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[7grandmel]

Todays rip: 27/04/2024

The Streamer

Season 6 No Album Release (Read More)

Ripper Unknown

I'll admit - maybe declaring Season 8 as being the YEAR OF THE MEAT !!! back in ICastHaste encounters a wild Chicabo was...a bit rash. Meatposting has definitely slowed down a fair bit recently, and there's a lot of other new channel jokes getting well-deserved spotlight over it. And really, I Show The Meat always had a bit of an unfair advantage as a channel meme - because its a bit built on a streamer whose presence online is so huge, it had wormed its way into rips as far back as 2022. IShowSpeed is far more than just his meat, and The Streamer is perhaps to date still the funniest rip to date that he's starred in.

Now, yes, The Streamer wasn't the first rip to use Speed on the channel (even though I made that mistake earlier!!), but it WAS the first Speed rip to truly stick with me, the first one that truly checked every box for me. Granted, I am very biased toward YTPMVs using stupid sources, I think my affection for Going Somewhere Jerma?, Mr. PACs ~ Obamjo-Roomnie, Crompton Racing and more has made that all-too-apparent, but...The Streamer just feels like the most perfect distillation of Speed you could put into a rip. I mentioned in ICastHaste encounters a wild Chicabo that it was the Talking Ben stream that made me aware of the guy's antics, and the way this rip plays out leverages that whole stream all too perfectly in so many ways, althewhile being paired to the most classic of classic shenanigans music in The Entertainer. The buildup to the song's start may honestly be the funniest part of the whole rip, the piano roll leading into the main melody is accompanied by a clip of Speed just chatting shit about Ben - then with the perfect comedic timing of being shushed to him, Speed's iconic rage is unleashed and the rip - and The Entertainer's melody in tow - kick into gear. The sheer juxtaposition from second one to second five of the rip is just fucking hilarious, and its juxtaposition that keeps the rip entertaining throughout, through the contrast in Speed's YTPMV-mixed rage and the outright whimsy of the piano music backing it all.

That contrast is funny in its own right, it's a lot like what I described My Dr. Eggman Can't Be This Evil! as doing well, but The Streamer goes through another phase to play off of The Entertainer's second half. Speed stops being YTPMV'd into the melody, instead being used through mashing up the song with his own original release Bounce That A$$ - althewhile Talking Ben's own voice clips become used for the YTPMVing. As a self-admitted IShowSpeed tourist I obviously have very little connection or knowledge of Bounce that A$$, but its presence here hardly hurts the rip, it's an incredibly welcome shake-up (hehe) that allows Ben's own voice clips to enter the rip really seamlessly. And what I love is that the rip pretends to loop right after this section, when the most recognizable part of The Entertainer's melody return and its covered much the same as the beginning of the rip - only now, Talking Ben's "Yeees?" and "Ughh"-s are added to the song's backing, almost like a bassline to the same melody played at the start. In less than a minute's time it makes the rip really come full circle, and after one more Bounce That A$$ section, it finally loops proper, ending with a completely different left-field Speed reaction that I shan't spoil, but caps the rip off perfectly for a second loop.

What a journey to go through it all step-by-step, huh? And again - this was the FIRST IShowSpeed rip on the channel, yet it still managed to craft an absolutely hilarious rollercoaster ride in just under 80 seconds of runtime. We ALL know The Entertainer and have heard it set to many a silly clips already, many of us were likely already laughing our asses off at the Speed clips being shared around back in 2022 - The Streamer, much like Bowser is Coming., is like a perfect rip, the absolute ideal way to introduce depict Speed on the channel - and its damn criminal that I don't know who to thank for making it. It's the kind of rip that can just always make me smile, the way that even through the YTPMVing you can still hear what profanities Speed is throwing out at Ben, the way the visuals in both sections are just filled with such pure chaos versus how The Entertainer is chugging along at its own steady pace, the aforementioned BEN BASSLINE????

Look, I'm still a soldier for I Show The Meat to the bitter end - but to make the perfect meatpost, a la i show rottytops my meat (Consensually) mentioned at the end of ICastHaste encounters a wild Chicabo - one must have a perfect understanding of how to leverage Speed himself in rips. All of that training and knowledge stems from a source - from The Streamer executing the bit so fucking perfectly two whole years ago. Meat or not, Speedposting has become a true artform on SiIva, and I cannot wait to see where it ends up going as we get further in the season.

[7grandmel]

The Joke-Explainer™ 7000

[7grandmel]

Upon popular request, I am posting all my recent Joke-Explainer™ 7000 artwork here! If you like what you see remember to like, comment, & subscribe!

[7grandmel]

Todays rip: 26/04/2024

A.U.B.R.E.Y (Vagrant Juice and Clams)

Season 6 Featured on: SiIvaGunner's Highest Quality Rips: Volume FF

Ripped by AubyLover29

Unfortunately requested by crickqt! (Tumblr Askbox)

Oh god, uh, where to begin with this one. Do any of you remember the Raft Ride event I had on here, on April 1st? Yeah, Raft Ride ~ The Story So Far - through my commitment to the bit, I had to try and talk about a LOT of different jokes and bits, ones I'd expressed fondness for already, and ones I still didn't know what to really make of. Of course, it was balanced out by the very nature of the event being that I didn't take the posts all too seriously, I wrote a good few of them half-asleep at my desk, yet serious or not, at 10:16PM on April 1st 2024, I reached Wanna See My Raft?. Right at that moment, I had to confront the demon I'd long wanted to ignore - and today, with A.U.B.R.E.Y (Vagrant Juice and Clams), I've decided its time to face the demon head-on. Today, we're talking about SML, and talking about Jeffy.

Truth be told, for as much as I love to think back to my youngest years on the internet, the affection I have for Dreamscape and Paralyzer and all that which I talked about in How 2 Do Anything - I somehow managed to avoid SuperMarioLogan for all that time. Maybe my YouTube recommendations were just kind to me, or my young brain just didn't really get the appeal of plush/puppet videos, but I steered clear of the channel despite its absurd popularity. If you've never heard of SML, you've missed an absolute titan of children's YouTube, a channel that gets 2 to 3 million views per upload, with videos made at a rate of 3 per week. Whether or not the videos are GOOD is another matter entirely - to some, its just typical Kids YouTube slop, but others have been following the channel's history for years and witnessed first-hand just how outright insane its storylines have become. What began as just a series of skits with Mario characters in wacky situations slowly began to get edgier in the mid-2010s YouTube landscape: the videos would play with outright racist and homophobic jokes, depictions of sex work and drug abuse, full-on SUICIDE jokes - all still attached to a channel with Mario puppets and with a target audience consisting mostly of children. It got to the point where Nintendo themselves had to step in with a legitimate pen-to-paper DMCA takedown request - and in the years since, the channel has continued on much the same course, but with all Mario characters replaced with human look-a-likes.

It's an absolutely insane rabbithole to go down, a core pillar of kids YouTube's seedy underbelly, yet one that for some reason or another keeps being brought up in online discussion, mainly by terminally online adults like myself. And so, SML-posting began sneaking its way into SiIvaGunner's rips as early as the start of Season 4 Episode 1, but has slowly been growing in frequency as of late, all headlined by SML's new mascot post-Nintendo takedown - Jeffy. A comic relief stupid shithead character now sitting as the channel's main character, Jeffy is, put bluntly, an outright agent of chaos the likes of which I do not wish to describe in detail. A demon in man's clothing, a creature unable to be tamed, a man who fears no god. And, indeed, the main star of SuperMarioLogan, and by proxy, the main voice to be heard in all rips made of the channel.

In a way, Jeffy is akin to those "cursed" SiIva memes that have always existed in some form or another. Astronaut in the Ocean, Yankin, The Bean - I've covered the former two plenty in rips like Aquarium in the Ocean and the latter's infamy is one of the most notable events from Season 1 of the channel. Yet in comparison to those three, Jeffy's prominence on SiIva seems to have slipped under the radar in a lot of ways, his true power yet to be felt. There hasn't been an SML takeover, none of the rips have truly blown up - its as if the demon is biding his time, known to be lurking only by some channel die-hards like myself, yet still obscured from the public consciousness of the masses. And in the meantime, we're getting rips like A.U.B.R.E.Y (Vagrant Juice and Clams) - all paying a disturbing amount of reverence and attention to this false deity.

Kirby Planet Robobot is a very special game on SiIvaGunner, and has been since the start of Season 2, arguably even since The Reboot: Through rips like Mother's・Caption (We Paused The Channel For HOW Long?! Mix) and The Noble Haltmann, it is THE game most closely tied to the channel's ongoing lore in the Christmas Comeback Crisis, the kind of game where any rip of it is bound to catch the attention of viewers. Of the game's soundtrack, P-R-O-G-R-A-M sits above all in terms of significance, tied to everything from The Reboot to the Inspector Gadget takeover of Become as Gadget - its a theme that is at once intense and climactic, yet also sounds as if it is falling apart at the seams, a digital system being broken apart by an unknown invader. And amidst all of this context, all this weight that P-R-O-G-R-A-M holds - or at least, has held to me ever since way back in 2017 - we get a rip of it using fucking JEFFY. And I'm supposed to just understand what that means and move on with my life?

All jokes aside, I do genuinely have to admire the effort put into A.U.B.R.E.Y (Vagrant Juice and Clams) despite (or, god forbid, BECAUSE) of its sources. The core of the rip uses several different Jeffy sources, primarily the bizarrely-real songs performed by the character himself, Wanna See My Pencil and Why?, referencing the characer's main running gags - these are mixed together with other Jeffy-related SML clips to add to the cacophony of noise throughout the rip. Althewhile completely left-field sources are added to..."compliment" the main track - the full-blast sound of Keemstar yelling, the "Nintendo Diss Track", a section played to the tune of Penis Music (dong music, anyone?)...its all so utterly unhinged, yet remains...ominous, in a way, throughout? Like, I have to admit that it does all kind of work, I love the use of WHYYY? for the bridge - but I still can barely even discern what would drive one to gas up JEFFY of all memes to the extent AubyLover29 has done here.

Then again, AubyLover29 in general is a bit of an enigma on the channel - you may have noticed that the title A.U.B.R.E.Y (Vagrant Juice and Clams) has absolutely nothing to do with the joke of this rip whatsoever. This is a constant with all of AubyLover29's rips: they're titled around hit character Auby from Omori rather than their actual contents, and her online presence outside of her rip contributions is seemingly completely nonexistent. Its just one more quirk atop this pile of bizarreness - it all reminds me of when I first had to dig into waterwraith pokos all those months ago. Only here, Jeffy's prominence of the channel is gradually becoming less and less of a secret - his rate of appearances has only gone up since A.U.B.R.E.Y (Vagrant Juice and Clams)'s upload, and I fear for what may happen when a takeover inevitably comes. May god help us all.

[7grandmel]

siivagunner's girelle but as a funny stampy

[7grandmel]

Six Steps Back (Idea Junkyard)

acrylic on canvas

[7grandmel]

Todays rip: 25/04/2024

Man, why does every Bleck actor gotta rap some

Season 4 Episode 1 Featured on: Now That's What I Call Quality! 2

Ripped by Half Pixel (@half-pixel)

Requested by Fezaki! (Request Form)

Been a while since I've covered something closer to a "meme medley", hasn't it? It's a bit of a conundrum really, the rips like Memey Hell, Rippin'! Mashin'! High Quality Grand Prix and A love letter to this wonderful community and my amazing friends are some of the most relistenable on the entire channel due to the sheer variety found within them, yet they're simultaneously very hard to write about for the purpose of this blog. I can approach these posts from a lot of different angles, be it the history of a ripper, history of a joke's presence on the channel, the unique sound of a game, a rip's relevance to the lore and goings-on of the channel at that time - all of which provide me with a lot to say, in contrast to simply saying that a rip is just a really good listen. But some of these meme medleys ARE just really good listens, ones that I recommend wholeheartedly of course, but ones that can be rather hard to turn into an interesting read. Still, Fezaki's enthusiasm for Man, why does every Bleck actor gotta rap some in the request form is one I absolutely share, so I'll try my best to do it justice in my coverage. After all, Half Pixel made my darling Everybody's Special Course as far back as Season 1 - he's almost bound to knock it out of the park no matter what!

Then again, I suppose it is wrong of me to present this rip as if it's just like those other meme medleys, it's pretty apparent right from the start that there's something quite special about it. I mean for one, there's the track its arranging: Super Paper Mario is a game that wears its weirdness on its sleeve in every aspect including its music, to where even though Champion of Destruction is actually still playing in 4/4ths time signature, it still sounds incredibly uneasy and chaotic - a lot like The Ultimate Show as heard over in The Ultimate Whip and Nae Nae. Yet with both tracks, through the noise and chaos, a strong melody prevails throughout, which is where Man, why does every Bleck actor gotta rap some makes its second distinction, in having the lead vocals of Childish Gambino's Bonfire be pitch-shifted to said melody. Bonfire is a classic in SiIva mashups, you can hear it as far back in Season 1 with the aforementioned Memey Hell, yet its rarely played with to the extent that it is in this rip. The song headlines the rip for about half of its playtime, with a few other rip sources complimenting it along the way: Space Jam's immediately identifiable drums, a quick Flintstones cue melodyswapped into the song's original backing instrumental, and so on, it's all incredibly seamless, yet all building up to the track's final ace up its sleeve. As the rip builds and builds, as Bonfire's vocals end and we're left with naught but the instrumental - you realize that The Ultimate Show has been playing about 20% slower than its supposed to.

Suddenly, things speed up: Chip tha Ripper's drums playing in the background start feeling louder, the vocals of Space Jam kick in for just a moment, bits of Gangnam Style and We Are Number One and MEGALOVANIA play one after another - It truly feels as if the rip begins spiraling, sort of like we saw back in my rip :) yet with far more buildup and cohesion present before things start to plummet. Yet there's a harmony to the back half's chaos althesame, much like the channel's other meme medleys - it IS an undisputed banger, just one that manages to hit far harder than it has any right to through an incredibly well done lead-in. I can't even call it a bait-and-switch, the transition between its two halves is so incredibly seamless and natural to where I cannot see the rip working nearly as well without the two parts together.

Being part of some of the first-ever rips we'd get to hear for Season 4 Episode 1, I have to wonder if the two-part structure of Man, why does every Bleck actor gotta rap some was a move Half Pixel made deliberately for the premiere. I mean, he's no stranger to making incredibly dense rips for the channel, even helping kick off the currently-ongoing Season 8 with Nucleear Pomeranian - but given that Season 4's stated goal was to surprise the audience far more than usual, it almost feels as if Man, why does every Bleck actor gotta rap some was Half Pixel's way to lean into that philosophy. Intentional or not, the end result is amazing, it's the kind of rip that just oozes above-and-beyond personality from every corner, and acts as confident reassurance that Half Pixel has STILL got it.

[7grandmel]

hey i am going to go off brand for a second . how in the hell was a Mega Man X arrangement of KARAS FLOWERS made literally an hour after i made my post talking about how I love Mega Man X arrangements .

i wouldve covered this one on the blog like CRAZY if i hadnt already written abt Karas Flowers and MMX arrangements twice each already. but liek. what the fuck. this might actually be a new top 10 rips ever for me. you cannot just DROP THIS out of nowhere

[7grandmel]

Todays rip: 24/04/2024

Guardian of the Ride Chasers

Season 4 Episode 1 No Album Release (Read More)

Ripper Unknown

I really don't know what it is, but I woke up earlier this week with Black Parade (MMX Remix) specifically stuck in my head. I guess that's a disadvantage to running this blog - in writing, I tend to listen to the rip in question on repeat to get a good feel of the tone I want to go for, and in the process get tunes stuck in my head (Raft Ride, for instance, has still not left my innermost thoughts ever since The Incident.) But althesame, getting a Mega Man X arrangement rip stuck in my head got me fervently looking for more like it - because really, I think it was just my brain's way of telling me that it misses listening to Mega Man X music. It was through this that I wound up stumbling onto something big, a rip I'd entirely forgotten about and one that's STILL lacking a ripper credit even five years later - Guardian of the Ride Chasers, with no attachment to its origin or its ripper, fucking OWNS.

Mega Man X2 has a pretty different sound to the original Mega Man X in a way that's controversial in a lot of ways, yet the ripper has leveraged those differences to absolutely incredible lengths here. You can TELL that the guitar samples used are different, in some's eyes "whinier" - yet they lend themselves to the dramatic flair of the arranged track ever so well. So then...what is that arranged track? Funny enough, it's a source of music I was only made aware of through a SiIvaGunner project later in the same season - Guardian of the Former Sea, or the theme of the Desert Scourge boss, from the Terraria Calamity Mod. The game is as far away from my area of knowledge as you could come - I've hardly ever even touched the BASEGAME Terraria - but its legendary composer, DM DOKURO, was a name I got very familiar with entirely thanks to SiIvaGunner. Remember the King for Another Day Tournament? Yeah - amidst many other guest arrangers, DM DOKURO lent his incredible skills to a bevvy of arrangements for the event, including one I've covered on here before - September!

And like, that was how I was initially introduced to the Terraria Calamity mod as a whole! I've talked numerous times about how following SiIvaGunner has given me exposure to so many things I wouldn't have checked out otherwise, be it with Aphex Twin Snakes, Plantasia 2, Owner of a Mahjong Board or countless more, but its an entirely new level of cool to discover a composer through their guest contributions on the channel. As I mentioned before, Guardian of the Ride Chasers was already bound to work for me as someone hopelessly attached to the specific sound of the SNES Mega Man X games, but the rip only works as WELL as it does due to DM DOKURO's incredible work with the original track. I love how Mega Man X2's more varied sound in particular compared to the former and latter game resulted in the track being adapted pretty differently, in particular using the particular plink-plonk sounds from Bubble Crab's theme for a lot of the track to give the rip some really nice texture. It can be easy for a banger melody to be lost amidst samey instrumentation, a lot of lower-quality "but in the (blank) soundfont" have shown me just how bad it can really get - but the ripper went above and beyond in making the entire track sound absolutely brilliant in the conversion here.

All in all, Guardian of the Ride Chasers was a two-for-one kind of rip - both being an incredibly cool rip to listen to in its own right, and helping spread DM DOKURO's exceptional work outside of his target audience. Hopefully in making this post, you as the readers will now ALSO be reminded to go check out the other music from the Terraria Calamity Mod, or the other stuff by DM DOKURO in general - this rip is truly only scratching the surface.

[7grandmel]

Todays rip: 23/04/2024

How 2 Do Anything

Season 3 Featured on: STRINGS OF FATE ~ SiIvaGunner: King for a Day Tournament Original Soundtrack

Ripped by Scribble1k Vocals by eva twin

(Also check out the Remastered Version!)

Requested by Corb! (Request Form)

In reading the request for me to cover How 2 Do Anything on here, I was made to realize something pretty big. For the 10-plus months that I've been running this blog, and for the amount of coverage I've dedicated to Season 4 Episode 1's King for Another Day tournament event, I've barely devoted any time to its Season 3 prequel on SiIvaGunner. I wrote about an excellent original piece made for it by dante and wolfman1405, FINAL DESTINATION, and I got to gush specifically about Anamanaguchi with Give Me The Fantasy...but I've hardly even touched on the tournament itself. I'm here today with How 2 Do Anything, and its remastered version, to try and resolve that issue - to celebrate the very first SiIvaGunner one-day king, and in some ways, a turning point for the entire channel.

So, first of all - the King for a Day Tournament. Halfway through Season 3, the SiIvaGunner channel was suddenly prevented from uploading videos for a week's time, but were still able to make community posts and tweets. The team was given the perfect opportunity for a channel shake-up, an opportunity to rethink what SiIvaGunner could be, and began thinking of ways to have the channel engage more directly with its viewers. Sure enough, that eventually landed on the idea of a "tournament arc", an event wherein viewers would both submit ideas for contestants to be featured, but then vote between the qualified few to crown a champion - with said champion then getting the reigns of the channel for an entire day of rips. Takeovers had become a regular occurrence on the channel ever since Season 2, be it the Inspector Gadget takeover with Become as Gadget, or the Santana and Rob Thomas takeover with Haltmanna feat. Rob Thomas of Matchbox 20 - each of these, as you can tell, brought with them a bevvy of rips tied to the character hosting the channel, and have in some cases become legends on the channel in retrospect. Thus, each submission to the tournament was of a character who represented a specific kind of rips, a "source list" as it's now since been called - and the voting came down to which kind of rip the viewers would most want to see on the channel for a day's time.

Truth be told, I wish I had been more involved with the fanbase at the time of KFAD1's unfurling, I can only imagine how exciting the discussions must've been during the unveiling and lead-up on Discord and Twitter. Yet as a big lorehead, a big part of the appeal of the original King for a Day tournament for me was specifically the characters each contestant was represented through. Season 3 was right when the Christmas Comeback Crisis (the channel's main storyline) had begun slowing down, with a lot of the lore additions made being supplemental rather than advancing the core story forward. Even though King for a Day wasn't connected to this main story, it was nevertheless a sudden explosion of character - and characters! - added to the channel, a good amount of which would continue to be relevant outside of the tournament's confines. Like, this was the debut of Ajit Pai on the channel, who basically had his own little narrative spun across his first appearance, A New Threat and Totally Shaaking Out Right Now - this was the debut of Geno, the tragic fallen star of DEARLY BELOVED... who we'd later catch back up with in the Season 6 DoomFes event - this was where we got JOHN NOTWOODMAN as the event's host who I rambled on about in Vote Responsibly!!....and it was, of course, the debut of everyone's favorite, Unregistered Hypercam 2.

Even though I was disconnected from most fan discussion at the time, I'm certain I wasn't alone in having Unregistered Hypercam 2 as my favorite of the tournament right from his unveiling. A source list consisting of every anthem of the old internet - Paralyzer, Dreamscape, Bodies - all wrapped up in a completely original character design, the most Little Guy thing you'd ever seen? Frankly, I was sold right away - and with each example rip made under his name, it seemed we'd only be made more sure of our choice. Throughout his run, and after his victory, it was as if How 2 Do Anything became the little guy's anthem - a modern, reimagined take on the theme that taught us all so many things across the early internet's scuffed YouTube tutorials.

I've covered some rips by Scribble1k on here before, notably the fantastic Guilty Eyes Creeper mashup, but King for a Day and its sequel gave rippers the unique opportunity to shine through full-on professional-grade rearrangements. I've always been partial to the themes that Hypercam brought with him to the channel, you may recall I've covered Paralyzer specifically twice already with YACKER TOILET and Remember when this song was the one related to toilets?, but I'm just as attached if not MORESO to the legendary Dreamscape theme that How 2 Do Anything is arranging. Just the three opening piano chords alone strike such a raw nostalgic nerve: its instrumentation is as far removed from Dreamscape as you could come, yet there's no other song that sounds quite like that, it introduces the theme as an old memory to be recalled through Hypercam's presence - an age of the internet lost to time, brought back all these years later after being buried away for so long. The arrangement itself goes in swinging soon after that, a main melody carried through a heavy electronic, almost dubstep-esque vibe - yet it never wholly loses that sort of melancholic tone set up by the introductory piano. The noise and distortion of the arrangement conveys almost a sense of the Dreamscape theme being at battle with the rest of the internet's noise, almost akin to Your Worst Nightmario, yet its a battle that turns into an incredibly sick listening experience, a balance of light and dark.

It's all topped off with a full-circle piano ending, and a small vocal signoff from guest contributor eva twin, whisking the theme away with a proud reaffirmation - "You can do anything...". And sure enough - the little guy did it!! Through a tough bracket and a close final dual with Splatoon's Off the Hook (hence, OtH Was Robbed), Unregistered Hypercam 2 wound up becoming the tournament's champion - and, in the process, has become an outright mainstay character on the channel. He got to have his Windows Movie Maker-core, day-long takeover, filled rips like Never Gonna Give Up Mahjong, and got to appear as the host of the King for Another Day Tournament, playing a vital role in its storyline and surprise final boss with NIGHTMARESCAPE 〜Unrestrained HyperCam 2〜 (Final Boss Phase 2). He's a core SiIvaGunner cast member, and all of this started with just an idea, a figment of the imagination cast into SiIvaGunner's email address for a silly tournament arc. One that was so successful and beloved by the fanbase, that it shaped the entirety of Season 4's two episodes - and in turn shaped much of Season 5 and Season 6 to boot.

This one little guy helped change SiIvaGunner forever, and in turn helped bring in a wave of incredible original arrangements just like How 2 Do Anything in the years to follow. The King for a Day Tournament may well have been overshadowed by its vastly bigger follow-up, but it has paved the way for everything that has kept SiIvaGunner so engrossing to follow in the years since - a shot in the arm at just the right time, and an incredible gateway for SiIvaGunner's team to flex just how talented they've always been.

[7grandmel]

Blog Update - 23/04/2024

TL;DR: 23:rd's post delayed until the 24th - 24th will have two posts.

Really not much more than that - my computer decided out of all days to be a bitch upon to be the one where I already had tons of school/work things planned ahead of time, and so making today's post fell out of the schedule. I even put in some overtime to try and get it done only for the computer to crash on me and erase all my progress. Frustrating, but it happens - and I didn't want to crunch the post out when I do have a lot of thoughts about it for today's in particular.

Have a good evening - and I hope you'll enjoy getting two posts tomorrow instead!

[7grandmel]

Todays rip: 22/04/2024

Robbie's Rotten Mine

Season 8 No Album Release (Read More)

Ripper Unknown

Hey, yesterday I covered the olden ways of doing We Are Number One rips - it only seems right to contrast it with how things are done nowadays!

Though, of course, Robbie's Rotten Mine is far form the first rip of this style that I've covered on here, but it likely won't even be the last. Chillin’ Like A Villain, Ska Cha Cha (Rotten Mix), and of course The expanse of meme in past was split, A fiendish trap has now been set; Behind a tree the villains sit, Terror of sport, the Robbie's Net., are all some of my favorite rips on the channel - and the reason is just because, even eight years later, I'm very attached to this silly ska song. There's a lot of memes that seem to have run their course for people, stuff like All Star mashups as I talked about in Semi-Charmed All Star, and while the rest of the internet certainly aren't out there celebrating We Are Number One anymore, the SiIvaGunner team is still making rips of the song at a remarkably consistent clip. And like, I stand by what I declared back on We Are Number 4 (Golden) - of all the long-running jokes on the channel, We Are Number One feels as if it is the most refined and polished one - it isn't just being used as a reocurring gag, but because rippers have become exceptionally good at using it for truly high quality rips.

Robbie's Rotten Mine, then, decides to combine my affection for We Are Number One with my unabashed love for Mario Kart Wii, which I've rambled on about with several posts already now like Neon Wi-Fi and Sweatpants Select. The result is a rip that just made me smile as soon as the rugpull occurred: Those unedited first four seconds builds suspense for just long enough, only for Robbie's sax playing to suddenly introduce the rip proper, not just revealing the joke, but reminding you of just how far We Are Number One-posting has come. Because yes, that is unmistakeably the same saxophone sound as in the original song - but its playing the opening to Wario's Gold Mine, the arrangement is absolutely seamlessly blending the two. It really just gets better from there going into the chorus, I love how the ripper leverages Wario's Gold Mine having a sort of ebb-and-flow between sounding silly and trepidatious by matching them with We Are Number One's chorus and verses respectively. The Wario's Gold Mine melody going all nervewracking and tense feels like it was MADE for something like Robbie Rotten talking about sneaking around and laying booby traps - in the words of one commenter, "I’m more surprised this didn’t happen until now".

I talk a lot on here about rips in the vein of, say, Poké Village: the ones that feel ever-so-personal, like love letters to parts of a ripper's life, the ones that bridge parts of the online world together that you'd never considered before listening. But there's just as much value to be found in the rips on the other end of the spectrum, ones like Among Drip Drop Galaxy - the ones where the joke fits so well, that it's a marvel it hadn't been done sooner. I declared Among Drip Drop Galaxy a damn-near perfect rip for that very reason, and I'm going to do the very same for Robbie's Rotten Mine - with maybe just one sole exception, there are few songs that I think would fit We Are Number One quite as perfectly as Wario's Gold Mine, and yet it took me eight years past the meme's upbringing for me to come to that conclusion. And to me, that speaks volumes to just how enduring of a tune We Are Number One is - there's surely yet more to be done with this track, and I'm all here for it.

[7grandmel]

Todays rip: 21/04/2024

we are number one but with outdated memes over it

Season 1 Featured on: GilvaSunner's Highest Quality Video Game Rips: Volume 7: Part mm2wood Also on: Now That's What I Call Quality!, SiIvaGunner: Starter Kit & Essentials

Ripped by NBGMusic

When I wrote yesterday's post on Five Nights of Snop Dog, I made a bit of an error in my research. See, though "Five Nights of Snop Dog" was an actual request received, it was actually fellow ripper NBGMusic who got it on his SoundCloud, not Chaze the Chat as I'd claimed. Well, as fate would have it, NBGMusic just so happens to be responsible one of the most well-known rips on the SiIvaGunner channel - and not only is it also tied to Snop Dog himself, its also tied to the glorious age of Montage Parody videos. And with Season 8 having finished an MLG event of its own just yesterday, it's as if the stars all aligned - I can think of no better time to cover we are number one but with outdated memes over it.

Now, the aforementioned magnificent 4/20 event was far bigger than usual for the channel, casting the net to not just cover weed-smoking jokes, but to cover the age of internet shitposting where it was at its most notorious - Montage Parodies. The years from 2012 to 2016 were absolutely FILLED with these, in a way that feels almost lost on the current internet generation, as very few seem to actually remember it fondly. Because like, it was all a bit stupid, wasn't it? Rage comics and impact font memes are remembered nostalgically, YouTube Poops are cherished to this day and continue to see prevalence both in general and on SiIvaGunner - we wouldn't be getting rips like Mr. 2​.​718281828459045235360287471352662497757247093699959574966967627724076630353547594571382178525166427427466391932003059921817413596629043572900334295260595630738132328627943490763233829880753195251019011573834187930702154089149934884167509244761460668082264800168477411853742345442 or Crompton Racing if there weren't people still enthusiastic for them. Montage Parodies were comparatively really short lived, and even back in 2016 SiIvaGunner channel itself didn't really touch them. Sure, we got rips with Smoke Weed Everyday as the joke from time to time, like with Ganja Man 9: Hash Blunt Hash (Shorty's Stage), but I think most people already saw the signs that MLG videos weren't really sticking around. Or at least, that's what *I* thought back in the day - evidently, the whole thing had just a little bit more juice left in it.

Because at the tail end of the channel's life, in September 2016, we received we are number one but with outdated memes over it. Sure, it wasn't the first We Are Number One rip on the channel, but it might as well have been - it landed right as the meme was taking off, and garnered views by the thousands in absolutely record time. For a decent while, it even was THE most viewed rip on the channel - and, funny enough, a 2017 Mel (that's me!) left a comment on the video befuddled over just how popular this MLG video was. Because, like, it's right there in the title - it's we are number one but with outdated memes over it, I thought we were all in agreement that Smoke Weed Everyday and "This is a certified hood classic" and Skrillex and all of that stuff wasn't funny anymore?

So then...why is it still so fucking good?

There's been a bit of a running joke with in the SiIvaGunner Discord (which you should join, by the way!) over how I actually hate this rip, or at least don't have positive feelings toward it. And I'll be honest - I hadn't really listened to it in a long time, and I think for a long time I was still a little bit fed up with MLG videos in general. I don't think they have any shot of becoming relevant again in the same way that YTPMV or rage comics do, ironic-or-not, but it was also kind of presumptuous to ascribe that same kind of obnoxiousness to we are number one but with outdated memes over it. Because sure, it's using outdated memes - but NBGMusic isn't using them in halfmeasures or with the intent to make the audio unlistenable. It's all playing to We Are Number One's melody and progression, which in of itself is honestly kind of novel these days - ever since we got the song's stems released in late 2016, most rips on the channel featuring the jokes have been full on arrangements with its instruments a la Chillin’ Like A Villain or We Are Number 4 (Golden). I love those rips as well, they're all incredibly fun takes on the song - but it's an entirely different flavor from how we are number one but with outdated memes over it goes about doing things.

Even though the title isn't lying, its definitely underselling the rip, it almost makes it sounds like a fucking MrMrMANGOHEAD video (Remember him? Shrek-face Mike Wazowski?). There's a lot of noise to be sure, but its all coordinated in really fun ways! I love the repeating "WHAT" samples playing as Robbie begins his lecturings in trickery, changing to samples shouting "HEY" in the next verse, ironically going against the lyrics' point of "not making a sound". And that's just what happens to the vocals - the main hook of the rip, of course, is how the iconic saxophone hook that plays inbetween the vocals is here matched with pitch-shifted Smoke Weed Everyday's, almost exactly like the aforementioned Ganja Man 9: Hash Blunt Hash (Shorty's Stage) - but its paired with sprinklings of memes tied to MLG parodies, like the legendary "MOM GET THE CAMERA", or of course bits and pieces from Skrillex music. I fucking love that in particular, actually: how traces of Skrillex's dubstep sound are heard in the rip from the very start, yet at 0:56 we're finally given full payoff with the iconic "YO SKRILL DROP IT HARD", leading to a full beat drop that somehow feels perfectly in tune with what We Are Number One is doing alongside it.

You know me - my favorite thing in rips is when they escalate, and though we are number one but with outdated memes over it stays within the same set of jokes throughout, its dedication to covering the *entire* We Are Number One with all of these memes means that it finds new ways to go about it for each segment. I may have been a bit frustrated back then, but in hindsight its easy to see just why this rip got as popular as it did, beyond just playing to the ongoing trend - its a pretty damn high-effort production for being part of a shitposting trend basically defined by being purposefully low-effort and obnoxious. In that sense, I suppose we are number one but with outdated memes over it is like a final hurrah for the age of Montage Parodies - right as we were all letting go of it, as the wild ride of 2016 was making everyone (most importantly YouTube itself) realize that the internet needed to be made a less toxic, less obnoxious place...we got one last jab at all the fun that these videos had to offer. And in turn, it wound up passing the torch to We Are Number One shitposting, beginning a new trend of channels spoofing existing meme music with their own edits and ideas, a trend you'll still see up and about today.

The internet all feels a lot more complicated today in its many corners - Twitter, Reddit, TikTok, YouTube, Discord and its Tenor GIFs, all sort of forming their own ideas of what is and isn't in vogue for shitposting anymore, all at each others' throats. For as obnoxious as Montage Parodies often were in hindsight...there's something so oddly nostalgic about how widespread they were - how EVERYONE deep in the online trenches seemed to just be enamored by these absolutely ridiculous videos. we are number one but with outdated memes over it brought people together over their stupidness for one last time, and for just a little while longer after that, We Are Number One did the same. And with yesterday's MLG day, with looking back on this rip in tow...I can't help but miss it all at least a little bit.

[7grandmel]

Todays rip: 20/04/2024

5 Nights of Snop Dog

Season 1 Featured on: Five Nights at Freddy's Original Soundtrack

Ripped by The Living Tombstone

Requested by Sabybeal, fezaki, robvatopper and an anonymous reader! (Request Form, Discord)

Yes, you read the ripper's name right. The very same The Living Tombstone whose headlining Five Nights at Freddy's fan song was recently featured in the franchise's debut feature film, has three credits to his name on the SiIvaGunner channel. And while yes, there's lots to say on the latter two as well, his debut rip back in Season 1 has been THE most requested rip for me to cover on here for a very good reason. For the annual weed day of 4/20, I shall provide you all with your long-running request - 5 Nights of Snop Dog.

For as much as SiIvaGunner as a channel has grown over the years, it's easy to forget that it all just started with a group of SoundCloud shitposters fucking around. The indirect nature of the channel's usual content means that this history isn't exactly one that gets brought up a lot, you can find traces of it in rips like History of the Enemy and anecdotes from team members on Twitter or Discord, but it really isn't all that important to how the channel has evolved since. SiIvaGunner began as an evolution of ideas flirted around with by SoundCloud's shitpostier side - "SoundClown" - and gradually grew to form an all-new audience completely unaware of just how the channel was started to begin with. I wrote a narrative in my post on Shopping on Star Road that the rip felt extra impactful as a tribute from one side of SoundCloud to the other, but really - how many of you reading knew that the SiIvaGunner team had notable history on the platform?

Of course, all of this talk about SoundCloud and SiIvaGunner's origins all circles back to the channel's founder, Chaze the Chat. He's contributed to many a good rip that I've covered on here, be it passion projects like Everyday Goodbyes (SiIvaGunner Band Cover) or sillier stuff like Take You To The Desert - but sure enough, he was on SoundCloud making silly mashups as far back as mid-2015. In that timeframe before SiIvaGunner but during his mashup days, Chaze the Chat would receive an outright legendary comment on his profile, a comment that you'd see echoed from time to time in the early days of SiIvaGunner itself from others in on the joke. Sometime in 2015, user Crimpsonfang9 handed Chaze the Chat one very simple ask: "I have a request - its five nights of snop dog".

It's the kind of unintentionally hilarious thing that was bound to become a running gag, the perfect storm in so many ways. The misspelling of Snoop Dogg, the completely unclear idea for the mashup (what music does FNAF have to put snop dog in?), the idea that this would have to be requested rather than just made by the person themselves...SiIvaGunner itself would, and still do, get tons of requests from new fans, but if you want something made, the best way to do it is to get it done yourself - but for this one legendary request in particular, Chaze the Chat saw it fit to go the absolute extra mile. "Five Nights of snop dog" HAD to involve The Living Tombstone's Five Nights at Freddy's 1 Song, and what better way to get that done was there than to ask the man himself?

And so, on one July day, we were treated to 5 Nights of Snop Dog, with an opening dialogue directly referencing the inside joke, bringing it all full circle. The rip delivers exactly what you'd expect from that story and its title, with Drop It Like It's Hot's vocals tuned to sound like the ones in the FNAF Fansong, althewhile being synced and pitched to the former song's instrumental. Nowadays we have rips like Bloody Freddy doing much the same thing, made by people from the SiIvaGunner team itself, but to clarify - back in Season 1, back in 2016, NOBODY knew how to get these vocals to sound that way other than The Living Tombstone himself (And I don't even think we had the song's instrumentals available?). It's a bit similar to how Grand Dad Metropolis absolutely amazed people back in the day as a seemingly-impossible feat, but more than even that, 5 Nights of Snop Dog was the kind of rip that could've ONLY been made with The Living Tombstone's involvement. Amidst all the laughs at the meme finally being realized, I very clearly remember just how many people were full-on in awe at how good the rip sounded, marveling at its mere existence.

Granted, it is still a little rough around the edges - the robotic tuning of the Snoop Dogg vocals paired with the pitch shifting makes it a bit difficult to even identify what's being sung from time to time, but that doesn't mean this was in any way a rushjob. It's still a banger, for one, but also sprinkles in some tributes to SiIvaGunner itself, showing that this was more than just something the team paid TLT to do for them. There's of course the opening dialogue exchange mentioned before, there's the bit where the vocals are suddenly yet surprisingly seamlessly pitch-shifted to The Flintstones theme partway through, and the song signs off with the iconic introduction to The Next Episode - where Snoop is edited to introduce himself as "It's the motherfuckin' D-O-G", referencing Crimpsonfang9's original misspelling. Those are the kind of tiny touches that I absolutely live for: It reminds me of how all the Jay Eazy rips on the channel, like You Are Book Smart, eventually started editing the introductory "S-R-G" to just say "S-G" as a reference to the channel's name.

And, hey - speaking of Crimpsonfang9, he actually got to see 5 Nights of Snop Dog, and he's seemingly still following the channel today! A comment of his approval was left and pinned on the video, truly bringing it all full circle after over 7 months of waiting. He did it! The "five nights of snop dog" guy got what he wanted! And his legacy lives on even today with many of us oldheads who still follow the channel, as I still see the meme occasionally pop back up in comments sections from time to time, even showing up in videos on the channel sometimes I'm not mistaken. It's such a fun reminder of just how far the channel has come, how this gag started by a SoundCloud user who would get bizarre mashup requests by the handful of people who found his work, has grown into this massive community of enthusiasts - in some ways, I might not even be here writing this today if it wasn't for everything that 5 Nights of Snop Dog represents!

So, Crimpsonfang9 - Thanks for the request! It alone led to one of the most perfect examples of how SiIvaGunner loves to play with its fanbase, iterates on its in-jokes - and gives you the sort of payoff you'd never think would be possible.

[7grandmel]

Todays rip: 19/04/2024

i love(d) you

Season 6 Featured on: SiIvaGunner's Highest Quality Rips: Volume FF Also on: Now That's What I Call Quality! 3

Ripped by vvsvlogs

Requested by oetaboy and an anonymous reader! @oetaboy (Ask Box)

I'm sure this rip's been a long time coming for many - I know it has for me. I've had i love(d) you sitting in my drafts as far back as in March, but truthfully it's...daunting, to write about. Requested by two readers. Close to 200 thousand views on YouTube, and recently featured prominently in popular Clone Hero YouTuber Acai's "The Quality of SiIvaGunner" series. And the rip itself being an emotional gutpunch in a season filled with them, from a ripper who's already gutpunched me plenty with Wham! Into Dreams and The Paragoomba and the Wiggler. vvsvlogs, Vivi, I ask this with the most sincere gratitude possible - why must you do this to me?

Minecraft as a game has its emotional hooks in at least two generations of people - that much I think we're all aware of. A sandbox filled with endless possibilities, community, friends, individual stories of survival or of great creative endeavors, all wrapped in C418's hauntingly beautiful score, one I've discussed many times before with Fell From a High Place (Reprise), M-O-O-G City and Every Mob Wants To Rule My World. All of these rips are beautiful, yet they're all aiming to play with Minecraft's sound in some way - the former two rips are arrangement of its music with other games' instrumentation, and the latter rip is a melodyswap playing Everybody Wants To Rule The World. They all play on my senses in their own ways, they're all rightfully impressive - but nothing hits quite the same as Minecraft's own music, on its own terms. i love(d) you isn't aiming to impress or amaze - but it lands a full-on critical hit on one's heart through leveraging everything that's kept Subwoofer Lullaby alive for so many years.

I've talked plenty about my musical illiteracy, and so I hope it doesn't come as a surprise that I've never really listened to world-renowed singer Billie Eilish. She's been on the radio, I've heard Bad Guy, but it was never a name I gave much more thought beyond seeing her discussed online from time to time. You can imagine the absolute awe I was in when I clicked on i love(d) you when it first went up, already expecting an emotional hit due to the Minecraft song used, only to get goosebumps from Eilish's vocals alone. i love you is the penultimate song from Eilish's debut studio album, the very same that Bad Guy was featured on - yet compared to that track's bass-heavy, almost seductive energy, i love you feels remarkably personal, with little more than an acoustic guitar and piano accompanying the openly emotional vocal performance. It's sincere in a way I don't hear enough music be, as if a diary translated into song, much the same emotion that Because I Love You conveyed yet with even greater magnitude due to the vocals in play.

i love(d) you, uploaded for 2022's valentines day, wields both of these forms of love - the connections many of us have to one of the most impactful games ever made, and the unfiltered emotion of i love you - to create something unabashedly beautiful. Mashups aren't a novel concept, mashups are nothing new - yet one glance at the comments tells me that I'm not alone in finding this rip in particular to have struck an incredibly sensitive nerve. Because there's a beauty to Minecraft that I think many of us oft forget about. It's a game that we all cherish, yet also one that's very easy to have left behind: we have adult responsibilities, we have school, we have other, shorter, more concise games, we have social media, we have friends, we have blogs...the solemn beauty of playing the game itself is, for many viewers like myself, not much more than a memory, something that can feel ever so difficult to recreate without feeling as if something's wrong.

We...I'm...not a kid anymore.

There was nothing about i love(d) you's concept that necessitated it to be more than just the mashup. There rip had no need for visuals that'd help convey the edit like with Plantasia 2 or Luna, mi Amor, no need to tickle the funnybone like with SUNGORE or the hundreds of other YTPMV rips on the channel. Yet, halfway through the rip, to the tune of Eilish's soothingly reverberating vocals, the background begins to change, not to a bit, not to a reference nor easter egg...but to Minecraft. To where all of this attachment began - to a far-off view of the game's beautiful landscapes as the sun begins to rises. That digital world that looks different for every player, yet the same in everyone's hearts - that place that, no matter how many years pass, how long its been since we last played, we all love. Its impact different to everyone, yet the feeling unanimous. It drives home how well the mashup works not just as a mixture of two deeply emotional songs, but as music tied to a shared experience: all of our Minecraft worlds looked different, all of our personal lives look different, but we've all played the game, and we've all had affection for it.

Every moment I spend thinking about this rip aches in some way. It's been well past two years since it was first uploaded, yet it continues to follow me as the years go on, my mouse drawn to it any time it reappears in my recommendations. In being featured on 2024's Now That's What I Call Quality! 3, I think the team holds much the same sentiment - even as the months pass, i love(d) you is the kind of rip that'll never fall out of favor, never stop meaning things to people. And realizing that it was made by vvsvlogs, the very same vvsvlogs who's already made me far too emotionally vulnerable on here twice before, has only made it mean that extra bit more to me.

I'm not a kid anymore. I know that. But I'll always be grateful to SiIvaGunner, the people behind it, and those who follow it along with me, for being able to bring me back to that state of mind when I least expect it.

Thank you.

[7grandmel]

had a very funny interaction earlier today (x)

[7grandmel]

Todays rip: 19/04/2024

i love(d) you

Season 6 Featured on: SiIvaGunner's Highest Quality Rips: Volume FF Also on: Now That's What I Call Quality! 3

Ripped by vvsvlogs

Requested by oetaboy and an anonymous reader! @oetaboy (Ask Box)

I'm sure this rip's been a long time coming for many - I know it has for me. I've had i love(d) you sitting in my drafts as far back as in March, but truthfully it's...daunting, to write about. Requested by two readers. Close to 200 thousand views on YouTube, and recently featured prominently in popular Clone Hero YouTuber Acai's "The Quality of SiIvaGunner" series. And the rip itself being an emotional gutpunch in a season filled with them, from a ripper who's already gutpunched me plenty with Wham! Into Dreams and The Paragoomba and the Wiggler. vvsvlogs, Vivi, I ask this with the most sincere gratitude possible - why must you do this to me?

Minecraft as a game has its emotional hooks in at least two generations of people - that much I think we're all aware of. A sandbox filled with endless possibilities, community, friends, individual stories of survival or of great creative endeavors, all wrapped in C418's hauntingly beautiful score, one I've discussed many times before with Fell From a High Place (Reprise), M-O-O-G City and Every Mob Wants To Rule My World. All of these rips are beautiful, yet they're all aiming to play with Minecraft's sound in some way - the former two rips are arrangement of its music with other games' instrumentation, and the latter rip is a melodyswap playing Everybody Wants To Rule The World. They all play on my senses in their own ways, they're all rightfully impressive - but nothing hits quite the same as Minecraft's own music, on its own terms. i love(d) you isn't aiming to impress or amaze - but it lands a full-on critical hit on one's heart through leveraging everything that's kept Subwoofer Lullaby alive for so many years.

I've talked plenty about my musical illiteracy, and so I hope it doesn't come as a surprise that I've never really listened to world-renowed singer Billie Eilish. She's been on the radio, I've heard Bad Guy, but it was never a name I gave much more thought beyond seeing her discussed online from time to time. You can imagine the absolute awe I was in when I clicked on i love(d) you when it first went up, already expecting an emotional hit due to the Minecraft song used, only to get goosebumps from Eilish's vocals alone. i love you is the penultimate song from Eilish's debut studio album, the very same that Bad Guy was featured on - yet compared to that track's bass-heavy, almost seductive energy, i love you feels remarkably personal, with little more than an acoustic guitar and piano accompanying the openly emotional vocal performance. It's sincere in a way I don't hear enough music be, as if a diary translated into song, much the same emotion that Because I Love You conveyed yet with even greater magnitude due to the vocals in play.

i love(d) you, uploaded for 2022's valentines day, wields both of these forms of love - the connections many of us have to one of the most impactful games ever made, and the unfiltered emotion of i love you - to create something unabashedly beautiful. Mashups aren't a novel concept, mashups are nothing new - yet one glance at the comments tells me that I'm not alone in finding this rip in particular to have struck an incredibly sensitive nerve. Because there's a beauty to Minecraft that I think many of us oft forget about. It's a game that we all cherish, yet also one that's very easy to have left behind: we have adult responsibilities, we have school, we have other, shorter, more concise games, we have social media, we have friends, we have blogs...the solemn beauty of playing the game itself is, for many viewers like myself, not much more than a memory, something that can feel ever so difficult to recreate without feeling as if something's wrong.

We...I'm...not a kid anymore.

There was nothing about i love(d) you's concept that necessitated it to be more than just the mashup. There rip had no need for visuals that'd help convey the edit like with Plantasia 2 or Luna, mi Amor, no need to tickle the funnybone like with SUNGORE or the hundreds of other YTPMV rips on the channel. Yet, halfway through the rip, to the tune of Eilish's soothingly reverberating vocals, the background begins to change, not to a bit, not to a reference nor easter egg...but to Minecraft. To where all of this attachment began - to a far-off view of the game's beautiful landscapes as the sun begins to rises. That digital world that looks different for every player, yet the same in everyone's hearts - that place that, no matter how many years pass, how long its been since we last played, we all love. Its impact different to everyone, yet the feeling unanimous. It drives home how well the mashup works not just as a mixture of two deeply emotional songs, but as music tied to a shared experience: all of our Minecraft worlds looked different, all of our personal lives look different, but we've all played the game, and we've all had affection for it.

Every moment I spend thinking about this rip aches in some way. It's been well past two years since it was first uploaded, yet it continues to follow me as the years go on, my mouse drawn to it any time it reappears in my recommendations. In being featured on 2024's Now That's What I Call Quality! 3, I think the team holds much the same sentiment - even as the months pass, i love(d) you is the kind of rip that'll never fall out of favor, never stop meaning things to people. And realizing that it was made by vvsvlogs, the very same vvsvlogs who's already made me far too emotionally vulnerable on here twice before, has only made it mean that extra bit more to me.

I'm not a kid anymore. I know that. But I'll always be grateful to SiIvaGunner, the people behind it, and those who follow it along with me, for being able to bring me back to that state of mind when I least expect it.

Thank you.