“The camera! It is in the car. All this and no picture, huh? We just have to remember it then. Huh? Will you remember this day, Gogol?
"How long do I have to remember it?
"Ah, remember it always. Remember that you and I made the journey and went together to a place where there was nowhere left to go.
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“I loved idiotic pictures, fanlights, stage scenes, mountebanks' backcloths, inn-signs, popular prints; unfashionable literature, church Latin, erotic books with poor spelling, novels of grandmother's day, fairy tales, little books for children, old operas, empty refrains, naïve rhythms.”
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Auggie’s Photobook.
Smoke (Wayne Wang, 1995)
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Orange in the middle of a table
It isn't enough
to walk around it
at a distance, saying
it's an orange:
nothing to do
with us, nothing
else: leave it alone
I want to pick it up
in my hand
I want to peel the
skin off; I want
more to be said to me
than just Orange:
want to be told
everything it has to say
And you, sitting across
the table, at a distance, with
your smile contained, and like the orange
in the sun: silent:
Your silence
isn't enough for me
now, no matter with what
contentment you fold
your hands together; I want
anything you can say
in the sunlight:
stories of your various
childhoods, aimless journeyings,
your loves; your articulate
skeleton; your posturings; your lies.
These orange silences
(sunlight and hidden smile)
make me want to
wrench you into saying;
now I'd crack your skull
like a walnut, split it like a pumpkin
to make you talk, or get
a look inside
But quietly:
if I take the orange
with care enough and hold it
gently
I may find
an egg
a sun
an orange moon
perhaps a skull; center
of all energy
resting in my hand
can change it to
whatever I desire
it to be
and you, man, orange afternoon
lover, wherever
you sit across from me
(tables, trains, buses)
if I watch
quietly enough
and long enough
at last, you will say
(maybe without speaking)
(there are mountains
inside your skull
garden and chaos, ocean
and hurricane; certain
corners of rooms, portraits
of great grandmothers, curtains
of a particular shade;
your deserts; your private
dinosaurs; the first
woman)
all I need to know
tell me
everything
just as it was
from the beginning.
Against Still Life - Margaret Atwood
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Time To Stop
There are times
when
going to
museums
makes you see
pointilliste anthills,
Picasso faces on milkmen
framed in the living room
window,
a violet shadow
all around a dead
or dying cow
and you come
back at night to see
how it looks
under the gaslight,
and after an accident,
blood
looks remarkably
like fresh paint.
Then it’s time to stop
going to museums
- AK Ramanujan -
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Jean-Luc Godard, La Chinoise
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"On the count of ten, you will be in Europa."
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Léon Foucault, "Spectre solaire", 1844, daguerréotype, 128 x 94 mm (coll. SFP).
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Mother and Brother. 70's.
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Constanze Mozart alleged photograph (1840)
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