honeyedinkandpetals

[honeyedinkandpetals]

Character Movements #1

╰ Sighing

Not just “he sighed.” That’s lazy. Give us the why behind the air. Is it the kind of sigh that deflates their whole chest, like they’ve been holding the world on their lungs? Or one sharp exhale through the nose, all frustration and fed-up energy? Maybe it’s quiet—barely audible. Maybe they don’t even realize they’re doing it. But the room shifts a little when they do. Sighs can mean “I give up,” or “finally,” or “not this sh*t again.” Just depends on what’s dragging at their ribs.

╰ Shivering

This isn’t just about cold. A character can shiver in a warm room if they’re scared enough. Maybe their skin prickles before it starts, like tiny goosebumps racing up their arms. Maybe it hits in a full-body tremble, their breath catching like something primal in them just screamed “danger.” Or maybe it’s subtle, like a soft internal quake they’re trying not to show. It’s the kind of movement that betrays the truth they won’t say out loud.

╰ Trembling Hands

Shaking hands are so intimate. They’re not dramatic—they’re revealing. It’s the way their fingers fumble to light a cigarette. The way they have to tuck their hands under their thighs so no one sees. Maybe they keep reaching for the glass but can’t quite get a grip. Or maybe they do grip and the tremor runs through the whole glass like a warning. It’s not about the shake. It’s about the fact they wish they weren’t shaking at all.

╰ Clenching Fists

This one? Its tension incarnate. And it doesn’t always mean someone’s about to punch something. Sometimes they ball their fists just to keep from crying. Or because they’re trying so hard not to say something they’ll regret. Look for the subtleties: white knuckles, nails digging into palms, fists flexing open and closed like they’re trying to wring out emotion. It’s control. Rage. Determination. Or the act of stuffing all that inside a cage of fingers.

╰ Biting Nails

It’s more than “they’re nervous.” It’s compulsion. Habit. A survival tic. They might not even realize they’re doing it—just fingers to mouth, chewing down without looking, like their body’s trying to chew through the waiting. Maybe their nails are ragged. Maybe they flinch when they bite too deep. Maybe it’s the sound, the soft click of teeth and nail in a dead-silent room. It’s vulnerability dressed up as fidgeting.

╰ Tapping Fingers

This is the soundtrack of a restless mind. Is the rhythm sharp? Fast? Jittery? Are they tapping with one finger like a countdown—or all five, like a rainstorm on the table? They might not even notice. But other people do. Someone asks them to stop, and they bristle. Or they stop mid-tap when someone says the wrong thing, and that silence? That silence is loud. Tapping fingers are rarely idle. They’re keeping time with the character’s thoughts.

╰ Pacing

Pacing isn’t just walking back and forth—it’s the body trying to outrun a thought. They stand. They sit. They stand again. They move because stillness feels like being buried alive. Maybe their footsteps are soft, barefoot across carpet. Or hard-soled and echoing through a hallway like a threat. Maybe they walk a perfect loop, over and over. Maybe it’s erratic, jerking toward the door, away, toward again. Their mind is spinning, and their body’s just trying to keep up.

╰ Slumping Shoulders

This isn’t just a posture change—it’s the moment the weight wins. Shoulders that sag say “I lost.” Or “I’m done.” Or “Please don’t ask me to care anymore.” Maybe they slump in a chair and stare at the floor. Maybe they’re standing, but something in them folds anyway. Their spine’s still straight, but their shoulders fall like scaffolding giving way.

╰ Tilting Head

Simple movement—loaded meaning. They tilt their head when someone says something that doesn’t quite click. Or when they’re trying to listen harder, like angling their body will help them hear the truth under the words. Maybe the tilt is sharp and skeptical, like “You sure about that?” Or soft and curious, like “I’m trying to understand.” Or just a little too slow, too drawn out—like a predator sizing up prey. It’s instinctual. And it always means they’re paying attention.

╰ Rubbing Temples

This one screams I’m trying to hold it together. It might be frustration. Migraine. Bone-deep exhaustion. They press fingers to their temples like they’re physically trying to squash the problem before it leaks further into their head. Maybe their fingers circle gently, trying to soothe themselves. Maybe it’s two fingers, firm pressure, eyes closed, jaw clenched. It’s the gesture of someone whose brain won’t shut up—and whose body knows it.

[honeyedinkandpetals]

You once made a promise to yourself: if you ever met a time traveler, it wouldn't be a big deal. You’d tell them the date, the most important political conflict, a recent technology, and send them on their way. You now encounter a time traveler nearly every week.

[honeyedinkandpetals]

Ways I Show a Character is Emotionally Burned Out (Before They Even Realize It Themselves)

I love writing characters who think they’re fine but are actually walking emotional house fires with bad coping mechanisms.

They stop doing the things they used to love and don’t even notice. Their guitar gathers dust. Their favorite podcast becomes background noise. Their hobbies feel like homework now.

They pick the path of least resistance every time, even when it hurts them. No, they don’t want to go to that thing. No, they don’t want to talk to that person. But whatever’s easier. That’s the motto now.

They’re tired but can’t sleep. Or they sleep but wake up more tired. Classic burnout move: lying in bed with their brain racing like a toddler on espresso.

They give other people emotional advice they refuse to take themselves. “You have to set boundaries!” they say—while ignoring 8 texts from someone they should’ve cut off three emotional breakdowns ago.

They cry at something stupidly small. Like spilling soup. Or a dog in a commercial. Or losing their pen. The soup is never just soup.

They say “I’m just tired” like it’s a personality trait now. And not like… emotionally drained to the bone but afraid to admit it out loud.

They ghost people they love, not out of malice, but because even replying feels like too much. Social battery? Absolutely obliterated. Texting back feels like filing taxes.

They stop reacting to big things. Catastrophes get a blank stare. Disasters feel like “just another Tuesday.” The well of feeling is running dry.

They avoid being alone with their own thoughts. Constant noise. TV always on. Music blasting. Because silence = reckoning, and reckoning is terrifying.

They start hoping something will force them to stop. An accident. A missed deadline. Someone else finally telling them, “You need a break.” Because asking for help? Unthinkable.

[honeyedinkandpetals]

Spicy Dialogue Starters Pack

Slow Burn That’s About to Explode

"If you keep looking at me like that, I’m going to do something we’ll both regret."

"Say that again. Slower."

"You really like testing my patience, don’t you?"

"Back up. Closer. I want to see if you’ll actually do it."

"Do you realize how loud you were moaning my name last night?"

"You should probably stop touching me like that... unless you plan on finishing what you started."

"We’re not doing this here." – "Why not? Scared you’ll like it?"

"I dare you. No, seriously—I dare you."

"One bed. One night. You sure you can behave?"

"You think I won’t?" – "I know you will. That’s the problem."

Enemies to Lovers, but We’re Both Hot and Unhinged

"If I kiss you, it’s not because I like you. It’s because you won’t shut up."

"Do it. Touch me like you hate me."

"You’re infuriating." – "And you’re turned on."

"Careful. You’re starting to sound jealous."

"Admit it. You like it when we fight."

"You want me. You just don’t want to want me."

"If you’re going to stare, you might as well do something about it."

"Say it. Say you want me." – "Why? You’ll just use it against me."

"Keep talking like that and I’ll kiss you right here."

"Don’t tempt me." – "What if I want to?"

Post-Tension Intimacy (A.K.A. We Finally Snapped)

"You're shaking." – "So are you."

"This doesn’t mean anything." – "Then why are you holding me like that?"

"I’ve wanted this since the moment I met you."

"You're not getting any sleep tonight, just so you know."

"You're mine now. Say it."

"God, you feel so good." – "Yeah? Then shut up and keep going."

"You can hate me in the morning. Just… let me have this tonight."

"Is this what you wanted?" – "No. I wanted more."

"Don’t stop. Don’t you dare stop."

"I’m going to ruin you. And you’re going to thank me for it."

Teasing Touch, Dangerous Proximity

"You’re blushing." – "Shut up."

"That shirt’s doing you no favors. Take it off."

"If you wanted me to kiss you, you could’ve just said so."

"I like the way you say my name. Say it again."

"You’re standing really close." – "Yeah? You gonna move?"

"I can feel your heartbeat. Is that for me?"

"Your hands are shaking... here, let me help you."

"Careful. Someone might think you actually want me."

"You know exactly what you’re doing to me, don’t you?"

"We’re not supposed to do this." – "Since when has that ever stopped us?"

Voice Low, Words Barely Whispers

"Keep your voice down. Or don’t. Let them hear."

"Every time you talk, all I can think about is your mouth on mine."

"Say the word, and I’ll have you against that wall in five seconds."

"What do you think happens if I kiss you right now?"

"You smell like trouble." – "You taste like it."

"Look me in the eyes when you lie like that."

"One more step and I won’t be able to hold back."

"If you keep teasing me like that, I’m going to ruin you."

"Tell me to stop." – silence – "Didn’t think so."

"We’re alone now. You still pretending this is just tension?"

Hot-Headed, Argument-Laced, About to Snap

"Why do you always have to push my buttons?" – "Because I love watching you lose control."

"You think you’re in control here? That’s cute."

"You're not walking away from me. Not this time."

"God, you're impossible." – "You didn’t seem to mind last night."

"Say it louder. Maybe if you scream my name again, I’ll believe you."

"Keep pretending you don’t want me. I’ll keep proving you wrong."

"You're dangerous." – "Only if you ask nicely."

"Is this still an argument or are we just flirting with knives now?"

"Admit it. You love it when I get like this."

"Don’t act like you don’t want this too."

[honeyedinkandpetals]

Romance Dialogue Starters

Tender / Confessional Moments

"Come here. Just for a minute."

"You don’t have to be strong all the time."

"Stay. Please, just stay."

"You make me feel safe. That’s terrifying."

"I missed you so much it hurt."

"When I’m with you, I forget to be afraid."

"Is it okay if I hold your hand?"

"You’re not a burden. You never were."

"I wish I’d met you sooner."

"You’re my favorite ‘what if.’"

Protective/Overprotective Behavior

"Where were you? I’ve been calling for hours."

"You could’ve died, you idiot."

"Don’t ever scare me like that again."

"Next time, I’m going with you. No arguments."

"You’re hurt. Let me see."

"I’m not letting you do this alone."

"Overreacting? You bled through your shirt!"

"You think I care what they say? I care about you."

"If anything happens to you, I’ll burn the whole damn world down."

Conflicted Longing

"If I kiss you now, I won’t be able to stop."

"We can’t do this." – "Then don’t look at me like that."

"You’re the last person I should want."

"Tell me to go, and I will."

"I want to hate you. But I don’t."

"This changes everything."

"Just tonight. Just this once."

"You’re always in my head. I hate it."

"You deserve better. But I’m selfish."

[honeyedinkandpetals]

How to Write a Character

↠ Start with the basics, because obviously. Name. Age. Gender. Maybe even a birthday if you’re feeling fancy. This is step one because, well, your character needs to exist before they can be interesting. But nobody cares if they’re 27 or 37 unless it actually matters to the story.

↠ Looks aren’t everything… but also, describe them. Yes, we know their soul is more important than their hair color, but readers still need something to visualize. Do they have the kind of face that makes babies cry? Do they always look like they just rolled out of bed? Give us details, not just “tall with brown hair.

↠ Personality isn’t just “kind but tough.” For the love of storytelling, give them more than two adjectives. Are they kind, or do they just pretend to be because they hate confrontation? Are they actually tough, or are they just too emotionally repressed to cry in public? Dig deeper.

↠ Backstory = Trauma (usually). Something shaped them. Maybe it was a messy divorce, maybe they were the middle child and never got enough attention, or maybe they once got humiliated in a spelling bee and never recovered. Whatever it is, make it matter to who they are today.

↠ Give them a goal. Preferably a messy one. If your character’s only motivation is to “be happy” or “do their best,” they’re boring. They need a real goal, one that conflicts with who they are, what they believe in, or what they think they deserve. Bonus points if it wrecks them emotionally.

↠ Make them suffer. Yes, I said it. A smooth, easy journey is not a story. Give them obstacles. Rip things away from them. Make them work for what they want. Nobody wants to read about a character who just gets everything handed to them (unless it’s satire, then carry on).

↠ Relationships = Depth. Nobody exists in a vacuum. Who do they love? Who annoys the hell out of them? Who do they have that messy, can’t-live-with-you-can’t-live-without-you tension with? People shape us. So, shape your character through the people in their life.

↠ Give them a voice that actually sounds like them. If all your characters talk the same, you’ve got a problem. Some people ramble, some overthink, some are blunt to the point of being offensive. Let their voice show who they are. You should be able to tell who’s talking without dialogue tags.

↠ If they don’t grow, what’s the point? People change. They learn things, make mistakes, get their hearts broken, and (hopefully) become a little wiser. If your character starts and ends the story as the same exact person, you just wasted everyone’s time.

↠ Flaws. Give. Them. Flaws. Nobody likes a perfect character. Give them something to struggle with, maybe they’re selfish, maybe they push people away, maybe they’re addicted to the thrill of self-destruction (fun!). Make them real. Make them human.

↠ Relatability is key. Your character doesn’t have to be likable, but they do have to be understandable. Readers need to get them, even if they don’t agree with them. If your character never struggles, never doubts, and never screws up, I have bad news: they’re not a character, they’re a mannequin.

↠ You’re never actually done. Characters evolve, not just in the story, but as you write them. If something feels off, fix it. If they feel flat, dig deeper. Keep refining, rewriting, and letting them surprise you. That’s how you create someone who feels real.

Now go forth and write characters that actually make people feel something. And if you need a reminder, just ask yourself: Would I care if this person existed in real life? If the answer is meh, start over.

[honeyedinkandpetals]

Character Flaws and Their Meanings

Impulsiveness : Acts on instinct without careful planning. Perfectionism : Sets unrealistically high standards, leading to self-criticism. Indecisiveness : Struggles to commit to decisions or choose a path. Arrogance : Overestimates one’s abilities and dismisses others. Pessimism : Habitually expects negative outcomes in most situations. Cynicism : Distrusts the motives and sincerity of others. Overconfidence : Places excessive faith in one’s skills, often underestimating risks. Stubbornness : Resists change and refuses to adapt to new ideas. Jealousy : Feels envious of others' success or possessions. Insecurity : Experiences frequent self-doubt and a lack of confidence. Procrastination : Tends to delay tasks, often leading to missed opportunities. Passivity : Avoids taking initiative and relies on others to act. Aggressiveness : Responds with hostility or force rather than reason. Selfishness : Prioritizes personal gain over the welfare of others. Fragility : Is overly sensitive to criticism and easily discouraged. Egotism : Constantly focuses on oneself and one’s own importance. Defensiveness : Quickly rejects or rationalizes away critique or new information. Manipulativeness : Exploits others to fulfill personal needs or desires. Recklessness : Shows a careless disregard for potential risks or consequences. Resentfulness : Holds lingering bitterness and grudges over perceived wrongs. Distractibility : Finds it hard to maintain focus amid competing interests. Impatience : Lacks the willingness to wait, often spoiling opportunities to learn. Perfunctory : Performs actions in a mechanical, uninspired manner. Self-Doubt : Consistently questions personal abilities and decisions. Arbitraryness : Makes decisions based on whim rather than reason or evidence. Rigidity : Is inflexible and unwilling to consider alternative viewpoints. Gullibility : Trusts too easily, often leading to being misled or deceived. Obsession : Becomes excessively fixated on particular ideas or details. Aloofness : Maintains emotional distance, appearing detached or indifferent. Intolerance : Refuses to accept differing perspectives or lifestyles.

Writing Advice for Brainstorming

Mix genres and time periods: Experiment by combining elements from different eras or genres to create unique settings and narratives.

Use "what if" scenarios: Pose unexpected questions (e.g., What if time travel operated on emotions rather than mechanics?) to spark novel ideas.

Draw from diverse mediums: Engage with art, music, or even scientific papers to inspire unexpected plot twists.

Embrace absurdity: Let illogical or surreal ideas guide you; sometimes the wildest thoughts lead to compelling stories.

Reverse clichés: Identify common tropes in your favorite genres and deliberately invert them to create fresh perspectives.

Incorporate personal anomalies: Transform your idiosyncrasies and personal struggles into rich, multi-dimensional characters.

Use mind-mapping: Visually plot your ideas in a freeform way to uncover hidden connections between disparate elements.

[honeyedinkandpetals]

Describe your Main Character sheet

Skin

Tone: Pale, Rosy, Olive, Dark, Tanned, Alabaster, Ebony, Bronze, Golden, Fair

Texture: Smooth, Rough, Silky, Coarse, Flaky, Supple, Wrinkled, Calloused, Bumpy

Condition: Moles, Acne, Dry, Greasy, Freckled, Scars, Birthmarks, Bruised, Sunburned, Flawless

Complexion: Clear, Ruddy, Sallow, Glowing, Dull, Even-toned, Blotchy

Eyes

Size: Small, Large, Average, Tiny, Bulging, Narrow

Color: Grey, Brown, Blue, Violet, Pink, Green, Gold, Hazel, Crimson, Amber, Turquoise, Sapphire, Onyx

Shape: Doe-eyed, Almond, Close-set, Wide-set, Round, Oval, Hooded, Monolid

Expression: Deep-set, Squinty, Monolid, Heavy eyelids, Upturned, Downturned, Piercing, Gentle, Sparkling, Steely

Other: Glassy, Bloodshot, Tear-filled, Clear, Glinting, Shiny

Hair

Thickness: Thin, Thick, Fine, Normal

Texture: Greasy, Dry, Soft, Shiny, Curly, Frizzy, Wild, Unruly, Straight, Smooth, Wavy, Floppy

Length: Cropped, Pixie-cut, Afro, Shoulder length, Back length, Waist length, Past hip-length, Buzz cut, Bald

Styles: Weave, Hair extensions, Jaw length, Layered, Mohawk, Dreadlocks, Box braids, Faux locks, Braid, Ponytail, Bun, Updo

Color: White, Salt and pepper, Platinum blonde, Golden blonde, Dirty blonde, Blonde, Strawberry blonde, Ash brown, Mouse brown, Chestnut brown, Golden brown, Chocolate brown, Dark brown, Jet black, Ginger, Red, Auburn, Dyed, Highlights, Low-lights, Ombre

Eyebrows: Thin eyebrows, Average eyebrows, Thick eyebrows, Plucked eyebrows, Bushy eyebrows, Arched eyebrows, Straight eyebrows

Lips

Shape: Full, Thin, Heart-shaped, Bow-shaped, Wide, Small

Texture: Chapped, Smooth, Cracked, Soft, Rough

Color: Pale, Pink, Red, Crimson, Brown, Purple, Nude

Expression: Smiling, Frowning, Pursed, Pouting, Curved, Neutral, Tight-lipped, Parted

Nose

Shape: Button, Roman, Hooked, Aquiline, Flat, Pointed, Wide, Narrow, Crooked, Upturned, Snub

Size: Small, Large, Average, Long, Short

Condition: Freckled, Sunburned, Smooth, Bumpy

Build

Frame: Petite, Slim, Athletic, Muscular, Average, Stocky, Large, Lean, Stout, Bony, Broad-shouldered, Narrow-shouldered

Height: Short, Tall, Average, Petite, Giant

Posture: Upright, Slouched, Rigid, Relaxed, Graceful, Awkward, Stiff, Hunched

Hands

Size: Small, Large, Average, Delicate, Strong

Texture: Smooth, Rough, Calloused, Soft, Firm

Condition: Clean, Dirty, Manicured, Scarred, Wrinkled

Nails: Short, Long, Polished, Chipped, Clean, Dirty, Painted, Natural

Voice

Tone: Deep, High, Soft, Loud, Raspy, Melodic, Monotonous, Hoarse, Clear, Gentle

Volume: Loud, Soft, Whispery, Booming, Muted

Pace: Fast, Slow, Steady, Hasty, Measured

Expression: Cheerful, Sad, Angry, Calm, Anxious, Confident, Nervous, Excited, Bored

[honeyedinkandpetals]

rereading six of crows oh my god whyy does kaz interact with inej like he's playing episode with no diamonds

[honeyedinkandpetals]

Nothing is more humbling than rewriting a fic you posted when you were 16.

[honeyedinkandpetals]

Writers Coffee Corner - Join a Cozy Discord Chat

Calling all writers, dreamers, and book lovers! 🌿✨

I’m creating a cozy little corner on Discord for writers to come together, share ideas, swap feedback, and chat about books over virtual coffee or matcha. This space is for everyone who loves storytelling, from journaling to drafting novels and beyond!

Since I’m new to Discord and using a basic setup (no fancy features here!), it’ll be a simple, welcoming space to connect and support each other. We can do R4R (read-for-read), talk writing tips, and indulge in some bookish gossip. 📚🤎

Interested? Drop a comment or message, and let’s build our own writers’ haven. ✍️💌

[honeyedinkandpetals]

SYNONYMS FOR COLOURS

Red (and versions of it): cardinal, coral, crimson, flaming, glowing, maroon, rose, blooming, blush, brick, burgundy, carmine, cerise, cherry, ruby, salmon (requires more detail, ie. "salmon pink"), mahogany (reddish-brown), wine

Orange: tangerine, apricot, coral, amber, rust, salmon, peach, burnt sienna, sunset, blush, turmeric (orangey-yellow), marigold, carrot, marmalade, cantaloupe

Yellow: marigold, sunflower, amber, gold, lemon, canary, mustard, daffodil, saffron, blonde, butter, honey, maize, flaxen, topaz, cream, chartreuse, buttercup, primrose, corn

Green: emerald, olive, jade, lime, mint, forest, sage, moss, grass fern, dark, kelp, seafoam, shamrock, olive, evergreen, lettuce, cyan, turquoise, swamp, apple, honeydew, frog

Blue: aquamarine, aqua, ice, blueberry, Caribbean, teal, navy, azure, sky, cobalt, indigo, sapphire, royal, denim, periwinkle, lapis, electric (+blue), midnight, baby blue, bluebell

Purple: royal, violet, indigo, beet, lavender, hyacinth, plum, magenta, periwinkle, grape, lilac, iris, mauve, amethyst, orchid, fuchsia, heather

White: cotton, cream, almond, pearlish, bleached, ashen, ivory, snow, pearl, milk, chalk, silver, alabaster, marble, cotton, eggshell

Black: ebony, jet, coal, onyx, raven, charcoal, ink, sable, obsidian, midnight, caviar, soot, licorice

[honeyedinkandpetals]

Do you have any posts with advice on how to write a kiss? I'm super unsure how to do this! 😅

Writing a kiss scene can be a little nerve-wracking, but the thing is to focus on the feelings between the characters and how the moment unfolds. It’s less about the actual mechanics of the kiss and more about the emotions leading up to it and what it means afterward. Here’s how you can write it in a more detailed and natural way.

First, set the mood. A kiss doesn’t just come out of nowhere, right? Think about what’s happening in the scene before they kiss. Are they standing close, but there’s this charged silence between them? Maybe their eyes meet, and there’s this unspoken thing, like both of them know what’s coming, but neither of them is sure if they should make the first move. Or maybe it’s more spontaneous, like they’re caught up in an argument or laughing together, and suddenly, it just happens. The atmosphere matters because it builds the tension.

Then, when the kiss happens, focus on their emotions and physical sensations. You don’t need to describe every single action in detail (like "their lips touched for exactly two seconds"). Instead, think about what each character feels in the moment. Maybe one of them feels a rush of warmth as their lips touch, or maybe their hands find each other’s without even thinking about it. Are their hearts pounding? Is one of them surprised, while the other has been wanting this for a long time? Adding in these little details can make the scene feel alive.

For example, instead of just saying "they kissed," you could write something like, "Her heart raced as he leaned in, his breath warm against her skin. For a second, everything seemed to stop, just the two of them, standing there. And then, finally, their lips met, soft and unsure at first, but full of something electric, something real." You see how it’s not just about their lips, it’s about how their bodies react, how time seems to shift, how the moment feels like more than just a physical action.

You also want to make sure you keep it natural. Don’t overcomplicate it with too many flowery words or try to describe every little thing. Kisses in real life aren’t perfect, so your writing doesn’t need to be either. What matters is how the characters are feeling in that moment, whether it’s soft and sweet, hesitant and nervous, or urgent and full of passion. Focus on what the kiss means to the characters.

And don’t forget about what happens afterward. A kiss can change things, especially if it’s their first one. Maybe one of them pulls away, smiling, not quite believing what just happened, or maybe they’re both breathless, unsure of what to say next. How does it affect their relationship? Does it leave them wanting more, or does it leave them confused? Showing how the kiss affects them makes it feel important to the story. In the end, it’s not about writing the "perfect" kiss scene. It’s about making it feel real and meaningful to the characters. Think of it as a mix of anticipation, emotion, and how their world shifts in that one small moment. That’s what will make it stick with the reader. :)

[honeyedinkandpetals]

Cozy September word prompts

Sweater Weather

Pumpkin Spice

Crunching Leaves

Bonfire Nights

Flannel and Fuzzy Socks

Cider Mornings

Golden Sunsets

Warm Blankets

Candlelit Evenings

Caramel Apples

Chilly Breezes

Cozy Nooks

Apple Picking

Forest Trails

Warm Scarves

Fireplace Glow

Rainy Afternoons

Baking Cookies

Fall Markets

Autumn Skies

[honeyedinkandpetals]

Writing Trust Issues Tension

One keeps asking, “Are you sure?” and “What about…?” because they just can’t believe the other person.

Every little thing the other person says or does is met with suspicion, like, “Why are you really doing this?”

They start to open up, then stop, because they’re not sure if they can trust the other person yet.

One keeps asking for reassurance, like, “You wouldn’t lie to me, right?” but it’s clear they’re not convinced.

A tiny mistake or secret gets blown way out of proportion because the trust was already shaky.

[honeyedinkandpetals]

Body type and shape

Lean Having a slender and toned body with minimal body fat.

Muscular Having well-developed muscles and a defined physique.

Slender Having a thin and graceful body shape.

Curvy Having an hourglass figure with well-defined curves, particularly in the hips and bust.

Athletic Having a fit and muscular body, often associated with participation in sports or physical activities.

Petite Being small and slender in stature, usually referring to height and overall body size.

Voluptuous Having full and shapely curves, often emphasizing a larger bust, hips, and thighs.

Stocky Having a compact and solid build with a sturdy appearance.

Thin Having a slim and slender body shape with little body fat or muscle definition.

Well-proportioned Having balanced and harmonious body proportions, with each body part in good proportion to the whole.

Toned Having firm muscles and a defined physique resulting from regular exercise and strength training.

Chubby Having a plump or rounded body shape, often with excess body fat.

Pear-shaped Having a body shape where the hips and thighs are wider than the shoulders and bust.

Hourglass figure Having a curvy body shape characterized by a well-defined waist and proportionate bust and hips.

Apple-shaped Having a body shape where weight is primarily carried around the midsection, resulting in a broader waistline.

Broad-shouldered Having wide and well-developed shoulders in comparison to the rest of the body.

Long-limbed Having long and slender limbs in proportion to the body.

Stout Having a sturdy and robust build, often characterized by a solid and thick physique.

Plump Having a pleasantly full and rounded body shape, often indicating a higher percentage of body fat.

Tall and slender Being tall in height and having a slim and elongated body shape.

[honeyedinkandpetals]

How to Write a Ruthless Character

A ruthless character is all about the endgame. They don’t care how they get there, lying, cheating, using others, it’s all fair game as long as they win. When writing them, show how they can cut off any distractions or emotions, making decisions that others would hesitate over.

These characters don't let feelings get in the way. Compassion, guilt, regret? Nah, they don’t have time for that. Show how they can turn off their emotions and make choices purely based on logic. They’ll do things that seem heartless to everyone else, but for them, it’s just another part of the plan. It’s not that they don’t feel anything, they just choose not to.

Boundaries? What boundaries? A ruthless character doesn’t care about rules unless they can bend them to get ahead. They’ll do things no one else dares, crossing lines others are too scared to even approach. The more uncomfortable their actions make people, the more it emphasizes just how far they’re willing to go. For them, pushing limits is just another day.

They don’t act on impulse. Every move they make is planned, and every risk they take is calculated. They weigh the pros and cons before acting, and they’re always three steps ahead of everyone else. Writing a ruthless character means showing that they’ve already figured out how to win while everyone else is still trying to figure out the rules.

Betrayal is their go-to move when things get tough. Friends, allies, even people who trust them, no one is safe. They’ll turn on anyone if it benefits them. And the best part? They’ll sleep just fine afterward. Show how others react to their betrayals, shocked, hurt, furious, while your ruthless character shrugs it off like, “It had to be done.”