Four big splash pages right in a row in this issue, this series is good at living up to a sense of scale and importance IMO. Finch draws big ugly bastards but his actual sense of storytelling is impeccable, in this clusterfuck of an action sequence the geography is clear, the action is legible, and multiple emotional beats land inside of it. He's great at slowing the eye with denser panels when he wants you to linger on a tense moment, and propelling you through action with big, readable images.
Trying to remember if Bendis re-used this same visual trick of showing Tony Stark's whole body underneath the suit when he was actually writing Invincible Iron Man. It's an extremely good gag for this story especially, it makes him feel really vulnerable
Always been kinda mixed on David Finch, but I never understood why he always took on like, Avengers or Batman instead of Hulk or Deadpool or something where he can let his real narsty side out. His uber-anotomical more-muscles-than-actually-exist schtick is pretty off-putting when it's just normal superhero stuff, but when he gets to really go crazy on something grotesque and horrible like She-Hulk ripping a decomposing Vision in half hot-dog-style it's downright breathtaking. I'd love to see him on a creator-owned horror book someday.
In the data of Super Mario Galaxy, an unused Toad-like character called “Kinopi” can be found. It has only basic animations and seems to move around by hopping. Despite appearing friendly, it is coded as an enemy.
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I will honor Christmas, and try to keep it all the year! I will live my life in the past, the present and the future. I will not shut out the lessons the spirits have taught me!
The first game that I ever got on my gamecube was Pikmin, just thinking about it makes me super nostalgic. X)
Credits for the picture goes to my super friend, Alexis Mercille-Perrault
I had fun drawing over it!