walks out of a closet covered in blood with a goofy lovestruck smile on my face
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My Chemical Romance Masterpost
The Attic Demos
I Brought You My Bullets, You Brought Me Your Love
Bullets Release Show
Three Cheers For Sweet Revenge
Warped Tour 2005
Life On The Murder Scene
The Black Parade
¡Venganza! (Mexico City)
The Black Parade Is Dead!
Danger Days: The True Lives Of The Fabulous Killjoys
Mad Gear And The Missile Kid
Conventional Weapons
iTunes Festival Live In London
The Kids From Yesterday EP
Covers
Fortunate Sons
Astro Zombies
Safe And Sound
My Name Is Jonas
Li’l Red Riding Hood
Under Pressure
Song 2
Jet Black New Year
Common People
Misc
All I Want For Christmas
Professional Griefers (ft. Gerard Way)
Xmess Detritus (Narration by Gerard for this short)
In Defense of the Genre (ft. Gerard Way)
My Chemical Romance on Loveline (April 4, 2005)
Blood
Graduation Day (ft. Gerard Way)
Sister To Sleep
The Devil In Mexico (ft. Gerard Way)
Planet Earth (ft. Gerard Way)
Destroy All Vampires
Jack The Ripper
Every Time I Die (ft. Gerard Way)
Stay Awake/The World Is Ugly
Helena (Acoustic)
I’m Not Okay (I Promise) (Acoustic)
Summertime (Acoustic)
From My Cold Dead Hands (ft. Gerard Way)
SING (Acoustic)
[x]//Add more if you can find the missing ones, but please make sure they are safe links//[x]
♪Check out my other masterpost's♪
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Yohji Yamamoto Peter Lindbergh Modonna 1994
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oil painting of Mikey Way!!!
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i hate emo bands. thank god the used is just a roaming gay club
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why do you not usually use the diner as a setting?
lot of reasons, principle among them being that the way i write the fabulous killjoys, they're just way the hell too high profile for them to have a static home base. they are in CONSTANT motion; the trans am is the closest thing they have to a "home" structure.
ive noticed that a lot of fanon tends to hold the diner as this kind of home base and the ubiquity of that mindset has always kind of puzzled me considering that we really only see it in a handful of shots in the "na na na" music video. everyone spends most of that music video on the move pretty much perpetually.
but i don't knock it! it's just not something that suits my understanding of the universe. the killjoys are hugely wanted targets and being in one consistent location is incredibly, incredibly dangerous, particularly with the girl in tow. no way are they risking indulging in anything as traceable as a consistent location! they have to be sporadic even when checking up on allies like dr. death, again by necessity - BLI wants them bad and they can't afford the risk of becoming predictable.
add that to the fact that the idea of "home" and "family" are pretty central themes to the way i write the canon, i like the idea of those things being tied more to people than to objects or locations. the killjoys' home isn't with any particular building and it's not even really the trans am - their home is each other, first and foremost.
so thematically and logistically, it's just not a location i utilize a whole lot. that being said in my version of canon the killjoys do have to hole up in the diner setting for a good six weeks (they're all very used to their nomadic lifestyle so they pretty much all hate it) and for this bit i've been stuck revising, i'm taking time to sort of dwell on how being stuck in one physical location has taken its toll on some of them psychologically.
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You wouldn’t KNIT an ALBUM COVER
Except yes, actually, I definitely would
Process/how to under the cut, for any crafters out there who’re curious
Keep reading
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