keatondj

[keatondj]

any favorite pictures from your production?

Sorry for the late response; I don’t always check Tumblr. But there are so many great pictures of our cast. These are my fav of Noel/Monique for sure. The first one is still my profile pic on many sites. 😆

[keatondj]

I love this stupid fucking image

[keatondj]

I love seeing everyone’s fanart still long after we closed our show. This one is so beautiful and special!! Thank you, @the-charcoal-heart!!

Okay, saw requests were open!

If you could, possibly Majestic Rep Noel? Also, who's your favorite theater interp of him???

(There was also another ask about him by @sonny-boiiii)

Also, about my favourite theater interpretations of Noel: it’s kinda hard to pick only one, so here’s my top 3 — Colorado RVJ, TSP and 2016 Off Broadway

[keatondj]

Tres tres chic!!!

Noel Gruber

“The most romantic boy in town.”

I’m on a bit of a Majestic Rep spree* so here’s my best attempt at @keatondj as Noel Gruber

*Misha is next, I’m coming for you Ray Winters 😈

Reference photos below, all taken from @/keatondj on Insta

[keatondj]

dream role?

I have a bunch, but the ones that always come to mind are Leo Bloom in The Producers, The Phantom in Phantom, Chris in Miss Saigon, Jack (or anyone really) in Into The Woods, Anatoly in Chess, and Orpheus in Hadestown.

I have a whole other list of female dream roles I wanna do in drag, but that’s another story.

[keatondj]

This is adorable!! Thank you!!

Noel Gruber LPS (based off Majestic rep theatres Noel Gruber ((who had the most amazing noel actor btw)) )

Working on making Ocean next as a part of rtc LPS, butttt i might be experimenting in making clay to make a basil (omori) lps, it is going to be faraway town but thats bc im waiting (very impatiently) for my faraway town plush to arrive

[keatondj]

This is incredible work!! Thank you @ttheatre-trashh!!! I’m so flattered!!!

@keatondj what if I said I am always thinking about your Noel. Huh. What would you do then. ^_^ (sorry for tag !)

[keatondj]

do you have any upcoming drag shows planned?

Not as Kitty Del Mar specifically, but I am on tour with The Golden Gays (a drag queen tribute to the Golden Girls); I play the Betty White character.

I do two shows in Indianapolis and Cleveland next week, and then in late August, I do a two-week UK tour followed by a 9-day Mediterranean cruise. I am SOOOO excited to be able to tour the world playing this adorable character.

I would really love to develop a one-woman show for Kitty to take on the road, on cruise ships, etc. It’s a new dream of mine to make her the shining star she is.

Here’s The Rose for your viewing pleasure.

[keatondj]

saw online you were a drag queen. Is that true? If so....

MADWICKEDAWESOME

Yup!!! I’ve been a professional singing drag queen for a little over 3 years now. This is Miss Kitty Del Mar. I’ve loved getting to create her aesthetic, her sound, and her personality. I’d love to do one woman shows as her on cruise ships, in lounges, in theaters, etc.

She’s STUNNINGLY gorgeous, I know.

[keatondj]

best Noel of all time

Omg, you’re too sweet. Thank you very much. I’m very proud to have played such a wonderful character, and very flattered and humbled that people are responding so well to it. Thank you. 😌

[keatondj]

oml, thank you

It legit sounds way better now 🙏🙏

Yay!! I’m glad to hear that it worked. If it ever feels unsafe or unhealthy or strained, don’t continue with that technique. We strive for healthy technique in this house. 😌

[keatondj]

any tips on how to hit the falsetto note in Noel's lament? I'm like an alto/tenor-ish and I'm using that song for an audition.

Also any tips on the rest of the song in general?

Thanks😄

First of all, I love that people are finding me on Tumblr now from RTC; I haven’t used this account in years, so I’m obsessed.

Now for the advice: for the falsetto note, pick the smallest vowel possible. I sang on an “ooo”, and it’s a lot easier to sing falsetto if the vowel is not big. So if you’re falsettoing on the word “girl”, sing it on “guh-OOOOO” if that makes any sense. It’ll feel weird, but it’ll sound right to the audience. And don’t try to push it; it’s a high note, so the sound will carry.

And in general, do what makes you/Noel feel sexy, dangerous, and euphoric. This is his ULTIMATE fantasy; it needs to be the time of his life. But also lean into the honesty of Monique’s struggles; don’t play it all for laughs. My Noel’s Lament is probably more serious/honest than other ones, but I wanted to validate Noel’s plight for feeling something, anything.

I hope that helps. Thanks for the question!!

[keatondj]

This is definitely one of my favorite pieces of fan art I’ve gotten as Noel/Monique!!! Thank you so much, @janedoeslament!!!

DRAWING THE MAJESTIC REP CAST UNTIL I SEE THEM LIVE, DAY 4/7

KEATON DELMAR JOHNS ( @keatondj )

AS MONIQUE GIBEAU !! ( AKA Noel Gruber )

The plan was originally to just draw Noel, but I realized I’ve been focusing more on the songs with these drawings so far, so Monique seemed to be a better choice!

I was actually going to draw Constance today, but then KEATON FOLLOWED ME?? So I knew what I had to do (draw him today instead)

Because of that, Constance will be done tomorrow!!

[keatondj]

Here are some great clips of my playthrough of Tomb Raider 1 (1996) being absolutely SHOOKETH. People say Tomb Raider isn’t a horror game, but it sure plays like one. Be sure to catch Tomb Gayder Mondays/Thursdays at 6 pm PST at twitch.tv/KeatonDJohns!! #tombraider #laracroft #tombraider1996 #tombraider1 #twitch #twitchstreamer https://www.instagram.com/p/CKU4wtoni9F/?igshid=1elda6kdaiokp

[keatondj]

Re my Gaga discography post, watch me be an absolute dork and a total Little Monster listening to Chromatica for the first time on its release date!! Enjoy!!

[keatondj]

My Personal Ranking of Lady Gaga’s Discography

The time has come. The day has arrived. I am so excited to finally do this list!

Lady Gaga is one of the most influential, innovative, and incomparable artists of this generation. I think her to be one of the greatest musical artists to ever live. Her impact on pop culture as a whole cannot be ignored, and her talents as a singer/songwriter is limitless.

I remember first seeing her perform on So You Think You Can Dance with that iconic bleach-blonde, sharp-edged wig and those LED glasses with text on them and being absolutely mesmerized. Ever since that performance, I had been a casual fan, but absolute admirer of her music. Around 2016-2017 is when I decided to listen to pop music more regularly, and the first artist I knew I had to add to my library was Gaga. It was then that I listened to all her albums and officially became a Little Monster.

Each one of her albums is so incredibly unique, yet so undeniably Gaga at the same time. With the recent release of her sixth studio album Chromatica, I can now finally give my ranking of her incredible discography. I will only be covering her solo studio albums, so A Star Is Born and Cheek to Cheek will not be included.

A new thing I want to add to each album review is add a superlative that the album possesses to showcase its respective strength in the discography as a whole.

Reminder: this is my opinion. Everyone has a different ear, and certain sounds and songs resonate with different people. I’m just sharing my personal thoughts and experiences with these albums.

6. Joanne (2016)

This feels like pure blasphemy to put this album as the lowest ranking on the list when it is objectively one of Gaga’s strongest and more mature albums. It showcases her versatility as a songwriter to the nth degree, and she is the most vocally ferocious on this album. 

It is incredibly top-heavy for my taste (the first seven songs are absolutely sublime to listen to). It’s unfortunate, but from “Sinner’s Prayer” to the end, the album becomes borderline unlistenable to me. Gaga’s vocal delivery on the last few songs seems over-dramatic and unauthentic, and also technically not up to par with what I know she can do.

I think the big concern about Joanne is the feigned nature that I think I’m listening to. Gaga has always been theatrical and performative with her music, but with Joanne, I don’t seem to buy it as well. It suits a more dance-pop and electronic feel that we know and love her for. Maybe that’s the gay sensibilities in me talking; that’s just how I feel. 

She was far more successful with the A Star Is Born soundtrack in terms of writing for this genre. I applaud Gaga for going out on a limb with this massive genre shift, and it worked well, for the most part.

Favorite Songs: “Diamond Heart” through “Million Reasons”

Superlatives: Most Stripped, Most Diverse

                                           ---------------------------

5. Artpop (2013)

I have very conflicted feelings about this album. At its best, it is exploratory, imaginative, and audacious. At its worst, it’s ostentatious, inaccessible, and clumsy.

It undoubtedly has some of Gaga’s sickest and coolest production to date; she really amped up the electronic feel for this album. She also experimented with several contemporary genres (hip hop, R&B, dubstep, trap, rock, etc.) quite skillfully on various tracks like “MANiCURE”, “Do What U Want”, and “Swine”. However, the production does go overboard sometimes, creating a heavy and clunky sound (”Swine” often becomes very harsh to listen to).

Lyrically, I find that it can be very distant, boastful, and vain. Certain songs like “Donatella” and “Fashion” are very specific to Gaga’s lifestyle and obvious love for high fashion, but it is not relatable to the common listener (or at least not me). The extravagant nature of the songs, and even the album as a whole, is hard to really dive into.

I still love this album a lot, but more like as a guilty pleasure. I see many people regard it to be her underrated masterpiece, and I understand where they are coming from, but find them to be misguided. It’s a strong piece of work, but Gaga just shot for the stars and went a little too far for her own good.

Favorite Songs: “Aura”, “Venus”, “G.U.Y.”, “Sexxx Dreams”, “ARTPOP”, “Applause”

Superlatives: Most Experimental, Most Bold

                                       ---------------------------

4. The Fame (2008) 

It truly pains me to put this album so low because it’s the record that introduced us to the brilliance of her work and it features some of my absolute favorite Gaga tracks on it (”Poker Face” still hits hard even today). I cannot let the nostalgic nature of the album cloud my judgment, though. This only goes to show how incredibly strong her discography is; we are really splitting hairs at this point.

What Gaga did for the music industry back in 2008 is insurmountable and outrageous. She brought back the four-to-the-floor sound to the radio in a campy and edgy way that we had never heard before. She will most likely be the biggest juggernaut of an artist I will ever see in my lifetime; she will define my era of music as a child. This is the era I mainly associate with the iconic nature of Lady Gaga. 

It’s comparatively tame to her other work since she was still testing the waters and figuring herself out as an artist. But by 2008′s standards, terms like “disco stick” and “bluffin with my muffin” were totally out-there and controversial. Songs like “Paparazzi”, “LoveGame” and “Poker Face” pushed the envelope and influenced many artists for years to come.

Besides the lead singles, many of the songs on the album are not too remarkable and probably the closest thing you can classify as “filler tracks”. They’re inconsequential, generic, and uneventful compared to the powerhouse singles. 

While these songs also deal with fame and the opulent lifestyle like the ones I mentioned for ARTPOP, they were written from the perspective of someone who was not yet famous. The whole idea of the album is playing with the universal dream and fantasy of what fame is like. In turn, that make the album so much more relatable, universal, and engaging.

This is one of the greatest debut albums ever produced, and it paved the way for Gaga’s career and artistry. I’m happy to say that it basically gets close to pop perfection from here on out.

Favorite Songs: “Just Dance”, “LoveGame”, “Poker Face”, “The Fame”, “Starstruck”

Superlatives: Most Revolutionary, Most Iconic

                                            ---------------------------

3. Chromatica (2020)

This is the first album of her work that I was eagerly waiting for as a proper Little Monster. I was absolutely ecstatic when the first information about the album was coming out, including the singles. It was the album that I had been waiting for for a long time... and it absolutely delivered. It was everything I needed it to be and more.

Vocally, it is Gaga’s most impressive work to date. Her voice has matured so beautifully over the past 12 years, and she has learned to use her upper register in the D5-F5 range more healthily, powerfully, and consistently than before. There were several moments throughout the album that I was gobsmacked at the force of her voice. 

I will admit it is the most “tame” of all her works in terms of the outlandish and campy nature with which we know her for (just ahead of The Fame). Instead, she writes with more sophistication, finesse, and honesty that has come with more experience. On first listen, it seems rudimentary, but as time goes on, the inner complexities of the album start to reveal themselves.

For being a straight-up dance album through and through, it is brutally honest and personal. There is real pain and heartache that is displayed through much of the album, and Gaga is using music as a means of catharsis to release the pain. It makes the album incredibly relatable and accessible, allowing the listeners to dance through the pain. Released in a time when the whole world was faced with such uncertainty and worry, this album is definitely a great outlet for those looking for comfort.

Being as huge of a fan of artists like Kylie Minogue, Robyn, and Carly Rae Jepsen as I am, this album truly delivers on the dance/dance-pop department. The production is impeccably done and spearheaded by Bloodpop (who I hope is Gaga’s main collaborator from now on). Even the Chromatica interludes are stunningly gorgeous and inform how the next act of the album will go. In my opinion, Act I of the album (Tracks 1-6) is absolute pop perfection; I wouldn’t change a single thing about any of those tracks.

The album may run a little short, and it’s tamer compared to her earlier works, but it is still brilliant nonetheless. With a collaboration with the reigning Princess of Pop, Ariana Grande, you know it has to be amazing. This will absolutely go down as one of the best dance albums ever written. This is Gaga’s return to form, and we have been so blessed.

(Ok, but Chromatica II into 911 is THE serve. She did THAT. Do you know what she did? THAT.)

Favorite Songs: “Chromatica I”, “Alice”, “Stupid Love”, “Rain On Me”, “Free Woman”, “Fun Tonight”, “911″, “1000 Doves”

Superlatives: Most Cohesive, Most Personal

                                       ---------------------------

2. The Fame Monster (2009)

I’m gonna be perfectly honest here: it took the longest time for this album to grow on me. Even longer than ARTPOP. But with time, I was finally able to see just how sleek, crisp, and perfect of an album this really is.

This was Gaga’s expansion to The Fame that she wrote based on her experiences with touring, fame, and the toll that can take on someone. It is a concept album with each song being based on a personal fear of Gaga’s that I am sure were all amplified with the high intensity of being a pop star. 

You can immediately tell the difference between this album and its predecessor. It’s darker, it’s sexier, and it’s candid. Where The Fame was written from a place of imagination and wonder, this was written from a place of truth and fear. The amount of growth that came from just a year on the road is staggering.

It is undeniably her most polished album in terms of production and composition. It took the ambition of sonic perfection that The Fame was going for, and amped it up even more. Each song has its own feel to it, but they all work together so well as an album.

There is one song that makes this album imperfect and keeps it from my number one spot, and the song will make tons of Little Monsters angry: “Speechless”. I just don’t like it, no matter how many times I’ve tried to get into it. It’s written in C major (my least favorite key), it’s overly sentimental and hokey, and it disrupts the flow of pop that keeps the album together. I know it’s an incredibly personal song for her, but it is just mediocre to me; I skip it everytime.

Other than that, I think the album is absolute perfection. “Bad Romance” is one of the most iconic and influential songs in her songbook and even the Great American Songbook, and the non-singles are just as powerful, if not better. This album is the standard to which Gaga is held, and any album in the future will struggle to hold its own against this amazing work. Except one. ;) 

Favorite Songs: “Bad Romance”, “Alejandro”, “Monster”, “Dance In The Dark”, “So Happy I Could Die”

Superlatives: Most Polished, Most Dark

                                         --------------------------- 

1. Born This Way (2011)

Is there really any other option?

It’s the album that debuted at #1 on the Billboard charts. It’s the album with 5 of her most iconic and successful singles (the title song, “Judas”, “The Edge of Glory”, “You And I”, and “Marry The Night”). It’s the album that was unabashedly open about its advocacy, and gave voice to anyone who ever felt cheated by life or counted out. Of course it has to be in the number one spot.

This is Gaga at her freest, her most courageous, her most daring. She went all out in this record, and the results are absolutely remarkable. I am a massive fan of the 80′s in all aspects (especially the music), so the influence of 80′s rock and pop on the album satisfy my sensibilities swimmingly. The ingenuity and artistry which she demonstrates in the composition of this album is just mind-blowing.

“The Edge of Glory” is her best song. Hands down. No question. Bottom line, cut, and dry. The first time I heard it back in 2011 was so impactful to me. I learned just what an impressive singer Gaga is, and how powerful of a songwriter she is. It is one of the most euphoric, devil-may-care, and joyous songs ever written, and one of the most important songs in my life. The fact that it perfectly closes out the thrilling roller-coaster ride of Born This Way is the cherry on top.

It might be a little messier and imprecise than The Fame Monster, but it’s lows never get as low, and its highs are astronomically high. The arc that this album takes me through is astonishing. It is an album about celebrating life, loving others and yourself, and throwing caution to the wind. Who can’t relate to that and find comfort in it?

I could go on for ages about this album, but I’ll keep it simple. This is Gaga’s magnum opus, and one of the best pop records ever created. I am so unbelievably grateful for what it has done for my life, and it will forever be one of my favorite albums ever written. It taught me that I am unequivocally born this way, and that I should strive to be on the edge of glory.

Favorite Songs: The whole tracklist   ¯\_(ツ)_/¯

Superlatives: Most Daring, Most Adventurous, Most Creative

                                        ---------------------------

I have been wanting to do this list for so long, and I am thrilled to finally get my thoughts out in a post. Lady Gaga is one of the best and most iconic musicals artists ever, and I am eagerly hopeful for the future of her music. I recently uploaded a reaction video of me listening to Chromatica for the first time if you’d like to watch. I am an absolute dork in it, and completely got my life on the first listen. I’ll include it as a separate post on my page as well. Enjoy!

https://youtu.be/zdEH2RRc3DE

[keatondj]

My Personal Ranking of Enya’s Discography

Before I really started getting into pop music and the music of today, before I was a true Little Monster or Arianator, before all of that, I had one true music idol: Enya. Enya is one of the most divine artists of our time, I think. 

I knew many of her songs from dancing to them at ballroom concerts or gigs (such as It’s In The Rain, Dreams Are More Precious, and Wild Child), but I never took the time to listen to how beautiful they were. I dug out Watermark from my parent’s CD cabinet one day in my junior year of high school, and became completely enraptured. I wouldn’t go a day without listening to her; yes, I would even fall asleep to her music. I just think she has the most incredible ear for rapturous orchestration, otherworldly vocal arrangements and layering, and heavenly melodies. I always look for music that is just beautiful, and she is the epitome of that for me.

Certain albums speak more to me than others, but all of her work is just absolutely divine. I’d love to share my thoughts and express my gratitude for her incredible work.

Reminder: this is my opinion. Everyone has a different ear, and certain sounds and songs resonate with different people. I’m just sharing my personal thoughts and experiences with these albums.

8. And Winter Came... (2008)

Although Christmas is my favorite holiday and the holiday season is just a sweet time of year, I’m not terribly fond of holiday releases. Other than Mariah’s “All I Want for Christmas is You”, many modern holiday releases are not noteworthy, and can’t live up to the true holiday classic we know and love. This album, unfortunately, falls in that category.

As a whole, this album just falls flat compared to the majesty of the rest of her work. Certain songs just don’t gel with me like “One Toy Soldier” and “My! My! Times Flies”; the use of the electric guitar in the latter just sounds corny, and I don’t enjoy it.

The album has its moments: “Dreams Are More Precious” as I mentioned is one of my introductions to Enya and it’s also one of my favorite songs of hers, the title song follows the tradition of a killer title song on an Enya album, and the “Oíche Chiúin (Chorale)” is Enya vocal-layering at its best, and it’s wonderful to hear such a beloved holiday hymn in another language.

It’s not an awful album; it’s not just heavy in my Enya rotation, we’ll say.

Favorite Songs: “And Winter Came...”, “Journey of the Angels”, “Dreams Are More Precious”, “Stars and Midnight Blue”, “Oíche Chiúin (Chorale)” 

7. Amarantine (2005)

This is another album that just doesn’t stand out too much for me. I actually think it’s quite a lovely album, and the fact that it has the first use of the Loxian language that Roma Ryan invented is exciting; “Water Shows The Hidden Heart” is probably my favorite song on the album from the use of the language and the fact that it’s just a really gorgeous song.

I don’t have a lot to say, really. It’s a fine album, but it just doesn’t resonate with me as much as her other albums.

Favorite Songs: “Amarantine”, “It’s In The Rain”, “If I Could Be Where You Are”, “A Moment Lost”, “Water Shows The Hidden Heart”

6. A Day Without Rain (2000)

This is an interesting album for me. It contains some of her strongest work and some of my most favorite of her work, but it’s not a favorite of mine either. I think the album artwork just speaks to quintessential Enya (and may be my earliest picture of Enya in my mind, I’m not sure), but it’s not my quintessential Enya album. The critics of the time absolutely hated it; I don’t necessarily agree with them, but I think I understand.

The album is incredibly top heavy, in my opinion. The title song is pure bliss, “Only Time” obviously took the world by storm for good reason (and unfortunately in the meme world as well, which I don’t appreciate), and “Deora Ar Mo Chroí” is one of the most beautiful and tragic songs I’ve ever heard. After “Flora’s Secret” (another song I danced to in ballroom), it really loses steam and power. I can hardly ever finish the album for this reason.

It’s musically one of her most gorgeous albums, but it’s not the most impactful or inventive.

Favorite Songs: “A Day Without Rain”, “Only Time”, “Deora Ar Mo Chroí”, “Flora’s Secret”, “Pilgrim”

5. Enya (1987) / The Celts (1992)

At first listen, I really did not like this album. I thought it wasn’t pretty enough, it didn’t have the key Enya elements, and it was too weird. Listening to it more and more, those are actually the reasons I really quite enjoy it now. 

It’s nothing like the rest of her work, which makes it so unique. She was just starting to find her musical sound and sensibilities, and this involved a lot more experimentation on her part. It’s so musically interesting and diverse, and so wonderfully late 80′s. It is a compilation of songs used on the show The Celts, but the fact that it holds up so well as an album itself is remarkable.

This album was a perfect starting point for the rest of her career and it holds up as a great album now.

Favorite Songs: “Aldebaran”, “Deireadh an Tuath”, “Fairytale”, “Boadicea”, “Dan y Dwr”

4. Dark Sky Island (2015)

You have no idea how excited I was to be getting a brand new album from Enya after I started being a huge fan. I wasn’t sure if we would get a new one after And Winter Came..., and little 19 year old me was geeking out too much at the thought of a new Enya album. To say the least, I was not disappointed at all.

This is one of her strongest releases in a long time; 7 years break from releasing music really benefited her, and she came back more powerful than ever. This is such a solid album, and I definitely had it on loop when it first came out.

I will say that none of my favorite tracks stand out against her earlier work, and there is no true powerhouse of the album. It is a very cohesive album, however, and that is how it is so successful. It’s a pleasure to listen to from start to finish.

I sure do hope we get more records from her in the future. I would be so eternally grateful if she could bless us just once or twice more.

Favorite Songs: “The Humming”, “The Forge Of The Angels”, “I Could Never Say Goodbye”, “Dark Sky Island”, “Diamonds On The Water”

3. The Memory Of Trees (1995)

I got this album for Christmas a few years back along with And Winter Came..., and believe me, I was listening to this album non-stop. This is the album that solidified my status as a true Enya fan.

For a while, this was my favorite Enya album, and maybe my favorite album of all time. However, my opinion has shifted, and I realize that I was just devastatingly in love with a few certain tracks. Like A Day Without Rain, this album is very top heavy for me, with the last few tracks not carrying the power of the beginning of the album.

“Athair Ar Neamh” took my breath away when I first heard it; I think it is her most beautiful song to date. I was just absolutely ravished by the haunting nature of the song with the signature Enya production behind it. It’s a song I can always throw on to feel comforted. 

All in all, this is an absolutely gorgeous album, and it’s part of the reason I’m so in love with her work.

Favorite Songs: “The Memory Of Trees”, “Pax Deorum”, “Athair Ar Neamh”, “Hope Has A Place”, “Once You Had Gold”

2. Watermark (1989)

This is the album that catapulted Enya into international stardom, and for good reason. This entire album is ethereal and blissful perfection. It really creates its own world and transports you on a journey filled with desire, contentment, and adventure.

It’s the first full Enya album I listened to, and I can always find joy and comfort in its gorgeous melodies, her haunting vocals, and the spectacular production on Nicky Ryan’s part. “Evening Falls” and “Na Laetha Geal M'Óige” were the two songs that established my sensibility towards Enya’s softer and slower songs, and I hold every other song to their standard, basically.

There is not a bad song on this album, and it definitely could take the number one spot. This is the perfect starter album for anyone trying to get into Enya, and it’s one of the most beautiful albums ever made.

Favorite Songs: “Watermark”, “On Your Shore”, “Exile”, “Evening Falls”, “Na Laetha Geal M'Óige”

1. Shepherd Moons (1991)

This is the quintessential Enya album in my opinion. It checks every mark, and then some. Everything about this album is just so perfect, incredible, powerful, etc. This is where she hit her stride, and delivered her most incandescent work. I can truly escape into another world when I listen to this album. It’s an album I need all the time; it’s one of the albums that really defines me. 

Every song is just so good; there’s not a dud at all. The ones that impacted me the most are “Caribbean Blue” and “Marble Halls”; both epitomize the qualities I love most about Enya. They are my two most favorite songs of hers, but I’m going to say that “Marble Halls” takes the cake for the top spot. It’s not an original work of hers (funnily enough), but it’s just the most gorgeous song ever. Nothing else to it; it’s absolutely flawless, divine, and any other adjective meaning “perfection”.

I love this album so much, and I will forever be indebted to Enya’s brilliance and majesty because of this album.

Enya is an absolute goddess of music, and I hope she knows how much impact she has to all her fans around the world. She is just amazing, and I will love her and her art forever.