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ANNE HATHAWAY — 2023 Sundance Film Festival - “Eileen” Portrait Session

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'The Little Sea Maid' illustrated by Harry Clarke, 1916

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(by analog.ie)

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Inside Llewyn Davis (2013) dir. Joel and Ethan Coen

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William Shakespeare, Antony and Cleopatra

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ANA DE ARMAS photographed by Yana Yatsuk for Flaunt Magazine

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Apollo (Hades 2)

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excited for charon to be even more of a softie

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David Leventi - Opera: Curtain, Palais Garnier, Paris, France (2009)

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Robert Anning Bell (English, 1863--1933)

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Illustrations for Acts III - V from Shakespeare’s Hamlet by John Austen (1922)

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canterbury, kent, england, september 7th, 2015

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1.6k celebration: the poppy war requested by @theburninggods

I have become something wonderful, she thought. I have become something terrible. 

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"There have been characters I've been able to grow from and take a little bit from. Playing other people brings you closer to yourself." SARAH SNOOK T Australia • The New York Times Style Magazine

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We live in time – it holds us and molds us – but I never felt I understood it very well. And I’m not referring to theories about how it bends and doubles back, or may exist elsewhere in parallel versions. No, I mean ordinary, everyday time, which clocks and watches assure us passes regularly: tick-tock, click-clock. Is there anything more plausible than a second hand? And yet it takes only the smallest pleasure or pain to teach us time’s malleability. Some emotions speed it up, others slow it down; occasionally, it seems to go missing – until the eventual point when it really does go missing, never to return.

The Sense of an Ending by Julian Barnes

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Will needed to send him away, but James was a gift he couldn’t turn aside, and maybe when he’d ordered James killed all those lifetimes ago, he’d known that about himself.

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“Omnia dicta fortiori si dicta Latina.”