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Random worldbuilding: A culture where everyone's social status is expressed through how their hair is braided.

Children all have the same kind of a simple, unisex "child's braid" which is meant for their parents to be easy to do - traditionally boys were only taught how to do a "wife's braid" while women braid both their husbands and their children, but a modern man is naturally an attentive father and contributes to both cleaning and feeding, and clothing and braiding his children.

While this kind of knowledge is more accessible in the modern age, the art of braiding is still seen as an intimate family thing, and it's not unusual for a youth to come out to their parents by the way of braids - for example a daughter asking her father to teach her how to do the "wife's braid", or a son asking her mother how to weave the "husband braid" for their future spouse. Or a trans kid asking their parents to give them the other gender's braid when it's time to transition from the child braid into the "unmarried youth" one.

It is nonetheless still somewhat common to see an older gay man with a "wife's braid" or two older women both wearing "husband braids", because that was the only way they were taught to braid a future partner's hair when they were young. They could learn the "appropriate" braid now, but it has become a part of the culture, an old-fashioned gay thing to do. It's pride - if you wear this braid to show that you're an adult with a spouse, why try to hide who braids your hair every morning?

The only braid that one is expected to do on themselves is the widow's braid - the only one that is also unisex, braided in reverse from the simple children's braid. Sometimes, young unmarried adults who have no interest in starting a family switch directly into wearing a widow's braid to signify that they are not looking for a partner and are independent adults on their own.

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Me: I have no actual plans for my trip to Napoli. I just want to wander and eat.

Napoli: I have you covered

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hot take: 

Gloin is the sexiest dwarf by dwarf standards.

Kili is the sexiest dwarf by elf standards.

Thorin is the sexiest dwarf by human standards

& Bombur is the sexiest dwarf by hobbit standards

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Applying for jobs is a hell designed specifically to torment autistic people. Here is a well-paying task which you know in your heart and soul if they just gave you a desk and left you alone and allowed you to do it you would sit there and be more focused and enthusiastic and excellent at it than anyone else in the building. However, before they allow you to perform the task, you must pass through 3-4 opaque social crucibles where you must wear uncomfortable clothes and make eye contact while everyone expects you to lie, but not too much (no one is ever clear exactly how much lying is expected, “over” honesty is however penalized). You are being judged almost entirely on how well you understand these very specific and unclear rules that no one has explained. None of this has anything to do with your ability to perform the desired task.

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i learned about Tim Wong who successfully and singlehandedly repopulated the rare California Pipevine Swallowtail butterfly in San Francisco. In the past few years, he’s cultivated more than 200 pipevine plants (their only food source) and gives thousands of caterpillars to his local Botanical Garden (x)

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y'know what? fuck it! shout out to all my fellow "stereotypes!"

shoutout to my fellow autists who do feel like a kid in an adult’s body because their mind works differently. shoutout to my fellow systems who have alters that lash out, and/or alters of fictives from popular media. shoutout to my fellow bpd folks who get clingy and have abandonment issues. shoutout to the autists who act "robotic" and love trains or dinosaurs. shoutout to the people with OCD/OCPD who do get obsessions with cleanliness and orderliness, who do wash their hands over and over, who do lock and unlock the doors a specific number of times. shoutout to the people struggling with intrusive thoughts that do get the violent ones and the sexual ones, not just the self-injurious ones.

shoutout to my fellow flamboyant gays. shoutout to the lesbians who wear flannel and have buzzcuts. shoutout to the aces who like space and cake and dragons. shoutout to the aces who are stoic and don't have an interest in bonding with people even non-romantically. shoutout to the nbs with neopronouns and names like "star." shoutout to the queers(or otherwise lgbt+ folk if you don't use that term for yourself) who have dyed and cut hair, wear a shitload of pronoun pins, wear a rainbow binder that can be seen, and love talking about how much they love being part of the community.

shoutout to my fellow activists who yell and get mad. shoutout to my fellow activists who bring up the problems in things, even if it means "always making it political." shoutout to the feminists who don't wear bras or shave, and don't get along with men.

shoutout to the men who struggle with emotions. shoutout to the men who love blue and camo and trucks and fixing things and sports and hunting. shoutout to the women who cry easily. shoutout to the women who take hours getting ready. shoutout to the women who love pink and shopping and shoes and cooking and taking care of kids and cleaning.

i'm very white so i'll summarize the next one: shoutout to all the BIPOC fitting into "stereotypes" as well. if anyone who is BIPOC wants to give specific shout outs, go for it!

to anyone who fits these or any other "stereotypes":

You are not a stereotype. You are a person with traits and qualities. You are not doing anything wrong by being true to yourself, whether that means fitting expectations or not.

Anyone who hates whatever group you are in for these "stereotypes" would hate your group regardless; anyone who accuses you of "giving your group a bad name" is deflecting the hate onto you because it's easier to pretend that it's nothing they are doing that gets that hatred; the truth is, bigots are bigots and they will always find a "reason" to be hateful. You trying to avoid "stereotypes" will never change that.

(do not fucking clown on this post. you will not get a debate from me, you will get blocked.)

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Seasonal bows 🌸🌿🍂❄️

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Natural Black Hair Tutorial! Usually Black hair is excluded in the hair tutorials which I have seen so I have gone through it in depth because it’s really not enough to tell someone simply, “Black hair is really curly, draw it really curly.” 

The next part of Black Hair In Depth will feature styles and ideas for designing characters and I will release it around February. If you would like to see certain styles, please shoot me a message!

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have you been a little silly today?

[ID copied from alt text: marker art of a harbour seal that is lying down and sticking out its tongue a little bit. Text above reads "Make time to be silly! It's good for the soul!" The artist's signature reads @ watercolour critters. End ID.]

Instagram | Etsy | Tip Jar

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Self portrait, 50 years from now (idealized)

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Ok so today I was on the bus with another trans guy and we were talking about how hard it is to get testosterone. The waiting lists, the price, all the doctors you have to go to, that kind of stuff. Except, we were calling it ’T’, like you do when you’re both closeted and in public.

Then suddenly the elderly lady sitting behind us was like ‘young men, either I’m going crazy or you both have never heard of supermarkets, they have shelves full of tea there! Do you need directions to one?’

To which my buddy starts to explain, because why not. ‘Well you see, we’re both trans, and… ’

The lady didn’t wait for him to finish his sentence. ‘Oh no, I don’t mind that at all! Now do you want to know how to get to a place that sells tea? I’m actually heading there right now!’

We let her take us to the supermarket. We let her show us, excitedly, where the tea was. We both bought loads.

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A few days weeks ago I came across this post redrawing the wardrobe of historical and fantasy movie and tv characters in period accurate (insofar as that is possible) clothing. Because I'm an art historian/ archaeologist/illustrator and have terminal campy fantasy show brainrot, here I am hours of research and drawing later to answer the question "What if the wardrobe in BBC Merlin was historically accurate?" (but like also based on my taste *cough*)

Disclaimer: Though I am a professional art historian I am not an expert in Sub-Roman Britain or Arthuriana. I cite my sources, but I wasn't about to spend several months on this, so please be kind. Also I used Clip Studio Paint so sorry if the text is wonky or misspelled, their text tool is awful as is my spelling.

Individual designs after the jump...

As it turns out, it is incredibly hard to know what they would have worn with any certainty. After a cursory search and a good deal of frustration with the unreliability of the internet's sources on the subject, I sat back and had to ask myself: there's a fucking dragon in this show, why should we care?

The answer, of course, is because it's fun and while I don't believe TV shows and movies (particularly high fantasy ones) need to be historically accurate (what reads to an audience, symbolism, faithfulness to a character, and even budget are all arguably far more important for crafting a good story) I'm always in support of picking apart popular culture's, and therefore our society's, view of history. It can also generate some new and creative visions of the same story. So here I am, bibliography in hand and illustrations done.

Problems:

Before I even began researching or drawing, I hit the typical roadblocks with Arthurian stories: When, Where, and Who. Already I was forced to make some subjective choices. I've laid them out below:

When: Arthur and his stories are generally placed in the 5th to 6th century. This places these characters directly between the end of the Roman Era and the beginning of Saxon control of the region. There are certain through-lines in clothing between what we know was worn in Roman Britain and in Germanic/Saxon Britain. These things I've confidently included, like tablet woven trim on garments, glass beads, and dyes that would have been locally available.

Where: The show places Camelot in modern day Wales, while Gloucester is another popular location in modern scholarship. I've looked at grave goods and archaeological objects found in this area during the 5th to 6th century (mostly metal objects), but most extant hints at what clothing of the era looked like exist farther afield. Each outfit retains slightly different geographical references, and, as it seems scholars often do for this era, I am operating on the principal of averages: This is what people around the area were wearing, and there's only so much deviation, so all four of them together might get closer to accuracy.

Who: I mean this historically, as in "Who is Arthur Pendragon based on?" Obviously there is no actual answer to this question, so I've taken some liberties with characters to fit into this particular version of the story and what wardrobe choices might make sense thematically as well as historically. based on what we know of the characters, rather than one historical figure. These outfits jump around a bit, so again, hopefully at least one of them gets somewhere close.

Arthur:

Merlin:

Guinevere:

Morgana:

Additional notes:

I took some liberties based on my inability to find almost anything on what shoes would have been like, aside from "leather".

The column of decoration running up Arthur's tunic might also be inaccurate, but I felt the red needed to be broken up and its not impossible such a style existed. Realistically, the cuffs of the garment would probably have the most elaborate design, and the rest of the woven bands would be simpler. He is a prince/king though, so if anyone is going to be over the top why not him!

I may have gotten a little gold-happy with Morgana's second outfit. I just really like drawing metallics. Gold thread didn't enter the scene until later for the saxons, so just pretend its really over the top brocade like in Morgana's first outfit (which would have been strips of thin gold plate inserted into the band, rather than a solid ribbon of woven gold.)

If I were designing outfits with fantasy rather than history in mind, I would have designed veeery different outfits.

Sources (Most used bolded):

Brown, Katharine Reynolds. Migration art: A.D. 300-800. New York: Metropolitan Museum of Art, 1995.

Carroll, Maureen, Lucy Creighton, Patrick Gibbs, and James Osborn. “Rediscovering the Dead of Roman York.” YouTube, June 12, 2023. https://www.youtube.com/watch?v=MQ23upbKBHU.

Dean, Jenny. “Anglo-Saxon Dye Experiments - Part 1.” Jenny Dean’s Wild Colour, February 25, 2013. https://www.jennydean.co.uk/anglo-saxon-dye-experiments-part-1/.

“Disk Brooch: Anglo-Saxon.” The Metropolitan Museum of Art. Accessed March 26, 2024. https://www.metmuseum.org/art/collection/search/466157.

“Getting Dressed in Roman Britain.” YouTube, August 23, 2022. https://www.youtube.com/watch?v=SeqdgZ0QpZE.

Jarrett, Jonathan. “Seminar CLXVII: What about the Women of Post-Roman Britain?” A Corner of Tenth-Century Europe, June 13, 2014. https://tenthmedieval.wordpress.com/2014/05/25/seminar-clxvii-what-about-the-women-of-post-roman-britain/.

Kent, Shane. “How the Irish Dress in the 4th-6th Century.” YouTube, April 27, 2022. https://www.youtube.com/watch?v=njADJ_Jd8Qw.

Klein, Janice B. “The Life and Times of King Arthur.” Expedition Magazine, 1987. https://www.penn.museum/sites/expedition/the-life-and-times-of-king-arthur/.

Loven, Nicole. “Getting Dressed in 7th Century Britain.” YouTube, July 29, 2021. https://www.youtube.com/watch?v=q877Z5eePVg.

“Merovingian Architectural Ring: French.” The Metropolitan Museum of Art. Accessed March 26, 2024. https://www.metmuseum.org/art/collection/search/661705.

“Rare Merovingian Gold Ring Found in Jutland.” The history blog, February 20, 2024. https://www.thehistoryblog.com/archives/69517.

Rogers, Penelope Walt. Cloth and Clothing in Early Anglo-saxon England: AD 450-700. York: Council for British Archaeology, 2007.

Roberts, Mike. “Articles Dyed with Woad.” Woad dyed, December 23, 2023. http://www.woad.org.uk/html/woad_dyed.html.

Siddall, Ruth. “Red Pigments in Roman Britain.” The Pigment Timeline Project Red Pigments in Roman Britain Comments, October 31, 2018. https://blogs.ucl.ac.uk/pigment-timeline/2018/10/31/red-pigments-in-roman-britain/.

Snyder, Christopher A. “A Gazetteer of Sub-Roman Britain (AD 400-600): The British Sites.” Internet Archaeology, September 3, 1997. https://intarch.ac.uk/journal/issue3/snyder/part1.html.

Wild, J. P. “The Textile Industries of Roman Britain.” Britannia 33 (2002): 1–42. https://doi.org/10.2307/1558851.

Marzinzik, Sonja, "Expressions of Power – Luxury textiles from early medieval northern Europe" (2008). Textile Society of America Symposium Proceedings. 237. https://digitalcommons.unl.edu/tsaconf/237

“Fabrics.” Oxford University Historical Reenactment Society. Accessed April 9, 2024. https://users.ox.ac.uk/~wychwood/costumefabrics.shtml.

“Quoit Brooch: British Museum.” The British Museum. Accessed April 9, 2024. https://www.britishmuseum.org/collection/object/H_1893-0601-219.

“Weapons - Antiquity and Early Middle Age.” TEMPL. Accessed April 9, 2024. http://www.templ.net/english/weapons-antiquity_and_early_middle_age.php.

Makin, Alexandra. “Early Medieval (Mostly) Textiles #7.” Dr Alexandra Makin, January 1, 2021. https://alexandramakin.com/2021/01/01/early-medieval-mostly-textiles-7/.

“Belt Buckle with a Griffin: Frankish.” The Metropolitan Museum of Art. Accessed April 9, 2024. https://www.metmuseum.org/art/collection/search/464928?pos=5.

“Celebrating Ivory Bangle Lady .” York Museums Trust. Accessed April 9, 2024. https://www.yorkmuseumstrust.org.uk/blog/celebrating-ivory-bangle-lady/.

Ashby, Steven P. “Grooming the Face in the Early Middle Ages.” Internet Archaeology. Accessed April 9, 2024. https://intarch.ac.uk/journal/issue42/6/9.cfm.

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how often do you just make weird noises with your mouth when studying linguistics? like every time i watch a video or read something on linguistics i always end up trying to pronounce the soumds, bo matter how incongruous making such sounds is with my environnment

constantly, but then i also did this before linguistics

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My bookbinding tools and stuff

I started binding in July 2023, so I'm certainly no expert, but in case you're interested in what I use to create my binds…

I use Adobe InDesign to typeset and Illustrator for graphics

I print on an old Canon laser printer for black and white and an Epson ET-3830 inkjet for color

I purchase my shortgrain paper from Church Paper (for folios) and the long grain paper I use for quartos is just whatever (nothing special)

I love my punching cradle and guide that I got off etsy.

I use this thread (that I wax with beeswax) for sewing signatures

I love this cardstock for endpapers (Craft Consortium ink drops)

I like this bookboard (in black specifically)

I use these tools for spacing and squaring when creating covers

Everything gets stuck together with this glue. (GET THE POINTY TOP!)

I have an old Silhouette Cameo for cutting vinyl and applying foil to bookcloth (with this pen)

I use this foil quill for freehanding

I apply laser toner foil with this Scotch laminator

I have a thermal binding machine from Amazon and I use these glue strips with it

I have this guillotine (but I don't recommend black for visibility reasons)

I have purchased bookcloth from Hollander's, Colophon, and Amazon

Get this head and bond if you want to make your own bookcloth

I make ribbon bookmarks with charms like these and these crimps.

I get positive feedback and help and kindness from @renegadeguild

Caveat: These are just the tools and supplies I use. I am not an expert. I'm a hobbyist who is relatively new to it. Some of the things I use might be "wrong" but every book I've made works, so who cares?

If you want to see what it looks like when I bind something, here's a short video.

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In Japanese, they don’t say “moon,” they say “tsuki,” which literally translates to “moon,” and I think that’s how language works.