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cripplecharacters · 1 day

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that has a supporting character with dwarfism, and he's really close with his older brother, who is pretty tall. would it be weird if i sometimes had the younger ask his older brother pick him up so he can reach things? its supposed to be a cute little quirk of theirs that shows their bond, but i'm worried it might come off as weird for some reason. also, do you guys could give me a couple more tips on writing a character with dwarfism, if you have any? thanks in advance! (2/2)

Hi! the guy who asked about less talkative autistic characters here. sorry about that! i was going for more of like... don't talk to a point where it wouldn't be considered "socially acceptable?" but i had a character limit so i couldn't really get my point across that well. now that i think about it, that would probably also be lumped into just, yknow, not being talkative too. anyways, i have another unrelated question! probably equally silly but w/e. i'm writing a slice-of-life story (1/2)

Hello lovely asker!

I just wanna say that because of the ask backlog and the rotation of mods I'm afraid I don't know what ask your talking about, but I'm sure it was simply just a question that was in good faith of curiosity which is what this blog is for 😊

And to answer your question, I'm curious with how old the younger brother is. I haven't been picked up since I was probably about five to help me reach something and even then I was getting yelled at for climbing counters and such. If the younger brother isn't a very young child I would avoid this.

Being picked up is a general no. if you wouldn't do it to anyone else don't do it to someone with dwarfism or any person with a disability. Unless it's under their explicit permission, or help with transferring (from say a mobility aid to a bed or another place etc) or life or death situation, it's almost always a no.

Instead using things like the broom handle to hit tall switches or they even have these things called a "Reacher Grabber" that makes grabbing high up things super easy. Stool also are a big help, the small collapsible ones are easy to carry and move, and certain placed handles help too. Tall people are an advantage I will say though. Having the older brother bring something down to the younger brother is fine. Also have the younger brother climb things and stack objects and use the environment around him so he can get what he wants. I assure you this is what most of us do a lot.

A few more writing tips I have would be:

Research different types of dwarfism and find out which one you want your character to have and how this will affect him. It doesn't have to be mentioned at all but you knowing what type will give you much more insight into building this character.

Don't be afraid to give them mobility aids. A lot of people with Dwarfism have them and use them because they help us and they're pretty common in the community. (Do plenty of research there too if they do have one!)

A joke once or twice, especially if the two characters are very very close, about his dwarfism is okay! Me and my friends joke about mine all the time but quantity control along with a joke in good taste and timing is very important.

The character getting frustrated with his disability is okay too! It happens to me a lot but usually I'll find a solution right after to the thing that frustrated me and that frustration is gone as quick as it came.

If he's having a long conversation or an eye-to-eye conversation with someone that's tall, have them sit down somewhere, get to eye-level (I wouldn't have them lean over to his height though). It really does start to hurt your neck and head after looking up at everyone for so long.

And lastly, I certainly use my height to my advantage in multiple different scenarios. Small hands and small containers or spaces are very compatible with one another. And even though I have to shop in the small teens or kids section for clothes or shoes, I will say certain things are made better for kids (for some reason). But I also know how to hem my own clothes and how to fix them! A lot of people with dwarfism make or modify their own clothes. I can't tell you the amount of times I've gotten discounts at buffets and restaurants because people just assume I'm a child and I'm not gonna protest the discount either so. There are many fun aspects to having dwarfism, I have more fun with it and get more laughs and community out of it than frustration or anything else.

I know there's many more little things that I'm forgetting right now but the dwarfism community could probably add a few things too. Good luck writing!

~ Mod Virus 🌸

#mod virus #anonymous #dwarfism

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cripplecharacters · 1 day

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Do you guys answer questions about characters with Narcissistic Personality Disorder? A few characters in the series I'm writing have it and I want to make sure I get them right

Hi, feel free to send your questions! :-)

mod Sasza

#mod sasza #not writing advice #anonymous

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cripplecharacters · 1 day

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Hello! Want to double check that I've done a decent job of avoiding disfiguremisia, and try to turn it into great counter to hatred instead of just an okay one.

Preface: I have a form of memory loss and likely brain damage so I cannot always phrase things clearly although I will try my best.

Personally I do not feel happy reading escapist stories as that happy ending is not achievable for real people. We don't get to live in a place that's completely safe and free from judgement. I'd like to write people in a hostile world who find love and safety and community, however this does necessite writing hostility. I want to make sure I'm doing so with care.

I would like to make sure that the hostility written as tension does not tar how I write how one of the main characters. He should be written with dignity and respect even when he is not being treated well by those around him.

One of my characters is blind and develops severe burn scars. He wears a blindfold to help with photophobia and sensory overwhelm, but takes it off when its dim. (CVI plus autism.)

While he does wear a cloth coverings in public due to ugly laws, he views it as a ridiculous requirement and happily removes this mask when with friends. He also enjoys that being visibly strange or somewhat unnerving to most people means that shallow people who judge by appearances avoid him.

Question: what other things might I be able to employ to counter disfiguremisia? I have him being content with his face as it tells a story of his life and he's a blunt, forward person, not covering his face for most of the story despite laws necessitating that he do so, and a few other things too (and many side characters with facial differences and deformities also).

Also none of the central plotlines centre around facial difference. He's joining a servant rebellion, befriending a bitter exile intent on status at all costs, and discovering the truth of history. (Also a mind controlling octopus being is involved and a semi sentient moon amalgam thing but don't worry about it everything's fine.)

I think later books will be a more effective counter due to lack of ugly laws and him finding a lovely interest. I will also do my best to make the counters feel real and feasible - I want it to feel like an achievable option for those who deal with prejudice in the real world. I want his happy ending to feel real.

I respect the hell out of escapist fantasies it's just that they do nothing for me personally. I really want to write someone dealing with a lot - more than I ever have - and coming out the other end happy. Yes this world is hostile and will judge me but I can find joy despite it all. Some say the world is universally cruel but I have not found this to be the case. It is wise to be wary but myself and friends can create small sections of time and space where no precautions are necessary. Am I not part of the world? Are not they? The world is not universally cruel as long as I and those I treasure live in and we are not extraordinary, simply uncommon, and what is uncommon is still a great bounty. (Something to that effect.)

I'm set on what I want to write but the specifics I'm more than happy to change in order to bring joy. Do you have ideas on how I can do this full idea full justice?

Hello,

before getting to your actual ask, I have a "few" questions about the premise of the story itself.

You mention that you don't like escapist fantasies - that's fair. Taste differs; you can write whatever and that's great. But I do find the insistence to write a story about a specific type of discrimination as an outsider rather strange. If you want to have facial difference representation, I assume you want to have readers with facial differences, correct? I mean, I don't think that many able-bodied people would be too interested in it specifically considering most don't know what it is. So okay, this is supposed to be a story of characters with facial differences overcoming centuries worth of hatred and all that. Arguably more, considering that disfiguremisia and ableism go all the way back to Biblical times.

Why are you the person who needs to tell this story?

Just as people with facial differences are readers, we can be authors as well. We tell our stories. I will take an #OwnVoices book over a one that isn't that any day, and this fact will influence the rest of this answer. I'm a firm believer in #NothingAboutUsWithoutUs and all when it comes to this stuff.

Have you talked to people with facial differences who would be interested in the kind of story you want to tell? Do you know what they want to see from an author that's not taking it from their own experience? I don't count here, because as I made clear before, I'm not and won't be interested in it. I also don't know anyone in the community who has ever said "I wish more people without our experiences wrote about how hard it is to be us!". You need to make sure there are people who want this.

So, have, or will you, reach out to those that could like it? Sensitivity readers, random people online who like to read about disfiguremisia in their free time, advocates who work on media-centric problems? Anyone who would enjoy it is automatically a better candidate to help than me. I'm too jaded, I suppose.

If you want to talk about people with facial differences in such detail and setting, you need to get to know us. One guy with a specific set of opinions from a blog on Tumblr isn't that (thank god), but I guess I can serve as a reminder that not everyone will be excited to read a book that represents them in some way. We still have preferences.

To write it, you need to involve yourself in the community, start actually spreading activism about our issues. Preach about Face Equality and celebrate when our once-a-year week happens in May. See what disfiguremisia causes. Share our efforts to get all the problematic garbage off the big screen. Read our stories. Understand us as people who are incredibly diverse, and that not all of us like to be described as strange or unnerving.

If you only want to talk about our suffering as some quota to fill on a "types of discrimination" list, it will always be flat and inauthentic, and if you don't put in the effort it's pointless. We don't want tragedy porn, and we don't need to be included in every story about struggles that just wants some brand-new type of bigotry in it. We want authors who care about us, the living and breathing people. And sometimes it might mean respecting our opinions on writing disfiguremisia.

Here is a great post by @writingwithcolor explaining the effects of tragedy exploitation. Not everything there applies, but I would consider it a very valuable read.

If you think about all this, and decide that you are ready to write such a heavy, community-based story, go ahead to...

Actual Answers! Hooray

what other things might I be able to employ to counter disfiguremisia?

Sympathize with him. Disfiguremisia is a tragedy, it's brutal and it hurts. It's traumatic and impossible to forget, even if it wasn't happening constantly just to remind us that it's still there. On this note, I would recommend you research writing characters with PTSD.

Have him think about it. Sometimes I get home after getting stared down on the street and just want to yell. You don't forget a microaggression or a hate crime after five minutes. Let him vent and let him be upset. He can have flashbacks or recall similar situations that happened in the past.

I'm glad that he's aware of disfiguremisia unlike a ton of characters who are somehow always unable to figure out that it's a problem. If the ableism he's facing is so systemic and severe, individual people will be even more extreme. You can have him remember that the shop owner was a slur-spitting bigot, or that his neighbors avoid even talking to him. I want him to call them out - in retrospective, at the moment, in his head, whatever - on what they're doing. Throw a "not this fucking thing again" or something in there.

The minimum is to make him feel like a human with an internal thought process, who is able to actually experience what's happening to him, and for it to have long-term effects.

Also, outside of the whole disfiguremisia thing and me being overdramatic, check out our #blindness tag, and research burn scar care. If you don't show the boring and mundane, it will only feel closer to tragedy porn; just a sad thing one after another.

I will also do my best to make the counters feel real and feasible - I want it to feel like an achievable option for those who deal with prejudice in the real world.

This I think is the part of the ask that made me the saddest, and not because of what you wrote. I tried to think of achievable ways; ways that we did it, tried to do it, and are doing it, and one-by-one I crossed them out as "didn't work", "no one cared enough" or "kinda worked but honestly, it didn't". Face Equality is basically non-existent, not matter how much it hurts me to admit it! We are trying our best, and it doesn't work. It's just plain hard for me to come up with suggestions for this.

In fiction, I suppose that personal resistance is the way when it comes to this. I don't think there are feasible systemic changes that could happen that don't border on magical thinking or get into the "singular glorious revolution that somehow fixes everything and everyone lived happy ever after. We fixed racism, yay!". This just sucks.He could try to educate the people who are willing to listen - that's somewhat what I'm trying to pull off here on this blog, I guess. Sometimes it works, often it doesn't, but in his situation it wouldn't hurt to try.

The fundamental part here will be whether your character is able to find a way to make the ordinary person care in the end. To me, society who still hates us just as much, with a small group that thinks we're okay isn't a happy ending. The opposite, rather. It's cold and isolating to know only your friends could value you as a human being, and downright sad to imply that we should be happy for that. I don't mean that everyone should love us in every story, but there's a difference between The Ableism being represented by an antagonist or two versus the entire world except for the main characters.

If you decide to go forward with this story, I do hope your other readers with facial differences enjoy it!

mod Sasza

[This ask was submitted before my announcement of not taking questions regarding this subject matter. As of publishing this, it still applies.]

#mod sasza #anonymous #face difference #disfiguremisia #tw ableism #long post

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cripplecharacters · 2 days

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Salutations! I’m in the process of creating a story wherein both characters are missing an eye. One has a prosthetic, but is presently isolating themself in the woods, and wears an eyepatch to protect the eye while alone; the other’s socket is either empty, or they have a glass eye with no actual details (iris, pupil, etc.). I’ve struggled to find references for the latter, and fear it may come off as unrealistic. I understand prosthetic eyes keep the eyelid from collapsing, but aside from that could a person just not wear one? If these options are unrealistic, please let me know. I can supply you with concept art if need be.

The story itself centers around these characters after one of them finds the other by accident. They’re painted as foils—the one hiding out in the cabin adhering to a self-made sense of logic that centers on cycles and confirmation bias, while the only who takes refuge there after running away is deeply paranoid and prone to hallucinations. The first character is missing their left eye; the other their right. I don’t want to make a symbol of their disabilities, but I feel their designs simultaneously stress their opposing perspectives, as well as the fact they paradoxically still manage to see “eye-to-eye.” Their visual impairment is just one of many ways they’re able to connect across the story, as they also bond over their obscure passions and delusions, and respect each other’s warped worldview to such an extent said worldviews start to blur together. In addition to this, the story places an emphasis upon an entity known as the “ocellus,” which is basically the “false eye” you see on moth wings. In my outline so far, it’s the name of a mysterious band which the pair discover in a record collection, and resolve to solve the mystery of (regarding the members, music, etc.) One of the characters also sleeps with an eye mask with the pattern of moth wings and their respective ocelli overlaying their own eyes; their paranoid counterpart also sees eyes in the trees and wood of the cabin.

Absolutely none of this is set in stone; before it is, I just want to know how much of it is fine, which parts “moralize” or make a symbol of a disability, and what is straight-up ableist. Please let me know if you need more details.

Hi!

The prosthetic eye has two main functions: 1) to keep the eye area stay in shape, 2) to protect the socket. Both of these can be achieved by conformers (it's like a big contact, except it goes into the socket and not on the eye) which I talked about here!

A blank prosthetic eye would probably be fine. The process of getting it custom painted is expensive from what I know, and IRL a lot of people will decide on the generic kind rather than a custom. If in your world the generic happens to be a blank, there's no problems I can think of? Potentially, you could explicitly say that it's not how most prosthetic eyes look like (maybe someone else knows a person with an eye prosthetic and they comment that it's unusual?). You mentioned that the character doesn't have it in all the time, so I don't think the trope of "blind character has blank/white/milky eyes" applies here because it's clear that it's a prosthetic.

A person could decide to go bare, but the sensation of blinking could be uncomfortable, and they would need to clean their socket more to get rid of anything that could get inside. Normal saline could be used for that.

I don't think there's an issue in them missing different eyes at all. If you want to make sure it's not giving "Just Magic Symbolism" energy then you could incorporate some boring everyday things that would make sense. If they go somewhere together, they could decide to walk missing eye-to-missing eye, so that they see what's going on the sides rather than in the middle, things like that. It could make it feel more grounded, so to speak.

I don't see any issues with the moth fake-eyes symbolism either, I think it makes sense for the story you're trying to tell.

If you want to be very safe, I would have a character (can be minor, or background) that's also missing eye(s) that's not connected to any of the potential symbolism and is more of an average Joe of Not Having an Eye.

In case you decide to get into that, it would be nice for them to have different causes of why they don't have eyes. It feels like in fiction it's always physical trauma, but there's a whole more that could cause someone to not have an eye;

anophthalmia,

retinoblastoma,

severe eye infection,

elective enucleation (removal) of an already blind/painful eye,

just to give you a few ideas! Giving them "boring" everyday reasons of eye loss will also make it feel less symbolic and more like a regular disability. Think "dramatic swordfight with Huge Meaning" vs "yeah I had cancer in my eye when I was 2".

I hope that this helps; if you have any further details you'd like to ask about feel free to send another ask!

mod Sasza

#mod sasza #anonymous #face difference #eye prosthetics

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cripplecharacters · 2 days

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Hi, I'm writing a story where a recurring character is deaf, I've modelled his relationship to deafness on a deaf tiktoker I like, so like her, he has a hearing aid, but predominantly uses sign language and lip reading. This story has a very diverse set of characters, and as such there is a girl with a speech impediment related to cerebral palsy, and multiple first generation immigrants who speak broken English. Would my deaf character have a harder time than hearing people understanding these people just via lip reading? This is a story set in the real world, so most people don't know sign language, but everyone is fully literate, so they can communicate writing down if that's practical (I've only ever done that myself in busy clubs)

Hi!

Lip reading is really hard, and unfamiliar accents make lip reading even harder. It gets easier the better your character knows these other characters—if they’re people he’s known his whole life, it will be easier than with someone he just met.

Keep in mind that lip-reading alone can only get about 30% of what is said, at maximum. Getting that much is for lip-reading pros! It’s not the standard lip-reader’s experience. With whatever hearing he has, both residual and with his hearing aids in, he will be able to gather more, though definitely not all, of what is being said.

Plus, lip-reading is exhausting. It requires constant attention, and the mental energy of filtering through sounds and filling in gaps is very taxing. (This is called listening fatigue.) Your character may start conversations lip-reading and ask to switch to writing or sign language because listening is getting too overwhelming.

In all, depending on how much hearing he has, lip-reading may end up not being the most efficient for him. Lip-reading is a supplement, not an independently effective method of communication.

Mod Rock

#mod rock #lip reading #anonymous #deaf character

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cripplecharacters · 2 days

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Petition to add more disabled magical creatures in fantasy

Like picture a mermaid. When they have to be on land their tail turns to legs, but because their body is used to lower gravity their joints tire easily and are chronically in pain.

Also depending on how deep in the ocean they live, it’s likely they have circulation problems because their body is used to the water pressure holding everything where it needs to be and now their blood is always fucking pooling in their legs and they have to wear compression socks everywhere.

Wheelchair user mermaids. Partially/fully blind mermaids because who needs to see when there’s no light at the bottom of the ocean?

Mermaids with sensory issues who have to wear headphones all the time because sound is so much louder up here on land and they are constantly overstimulated. And also the sun is simply Too Bright™.

Mermaids who have POTS because in the water postural changes make no difference and their bodies don’t know how to stabilize with so much gravity.

I’m really fixated on the mermaids rn but PLEASE feel more than welcome to add more!!!! I wanna hear about disabled dragons

#reblogged by mod sasza #fantasy species #fantasy setting

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cripplecharacters · 3 days

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Hi, I'm working on a character who has vitiligo, is there any more information concerning makeup and skincare you can give me to add in the story?

Hi!

Generally for "research questions" I recommend using good old Google! You can very quickly (or at least infinitely faster than by asking us) answer them by visiting sites like the Vitiligo Society. Most disabilities have some sort of organization that offers the basic information about the condition itself. We are here more to provide writing advice.

With that said:

Vitiligo is one of the disabilities that are often much more socially disabling than medically (doesn't mean it that doesn't cause physical issues, though). There's not that many things that you can do about it, but one that you should consider:

Sunblock. Non-pigmented skin is much more susceptible to sunburn, sunburn is a huge factor in skin cancer, etc. The character can also try staying out of the sun.

The type of vitiligo your character has will somewhat affect it, e.g. localized vitiligo will be easier to protect from the sun than the very rare universal vitiligo just based on the % of skin being affected. Also, vitiligo often appears in areas that are hidden, like armpits or the inside of the mouth. Not everyone will have vitiligo patches on their face.

Sometimes people will experience itching before a new vitiligo patch appears, but this will also depend on the type; some cause new patches to happen more frequently than others. If you know the specifics of your character's condition, research should be much easier.

I'm not sure what you exactly mean by makeup? I can tell you that you shouldn't use makeup to hide your character's vitiligo spots, but that's kinda it? Feel free to send more information if you have something specific on your mind.

If you're writing a character with vitiligo, I would also encourage you to look into comorbidities. As many as 30% of people with vitiligo are hard of hearing or d/Deaf, and they develop autoimmune conditions (especially thyroid ones) more often than people without vitiligo, with 15-25% having at least one.

If your character has their vitiligo on their face or other very visible body part, I recommend my guide on writing characters with facial differences (and the #face difference tag in general) as well.

I hope this helps!

mod Sasza

#mod sasza #theirisofmyeye #face difference #vitiligo representation

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cripplecharacters · 3 days

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The Untrustworthy Fake: Disability Tropes

[ID: A screenshot of Willy Wonka from Charlie and the Chocolate Factory as he limps towards a crowd using a cane. In the picture, he has a brown top hat in his hand, and he's wearing a suit with a purple jacket, multicoloured bow tie and cream coloured pants. Beside him is text that reads: "Disability Tropes, The untrustworthy Fake" /End ID]

Tell me if this sounds familiar: A new character is introduced into a story with some kind of disability - usually visible but not always. Maybe they're a seemingly harmless person in a wheelchair, maybe they're a one-legged beggar on the street, or maybe they're an elderly person with a cane and a slow, heavy limp. But at some point, it's revealed it's all a ruse! The old man with a cane "falls" forward and does a flawless summersault before energetically springing back up to his feet, the wheelchair user gets to their feet as soon as they think the other character's backs are turned, the one legged beggar's crutch is knocked out of his hand, only to have his other leg pop out of his loose-fitting tunic to catch him.

All of these are real examples. Maya and The Three introduces one of it's main protagonists, Ricco, by having him pretend to be missing a leg in order to con people (something that works on the protagonist, at least at first), Buffy The Vampire Slayer had the character Spike, pretend to be in a wheelchair, until the other characters leave and he gets up, revealing it's all a ruse and Charlie and the Chocolate Factory introduces Wonka by having him slowly limp out into the courtyard of the factory, only for his cane to get stuck, causing him to "fall" and jump back up, revealing that he's actually perfectly fine. Virtually every single major crime show in the past few decades has used this trope too, from CSI to The Mentalist, Castle, Law and Order and Monk all having at least one episode featuring it in some way. Even the kids media I grew up with isn't free from it; The Suite Life of Zack & Cody sees Zach faking being dyslexic after meeting someone who actually has the condition in the episode Smarter and Smarter and the SpongeBob SquarePants episode Krabs vs Plankton has Plankton fake needing a wheelchair (among other injuries) after falling in the Krusty Krab as a ploy to sue Mr Krabs and trick the court into giving him the Kraby Patty Formula.

No matter the genre or target audience though, one thing is consistent: this trope is used as a way to show someone is dishonest and not to be trusted. When the trope is used later in the story, it's often meant to be a big reveal, to shock the audience and make them mad that they've been duped, to show the characters and us what this person (usually a villain) is willing to stoop to. Revealing the ruse early on though is very often used to establish how sleazy or even how dangerous a character is and to tell the audience that they shouldn't trust them from the get go. Gene Wilde (The actor who first played Willy Wonka) even said in several interviews that this was his intent for Wonka's character. He even went so far as to tell the director of Charlie and the Chocolate Factory that he wouldn't do the film without that scene because of how strongly he felt this trope was needed to lay the foundations for Wonka's questionable intentions and motivations. His exact words are: "...but I wouldn't have done the film if they didn't let me come out walking as a cripple and then getting my cane stuck into a cobble stone, doing a forward somersault and then bouncing up... the director said, well what do you want to do that for? and I said because from that point on, no one will know whether I'm telling the truth or lying."

There's... a lot of problems with this trope, but that quote encapsulates one of the biggest ones. whether intentionally or not, this trope ends up framing a lot of actual disabled people as deceitful, dishonest liars. Now I can already hear you all typing, What?! Cy that's ridiculous! No one is saying real disabled people are untrustworthy or lying about their disabilities, just people who are faking!

but the thing is, the things often used in this trope as "evidence" of someone faking a disability are things real disabled people do. A person standing up from their wheelchair or having scuff-marks on their shoes, like in the episode Miss Red from The Mentalist isn't a sign they're faking, a lot of wheelchair users can stand and even walk! They're called ambulatory wheelchair users, and they might use a wheelchair because they can't walk far, they might not feel safe walking on all terrains, they might have unstable joints that makes standing for too long risky, they might have a heart condition like POTS that has a bigger impact when they stand up or any number of other reasons. Also even non-ambulatory wheelchair users will still have scuff marks from things like transferring and bumping into things (rather hilariously, even TV Tropes calls this episode out as being "BS" in it's listing for this trope, which it refers to as Obfuscating Disability). A blind beggar flinching or getting scared when you pull a gun on them isn't a sign they're faking their blindness like it is in Red Dead Redemption 2. Plenty of blind people can still see a little bit, it might only be a general sense of light and darkness, it might be exceptionally blurry or just the fuzzy outlines of shapes, or they might only be able to see something directly in front of them, all of which might still be enough to cue the person into what's happening in a situation like that. Even if it's not, the sound of you pulling your gun out or other people nearby freaking out and making noise probably would tip them off. A person needing a cane or similar mobility aid sometimes, but being able to go without briefly or do even "big movements" like Wonka's rolling somersault, doesn't mean they don't need it at all. Just like with wheelchairs, there's a lot of disabilities that require canes and similar aids some days, and not others. Some disabilities even allow people those big, often straining movements on occasion, or allow them to move without the aid for short periods of time, but not for long. Some people's disability's might even require a mobility aid like a cane as a backup, just in case something goes wrong, but that still means you need to carry it around with you, and unless it can fold down, it's easier to just use it.

Disability is a spectrum, and a lot of disabilities vary in severity and what is required of the people who have them day to day. This trope, however, helps to perpetuate the idea that someone who does any of these things (and many others) is faking, which can actively make the lives of disabled people harder and can even put them in very real danger, physically, mentally and even financially.

Just ask any ambulatory wheelchair user about how many times they've been yelled at for using accommodations they need, like disabled toilets or parking spaces. How many times they've been accused of faking and even filmed without their consent because they stood up in public, even if it was to do something like get their wheelchair unstuck or as simple as them standing to briefly reach something on a high shelf. I've caught multiple people filming me before, so have my friends and family, and it's honestly scary not knowing where those images have ended up. This doesn't just impact the person either, a friend of mine was filmed while standing up to get his daughter (who was about 4 at the time) out of the car. He was lucky to have stumbled across the video a few days later on facebook and contacted the group admins where it was posted to get it taken down, but had he not stumbled across it by chance, pictures with his home address and his car's number plate, his child's face and his face all visible would have just been floating around, all because a woman saw him stand briefly to pick up his daughter.

Many people don't stop at just saying a nasty comment or taking a photo though, a lot of people, when they suspect people are faking, will get violent. I have many friends who have been pushed, slapped in the face, spat on or had their mobility devices kicked out from under them. I've even been in a few situations myself where, had I not had people with me, I think the situation would have turned violent.

There's even been cases where those photos and videos I've mentioned before have been used against real disabled people and they've been reported to their country's welfare system as committing disability fraud. While cases like this are usually resolved *relatively* quickly, in many parts of the world, their payment will be halted while the investigation is in process, meaning they may be without any income at all because of someone else's ignorance. If you're already struggling to make ends meet (which, if you're only living off one of those payments, you probably will be), a few weeks without pay can mean the difference between having a home and being on the streets.

Not to mention that when there's so many stories about people faking a disability in the media, especially when the character is doing it to get some kind of "advantage", such as getting accommodations or some kind of disability benefit, it perpetuates the idea that people are rorting the systems put in place to help disabled people. If this idea becomes prevalent enough, the people in charge start making it harder for the people who need them to access those systems, which more often than not results in disabled people not even being able to access the very systems that are supposed to be helping them. A very, very common example of this is in education where accommodations for things like learning disabilities require you to jump through a ridiculous number of hoops, especially at higher levels, only to have some teachers and professors refuse to adhere to the adaptations anyway because they're convinced the student (and usually disabled students as a whole) is faking.

Yes, the "untrustworthy faker" is a fictional trope, and yes, it does occasionally happen in real life, but not as often as media (including things like news outlets) would have you believe. However, when the media we consume is priming people to look for signs that a disabled person is faking, it has a real impact on real disabled people's lives. "Fake-claiming" is a massive problem for people in pretty much all parts of the disabled community, and it ranges from being just annoying (e.g. such as people spamming and fake-claiming blind people online with "if you were really blind, how do you see the screen" comments) to the more serious cases I mentioned above. It's for this reason a lot of folks in the disabled community ask that people leave this trope out of their works.

#reblogged by mod sasza #tw ableism #tropes #faking disability trope

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cripplecharacters · 3 days

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I'm writing a story set in the 1800s that has an intellectually disabled character. how would you recommend I get across that they are intellectually disabled given that the respectful terms wouldn't really have existed then?

Hi!

I think that the best idea would be to just show the symptoms of their disability. Show them struggle with tasks (which ones would depend on the severity of their disability), if they are able to do so they could speak differently when compared to other characters - I often forget words when speaking, repeat myself because I didn't understand the answer to a question (or realized that it was the answer), or have to ask someone for a TLDR because I got lost in what they were saying (even if I'm actively paying attention). Sometimes I also have to circle multiple times to a single idea to "get it out" properly because it's hard to conceptualize it all at once. Your character could also get overwhelmed or stressed more easily.

Also, often ID comes with physical symptoms so they could have dyspraxia like me! In case their ID is caused by a syndrome, it could work to describe the facial features that come with it, e.g. I think most readers would be familiar with how a person with Down Syndrome looks like. But the most important part is to show the actual symptoms of the disability!

If you want to name the disability without using slurs, "delayed" or "mentally disabled" or "having a slower thought process" could also work. They wouldn't be my primary choices in most contexts, but for historical fiction it's a bit different. "Handicapped" also started being used in the late 19th century, it's not necessarily a slur but it's still offensive. You could go for something like "fallen behind their peers" if you want.

I think that it would be a good idea to mention in some kind of author's note that your work is a piece of historical fiction and that those terms aren't preferred now (and show those that are, i.e. intellectual disability in most places and general learning disability in the UK). A lot of people don't know this, so it could be genuinely educational!

Thanks for your ask, I hope this helps!

mod Sasza

#mod sasza #anonymous #intellectual disability representation #terminology #historical fiction

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cripplecharacters · 4 days

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Different anon here! I have a character who's blindness is incident related, but it's been several years since then and the story isn't heavily focused on his trauma (or at least that specific trauma, as he has others that aren't related to blindness)

This was before I knew injury-based blindness was a harmful/potentially harmful trope though, so now I'm worried that I'll have to rewrite his backstory entirely to avoid writing about experiences I don't have, or pushing any harmful tropes that are already pushed far too much.

What do you think? Could I still use that as part of his story without focusing too much on that specific traumatic event, or do you think it's better for me to discard it entirely?

The Accident Narrative/Going Blind Through Trauma trope and How to Make It Better - (I’m just calling it that because I don’t know if this thing has a name)

My problem with this trope - and the problem many people have with it- is very specific. I’ll try to break it down for you so it is easier to understand. My problem is basically with the execution.

Characters go blind unrealistically often from traumatic accidents in media. Mainly because it creates a lot of drama, which is fair, if cheap. It is also a good story starter if the story will be about them being all sad that they’re blind. These stories usually focus heavily on the blind part rather than the trauma part, and they paint blindness as the worst thing that can happen to anyone. Including death. Sometimes the character grows out of this feeling and sometimes they don’t.

The way you portray this is what changes the narrative.

I like that your story takes place several years after the incident although how well it is done will depend on the portrayal of the resulting blindness. Blindness can be tough, but avoiding considering the incident a tragedy that ended his vision could help. Not having too much of a woe-is-me attitude toward it will also help. Starting the story years after the incident creates beneficial distance.

With this in mind, the story won’t be - about - him going blind and then adapting and possibly being sad, possibly not sad about it. That would be a type of story that is probably best left to blind people who lost their vision later in life. Your story avoids this issue by starting the story well after the incident occurred. When you said you didn’t want to write about something you hadn’t experienced, to tell a story that wasn’t yours to tell, this is what you want to avoid. If you aren’t writing about going blind/being blind, you’re good, at least for this question.

So, you have avoided writing about the experience of going blind (and having that be the focus of your story) and starting the story at another time so your character can have some distance from his trauma. Your story will not be showing your character tragically losing his sight and learning to adapt. -dramatic sniffle-

The other part of this ask that really works for me is the part about focusing on different traumas. It sounds like the character is going to have more to them, and the idea of the Blindness Trauma being not as significant as other more recent traumas sounds good and true to life. It also takes the focus away from any implications of blindness as particularly tragic and all-encompassing. Your character will expirience different things just as anyone else would. Focusing more heavily on other things in his life is a good idea. That, coupled with the distance from the initial traumatic incident makes it okay with me.

What else can you do?

Here are a few other options for you or other readers who are writing incident-related blindness:

1. Have them focus on the traumatic incident itself rather than the resulting blindness.

Yes, going blind can change your life. It can be scary and someone may need to grieve their vision loss as they would any other major change. However, this doesn’t have to be the dramatic take-up-an-entire story thing either.

If you decided to write flashbacks, you can show the character mostly dealing with trauma, with blindness as a reminder of it. This puts the focus on the traumatic incident itself healing from trauma rather than trying to heal from blindness. When sighted people write about this, it comes out as awkward, not relatable, and impossible to separate voice-type things - like worrying about never being able to marry - from the authors own opinion or worries about blindness.

Focusing on the trauma of say, extreme injury can help with that. It is important to make a distinction for the reader, who usually goes in not knowing much about blindness and conceptualizing it as one of the worst things that could happen to them. Make it as clear as you can that the character is upset due to trauma rather than being devastated their life is over because they are blind.

2. Have the trauma happen off-screen / have them not remember it much due to young age

It sounds like this is also what you’re going to do. You could mention the traumatic incident briefly, without too many dramatic details. A few descriptive sentences should be enough. You could write it for reference and only take a few samples from it you liked. This keeps the focus away from drama for drama’s sake. It also disrupts the usual narrative, putting you farther away from the Accident Narrative or trope. You could simply have had the character be too young to remember much detail.

3. Add more blind characters

This one is good for any story. You should always trace your logic for topics like the one you presented or consider how to do things better, but one easy way to avoid readers thinking all blind people are like your character (which they might), you can add another blind character or more who were born blind or went blind at a very young age. Who don’t struggle with being blind generally. This exposes your readers to more ideas of blind people.

When your story is standing on the line between nuanced character and meeting a stereotype, you should absolutely have at least one other if not a few blind characters. In fact, I would be surprised if a story like this didn’t have other blind characters and, if I were reading this story randomly, I might even feel less forgiving or open to what was different about the Accident Narrative this time.

Thank you for asking this question. It is kind of challenging to answer and I had to rewrite this a few times. Basically, you want to do what you can to disrupt the usual portrayals of blindness because there are actually so few and most are made by people who aren’t blind or even disabled. You cannot make this trope or stereotype go away, but you can try to shake it up. Because this can be done differently, to avoid writing about adapting the tragic blindness, I am ok with this type of story.

I don’t know if this one is harmful exactly, but it is frustrating to see and can certainly lead to some harmful ideas, such as blindness only being tragic even when someone was born blind. I have a review coming up for a book called Blind that might be helpful, as well as a post called Tropes I’m Tired Of that I hope will help. Your ask definitely helped me consider more ways this trope could be made more bearable and concentrate on what exactly I dislike about it.

All that said, this is not a post encouraging people to use this narrative in all their projects. Only if you feel like it is necessary and fits the character. I would like for this trope to be less common than being born blind or going blind in a way that isn’t so dramatic and, possibly, abrupt. When most characters go blind through traumatic accidents it contributes to people’s idea that blindness is not only traumatic for anyone at any age, but also cannot be anything but a tragedy.

I really hope this helps. Of course, I would really encourage a few different sensitivity readers with this story. Just to get different perspectives. There is another blind person who also offers sensitivity reading at @sensitivityreaders and it might help to get them or someone else, in addition to me. Because I would love to read this sometime.

-BlindBeta

#reblogged by mod sasza #blindness #tropes #acquired disability

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cripplecharacters · 4 days

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How your disabled character's allies react to their disability can make or break the representation in your story: Writing Disability Quick Tips

[ID: An image with “Writing Disability quick tips: How your character's allies react to their disability matters” written in chalk the colour of the disability pride flag, from left to right, red, yellow, white, blue and green. Beside the text are 2 poorly drawn people icons in green, one is standing with their hand up to the face of the other, who is in a wheelchair. /End ID]

Something I brought up in my big post about Toph Beifong was how the other characters reacted to Toph pointing out that things were not accessible to her and setting boundaries regarding her disability, which were ignored. I had more to say about it than I thought I did, as it turns out (when isn't that the case lol) but I feel like this is an important aspect of disability representation that is all too often over looked.

You can write the best, most accurate portrayal of a specific disability ever put to screen or page, but it won't mean much if all the other characters, specifically those we're supposed to like and empathise with, treat your character terribly for being disabled and having needs relating to said disability, especially if the story justifies their behaviour.

You see this most often with autistic characters and especially autistic-coded characters. The character in question will be given a bunch of autistic traits, most often traits relating to not understanding certain social dynamics or sarcasm, and when they get it wrong, the other characters we are supposed to like jump down their throat, tease them or outright abandon them. Autism isn't the only disability that gets treated this way, but it is one of the more common ones that get this treatment. It doesn't matter if you do everything else right when creating an autistic character if the other "good guys" constantly call them annoying, get angry at them or laugh at them for the very traits that make them autistic, or for advocating for their needs.

Likewise, if you have a leg amputee character who is otherwise done well, but is constantly being criticised by their allies for needing to rest their legs or taking too long to get their prosthetics on, it undermines a lot of the other work you've done. Same goes for having a wheelchair user who is accused of being a bore or a stick in the mud because they point out the places their friends want to go to on a group holiday have no wheelchair access, or a deaf character who is accused of being entitled for wanting their family to learn to sign, or anything else.

This isn't to say you can never have moments like these in your stories, but its important to remember that a) people with the same disability as your character will be in your audience. If you spend a whole season of your TV show shaming your autistic character for real traits that real autistic people have, they're not exactly going to feel welcome and may not want to hang around. b) it's going to very, very heavily impact people's perceptions of your "heros" who do this, especially in they eyes of your audience members who share the character's disability or who have had similar experiences. This isn't like calling someone a mean name or being a bit of a dick when you're sleepy, it's going to take a lot to regain audience appeal for the offending character, and depending on exactly what they do and how frequently they do it, they may not even be able to come back from it at all. And finally, c) there should be a point to it outside of just shaming this character and saying the other guy is an asshole. Like I said before, you're character is criticising real people's real disabilities and the traits or problems that come with them, things that they often have no control over, it shouldn't be used as a cheap, quick way to establish a quirky enemies to lovers dynamic or show that one guy is kind of an ass before his redemption arc. If you really must have your characters do this, be mindful of when and how you use it.

#reblogged by mod sasza

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cripplecharacters · 4 days

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Do you have any tips (or previous posts) about how to write a young person who’s first-time cane user? This one is for a character who escapes a lifetime of being experimented on, and learns in the aftermath of being rescued that this rather compromised her ability to walk well again. I’ve written characters with other mobility devices for getting around. But never canes. I myself am physically disabled but have never needed anything like these before. I’m always eager to learn.

Hi!

If your character is a first time cane user, here's some things that could happen:

She will need to learn how to walk with the cane first. When you're starting, it's easy to mess up (though it could be my dyspraxia speaking) and overfocus on how you should walk because you're just getting used to it. She could randomly stop and correct her gait, or look down a lot to check if she's still doing the motion (left arm and right leg forward, or the other way around).

She's probably gonna drop that thing a lot. Especially if she has a weaker grip in the cane hand - now, I don't have this problem (the opposite, rather) - but the overall thing is a really common occurrence for most of us. Walking and hit the smallest pebble imaginable? Cane on the ground, somehow. Tried putting it against the wall or table? It's on the ground. And then you need to reach for it... it's a struggle sometimes.

If she's not helped in picking the cane, she will spend some time figuring out what grip and height are comfortable for her. (Grip depends on personal preference, no one's preference has ever been the doorknob handle, height is generally to the person's wrist from the ground up.) I think that this could be an interesting opportunity to talk about disabled communities - maybe she's frustrated with the process and goes to an older (more experienced) cane user to help her?

If it's during the winter, her hand is gonna be freezing - and the opposite in the summer - and she might not be prepared for it. The handle can get HOT and it can be an issue. Depending on what her actual disability is, she might try switching which hand to hold it in. If she's able to do that, another character could warm up her cold hand :)

The first couple of times walking with a cane are an Experience. You feel way better, but also everyone is suddenly staring. Some people care about that, some don't. But it can be somewhat overwhelming either way.

Spatial awareness is gonna suck at first. She will bump into what feels like everything with the cane. Especially doorframes. It's always doorframes for some reason. Or mess up and have her cane slip down because she hasn't realized how close to the curb she was.

She will hit her shin. It will hurt.

She's probably going to be speedy with that thing! Getting a cane is like getting a speed boost. Without it, I have episodes where I'm extremely slow (my highest, extreme-pain speed would be slower than a person walking very casually) and with it, I'm faster than a lot of able-bodied people! It's fun and she would have fun with it.

She will not know what to do with the cane when she doesn't need it. For me, using backpacks always cause issues because I don't know how to hold it without dropping it, but I also need to swap hands, something gets stuck on the handle... it's a whole process that takes a comical amount of time at first. Same when going to the public bathroom, where are you putting it when you aren't using it...? It's a lot of trial and error and a lot of "eww, my cane just touched the dirtiest surface humanly imaginable".

In the real world, people are (overly) interested in young cane user's business and tend to stare a lot. Now, it doesn't have to be like this in your story, but it's often just an annoying part of life. Your character might feel awkward and feel like she needs to explain herself, but this goes away after some time. You just get desensitized after a while.

In the real world, people are sometimes interested and nice about it! For example, a lot of older people can be insecure about using a cane, exactly like younger people. I've heard stories about older people asking younger users where they got their cane from, how are they so confident with it, etc. Another opportunity for a disabled community moment!

I hope that my suggestions were helpful, it's been a while since I was a first-time cane user so I wrote down what I still remember, haha.

Mod Sasza

Hi!

I agree with Sasza on pretty much every point and wanted to add some things from my own experience.

It's really, really hard to hold both a cane and an umbrella at the same time. Sometimes I'll give up and get wet. Sometimes I'll give up and store the cane. She might do either of those, depending on what she hates more: being wet or walking without the cane. Or she could get a raincoat if that works for her.

Speaking of umbrellas, sometimes you need your umbrella and you need your cane and you also need a free hand. This Sucks. What I do for this sometimes (and maybe she or other people have better, smarter, more useful solutions than this) is shove my umbrella into my shirt or backpack strap or something, so the umbrella is Held Up by it. This is not very effective, and will not last long. But if I need to look up a map on my phone or adjust something on my clothes or get my keys, it can work. Sort of.

Just like mod Sasza said, people will take interest in your cane, younger and older alike. I've had people of all ages compliment my cane (it has flowers) as well as people of all ages tell me I'm too young to need a cane or ask what's wrong with me. An older woman once asked me where I got my cane as she had been wanting a 'pretty' one, and that was a nice moment.

She might develop a new awareness of mobility aid users. When you're new at using one and trying to figure it out, you're probably going to be frustrated, because it's a new skill like any other. But it might make her (like it made me) notice more people using canes. It's not that I never saw them before, but that they were more common than I ever thought, and I never would have noticed how common it was if I hadn't had to slow down and practice my skill.

Cane tips get dirty, and cane tips wear out. These both depend on where your character is using her cane (outdoors vs indoors, scratchy asphalt vs smooth wood) as well as how often. A cane with a worn-out rubber tip really sucks and is more unstable and if the cane is made of aluminum and the tip is worn out and you hit the cane the wrong way, you can damage the cane. Ask me how I know.

That's all I can think of right now that I had to learn to deal with when I started! As you can see I still don't have a solution to the rain thing and it's been like two and a half years...

- mod Sparrow

#mod sasza #maybe-its-beyond-words #canes #mod Sparrow #mobility aids

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