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“will never return” herbert pföstl

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“Good Ol’ Snoopy” by Charles M. Schulz (1958)

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Joanne Mannilaq

Inuit Mother Walrus Packing Doll, 1990

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This walrus is wearing an amauti, an Inuit garment meant both for keeping warm and carrying your baby around.

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Sampler listing the counties of England. ca. 1851. Credit line: Gift of Elizabeth M. Riley Estate, 2002 https://www.metmuseum.org/art/collection/search/211491

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Fool's/Harlequin's costume, 18th century

Germanisches Nationalmuseum Nürnberg, via MAK Wien (Photo: G. Janssen)

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Nika Goltz, illustration for Fairy tales by Oscar Wilde

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Well well, I’ve finally sculpted another rézfaszú bagoly (copper penis owl in hungarian, thank you magyar folklore) ((sold!))

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Andy Lovell（British, b.1964）

1 Brecon Rhythms 4 monotype 841 x 594mm via 2 Early Morning Light Lindisfarne silkscreen print  600 x 420mm via 3 Rollers at Cullernose silkscreen print 850 x 440mm via 4 Bathing in Moonlight silkscreen print 600 x 420mm via more

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the birdcage (1996)

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‘Milton’s House, Petty France, Westminster’ || 1845 || John Wykeham Archer

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watson the vibes

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Tubes and Tines

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Rachel Denbow

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Peter Cushing Hammer Horror movies are wild because it's always called something like The Hideous House of Blood Will Kill You and Peter Cushing plays a doctor in a sickeningly well-tailored three-piece suit and an even nicer coat, and he says things like "this creature is an entity of great evil" (pronounced ee-vil), and then Christopher Lee shows up in makeup and homoerotically chokes Cushing for a bit, and then the Female Character arrives and tenderly cradles Cushing's face in her hands in the aftermath like he's a precious wounded middle-aged baby bird even though nine times out of ten he's not even her love interest and her love interest instead is just Some Guy™ with the personality of stale supermarket brand bread. And then Cushing kills the monster in a creative kind of way, and later you read about the movie and it turns out that in the scene when Cushing's character is forced to drink blood, they used actual human blood. And it's no longer than ninety minutes long.

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Whiteout, Ying Yin

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Last month I had the idea of doing a linocut animation and decided I'd better start with something small and simple. I made a 4x6 grid on an A4 piece of lino, drew the trans symbol and the heart, then transferred my slight changes to the design between sketch paper, tracing paper, and lino until I'd filled in all 24 spaces. Below is the full print - I wanted to have just the right amount of noise/imperfection to keep that traditional flipbook vibe.