“Half the fun of travel is the aesthetic of lostness.” — Ray Bradbury
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“...what intrigues neuroscientists and neurologists is not just the uncommonness of the syndrome, it is that the brain of the patients may hold the key to understanding the mysteries of human consciousness.“
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Nice light this morning. Open 10 - 17h... #lcarolan (at Newcastle University) https://www.instagram.com/p/BnIzRlaFDSk/?utm_source=ig_tumblr_share&igshid=pwseosossam2
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See also:
another ‘brief survey of several contemporary artists using a similar “cabinet of curiosities” approach to their work’ - http://flavorwire.com/586988/creating-the-wunderkammer-in-contemporary-art
and The Zymoglyphic Museum - http://www.zymoglyphic.org/galleries.html
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#lost rolls#analogue film#participatory project#crowd sourced content#mobile exhibition space#caravan gallery#lcarolan
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Above video, with definitions of the differences between ‘augmented reality’, ‘virtual reality’, and ‘mixed reality’, via the link below:
http://www.edwardwinkleman.com/2018/03/screw-it-magic-leap-is-taking-waaaay.html
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“[In] 1988, Ilya [Kabakov] created the first version of the installation Labyrinth (My Mother’s Album) – a claustrophobic, maze-like corridor with 76 framed works hung along its walls. These showed images taken by Uncle Juda alongside fragments cut from 1950s Soviet postcards and typed excerpts from his mother’s haunting memoirs. Reflecting Ilya's inability to protect his mother from poverty and homelessness, Labyrinth (My Mother’s Album) is a dialogue – a tribute by a son to his mother, but also to all women in Soviet society.”
Via Colin Pantall
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