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heartpascal · 10 months ago

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PALESTINE LINKS

in honor of the media blackout this week, i wanted to compile a list of links and resources regarding what’s going on in gaza. i advise all of you to give these links a look at, or to at least reblog them. the people in gaza need the bare minimum from us in that sense. &, well, if you can’t take enough time out of your day to give these links at least a look, a like, or share, then, bye !

& for all the the last of us fans out there, you need to see this. it’s genuinely a must. not to call anyone out, but i see a lot of people who have not spoken out about this at all, who, for example, keep publishing or reblogging fics etc during the blackout. i love a good fic as much as anyone else, but you can wait a week. there’s really no excuses here. if you didn’t know about the previous blackout, then now is your chance. don’t turn a blind eye to this.

at the end of this post are links specifically for those engaged in the last of us tumblr. if you aren’t going to look at the links before that, then at least look at those.

oh, & for the dumbasses who are unfollowing me for spending a week to post about a fucking genocide? fuck you, & good fucking riddance. you are not and never were welcome on my page. i don’t want you here anyways!

PALESTINE LINKS

SEVERAL ways you can help the people in gaza. some of which are fully free.

SEVERAL links regarding info around this genocide, such as places to boycott, and ways to learn more about the nature of it all.

SEVERAL ways you can help, including ways to donate, petitions you can sign, and campaigns you can join.

places you NEED to boycott. don’t buy from them, regardless of if they really fund israel or not. if they support them, that is more than enough. boycotting is a way to resist, so do it. at the end of this post are also places that are helping those who are in gaza, and families you can help escape by donating.

know that this issue did NOT begin oct. 7th. this is so much deeper than you know, and has been going on for 70+ years. click the above link to educate yourself on that front.

CLICK HERE TO HELP PALESTINE! this site has already been debunked on if it really helps the people in gaza or not, and it does. just one click is all you need. one button, once per day. you can even do it on different devices or browsers so you get more than one click in. click it daily!

CALL YOUR REPRESENTATIVES using this link, and this link (this will help you find ways to call or email them depending on where you live). also, urge biden and congress to do right by the people in gaza. the U.S. sends billions of dollars to israel every year, funding the genocide that’s ensuing as we watch on from the comfort our homes. do the bare minimum, & hold them accountable. please.

HERE ARE WAYS YOU CAN DONATE or find a PROTEST near you! not everyone is readily available to do these things, i know that. but looking into them could never hurt, or at least sharing it elsewhere so there is more awareness surrounding it.

LEARN OF AFRO-PALESTINIAN EXPERIENCES, & the efforts they have made over the years. i think it’s so, so crucial that we hear their voices, &, god, learning of all that they’ve been through, & all that they’ve done, is so inspiring.

here is some more info regarding BOYCOTTING. boycotting does, and has been proven to work. this post explains the subject a bit more in case it happens to confuse anybody, along w/companies and such that need to be boycotted, & why. as i said before, boycotting is a way to resist. so do it!

HERE IS A 🇵🇸 MASTERLIST including ways to educate yourself, donate, books you can read, & films you can watch. this is one of the best links i have regarding this genocide, and i highly recommend you look at it!

SOUTH AFRICA took israel to court for this genocide! read about it in the above link.

FOR THE LAST OF US FANS

do not remain in the dark about the last of us’s link to the ongoing conflict in gaza. neil druckmann, the director of the game, is a ZIONIST. he grew up in israel, and TLOU2 is rooted in israeli themes. now, no one is saying you have to quit playing the game, or dislike it, for all you dense ones out there. but i ask that you remain aware of this aspect of it, especially if you are regularly engaged in the last of us tumblr.

this is a link that i highly, highly recommend you read through. it discusses the HEAVILY ISRAELI THEMES TLOU2 displays. click the following link to learn more on TLOU2 & NEIL DRUCKMANN.

DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.

it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist.

i understand that not everyone is educated on this subject, and that not everyone knew of the previous media blackout. for the last of us fans, i understand that not everyone knew about the game or show’s israeli nature. but it is never too late to take part. it is never too late to care. i promise you that. if you purchased the game, at least donate to one of the sources above. that’s just bare minimum.

get educated, get loud, & GET PROUD! these are innocent people who are dying as you read this from your bed, couch, whatever. the least you can do is like & reblog so this reaches more people. your voice matters, big account or small.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉

#resources #free palestine 🇵🇸#joel miller x reader #joel miller x platonic!reader #i know these seem like weird tags but that is where most of my followers found me so forgive me #i just want y’all to see this #the last of us #the last of us part 2

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heartpascal · 10 months ago

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this is a long post but so so worth reading. all of you who follow me should be wanting to know these kinds of things. nobody is asking you to stop liking the game/show, but if you’re going to enjoy it, you should know the context behind it.

TO ADD, there are palestine resource links at the bottom of this post that y’all should at the very least be checking out.

THE LAST OF US, and the israeli themes surrounding it

i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.

the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.

i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.

a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.

regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.

UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion

NEIL DRUCKMANN

45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.

to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.

in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.

bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.

so, let’s speak on it.

THE LAST OF US 1

on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.

the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."

the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."

while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.

let's talk about it.

THE LAST OF US 2

"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."

nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.

throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.

“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”

when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.

we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.

“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"

remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.

the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:

now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”

maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:

“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.

Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.

The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”

one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.

the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.

THE LAST OF US SHOW, and zionism in the show’s cast

i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).

for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.

many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.

but this is not the issue that is most crucial to discuss.

kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.

(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).

all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.

BOYCOTTING THE GAME AND SHOW

i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:

"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."

what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.

CONCLUSION

there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.

i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.

in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.

i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.

LINKS AND RESOURCES:

neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel

PALESTINE LINKS

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heartpascal · 10 months ago

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Oh my god where is the tommy x scar reader fic, I'm sorry if I sound rude

Ily OK bye

you’re okay!!

i deleted that fic after finding out about what the WLF-scar conflict was meant to be based upon! i had no idea back when i wrote the fic, and with the genocide in gaza i didn’t feel right keeping it up.

this is me stating once again that i do not agree with the views of the creator of tlou.

hopefully one day i’ll be able to put out another tommy fic, but it won’t be based on that. hope y’all can understand!

p.s. ilyt

#heartpascal says #more serious post here yall. i’ve said about it before but here it is again for those who missed it!#if you don’t know what i’m talking about i highly recommend you look into it!#i will try and find a post about it or smth for y’all at a later date but yes #for now i can only suggest y’all look it up #SM LOVE TO U GUYS

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heartpascal · 10 months ago

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I finished my finals and flew straight to your account's arms hi I've missed you

congrats on finishing your finals!!! and welcome on in. i have missed you too 🫶

#heartpascal says #holding u tight rn anon #HUZZAH FOR FINALS BEING OVER

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heartpascal · 10 months ago

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joel’s place

▹— joel miller x platonic!reader, hints of jesse x reader

▹— summary: you visit the cemetery

▹— a/n: this is inspired by the song robert’s place, simon robert french. i think it fits the situation perfectly :( — also i wrote this over many months so it may read a bit inconsistent, sorry! it also isn’t proofread, and by the end might’ve turned into just a string of consciousness idk

▹— warnings: major character death, grief and all that follows, mentions of scars & previous injuries, TLOU 2 SPOILERS, once again MAJOR CHARACTER DEATHS, lots of angst, talk of canon typical violence, abby mentioned, ellie and dina mentioned, also can be read as platonic for jesse i think, long lasting injury effects (please add if there’s more! i’m rusty)

▹— taglist: @rhymingtree @sleepygraves @wnstice (everything!) @auggiesolovey @just-kaylaa @evyiione @lemonlaides @fariylixie0915 @faceache111 @randomhoex @canpillowscry @pedropascalsrealgf @star-wars-lover @coolchick333 @soobsdior @rvjaa @sunflowersdrop @definitely-not-a-seagull-i-swear @miss-celestial-being @hqkon (pedro!)

MASTERLIST if you can click on my masterlist, you can also do your daily clicks!

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Eventually, the snow bled into summer.

Time tumbled and warped, moved on, the world spinning, seasons changing and months passing by like nothing had ever happened. Sometimes, when you wake up, the sun shining in your eyes from a gap between curtains, the world feeling warm, you could pretend that nothing had. That the world was as it had once been.

And in the moments of waking, that’s easy. It’s second nature to slip into the past, into better times, where autumn fell and so did you. Where everything felt right in the world.

That, unsurprisingly, didn’t last very long.

But still.

You’re here, your house in Jackson unchanged, despite the year passing by unrelentingly. The only difference being the bloom of flowers at your doorstep, colours bright in the warm sun.

And you, of course.

If you’re honest, it’s probably you that changed the most.

With scars in new places, still aching with a pain that you were certain would never go away. Hair cut shorter, choppier, done by you in the middle of the night some time in the spring. Then there’s the shakiness to your hands, the tremors that linger despite the warmth. A slight limp when you would inevitably tread wrong on your ankle. And a new age to your face, a new hardship reflected in the bags that continue to weigh you down, after all this time.

You’re not sure that the people who were lost that winter would recognise you, had they been here now. There was a whole new air about you, too, lingering in every space you stepped into.

But still. You try not to think too much about it.

Instead, you gather a handful of flowers from your doorstep, bunched together into a makeshift bouquet that you tie with twine. The remaining blooms get a splash of water before you’re setting off from your house, stepping on soft grass until you reach the road.

From there, you wander along the path you know so well, that you have walked so many times. Gravel crunches underneath your soles with every step, unearthing the split second longer it takes for you to put weight on your ankle. It still hurts, but you don’t mind so much anymore. It allows some of your pain to be physical, rather than emotional. It’s a small mercy, really.

People used to call out to you when you walked this route, but they know better now, and don’t bother you when you carry flowers. That, you think, is a small mercy, too.

If you were to glance to your left, you’d see his house. Instead, you focus on your feet, ensuring you don’t roll your ankle again. As much as you try, you can’t accept that there’s someone other than him living there now. You don’t want to see his name pried off of the mailbox, Miller outlined from the five years that the sun bleached the uncovered wood around it.

You like to think that he’s still in there, somewhere, just down the hall. So long as you don’t look, Joel lives on in that house.

You could almost pretend that you weren’t going to his new home. His final home. His resting place, Tommy had called it once. But if you knew anything about Joel, you knew that the man couldn’t rest, not even in Jackson. Not fully. You’ve resigned to calling it Joel’s place.

It comes into view quickly, a mere stone’s throw from his house, and like every other time, you feel dread.

A wave of it crashes over you, leaving you gaping for air. It sinks down your throat and fills your lungs, your stomach, your very being. It’s an all consuming thing. You know his name is going to be carved upon a stone, instead of the mailbox where it should be, and every time you come here, it shatters the illusion. Each time, you have to pick up the pieces, and painstakingly put it back together again.

The flowers sit nicely, giving his place a burst of colour. It makes that pit in your throat open up again, and threaten to swallow your tongue. You know Joel wasn’t really a flower guy, but there’s not much else you can do. If he was here, you’d give him the bag of coffee that still sat useless in your cupboard. But he’s not.

“Hi,” You say into the still air, because you still can’t bring yourself to say his name here. There’s a part of you that refuses to believe it’s him, even after all this time. You practically fall to the floor as you lower yourself, and huff at the inconvenience your old injury still caused you. “It’s been a while.”

And it’s true — it’s been long enough that Zahir, the man who took care of the graves on a more regular basis, had removed the flowers from the last visit. They must have died quickly, which you found to be quite ironic. Still, you hoped these ones lasted longer.

“Dina’s going to have her baby in a few weeks, we reckon. She said that if it’s a girl, she’ll name her Talia. But if it’s a boy…” You smile faintly, just imagining what Joel would look like if he was truly here. “She said JJ. Jesse-Joel. I hope it’s a boy, if I’m honest. I think he’d have Jesse’s smile.”

A breeze shifts the air around you, and you fidget with the tongue of your shoe for a moment.

“Her and Ellie are still living up at that farm, with a whole bunch of sheep. It’s not far, but I don’t see them too often. Ellie doesn’t really show her face around here, much. I think she avoids it because of Tommy, and Jesse’s parents. I don’t blame her.” You continue, breathing in the warm air and hoping it’ll soothe some of the pain in your chest. “Jesse’s parents have tried to visit me, a few times. You would think I’m so stupid for avoiding them like this, I just know it.”

You swallow roughly, trying to push down the lump in your throat. More than anything, you just wish that he could answer you, wish that he could confirm your suspicions on what he would think.

“It’s just… it’s been hard, here. Since we got back. Everything just feels so different.” You scoffed. “Probably because everything is different. You should see Mike and Astrid trying to lead the patrols. Without you and Jesse…” You shook your head, trailing off.

The breeze shook some leaves free from their branches, and sent them swirling down to the ground, where Zahir would sweep them away later. You liked the man. He had been kind and respectful every time you had seen him here, and you appreciated how much care he put into the upkeep of graves of people he hadn’t even known.

Sometimes when you were here, it felt like you were the only person in the world. As if when Joel died, everybody else died with him. And in some ways, you think that might be true. Jesse died right after him, and Tommy was almost right behind him. And Ellie… she lost a part of herself in that basement. After Seattle, you were surprised there was anything left of her.

It was why you always felt relieved when Zahir showed up. He allowed you to realise that there were still people around you, that not everybody was buried with Joel. Zahir reminded you that other people were grieving, too. It helped to know that you weren’t actually alone in this experience, even if it felt like it.

You wanted to tell him how much you missed the two of them, how your life felt incomplete without them in it. You wanted to let the words fall from your mouth, wanted to observe as the breeze caught them and swept them away to somewhere that Joel just might have heard them. But you already felt silly, doing this. Speaking to him, knowing that he couldn’t hear a word of it.

What else could you do, though? Where else were you meant to put all of these unrelenting thoughts? What else could you do with the grief that threatened to bury you right beside the people you missed most?

“So much has changed here. It doesn’t feel like home, the way it used to.” You admitted to the open air, trying not to let regret or embarrassment consume you. The breeze could be comforting, if you allowed it to be.

It’s been a long time since you’ve allowed yourself to be comforted. Maybe too long.

All you can think is haven’t you suffered enough? Do you have to continue the seemingly endless cycle of pain that you have been trapped in for years? Shouldn’t you, after everything, be allowed some comfort?

“If I’m honest, I don’t think it’ll ever feel like home again. Not really. I guess that’s why Ellie doesn’t really visit.” You said, listening to the rustle of leaves, watching the petals on the flowers you’d brought shift. You believe it, too. You believe that Ellie refuses to visit because Jackson has lost its spark. Its livelihood. That, and you’re pretty sure she can’t bring herself to visit Joel’s place, or Jesse’s.

You don’t blame her. It had been one of the hardest things you’d ever done, coming here after returning from Seattle. You felt like some sort of sorry animal, failing to come home with the prey it was supposed to. Despite your best efforts, your jaws remained empty of prey. Your hunt had failed, had turned sideways, had left you feeling more sorrow than before.

How could you come here knowing that Abby was still alive out there? Knowing that, while Joel had been rotting underground, she had a life.

It had taken you a long time to accept that fact. To let it go.

Ellie was still holding on.

You suppose that you have always been better at knowing what went through Joel’s head. At rationalising things. You knew that going after her was never what Joel would’ve wanted for the two of you. But Ellie had always struggled with seeing his point of view. With seeing anyone’s perspective but her own, really. She could never understand Abby, just like she had never understood Joel after what he did to the Fireflies.

Joel would want the two of you here, not on some cross country journey for revenge. And you understand why — because that trip had caused you even more loss. It hadn’t fixed a thing, and at the end of it all, Abby was still alive.

Going after her wasn’t worth Jesse’s life.

If you had known the cost of that journey before you had left Jackson in search of it, you don’t think you would’ve gone. Not if it meant losing him, too.

A glance across the cemetery had your eyes locking onto another familiar headstone. It was still hard for you to face that one, knowing that you were the direct cause of Jesse’s death. Would he had left the safety of Jackson, if you hadn’t joined Ellie on her quest for vengeance? Would Abby have felt the need to defend herself, the kid with her, if you and Ellie hadn’t been so intent on killing her?

One of the worst parts about his death is that you could understand. Had you, Ellie and Joel not killed many people, defending those you cared about? Hell, hadn’t you killed WLFs to protect Jesse? You’d caused people this loss, too. Perhaps his death was just karma, finally catching up to you. But to reduce Jesse to that felt… wrong. He was more than that. So much more.

He should’ve been here. At your side, grieving Joel right alongside you.

Had you chosen to just grieve, rather than avenge, you wouldn’t have to do it all alone. If you had remained in Jackson while Tommy, Ellie and Dina left, you could’ve asked Jesse to stay. You’re almost confident that he would have.

But then you would’ve lost the others, too.

Either way, Jackson would’ve lost its spark of life.

“I think that, maybe, you guys were my home. And that’s why it feels like this.” You look away from the stone with Jesse’s name carved upon it. Admitting it just makes it feel more real, and you know that you will never feel at home again. Not like you did with them.

Your eyes water before you can do anything about it, trailing saltwater down your cheek. It crawls across the scar underneath your eye, and you feel the phantom pain of Abby’s fists upon your face once more. Everything in you aches, particles of loss and decay floating through your veins until it feels like it’s all you are.

But it’s not.

There’s still life within you, waiting to be let out.

Joel and Jesse don’t have that luxury. Which is why you feel like you have to honour them, like you have to actually live, instead of sitting here, wallowing in the pain of it all.

“I miss you.”

The wind brushes against your hair, your face.

“I’ll come back soon,” You promise, resting your palms against the ground to help you stand without aggravating your injury. “Maybe next time I’ll bring your guitar, show you what I’ve learned since we lost you.”

There’s a lump in your throat, and you can’t seem to swallow it. Your goodbye can’t get past it, and you know it will only worsen if you go across to Jesse’s place. You turn, swearing that you will have something more hopeful to tell the open air next time you come.

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