Anyway time to talk about the 6x03 poem:
As many others have speculated judging by the map, Captain Skall made her way to Hook named after her, and then "as east she sailed
into waters so deadly and cold" in the Frozen Shards, her ship eventually being stuck and meeting her doom there.
With that out of the way, I want to talk about other pieces of info, why this might be the poem for 6x03 specifically, and where I think Skall may fit timeline wise:
"From the isles without name" makes me think of the Independent Isles in between Evenere and Katolis.
"sailing north, she called herself free" makes me feel feral with Callum (and Rayla) doing the same in hopes of freeing Callum from Aaravos' grasp by destroying the prison
"Through forests and flowers, past the uneven towers" clearly symbolizes Katolis, indicating that Skall lived once most of the human kingdoms had been established, and thereby post-Exile/Exodus.
"Skall hungered for glory, she wanted a story / they’d tell it long after she died". Routinely we see a desire for glory / worthiness / power described as hunger ("Hungry for knowledge and power" / "But that small taste left some humans hungry—starved, even—for a better path. An easier path. And thus Elarion became the birthplace of a new form of magic, a shortcut to primal power: dark magic"). This also comes into seeking a legacy.
"So with winter wind’s blowing / she sailed north, forgoing / a man who’d have made her his bride". This is where we see the poem take a more negative slant in a few ways. The first is winter, wind, and north, setting up a future unfortunate turn of events. This is also the first mention of Skall having something else in her life other than adventure and something she had to subsequently abandon. While the end of the poem is much more on her side of feelings, "forgoing" does mean "renouncing; sacrificing or giving up" something that is more positive.
"Alone in the cold, yet ever so bold" again adds to the more negative feeling the poem is building, as boldness is in the contrast with "alone in the cold" that's overall negative and maintaining a bit more of an upkeep. Likewise, we see the return of the wind with an even more negative connotation in wailing in the following stanza: "And oh, winter wailed / as east she sailed / into waters so deadly and cold". We see the return of cold but also the change into things being 'deadly' (although there were still hints of danger earlier, as 'bold' indicates).
"Then came the ice, and trapped in its vise" The cold finally catches up to her, and we see ice return as a form of entrapment (2x06, 3x08, 3x09, 5x04, 5x06, 5x08). Most interestingly, "vise" is a tool with closable jaws for clamping things. Maybe the ice is magical, or the jaw of a great (the dragon we've seen in the trailer) creature?
"And while she found peace / she wished that, at least / she’d told him she loved him, always". While the poem ends on a somewhat bittersweet end (at death but at peace), we do see that Skall died with a final regret to the man she could've wed but left instead.
Or you could say, a last wish.
Either way, the poem paints a rather grim journey: going North didn't hold the same freedom and achievements that Skall hoped for, and instead led to entrapment, separation, and death.
That said: there's a few Rayllum-y things I think we can glean from this poem, for starters:
1) The episode will likely have a strong focus on Callum and Rayla sailing to and/or through the Frozen Sea on whatever ship they're planning to use to get there. This leaves 6x02 "Love, War, and Mushrooms" more open to either explore other plot lines or another pit stop in their journey (like say, the Silvergrove)
2) The poem itself has pretty clear Rayllum parallels, specifically in TDP's continual gender subversion of the women who puts other things above her romantic relationship, even if it's likewise seen as a sacrifice. Rayla left Callum in order to protect him/the world from Viren, even if that meant damaging their relationship, and Skall puts her desire for glory and adventure over presumably a more settled married life at home. (Excuse me while I scream over "forgoing a man who'd have made her his bride.")
3) The poem likewise has some parallels to Rayla's "Dear Callum" letter specifically. There are wishes expressed of the leaving party, a desire to have made feelings more plain that Callum reiterates in 5x04 when they think they're about to die ("I hope you know—" "I know"), and most notably, a parallel to the always mention:
she wished that, at least
she’d told him she loved him, always.
But, if it does—if you feel that soft aching—know that that piece of your heart isn’t missing. It’s not missing at all, Callum: I’m carrying it with me! Always. I love you. I love you so much.
4) All this bodes quite well for 6x03 being an episode with a big Rayllum moment in it — perhaps even their Big "You Finally Came Back" Talk — especially since there's not much else to (presumably) happen on a ship if they're just travelling somewhere (and not being pursued this time).
Episode Speculation (a summary / misc thoughts)
Callum and Rayla travelling to the Frozen Sea
Big Talk happens
+ potential love confession / reaffirmation?
They reach the other end of the Frozen Sea
Maybe fight the big dragon from the video game teaser we see with Rayla (like Skall, she has literal hooks = blades) whose guarding or in their way to the Starscraper? Could account for the jaws and maybe the ice
One of them is worried and/or has a moment of thinking the other person is hurt/injured bc of said dragon fight?
Maybe some Aaravos backstory in his lost love (although like I said, I don't think it's Skall exactly — I still think the likeliest names are Elara-adjacent or Kalik)
Episode Title Speculation (in about this order):
The Frozen Sea
By River and Sea
Always (this would be my personal favourite and i would never stop screaming)
37 notes
·
View notes
176.
Soren has a dragon that he's had since he was three.
It's one of the few genuinely happy memories he has from his childhood. Most days he struggles to remember any at all—so much of it was posturing and conflict and useless efforts to win his father's pride. It was not the simplest childhood, certainly not the happiest, but Rexy is still in his quarters, and when Soren looks at him, he thinks of games and laughter and the warmth of his mother's arms against the winter cold.
He's still pretty fond of him, even now. He's dusty and old and beat to shit, his left eye loose, his dye faded, and Soren's not going to pretend he doesn't pull him down sometimes to defend him from invisible armies (a perfectly normal twenty-eight year old thing to do, thank you), but Rexy's definitely seen better days too, and Soren thinks of the twins that are supposed to be arriving any day now and thinks it might be time for a little bit of a makeover before Rexy goes back into the fray.
"That's so sweet," chuckles Callum, as he examines the loose stitching at Rexy's ear. "But I gotta be honest, Soren, I dunno that he's gonna make it even if I do fix him. Kids can be really rough."
Soren doesn't doubt it. Callum and Rayla's little girl is barely eighteen months old and she's a terror to anything in the castle smaller than her. "I still think it's worth trying," he says. "If he goes down, he'll go down in battle, and there's no nobler end for a toy."
"True," snorts Callum. He fiddles Rexy's loose eye and tugs it free. Soren tries not to wince. "You've had him forever though. I know he means a lot to you. Are you sure you wanna let your soon-to-be kids tear him up?"
"Mm." Soren shrugs, a little sentimental, a little heartbroken, but resolute all the same. "I don't really have anything else to pass on," he says quietly. "I've been thinking about it for ages, and I—" He huffs. "I just think that Rexy'll watch over them the same way he watched over me. Does that make sense?"
Callum laughs good naturedly and nudges his arm. "Yeah," he says. "I get it." He glances at Soren from the corner of his eye then, and Soren can feel the way Callum studies him, his mentality, his readiness to be a dad. "Are you okay?"
"Mm," says Soren again. This time he shifts uncomfortably, because the through is terrifying almost more than it is exciting. "I just want to be a better dad than mine was."
Callum smiles and pats his arm. "You've got nothing to worry about there, bud. You're going to be just fine."
"Big assumption," snorts Soren.
"Call it more of an observation," says Callum. "You've done the work. You're always doing the work. That's half the job right there. The rest is just love. Isn't that right, Rexy?"
He raises Rexy then and pitches his voice up an octave. "Don't worry, Soren, I'll keep you in line."
"Good gods."
"Get used to it, man, funny voices are like ten percent of the job."
Soren swats at him, and Callum dodges it only to almost fall out of his chair. "So you'll fix him?"
"I'll do my best," says Callum with a chuckle. Then, more genuinely, he adds, "You're nothing like your dad, Soren. You're going to be fine. Rexy will make sure of it."
Soren barks out a laugh. "I'm sure he will."
(And he does).
37 notes
·
View notes