drkineildwicks

[drkineildwicks]

Writing Update - 6/1/2025

Look quick because it's the start of my yearly month-long hiatus from the internet and all its terrible color gradients

Still working to get back into the swing of 100 words a day on some of my stuff, which as I've learned is because I do better when I do that in the morning and I've been exhausted as of late (planting season). Seeing as how it's too sopping wet to get in the garden for a while, I might be able to get back to it.

The DS/PotC adaptation of The Legend of Jack Sparrow is done, might do an edit to make it more Don't Starve flavored but we'll be posting that starting Monday.

The Glowing Tide isn't done yet--final chapter is taking longer than I expected I almost want to split it into two chapters because it's getting long.

Progress on Shadows and Ash is coming along well, got at least one battle in the Indigo League done and I'm almost done with the second--hopefully we'll get that done this month.

Matter of fact I'd also like to do 100 words a day for Ghost's Reign and Snips and Scars too, get the active fics going (Snips and Scars is currently on hiatus from updates as I get it caught up on AO3).

Still picking at Live and Learn 2, but the fic that suddenly blindsided me this month was Young Bots and Boy Geniuses--got that one past the minimum novel length at 60+K words but if my other fics are any indication, that's about a third of the way to its final length. ^^;

So! Goals for this month:

The Glowing Tide

Shadows and Ash

Snips and Scars

Ghost's Reign

And possibly some mystery fifth fic, like working more on The Ruler's Son like I threatened, and also finishing the illustrations for Edifice Coulee so I can finish updating that. Hopefully not being on the internet will facilitate this....

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I cannot believe there's absolutely no way to watch free shows and movies anymore, there are too many paid streaming platforms and pirating websites have viruses and ads preventing you from watching it uninterrupted((.)) id rather follow the rules and purchase media moving forward because it is too inconvenient. Seriously, free and no ads or viruses with 1080p streaming is DEAD.

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I accidentally follow people so much on this site that i dont know who half the people on my dash are

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[drkineildwicks]

6 Writing Tips from John Steinbeck

Pulitzer Prize winner and Nobel laureate John Steinbeck's (February 27, 1902–December 20, 1968) tips on writing, originally set down in a 1962 letter to the actor and writer Robert Wallsten, which was included in Steinbeck: A Life in Letters

Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.

Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.

Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.

If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.

Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.

If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

But perhaps most paradoxically yet poetically, 12 years prior — in 1963, immediately after receiving the Nobel Prize in Literature “for his realistic and imaginative writings, combining as they do sympathetic humour and keen social perception” — Steinbeck issued a thoughtful disclaimer to all such advice:

If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that make a bad story. For a bad story is only an ineffective story.

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Everyswine step back!!! I have potential energy!

little redraw of Harold Lloyd & Mildred Davis image i found on pinterest! I found it pretty fitting for Hamlet arc i planned for WanychxWilson. More info someday later!!! :) + Maybe ill do more redraws soon.......i have more pics of this duo i wanna redraw

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i got these knockoff boots online and instead of the brand name on the tag they have the name of an apparently nonexistent martin scorsese movie??? what the fuck

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YO WRITERS

Stop what you’re doing right now and go write 3 sentences of your story.

Every time you see this, write 3 lines.

Reblog so other writers will do the same, let’s finish these damn stories.

[drkineildwicks]

Fuck it, I didn't want to make a post on this but it's bugging the hell out of me so let's exorcize the thought.

Lilo and Stitch is an extremely good children's movie. I've been working at a daycare for over five years now, and out of all the children's movies I've shown to an auidence of twenty or so school-age kids (i.e. between the ages of 5 and 12), the only movie that's held their attention as well as Lilo and Stitch is The Emperor's New Groove, and the only one that's held it better is An American Tail. Of those three, Lilo and Stitch has won the vote of "what movie we will watch" the most. It not only entertains kids, but emotionally captivates them from start to finish, because it very thoroughly understands how to engage children on their level. It's a smart, tightly written children's movie.

The feat of story-telling genius it pulls of lies in its ability to reach both where children's imaginations want to go and where their lived real-world experiences lie - most children's movies focus on one or the other, but Lilo and Stitch dives deep into both. On the imagination side, there's Stitch's whole plotline of being a little alien monster being chased by other weirdo aliens onto earth because they want to stop him from running amok and causing havoc (which, of course, happens anyway in fun cartoony comedy/action spectacle). On the real-world side, you have Lilo's plotline of being a troubled little girl who has an abundance of very real problems that, like an actual child, she struggles to comprehend and deal with, as well as the many adults in her life that care about her to some degree but all struggle to fully understand her. Kids want to be Stitch and run amok and cause cartoony havoc. Kids, even the least-troubled kids, relate to Lilo, because all of them have been in a similar situation as her at least once in their lives.

Balancing these two very different stories, with very different tones and scopes to their respective conflicts, is a hard writing task, but Lilo and Stitch manages to do it in a way that seems effortless with one very powerful trick. The two plots are direct mirrors to each other, complete with the characters involved in each having foils in the respective plot. To break it down:

Stitch, the wild and destructive alien gremlin who everyone has labeled as a crime against existence, is Lilo, the troubled young girl who's viewed as a "problem child" by all the adults in her life. In both plotlines, Stitch and Lilo are facing the threat of being "taken away" from the life they know because they act out, and in both plotlines, we see that this is an unfathomably cruel thing to do to them and will not actually solve the problems they have.

Dr. Jumbaa, the mad scientist who made Stitch because making monsters is what mad scientists do, and who had no intentions of ever being nurturing or parental to anything or anyone in his life, is Nani, Lilo's older sister whose parents died when she was young and now is forced to act as a parental substitute despite not being mentally or emotionally prepared for that responsibility yet. Both Dr. Jumbaa and Nani are trying to get their respective wild children in line with what society wants them to be, and both are struggling hard with it because they in turn have a lot of growing to do before they can actually accomplish that.

Pleakley, the nebbish alien bureaucrat who ends up being assigned to help Dr. Jumbaa despite being mostly uninvolved in creating the whole Stitch situation, is David, the nice but mostly ineffectual guy who's crushing on Nani and wants to help her but doesn't really have much he can provide except emotional support. Ultimately Pleakley and David prove that said emotional support is a lot more helpful than it seems on the surface, as they give Jumbaa and Nani respectively a lot of the pushes they need to become better in their parental roles.

The Grand Councilwoman, who runs the society of aliens that is trying to banish Stitch forever for his crime of existing, is Cobra Bubbles, the Child Protective Services agent who is in charge of deciding whether or not Lilo needs to be taken away from her home forever for, ostensibly, her own good. Both are well-intentioned and stern, with a desire to follow the rules of society and do what procedure says is the most humane thing to do in this situation, but both lack the understanding of Stitch/Lilo's situation to actually help until the end of the movie.

Finally, we have Captain Gantu, the enforcer of the Galactic Council who is a mean, aggressive, sadistic brute but is viewed as a "good guy" by society because he plays by its rules (well, when he knows can't get away with breaking them, anyway), who is the counterpart of Myrtle, the mean, aggressive, sadistic schoolyard bully who is viewed as a "good kid" by other adults because she plays by the rules they established (well, when she knows she can't get away with breaking them, anyway). Both Gantu and Myrtle are, in truth, much nastier in temperament than Stitch and Lilo, but are better at hiding it in front of others and so get away with it, and often make Stitch and Lilo look worse in the eyes of others by provoking them to violence and then playing the victim about it - in fact, both even have the same line, "Does this look infected to you?", which they say after goading their respective wild-child victims into biting them.

The symmetry of these two plotlines allows them to actually feed into each other and build each other up instead of fighting each other for screentime. The fantastical nature of Stitch's plot adds whimsy to the far more realistic problems that Lilo faces so they don't get too heavy for the children in the audience, while the very real struggles of Lilo in her plotline bleed over into Stitch's plot and make both very emotionally poignant. When both plotlines hit their shared climax, they reach children on a emotional level few other movies can match - the terror of Lilo being taken away from her family, and the emotional complexity of that problem (Cobra Bubbles pointing to Lilo's ruined house and shouting at Nani, "IS THIS WHAT LILO NEEDS?" is so starkly real and heart-breaking), is matched and echoed in the visual splendor and mania of the spectacular no-way-this-is-going-to-work chase scene where Stitch, Nani, Jumbaa, and Pleakley all team up to rescue Lilo from Gantu.

The arcs of the characters all more or less line up. Nani confronts her own failures to be a guardian and parent to Lilo and resolves to do better and learn from her mistakes. Jumbaa, who through most of the movie protests to be evil and uncaring, nonetheless comes to not only care for Pleakley, but more importantly for Stitch too, and ends up assuming the role he never wanted but nonetheless forced himself into from the start: he is Stitch's family. Hell, the moment that reveals this is really clever - Stitch goes out into the wilderness to try and re-enact a scene from a storybook of The Ugly Duckling, hoping, in a very childish way, that his family will show up and love him. Jumbaa arrives and, coldly but not particularly cruelly, tells Stitch that he has no family - that Stitch wasn't born, but created in a lab by Jumbaa himself. But in that moment Jumbaa is proving himself wrong - because Stitch's creator, his parent, DID show up, and did exactly what happens in the story by telling Stitch the truth of what he is. It can't be a surprise, then, that later in the movie Jumbaa ends up deciding to side with Stitch, to help him save Lilo, and to stay on Earth with his child.

David and Pleakley go from being pushed away by Nani and Jumbaa respectively to essentially becoming their partners in the family. The Grand Councilwoman and Cobra Bubbles finally see how cruel their initial solution of isolating Stitch and Lilo from their family would be, and bend the rules they are supposed to enforce to protect and support this weird found family instead of breaking it apart. Gantu and Myrtle are recognized for the assholes they are and face comeuppance in the form of comedic slapstick pratfalls. And most importantly, Stitch and Lilo both get the emotional support and understanding they need to thrive and live happy lives as children should be allowed to do. It's like poetry, it rhymes.

It's a very precise, smartly written movie. It's a delicate balancing act of tone and emotions, with a very strong theme about the need for family and understanding that hits children in their hearts and imaginations. It's extremely well structured.

...

So it'd be kind of colossally fucking stupid to remake it and start fucking around with the core structure of it, chopping out pieces and completely altering others, with no real purpose beyond "Well, the executives thought it might be better if we did this."

[drkineildwicks]

More BH6

“And some people can’t bring themselves to hunt or fish or smack a fly with a flyswatter.  Kicho.”

“I don’t want to kill them,” Kicho muttered.

“Which I appreciate with the wasps and yellow jackets, those guys hold grudges, but killing flies is okay those guys are gross.”

“That shouldn’t be a reason to kill something.”

“Agree to disagree on the flies,” Hiro said.

So if you’ve been following me on tumblr you might have seen me talk about this BH6 fic I’m working on, Young Bots and Boy Geniuses, which features a young robo-Obake befriending Hiro Hamada.  It’s been fun writing because firstly poor Kicho (as the android calls himself) is a bit of a bleeding heart doormat that Hiro’s trying to keep from getting stepped on, and secondly Kicho has zero context for just about everything—thus, he doesn’t know why flies are pests and gets upset when they’re killed. ^^;

Did this yesterday between planting outside, which impressed me because getting the garden in and the yard looking good has been exhausting—maybe once we’re all caught up....

In other news, got this fic up to 60+K this month so it's past the minimum novel length—although if The Glowing Tide is any indication that’s only about a third of the way there.  Ah well, still plugging away.

Find it on eclipse here, as always please be kind and reblog, not repost, thank you! :D

Big Hero 6 © 2014 Disney

Done in Adobe Photoshop.

[drkineildwicks]

If you're a Youtube creator with monetization privileges, click on the "Earn" tab right now and deal with this if you feel like its necessary. Youtube is going to start running more ads on your videos automatically without your permission, and the ability to opt out will go away in two months.

Youtube is not advertising this anywhere. Checking my "Earn" tab on my own is the first time I'm hearing about it. To me, that suggests they don't want people to know they're doing this, because they want to crank up ad frequency and make more money.

If you've ever seen what happens when you let Youtube automatically pick ad slots like this, they basically try to run an ad every 2-3 minutes. It's a nightmare.

They are going to flood their platform with ads and drive away 70% of their viewership. On the other hand, if you opt out and choose to continue showing fewer ads, you may earn the trust and respect of your viewers.

You have a strategic operative to turn this off before May 12th. If you don't do it before then, it sounds like Youtube will take away your ability to reduce your ad frequency.

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stop earning advanced degrees i need you to finish your fanfiction

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Yes yes we get it your feelings are “valid”. Are they helpful to you? Are they productive? Do they honor you and those around you?

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rb to tell ur mutuals ur fond of them

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magnolia warbler

watercolor pencils and markers

Heyyy if I keep going I'll get the hang of this medium!