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Broad City S05E10 (Final Episode)

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One of the inspirations for cinematographer James Laxton for his work on the film Moonlight was Dutch art photographer Viviane Sassen. Her work had a huge influence on Laxton’s choice of colors for some of the film’s most iconic scenes like the swimming lesson, set in it high contrast colors and crystalline blues. The moment feels biblical as Juan holds Chiron in what looks like a pieta over the waves. As Juan releases him to float, Chiron quickly steadies himself and Juan says, “Right there, you’re in the middle of the world”. In the midst of this pivotal moment of self-discovery there’s a real awareness of the camera as the water is lapping against the lens. Laxton had to maneuver a 200-pound camera in an underwater housing for the scene. The waves distort the lens to accentuate the feeling of being present at such an intimate moment.

Moonlight (2016) dir. Barry Jenkins

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Mars Foong [Artstation]

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And it is said that the Princess returned to her father’s kingdom. That she reigned there with justice and a kind heart for many centuries. That she was loved by her people. And that she left behind small traces of her time on Earth, visible only to those who know where to look.

Pan’s Labyrinth / El laberinto del fauno (2006) dir. Guillermo del Toro

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Fleabag (2016-2019), written by Phoebe Waller-Bridge

2019 Emmy Winner for Outstanding Writing for a Comedy Series

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Lee Pace | by Pierre-Ange Carlotti for Interview Magazine 2019

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Would you like to stay for dinner? Would you like to stay forever?

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Fleabag + being too real

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Euphoria - “The Trials and Tribulations of Trying to Pee While Depressed” dir. Sam Levinson

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Phoebe Waller-Bridge - The New York Times

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Hunter Schafer as Jules Vaughn in Euphoria 1x06 | The Next Episode

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Elvira: Mistress of the Dark (1988), dir. James Signorelli

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Pushing Daisies S01E08

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We’re invisible. Don’t you know that? — A SINGLE MAN (2009) dir. Tom Ford

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So, now I can’t accept. And I can’t forgive. Because… because NOBODY admits anything they’ve done! HEREDITARY (2018) dir. Ari Aster