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commajade · 5 days
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daily reminder that boycotting is not a moral stance but a political strategy, so the whole “there’s no ethical consumption under capitalism” argument is not the gotcha you think it is
you can refer to BDS if you’d like a list of companies to focus your efforts on. you can refer to this website if you’d like to become more conscientious about what you’re buying and check for brands/products to avoid.
*please note that i am a palestinian who has been boycotting my entire life. do not try to explain to me in the tags or reblogs or replies what a targeted boycott is or complain about giving up your comfort for something that you (incorrectly) believe does not make an impact. being quiet is free. exercise your right to remain silent today.
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commajade · 7 days
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“Portrait of a Palestinian woman and child.”
1990.
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commajade · 7 days
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Stills from We Are Lady Parts season 2, coming May 30
A NOTE FROM NIDA MANZOOR (CREATOR/WRITER/DIRECTOR/EXECUTIVE PRODUCER) IN PEACOCK'S PRESS RELEASE: Making season one of We Are Lady Parts was immense for me. It was a trial by fire, but I found my voice, my style and my confidence in creating this show. Most importantly, I found my tribe - from actors and crew to producers and studio execs. So, coming to season two, I was galvanised. The characters, the world, the tone - it was all there, established, and ready to go. Now it was time to turn things up to 11. I wanted to go bolder, sillier, darker and deeper and that is exactly what we strived to do. In season two, we explore the interior lives of each of the women in more depth. Each of them facing new, existential challenges with all the silliness, pratfalls and banter of season one. The music is bigger too - more wild original tunes (penned by me and my siblings) and dare I say it, even better covers. The season overall asks the question of success. What is success? For a punk band - is fame, stadium shows and major record deals the answer? I wanted to explore the uncomfortable tension between art and commerce and ask how much compromise is too much. I'm really proud of what we achieved, and can't wait to share it with old fans and new.
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commajade · 7 days
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Lakota Nation vs. United States (2022, Jesse Short Bull & Laura Tomaselli)
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commajade · 7 days
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Song Jia for T Magazine China (2019) Photography: Leslie Zhan
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commajade · 7 days
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강원도의 힘 The Power of Kangwon Province (1998) dir. Hong Sang-soo
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commajade · 7 days
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A cosmic tribute to my current favourite comment in YouTube history
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commajade · 7 days
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firing tmrw <3
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commajade · 8 days
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I’m terribly sorry, madam. I have absolutely no idea where he learned that word.
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commajade · 9 days
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Jujihun 주지훈
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commajade · 11 days
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Be Yourself (1982)
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commajade · 11 days
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Hiroshi Yoshida, Azalea Garden, 1930s
Color woodblock
more
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commajade · 12 days
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FUNNY GIRL 1968 | dir. William Wyler
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commajade · 12 days
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'england: stomacher, c. 1720-40' in fashion + textiles in the international collections of the national gallery of victoria - robyn healy (2003)
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commajade · 12 days
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affectionate details have my whole heart
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commajade · 12 days
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Stoker (2013)
What are you doing today?
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commajade · 12 days
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the earth didn’t have to give us meadows of poppies, but she did!!
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