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If Disney is so dead-set on pumping out these live-action remakes and sequels to remakes, then where's my live-action remake of Cinderella III: A Twist in Time? I want Cate Blanchet bending the laws of the universe while dramatically snarling "Bibbity bobbity boo!" I want undercover Lily James on a stealth mission in the palace with her mice. I want Richard Madden yeeting himself out of a second story window to chase down his true love. If you're gonna commit to this whole live-action remake thing, then you'd better freaking commit.

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Instead of telling men to repress their emotions to appear stronger we should encourage them to sing incredibly dramatic ballads to process their emotions like in fictional movies. Maybe the world would heal faster. And also it would be very funny.

These are my personal favorites.

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Rant incoming

I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.

All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.

Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!

Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.

Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.

We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?

We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?

We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.

Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.

Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.

And don't get me started on the non-princess animals.

Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?

Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.

Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."

Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.

Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.

The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.

[dorsvenabili1777]

Rant incoming

I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.

All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.

Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!

Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.

Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.

We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?

We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?

We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.

Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.

Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.

And don't get me started on the non-princess animals.

Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?

Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.

Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."

Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.

Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.

The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.

[dorsvenabili1777]

Instead of telling men to repress their emotions to appear stronger we should encourage them to sing incredibly dramatic ballads to process their emotions like in fictional movies. Maybe the world would heal faster. And also it would be very funny.

These are my personal favorites.

[dorsvenabili1777]

[dorsvenabili1777]

[dorsvenabili1777]

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I love Old Man Rex so much.

[dorsvenabili1777]

Lore-Fi: Taylor’s Movements

Anyone noticed how in the Lore-Fi stream that when the one song ends that Taylor completely freezes? Then started to move once the music starts playing again? It’s like all she can do is listen to the music, maybe she is trapped? It would explain why it is a live stream and she has done nothing but listen to music?

Perhaps she is trapped in the live stream and this channel is a way of keeping her prisoner. Maybe more streams will appear of different people stuck listening to music. Gregory could be the second victim, Taylor was the first.

[dorsvenabili1777]

Starting to think a cooler headcanon for Clark’s upbringing might just be that the entire town of Smallville collectively decided to just go with it and accept that Martha and John's kid has superpowers, but we don't talk about it.

Someone's tractor gets stuck and nothing can get it out? "Be a dear and run down to the Kents, would you? Ask for Clark?"

"Why Clark, we need a machine--"

"Run along now."

Or if he kicks too hard and the football vanishes into the upper stratosphere, no it didn't, we all collectively saw it land over there *vague hand movements*

[dorsvenabili1777]

Osha and Qimir are what Rey and Ben should have been. They felt forced, messy and weird, whereas Osha and Qimir seem to have more of a connection and chemistry.

[dorsvenabili1777]

Maybe instead of the dark side you could try therapy

[dorsvenabili1777]

Katniss isn’t the main character and that’s what makes the hunger games great

I know that this has probably been said before but after I reread the hunger games (after not reading them for about 7 years) the biggest thing that stuck out to me is the fact that in the end Katniss is not what you expect. I remember her as the rebel, the mockingjay, the one that brought down the Capital and President Snow. But then I read the books again and I realised how wrong I was.

Katniss has consistently been put into situations that completely destroy her. First she and Peeta are used by the capital, before, during and after the games as ‘the Star-crossed lovers from District 12’. A new thing, perfect for the entertainment of the Capital citizens. Forced to act and pretend to be exactly that. Victors mostly get to choose who they are and what their life will be to some degree after the games. But with Katniss she has to be with Peeta, there is no other option.

Then she is used as the Mockingjay for the rebels in District 13. They save her from the arena (you could argue that they kidnapped her as she didn’t know or consent to it) basically on the condition that they could use her as their mascot, the fake leader of the rebellion, the outward facing leadership, while the real ones hide behind her.

It isn’t till the third book that you truly see the effects all this trauma has had on her. You see it partly in the first half of the second book but it isn’t until she is away from the capital and the Districts that she basically falls apart. And in the end when she tries to get to Snow in the capital, she fails, killing most of her team in the process. She never even reached him.

The way you are supposed to think of Katniss is this inspiring leader who brought down the fall of the Capital and the games. But actually she is a young traumatised girl who was only trying to protect her family.

Anyway, my point that I am trying to make is that yes Katniss is the main character of the books but she is not the main character of the world she exists in, she is not in charge of the rebellion. She was the straw that broke the camels back, she was not in charge of anything but did inspire. That is what makes these such great books, Suzan has chosen to tell a different perspective on rebellion, one that’s about more than fighting, one that’s about how and why people rebel in the first place. By choosing Katniss she is able to add in themes about the entertainment industry and society, things that the reader can more easily understand and relate to compared the the world that the story exists in.

I think that the reason why I thought of Katniss as what I said at the start is because what she inspired, what the hunger games inspired, that whole Dystopian genre became about the leaders of the rebellion. The Hunger games focuses on a casualty of that rebellion. It focuses on the effects that can have on a young girl.

After all, Katniss is only 16-17/18, she is in no position to be in charge of a rebellion. Her skills are perfect to help her survive the games but not to win a war. So why is it that the dystopian genre became so obsessed with preteens being the leaders of a rebellion when they are the least qualified?

[dorsvenabili1777]

Situation where Clark has formed a tentative working relationship with Batman, but somewhere in that time, Batman acquired Robin and, naturally, didn't tell him.

Clark finds out about Robin's existence when a ten year old Dick Grayson in full Robin gear breaks into his apartment at two in the morning and shakes him awake because Batman's missing and Alfred's away and Bruce taught him that, in the case of emergency, Superman was one of the only people he could trust. Bruce just didn't think to tell Clark that he was, by all means, his son's emergency contact.

Clark: -wakes up to a small boy that he's never seen or heard of before in a cape and a mask with lenses that reflect light like a cat's perched on the edge of his bed in a pitch black room-

Dick, calmly: Hey, Batman's -- stop screaming -- Batman's missing. I need help.

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In the entire DC multiverse, we have finally found Peak Steve Lombard.

OK, not quite.