ladygetslit

[ladygetslit]

miami n1

[ladygetslit]

I hope this email rules you all. I hope this email finds you. I hope this email brings you all, and in the darkness binds you.

[ladygetslit]

“You can say goodbye and you can say hello but you'll always find your way back home”

[ladygetslit]

<3

[ladygetslit]

[ladygetslit]

Been talking about this with friends so I present to you, the cursed spectrum of media literacy

[ladygetslit]

When a Character is Falling in Love but Doesn’t Trust It

Love is terrifying. Especially for characters who’ve been hurt, shut down, or raised to believe vulnerability is weakness. So when they start falling? It doesn’t look like a Disney montage. It looks like panic in slow motion.

✧ They start noticing everything and it unsettles them. The way their voice cracks when they laugh. The way their fingers tap when they’re thinking. These little details burrow in and refuse to leave. And that awareness makes the character feel exposed.

✧ They become hyperaware of their own body. Where their hands are. How close they’re standing. If they’re blushing. It’s like being inside a body that’s betraying them constantly.

✧ They act a little mean. Not because they are mean. But because being cold is safer than being real. Sarcasm, distance, teasing, they use it like armor.

✧ They hate how much they want to share things. They’ll see a funny meme and instinctively want to send it. Then stop. No. Don’t get attached. They want to tell them about a childhood memory, then bite it back. Too personal.

✧ They become inconsistent. Warm one moment, distant the next. Showing up, then pulling away. They’re testing how much of themselves they can reveal before it feels like too much.

✧ They assume the worst. They know it won’t last. That this person will leave. That they’re misreading everything. Love doesn’t feel safe, it feels like a countdown to pain.

✧ They self-sabotage. Pick fights. Flake on plans. Pull away emotionally just to “protect themselves” before it goes wrong. It’s tragic and messy and real.

✧ They notice silence more. What wasn’t said. A delayed reply. A joke that didn’t land. Everything becomes a sign that maybe this love thing was a mistake.

✧ They want to run, but never do. The desire to bolt is constant. But they don’t. Because something about this person is pulling them back, despite every warning bell going off in their head.

✧ They don’t trust the feeling, but they keep falling anyway. And that’s what makes it beautiful. And heartbreaking. Because they don’t want to fall. But they do. And maybe, just maybe, that’s the bravest thing they’ve ever done.

[ladygetslit]

[ladygetslit]

anne shirley & gilbert blythe 🤍

[ladygetslit]

this has been me for the past month and im ok with that

[ladygetslit]

Tender Actions for Characters Who Are Yearning (But Not Together… Yet)

(aka: I crave you in silence, and if you notice, I’ll die and also be thrilled)

・❥・Letting their hand hover near yours but never quite touching. Every atom screaming: please reach back.

・❥・ Saving the last bite of something, “just in case you wanted it.” (They always do. You always remember.)

・❥・ Fixing their backpack strap, even when it’s not falling.

・❥・ Offering your umbrella wordlessly. Standing a little closer than needed.

・❥・ Sitting beside them at a group thing before your brain catches up. Like it’s instinct.

・❥・ Casually mentioning something they said weeks ago. Something small. Something they didn’t think you’d remember.

・❥・ Carrying an extra pen, just in case they forget.

・❥・ Letting them rant. Letting them ramble. Letting them be.

・❥・ Your eyes finding theirs in a crowd before your brain says, look away.

・❥・ Brushing against them “by accident” and apologizing even though it lit your whole nervous system on fire.

[ladygetslit]

Avoiding the “Mary Sue” trap while creating characters.

A “Mary Sue” is that charact. Perfect; bends the story to their will, faces no meaningful struggles, and often feels too idealized to be relatable. The thing I like most is when an author makes a character, a situation, a scene, realistic. I like heavy realism in my books. I know we read to escape reality, but there's a way to do that.

1. Give Them Flaws Not the checklist kind. Not "clumsy" or "bad at math" unless that genuinely bleeds into who they are and how they move through the world. I mean the kind of flaws that crack open relationships. That drive certain choices. That make you want to shake them. Flaws should cost them something. Otherwise, they’re decoration.

2. Let Them Fail Failure is the most human thing. It brings shame, doubt, growth, all the stuff that makes a character feel alive. Let them try, and stumble. Let them mess up something important. Let them hurt people and not know how to fix it. Failure opens narrative doors that perfection just slams shut.

3. Don’t Make Everyone Love Them If every side character is just there to admire your MC, you’re not writing a story—you’re writing propaganda. Let people mistrust them. Let some hate them. Not everyone sees the same version of a person. Maybe someone sees behind their act, maybe someone’s immune to their charm. That gives perspective.

4. Make Their Skills Believable A skill with no backstory is just plot armor. If they're good at something, show why. Time. Training. Failure. Maybe they’re not even the best—just someone who works harder than they should have to. That’s infinitely more compelling than someone who just is talented for no reason.

5. Avoid Overloading Them With Traits They don’t need to be smart, funny, hot, tragic, a prodigy, a rebel, and an empath who bakes when sad. Choose what matters. Strip it down to the few traits that define them, the ones they carry into every scene. Complexity is about layers, not a pile of labels.

6. Give Them Internal Conflict We all contradict ourselves. That’s the beauty of it. Your character should wrestle with decisions. Regret them. Say one thing and feel another. Inner conflict is what separates a walking trope from a person we believe in.

7. Let the Plot Push Back The world shouldn’t bend for your character. The plot should push them, break them, make them bleed for the win. Their goals should cost something. The story isn’t just their playground—it’s the pressure cooker where they get tested. If they’re never cornered, what’s the point?

8. Ensure They Don’t Eclipse the Entire Cast Other characters are not props. Give them wants, voices, limits. They don’t exist to spotlight the protagonist—they exist to breathe life into the story. And your MC is more interesting when they’re surrounded by people who push them, contradict them, challenge them.

9. Avoid Unrealistic Morality Nobody’s always right. And honestly, it’s annoying when they are. Let them justify things that aren’t justifiable. Let them fail to see another perspective. Let them believe they’re in the right—until they’re not. Give them a compass that doesn’t always point true north.

10. Make Them Struggle to Earn Trust Trust is a slow build. People remember hurt. They hesitate. Let your MC do the work—prove themselves, fail, rebuild. Trust earned over time is more satisfying than instant loyalty that comes out of nowhere.

I hate perfect characters. Especially when it’s pretend perfection. Like what do you mean he has abs when he has no time to workout? Like what do you mean she is so put together all the time? In this economy?

let's write something raw, something realistic.

[ladygetslit]

“nostalgia is a mind’s trick” but i’m missing this lately

𝔯𝔞𝔦𝔫𝔶 𝔠𝔦𝔱𝔶 𝔪𝔬𝔯𝔫𝔦𝔫𝔤 🌧️🏙️☕️🚕

[ladygetslit]

[ladygetslit]

In the words of Radiohead...

What the hell am I doing here?

Procrastinating. Obviously, I'm procrastinating a book I'm writing.

[ladygetslit]

Am I Still A Writer If I'm Only Writing for Myself?

Am I Still A Writer If I’m Only Writing for Myself?

Hello and welcome back to Lady Gets Lit! Today I’m bringing you another post in a loooong history of me, well, writing about my writing. where i wish i was instead of having this quarter life crisis again I’ve been writing (almost) daily since the ripe old age of 14, when I started filling composition books and later spiral notebooks with my angsty teen thoughts to avoid exploding on people…

[ladygetslit]

[Review] These Violent Delights

[Review] These Violent Delights

Author: Chloe GongGenre: YA Fantasy/RetellingRep: Chinese (#OwnVoices); LGBTQ+ side charactersMy Rating: ⭐️⭐️⭐️⭐️⭐️ CONTENT WARNINGS from the author: This book contains mentions and descriptions of blood, violence, gore, character deaths, explicit description of gouging self (not of their own volition), murder, weapon use, insects, alcohol consumption, parental abuse. Chloe Gong’s retelling of…