take your words into consideration. 

A: …

E: I have considered them and determined I don’t give a shit. 

A: Gah!-

E: Prisoner 02, Arturo Giles, sing your sins!

------------------------------------------------------------------------------

Trial 1 Cover: Paradise by QueenPB

------------------------------------------------------------------------------

Music Video: Wilting

(By the way, I hope I'm not horrendously misusing all these medical terms. I literally got them out of glossaries for plastic surgery lol)

[The song starts slow, with sparse instrumentals, then gets more energetic. The instrumental throughout is a pretty standard synth pop song, it sounds sorta wistful]

A solemn duty to fulfill my dream. A life of beauty hanging just out of reach. (I)  Attempts are filed yet I can’t succeed. (II) And all the while my patience wilts (III) It’s wilting (IV)

(I) The video opens on a shot of a bouquet of flowers on a yellow background with a pattern of orange circles. The bouquet has red roses, purple orchids, and pink tulips. 

The camera slowly pans out, revealing the image is being displayed on a TV screen. It switches to another bouquet, this one on a dark blue and green striped background, with purple zinnias, gloxinias and pink camellias. Behind the TV, thorn bushes fill the background.

For reference, this is sorta what I'm talking about, except imagine it brown instead of green.

(II) The shot turns around to show Arturo, sitting cross-legged on a couch and watching the TV with half-lidded eyes. He’s wearing a dark blue long sleeve shirt, which has black stripes around the chest area. He’s also wearing the canon surgical gloves, grey pants and a black face mask covering his mouth. He’s slightly hunched over, and on his left hand, he’s holding an orange amaryllis flower. The background is again filled by thorn bushes.

(III) The shot changes to look at Arturo from the side, but he’s out of focus at first. Instead, the camera is focused on a flower pot on the couch beside him. It has these flowers:

(Flower names in alt text)

The sunflower is facing Arturo. After a moment, the camera focuses on Arturo as he leans down and puts his right hand on his face, appearing exhausted. 

(IV) We zoom in on the orange amaryllis Arturo is holding, and after the line is said, a single petal falls off. 

[Instrumental. Somewhat slow, synth sound. Very artificial]

The petal flutters down, as the background brightens and turns into the hospital corridor from the thumbnail, except upside down. The camera flips, so now the corridor is upright and it looks like the petal is going up, until it leaves the view of the camera. That’s when we see the thumbnail image. 

Through the day and night, through life’s ugly swamp, (I) the beauty I deserve, (II) no one can satisfy… (III)

(I) We get a side view of Arturo as he walks forward. The corridor is still filled with weeds and vines, which grow thicker as he walks. We see him move past a grey set of double doors, then a sign showing fire escape routes, until he finally arrives at another set of double doors. He turns to it. 

(II) We get a close up of Arturo grabbing the doorknob. 

(III) The door is now open, we get a side shot of Arturo standing in the doorway, staring down at a hospital bed with a big pile of grass and algae resting on it. The room is very dark aside from the light from the corridor, shining on Arturo’s back. There are multiple weeds and vines hanging around the walls, which partly cover a mirror on the wall.

Hideous, face the facts, I won’t change my mind, (I) No matter what I try,  It’s ugly all throughout… (II)

(I) A few close-ups of Arturo cutting up the grass with a scalpel, and removing the algae from the bed. 

(II) Taking a step back, we see the pile of grass has turned into a vaguely human shaped bush, with a dandelion flower crown. 

[Pre-chorus, the music speeds up a bit]

Abid to my discretion (I) And appeal to my “obssession” (II) Will not settle for corrections  When I only seek perfection, no! (III)

(I) We cut to Arturo frowning while still looking down at the bed.

(II) He throws his arm out, basically slapping the air, and the greenery goes flying off the bed. 

(III) A side profile of Arturo’s angry face, and the shot focuses on the mirror to his side, still covered in vines. The reflection is upside down, and shows the same thorn bushes background at the start, as well as Arturo staring at the Arturo in the hospital room, wearing the same clothes he was wearing in the beginning, and still holding the orange amaryllis. The camera flips upside down as “no!” is sung. 

A solemn duty to fulfill my dream. (I) A life of beauty hanging just out of reach. (II) Attempts are filed yet I can’t succeed.  And all the while my patience wilts (III) It’s wilting (IV)

(I) Back at the room with the thorn bushes, Arturo is still staring at "us". The screen “blinks”.

(II) We see this, except it's behind a bunch of thorn bushes.

(Flower names in alt text)

(III) Arturo grabs one of the thorny branches and moves it a bit to see the flowers better. We see his face, and he’s frowning.

(IV) He startles and looks down.

For obsolescence, bring forth novel things. (I) Break down the essence like a chemical peel. (II) Macular stains which ought to be fixed. (III) Replace epidermis ‘til the hideousness wilts (IV) It’s wilting (V)

(I) We zoom in on the flower pot from the beginning, the one with the sunflower. It’s now on the floor, the forget-me-nots wrapped around Arturo's ankle. The sunflower is facing up at Arturo. He’s wearing simple black dress shoes. 

(II) Back at Arturo’s face. He’s looking down with narrowed eyes. 

(III) Arturo kicks the pot, a few of the petals of the flowers scatter around. The sunflower still faces Arturo.

(IV) A forget-me-not petal flutters down, falling into a puddle of water. The reflection shows the hospital corridor. The petal lingers on the surface.

(V) The screen glitches for a moment. Right after the words, the camera flips and brightens, and now we’re staring at the floor of the hospital corridor. The petal is still resting on top of a puddle of water, but now the reflection shows the room with the thorn bushes. 

[A bit of instrumental]

The shot lingers on the petal on the water, before Arturo’s foot steps on it as he walks. 

An ugly truth indeed, the life I’m forced to live. (I) A simple wish to flee,  now is it wrong to dream? (II)

(I) Now in his canon clothes again, Arturo walks through the hospital. We see his feet as he trudges through a large amount of weeds. He stops.

(II) A close up of the fire escape sign from before. There is a bouquet of red roses under the section marked ‘EXIT’.

Boiling varicose,  a neoplasmic growth. (I) Yearning in my soul, will I ever know control? (II)

(I) We see the back of Arturo’s head, and his gloved hand touches the bouquet on the sign. 

(II) We get a side shot of him, still with his hand on the sign. The background is pure white. Arturo pulls his hand away, turns to the white background, and startles. 

[Pre-chorus]

A full manifestation of intradermal intentions (I) Will not settle for corrections When I only seek perfection, no! (II)

(I) We see the end of the hallway, an open double door with ‘EXIT’ written on top of it. On top of a blinding white background, we see a table, on top of which rests a bouquet of pink camellias and red roses. 

(II) Back to Arturo’s feet (I hate myself for writing that sentence), he’s still for a moment, before he starts slowly making steps forward. The steps soon turn into a full sprint. Right on the last word, Arturo steps on a puddle of water, the reflection of which shows thorn bushes, and the camera flips with a flash. 

A solemn duty to fulfill my dream. (I) A life of beauty hanging just out of reach. (II) Attempts are filed yet I can’t succeed. (III) And all the while my patience wilts (IV) It’s wilting (V)

(I) Back at the thorn bushes room, you know which clothes Arturo is wearing. He’s on his knees, leaning down to look at a puddle of water, the reflection of which shows the hospital. The orange amaryllis is off to the side, and he’s crushing it with his palm. His eyes are wide and they almost seem to sparkle, fascinated by what he sees. 

(II) He leans down further, putting his face closer to the water.

(III) He startles, sits with his legs away from the puddle, and looks behind him. The flower pot with the sunflower is there again, though a few of the flowers’ petals are noticeably gone. Once again the forget-me-nots are holding onto Arturo’s ankle. The sunflower still faces Arturo. 

(IV) Back to Arturo’s face, and he frowns. 

(V) With his free leg, he kicks the pot again. Petals go flying again. Even as it flies back, the sunflower still faces Arturo. 

For obsolescence, bring forth novel things. (I) Break down the essence like a chemical peel. (II) Macular stains which ought to be fixed. (III) Replace epidermis ‘til the hideousness wilts (IV) It’s wilting (V)

(I) Arturo stands up and grabs onto the thorn bushes. 

(II) He begins to push past them, moving the branches out of the way and crouching down to pass. 

(III) Back at the floor, the fallen over sunflower is still staring up at Arturo.The other flowers are out of frame, but the forget-me-nots are still tied around Arturo’s ankle. Arturo lifts his foot to walk away, ripping it free from the forget-me-nots with ease. 

(IV) We focus on Arturo’s chest as he gets out of the thorn bushes on the other side.

(V) We see the bird of paradise (flower) from before. Arturo is staring at it, with gleeful eyes.

[Y’all motherfuckers want a key change?! (/reference)]

May my future justify the past (I) Lest the stretch marks spread way too far! (II) Where once was darkness, now hope for the bright (III) Since old spotlights always wilt too fast (IV) They’ve wilted (V)

(I) Screen glitches, and now we’re in the hospital EXIT from before. Arturo grabs for the flower bouquet, but it turns to smoke when his hand reaches it. We see Arturo look surprised at this development.

(II) Screen glitches again, and we’re back at the thorn bushes outfit., although the thorn bushes are still behind Arturo. He still has his hand out as if trying to grab the bouquet which has disappeared. He looks up.

(III) We see Arturo reach out as the bird of paradise and milkweeds begin moving away from him. 

(IV) The camera positioned in between the thorn bushes, we see the back of Arturo’s head. He turns around, and his expression turns from surprised to horrified. 

(V) We see the sunflower set of flowers again, but they’re all completely withered and shriveled up. 

[End]

------------------------------------------------------------------------------

MonoTV: Fun fact! Red carnations are an official symbol of Doctor’s Day!

Es: Oh? That’s kinda cool. 

M: So why the hell isn’t this guy represented by red carnations?! I say you should vote him Unforgiven just because of idiotic symbolism!

E: I mean, do you really think a flower representing love and devotion really fits that guy? 

M: … Shut up! You’re not allowed to make sense!

E: ???

M: Anyways, forget all that! It’s… 

VOTING TIME!!!

[1moreff-creator]

After his VD and MV, with a total of 27 votes (18 Forgiven - 9 Unforgiven), Arturo Giles has been elected FORGIVEN for Trial 1!

[1moreff-creator]

#WHY IS THERE ANOTHER NONSENSICAL CHARACTER ORDER.#I ALREADY PULLED CHARACTER CREATION ORDER OUT OF THIN AIR I GOT NOTHING HERE (<- prev tags)

Alright before you freak out I don't think this order is as nonsensical as the cast list lol. I think it's just to build a narrative when you read the quotes in order, so I hope you don't mind if I ramble about it a bit because I love being a nerd about writing and DRDT!

So you start with Teruko because:

Teruko: Some years ago, she was searching for someone named ‘Teruko Tawaki.’

It's the one line that talks about Mai's past, and also you want to inflict as much psychological damage as early as possible!

This line haunts me.

But also protag privilege. Of course she's first.

After that, you have a bunch of quotes that establish who Mai is as a person, an introduction basically.

Charles: A girl who loves her family. Rose: She remembers everything that is important to others. Arturo: A girl who sees the beauty in everyone. Levi: A girl with a floral tattoo on her arm.

The exact order is probably unimportant, but it's nice the recap duos of Charles & Teruko and Levi & Arturo stick together, as well as the Memory Duo of Charles and Rose.

From there you have a few lines explaining her relationship with the rest of the cast.

Whit: A girl with many friends.

Here's the man of the hour, establishing first and foremost that Mai had friends, which works as a set up for the following lines:

Eden: She kept calling the number, even though no one picked it up. J: She kept it a secret, and told no one. Hu: A girl who wanted to keep everyone safe. Nico: Everyone confided in her.

Eden's line is still as confusing as ever-

what the fuck does that mean eden please i am begging you on my hands and knees what the fuck are you talking about

-but it can be read as "she's very patient with her friends." J and Nico bring up her tendency to keep secrets, and Hu establishes she wanted to keep everyone safe. You might notice they're starting to get a bit more ominous as they go on, starting to talk in the past tense. Building up to:

Ace: A girl who had a bright future.

Apart from the recap duo of Nico & Ace staying together, we reach the point where we start seeing something went deeply wrong. We started with one line about her past, then moved on to talking about how she was during Hope's Peak time, and now in theory we talk about what happens in the last stage of her life (not confirmed dead but come on).

Arei: She doesn’t like it when her friends fight. Min: An average girl with nothing special at all about her. Xander: She couldn’t stand to do nothing. Veronika: A girl who didn’t foresee the consequences.

I say we talk about her last moments in theory because Arei's and Min's placements have always confused me a bit. Xander is very clearly talking about whatever he and Mai were doing together, and Veronika can thus be inferred to be talking about the consequences of said thing. So are Arei's and Min's lines also related?

I've always had the mini-theory that Min pushed against the HPA Operation Xander and Mai had going on, and that's why she seems so insistent Mai didn't have anything special at all about her. She angy at her girlfriend. If that's the case, then Arei is referencing Min and Mai/Xander's disagreement on this. Also Min & Xander recap duo.

But again, that's a pretty out there theory based on very little except this, and my hope that we'll get a flashback at the end which will heavily feature Min. Please?

In any case, this all leads to the climax:

David: She forgives everyone. MonoTV: It’s all your fault.

Naturally Protag Foilman David gets to be the last of the participants, opposite of Teruko and giving out a horrendously ominous line given the placement. The idea that Mai forgives everyone also serves as nice contrast to MonoTV blaming Teruko someone for Mai's death something.

Hope that made some sense! I've wanted to ramble about that for a while now, you just gave me an excuse lol.

Okay I noticed this recently and it's been bugging me. It's nothing important, but it's slightly inconveniencing me.

So you know the list of favorite and least favorite colors the dev gave us in the latest Q&A?

(Order: Teruko - Charles - Whit - Rose - Arturo - Levi - Eden - J - Hu - Nico - Ace - Arei - Min - Xander - Veronika - David)

Well, turns out the characters are actually listed in the order their quotes appear in the source code of Mai's page (and allow me to momentarily ignore the implication that this order has not been forgotten and is therefore important to an extent):

(The order I'm referring to is Teruko - Charles - Rose - Arturo - Levi - Whit - Eden - J - Hu - Nico - Ace - Arei - Min - Xander - Veronika - David - MonoTV)

Except, for some ungodly reason, Whit. Who has moved from in between Levi and Eden, all the way to right after Charles.

Why? Why would dev do this? To annoy me, personally?

Am I supposed to assume Whit has the power to change text from beyond the fourth wall, and he uses this universe-shattering power just so his name can be closer to Charles? Cause he likes him? Is this the power of the Ultimate Matchmaker at play? Is he a Monika DDLC kinnie? What is this?

This also happens for the ice cream flavors btw, except here Ace is also somewhere else. But at least he has the excuse that he didn't say an ice cream, so it's at the bottom for comedic effect.

This implies the Mai Akasaki order can be broken for at least two reasons:

To further the Charwhit agenda.

To dunk on Ace Markey.

Why though.

[1moreff-creator]

Okay I noticed this recently and it's been bugging me. It's nothing important, but it's slightly inconveniencing me.

So you know the list of favorite and least favorite colors the dev gave us in the latest Q&A?

(Order: Teruko - Charles - Whit - Rose - Arturo - Levi - Eden - J - Hu - Nico - Ace - Arei - Min - Xander - Veronika - David)

Well, turns out the characters are actually listed in the order their quotes appear in the source code of Mai's page (and allow me to momentarily ignore the implication that this order has not been forgotten and is therefore important to an extent):

(The order I'm referring to is Teruko - Charles - Rose - Arturo - Levi - Whit - Eden - J - Hu - Nico - Ace - Arei - Min - Xander - Veronika - David - MonoTV)

Except, for some ungodly reason, Whit. Who has moved from in between Levi and Eden, all the way to right after Charles.

Why? Why would dev do this? To annoy me, personally?

Am I supposed to assume Whit has the power to change text from beyond the fourth wall, and he uses this universe-shattering power just so his name can be closer to Charles? Cause he likes him? Is this the power of the Ultimate Matchmaker at play? Is he a Monika DDLC kinnie? What is this?

This also happens for the ice cream flavors btw, except here Ace is also somewhere else. But at least he has the excuse that he didn't say an ice cream, so it's at the bottom for comedic effect.

This implies the Mai Akasaki order can be broken for at least two reasons:

To further the Charwhit agenda.

To dunk on Ace Markey.

Why though.