atomic--bloom

[atomic--bloom]

I figuered it out, this one is better quality

[atomic--bloom]

Our favourite Bookburner

Finally finished this, that took a while

This one is a screenshot so it is worse quality, my next post shoud be in full quality

[atomic--bloom]

This one goes out to all the bitches who love some good Safehouse Era Horror. It's me, I'm bitches. I want Jon and Martin to be fucked up and eldritch but I want them to be fucked up and eldritch and loved

(Notes under the cut because I can't help myself. Heads up, I do go into some detail of how Jon gets injured so I can explain my thought process for how I designed his scars. All canon-typical and fairly clinical in tone.)

Here's how I picture Safehouse Jon!

He doesn't need glasses anymore by this point, so he should just be wearing empty frames, but I drew this before I settled on my glasses headcanons. This drawing looks better with the reflection anyways.

He hasn't gotten a haircut since before his promotion to Head Archivist. He doesn't love the weight of it on his neck, but he also uses it to fidget, and he really doesn't want to go through the whole process of cutting it. He's disliked haircuts since he was a kid (People: Bad. Small talk: Bad. Touching: Bad. Loud sounds: Bad. People talking all at once: Bad) and since his time with the Circus he's only grown more reluctant to go and get it done.

At this length his hair is naturally pretty curly but he is. Not taking care of it. I actually put a lot of effort into trying to make it look brittle and tangled (I have a lot of experience lol, my hair is quite thick and I've always hated taking care of it. Yes I am also projecting my feelings about going to a hairdressers onto him why do you ask.)

The various scars were a bit of a strange task, but anyone who has seen my takes on The Bad Kids knows I'm not averse to selective realism in my fiction. Easiest one was the neck, I always pictured Daisy making a vertical cut based on "through the voice box". The larynx is longer than it is wide, so I think Daisy would go for the method that dealt damage across the largest total surface area. Yes I am aware that I'm speaking the same way Martin does when he explains his corkscrew.

The worm scars were easy because I barely drew any. There are a few marks on his cheek, but they're just surface bites. I picture most of his encounter with Prentiss showing on his legs, particularly on the right side, with enough damage there that he starts using a cane after the incident to keep weight off his right leg. More research to be done on this particular detail.

Finally the burn on his hand from Jude. This was the weirdest one to figure out just because of the nature of the injury. How do you quantify the damage done to an epidermis by a living manifestation of sometimes-boiling wax that can heat and cool at will? I settled on it being a second-degree burn that healed supernaturally fast, containing the damage to the space Jude had direct contact with. He'd probably have some mobility issues there as well. I know there are ways to help with mobility and pain after a severe burn, but I don't know how much of it Jon would actually. Do. Like I said, definitely further research to be done on these last two.

Hey so I'm gonna ask you to stop and consider the horror of the watcher. The helplessness. The guilt. The inherent terror of being a spectator, a participant by proximity but not by action. The horror of not being able to look away, of being a bystander. Jon forgets to blink sometimes. But wouldn't it be so much worse if there were no eyelids at all? That's how I interpret the description of The Archivist being "All Eyes" :D

I love a good Many-Eyed Jon, so I whipped up my own interpretation here. I think the more he Becomes the more he starts to resemble the thing from the dreams. He has a lot more control of it in S5, but it still creeps up on him and he has to consciously go back to a human shape.

[atomic--bloom]

I think one of the fundamental horror elements of jon and martin's relationship (that is super underutilized in fanworks imo) is that when they say "where you go, I go," they really mean it. by the time they're striding across that hellscape, and tbh even earlier than that, there is no duplicity or slight or monstrous act either of them could do that the other wouldn't forgive so they could stay together. personal insults, lashing out, working with the enemy, attacking strangers, direct violence, deliberately endangering each other, murder, encouraging murder, total and complete betrayals of trust, they've done it all and reconciled afterwards. sometimes they talk it out and resolve it in a reasonable way, and sometimes they're just like "hmm. fucked up!" or ("hmm. kinda cute when he does it <3") and never mention it again.

it's not just about letting anything slide with each other, either, it's bigger than that. martin will make the decision on a personal level that he could never live with surviving off of innocent people's suffering, but if doing that on a cosmic scale is the way to keep jon with him then he will sacrifice all his principles and do it. jon is hell bent on quarantining the fears by literally murdering the planet as quickly and efficiently as possible, but the second this means martin potentially dying in front of him he changes his mind. when jon says that their love for each other is "the real core of it," he's not just declaring affection after a fight, he is stating the cause for the incomprehensible tragedy that they're about to enact. it's less "the love was there, it didn't change anything" and more "the love was there, it doomed us all." it isn't even a question, they will wrap their soulmate-red binding string around the necks of everyone in the entire cosmos before they sever it.

[atomic--bloom]

Hey so um, do any of you know spanish?

My best friend and I realize that the spanish comunity of TMA isn't really big, mainly because of the lenguaje barrier, so we've been working on this since last year.

Please, I really hope people enjoy this, we have put our souls (and my mental stability) on this project, is like my child.

[atomic--bloom]

MAG 139 - Chosen (aka the cult of the lightless flame plans a ritual)

[atomic--bloom]

Tell 'em Helen

[atomic--bloom]

The princess and the dragon and the princess and the dragon and the princess and the dragon and the princess...

@blacktabbygames

[atomic--bloom]

Going feral over "this is a love story" because it so is.

How could the Narrator tear a god in two and expect them not to love each other? Not to love the first thing they knew that wasn't them, not to love that lost part of themself? Maybe it's because hating yourself is such a human thing, it's impossible to imagine a being torn in two loving its lost parts. Even when they're not perfect. Especially when they're not perfect.

Even when you get the worst outcome on a route, or one of the vessels with so many reasons to be angry, The Shifting Mound still loves The Long Quiet because they're gods, and death is to them what a paper cut is to us and this too shall pass and she loves him through all of it.

They are everything. They can be as good as they can be bad. They can love each other and hurt each other and those things are rarely mutually exclusive. They can meet afterwards and talk with kindness. There isn't a single part of them that doesn't have the potential to be something better. There isn't a single part of them that doesn't have the potential to be something worse. They're the same entity. Theyre the only different being the other has ever known. This is a love story.

[atomic--bloom]

i made a sound

[atomic--bloom]

Please…

[atomic--bloom]

what if we clinked glasses together

[atomic--bloom]

Ceaseless Watcher, i want that butch obliterated

----

A slightly older fanart that i never uploaded anywhere

[atomic--bloom]

Ceaseless watcher I want some fuckin mac n cheese

[atomic--bloom]

Honestly still not over A Guest For Mister Spider.

So we have Jon. Funky little guy. He’s paranoid and in denial and suspecting his coworkers of murder, but like. In a quirky way. Go little dude go. So the end of season two rolls around, and I’m kinda bummed out about the whole “framed for murder” thing, so I jump right into season three, expecting the plot (and Jon) to go on its merry way. So I, the picture of naïveté, turn on MAG81.

And then Jon goes “The woman who raised me was never able to truly love me because I was a constant reminder that her son was dead, and also never cared to monitor my reading, or what I was doing at all, which led to me being severely traumatised. Also I was bullied by an eighteen-year-old at age eight, and either my grandmother didn’t care, or I never bothered to tell because I knew I couldn’t rely on her. And then that same teenager was eaten by a huge fucking spider, unwillingly saving me from the same fate, and I’ve blamed myself for it ever since. Also I definitely have severe undiagnosed ADHD. Anyway I’m wanted by the police, byeee>3”.

And I’m just. Supposed to listen on. With the knowledge that my Projection Pillow Number One has felt like he shouldn’t be alive since he was eight. What the fuck Jonny. Genuinely. What the fuck.

[atomic--bloom]

Found my fav STP route recently. Dragon my beloved. Your horrifying beak mouth was an impossible-to-refuse lip syncing challenge 💖

Shoutouts to @blacktabbygames for making such a cool game!

[atomic--bloom]

the worst part is, looking back, i’m still not sure what i would have done differently, or if i’d do it all again