20s | she/it | perversity-driven artist, half-decent communist | demiurge devotee | property of @hotwetconductive
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mars, the protagonist of st. leviathan. depending on the choices made throughout the story, her eventual form may vary.
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sample character sheet piece for GUNPLAY in dev ttrpg by six valentine.
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URGENT SUPPORT NEEDED FOR PREGNANT WOMAN IN GAZA
For a while now, I have been helping my friend Akram and his family fundraise to support themselves through the unimaginable conditions in Gaza. With the ceasefire, they have been able to return to their home and repair it a bit, but conditions are still cold and brutal, and food and medical care are still scarce.
Laila @laylaayman-blog2 is Akram's sister and the mother of his young niece Sally. Throughout this horrible war she has been pregnant with her second child, who is now due to be born. Unfortunately she is having some issues with a late delivery - she needs our help more than ever.
Her fundraiser has been moving slowly, as donations to families in Gaza have generally slowed. Please help me get it going so she has support through this difficult time.
For every $10 or more donation I will do a sketch commission. For every $20 or more I will do a full commission. Simply send me proof of your donation.
Vetted by @bilal-salah0 and by association with @akramaldwaik-blog
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My freak ass monsterfucker cain guy
she is NOT having a fun time
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The Ones Who Walk Into Omelas With Kevlar Vests And Samurai Swords And Desert Eagles And Stare Down All Those Wicked Unrighteous Sinners In Their Droves And Proceed To Totally Fucking Waste Them All In A High Octane Action Sequence That Kicks Insane Amounts Of Ass Think The Raid If It Was Directed By John Woo But When They Finally Get To The Door Of The Basement Where They Keep The Kid Oh Shit It's The Fucking King Of Omelas And He's Wielding The Cursed Obsidian Blade Of The Underworld And They Gotta Waste Him Too But He's Incredibly Fast And Strong Thanks To All The Power He's Getting From The Kid And He Kills Almost All Of Them Until The Leader Draws Him Out With A Double Feint That Leaves Him Wide Open And Cuts His Fucking Head Clean Off With A Single Perfect Stroke And Then They Finally Open The Door To The Basement And Free The Kid
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SEXY LEGS COCKROACH
OOAK Handmade Invertebrate Art Doll
(and a real kind of cockroach! Look it up!)
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what am i being advertised here exactly
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With only the footprints in the mud, this level of reasoning is possible for Furudo Erika. What do you think, everyone!?
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i saw someone trying to explain some things about Chloanne from Dark Souls 2 with reference to her ID as "torturer" in the game's files. in the discussion someone said: "it's probably just another unfinished character and idea, but you can mental gymnastics your way into a satisfactory lore explanation."
they weren't being rude; they were voicing a common strategy among players who take the game's narrative seriously. but i feel that something has gone a little wrong here which we are not sure how to correct. Dark Souls players face hermeneutical challenges that most players do not because of the prominence given to (so to speak) codicology and textual criticism. there are a small number of hermeneutical communities that require the reader/player to engage not only with the final draft presented to them but with all available drafts and fragments; the Bible is one, and Laozi, and for some reason we have selected Dark Souls as another.
in the chaos of digital paleography it is easy to get muddled. what does it all mean? upon what grounds may it be interpreted? most people turn towards the intention of the designers at this stage. what did they intend for this part? what did they mean by it? why did they include this? what factors constrained its creation? time, organizational complexity, business interests? what was left on the table? so much is gone; so much, what meaning is even left in the game? anything? in searching for firm grounds beneath the text, we are immediately mired in even more complex questions; instead of finding surer answers we find more uncertainty. there is no ground there, only more falling.
many players give up here and say it isn't worth interpreting. this ground was missing, so there are no grounds at all. i think this is a good argument that the "intentional fallacy" is really a fallacy. we take it so seriously that when it gives, even a little, it destroys our faith in art entirely. some encouragement to consider the game in its self-contained formal-structural appearance would be healthy at this stage.
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just saw someone confidently stating that henry ford was "largely responsible" for mass industrialisation. always remember never to believe any historical fact you read on this terrible website
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