luvundertaker

[luvundertaker]

BL00D version!

[luvundertaker]

my two interests are coming together in some crazy crossover episode

ENA! Undertaker. I give you this odd crossover for my birthday drawing lol

[luvundertaker]

AWHHH OMG THIS IS THE BEST THING EVER.

i had a vision. erik sleeps with this exact eyemask cuz of the fact that he's missing an eyelid and it helps him sleep properly. if u disagree then erm you're wrong

(p.s. if someone was to draw him in this i would explode out of joy)

[luvundertaker]

one of the hottest Erik's oat

MazM Erik frustrates me so much (not him exactly, the way he was written and handled) but at the same time he's SO FUCKING HOT.

Like. He's by far the hottest Erik. His hair, his face, his expressions, his voice (the "hms" and laughs he has)... it's so fucking hot. What a shame they took away the Red Death and Erik's original character as whole.

[luvundertaker]

JUST HEAR ME OUT ON THIS ONE!!!

Brahms Heelshire and the Phantom (Erik) are so similar that they could be the same

I HAVE NOTES TO BACK THIS UP.

1. Isolation and Hidden Lives

Both Brahms and the Phantom live hidden, secretive lives within the walls of grand, old buildings—Brahms in the Heelshire mansion and the Phantom beneath the Paris Opera House. They’re ghosts in their own homes, haunting the space rather than being a part of the world.

2. Obsession and Control

Each becomes fixated on a woman: Brahms with Greta, and the Phantom with Christine. Their love quickly becomes possessive, rooted in loneliness and a desperate desire for connection and control rather than mutual affection.

3. Masks and Identity

The Phantom wears a literal mask to hide his disfigurement, while Brahms wears a metaphorical one by pretending to be a doll (and later, he wears a cracked porcelain mask to hide his scarred face). Both conceal their true selves out of shame and fear of rejection.

4. Childhood Trauma and Parental Influence

Brahms was a disturbed child whose parents enabled and hid his crimes, much like Erik (depending on the version) was abused, shunned, or mistreated from a young age. Both were shaped by their tragic pasts, leading to their monstrous behavior.

5. Blurring Lines Between Monster and Victim

Neither character is a straightforward villain. They’re tragic figures shaped by trauma, making the audience feel both horror and pity for them. They’re both terrifying and sympathetic.

[luvundertaker]

this is so real

MazM phantom could’ve been so much more solid if MazM truly understood the relationship amongst the characters , seriously — removing the forehead kiss was like removing half the redemption for everyone involved in the story

i’m not sure — often, MazM’s story contradicted itself — and as much as i love extra plot points in stories some for the sake of the original text felt odd to me (for example, Melek - a woman who is kept captive by Erik for a decade and whos whole contribution to the plot is “wow this erik guy fucking sucks” and he does, but we seriously didnt need an added captive to know that lol)

i think that MazM was too focused on emphasizing how awful erik was to truly understand the point of the phantom of the opera and most notably why erik let christine go. It was because, well, for starters he truly believed raoul was a good man and christine was a good woman but also— letting them go is eriks redemption! The forehead kiss allows erik to see its not his face that doesnt make christine love him, but the atrocities hes done — that is what gives him acceptance and peace and he lets them go

In conclusion: I *loved* MazM’s work and i do like alot of the aspects in the relationships especially erik, raoul & christine’s dynamic, but i truly believe the visual novel was mostly for the lovers of the original book - and getting rid of the conclusion and full point of the book was well, disappointing.

(not to mention it really isn’t a ‘choice’ game— and theres no route to stay with erik since they made him basically unredeemable, daroga and raoul too)

[luvundertaker]

I hate when ppl hate on me for saying I would have chosen the Phantom like it's something serious that would actually happen.

[luvundertaker]

Erik Destler 🤑🤑🤑

idk what it's called but y'know that thing where you get overly jealous over a fictional character to the point where it drives you coo-coo? that's me with erik.

like OBVIOUSLY in the source material he's in love with Christine, and im awesome about that, it's only in fandom things were i tweak out

i cannot bring myself to read erik x Christine works or littearly him shipped with anyone else cuz i want him to be with ME, like screw allat, Erik x reader all the way. i could treat him the absolute best he's my pookie. bro i want him so bad it's not fair why can't he be real I WANT HIM SO BAD I WANT HIM SO BAD GRRRNRJRJWJSAJHASHHAHZHAHZHAHAFFENENAJAN

also i love all the erik x reader content but there is NO MazM erik in particular, like damn excuse me for wanting some crazy

[luvundertaker]

my man my man my man

Wandering child

So lost ,so helpless

Yearning for my guidance 🎶

[luvundertaker]

yeah im just cool like that .. 😻😻😻😻

New favorite video!!

Got this from @luvundertaker she's the baddest we love you queen 💕💕

[luvundertaker]

HELLOOOO HANDSOME

Sad Erik (he failed to strangle someone 😔)

[luvundertaker]

this status app is the funniest shit oat

[luvundertaker]

he's getting the strap

[luvundertaker]

FINE SHYT

Little Erik art for today eee i cant stop thinking about him

Its been a few weeks since i colored something so, heres this

[luvundertaker]

i want him in ways which are concerning to feminism.

[luvundertaker]

i had a vision. erik sleeps with this exact eyemask cuz of the fact that he's missing an eyelid and it helps him sleep properly. if u disagree then erm you're wrong

(p.s. if someone was to draw him in this i would explode out of joy)

[luvundertaker]

WOE! Brothers of Destruction headcanons be upon ye

My wasn't even born until the end of the '90s but damned if I'm not still livin' in 'em ass—

There's a nine-year age difference between them. Taker was born March 24, 1965; Kane was born November 1, 1974. Kane, pointing at a picture of a dinosaur: Is this you? Taker, pointing at a picture of a baby: Is this you?

Taker is afraid of fire, but Kane is not.

Kane only refers to Taker as "Mark" when he's being really serious and earnest.

They're psychically connected. On the night of Kane's debut, as they were standing toe to toe in the ring, Taker reached out telepathically and touched Kane's mind, wanting to see if the thing in the red mask really was his little brother, and an unbreakable bond was instantaneously formed between them as their minds just... sort of... latched on to each other. They're literally always aware of each other, though as the years have gone by, they've gotten used to not being alone in their own heads and have learned to filter each other out until they actually need to communicate/get the sitrep on each other. They share emotions, physical sensations, and sometimes thoughts.

Kane is electrokinetic, just like Taker, but whereas calling down lightning comes very naturally to Taker, it's a struggle for Kane. He can only do it every once in a great while, and it takes up a lot of physical and mental energy. Fire, obviously, is more his element.

They're both bisexual. Kane more often experiences attraction to women while Taker more often experiences attraction to men.

They're two halves of a whole idiot, tbh. Individually they're both very intelligent, but put them together and they come up with the dumbest fucking ideas on the planet. Maximum brain cells when they're apart, one brain cell when they're together (and they're playing tennis with it).

Taker is a dog person, Kane is a cat person.

Kane is a very cautious driver. This annoys the hell out of Taker. Taker is a very reckless driver and tends to get a little too friendly with the gas pedal. This scares the hell out of Kane. Taker, 0.2 seconds after the light turns green: GREEN MEANS GO, BABY BROTHER. Kane: YOU'RE MAKING ME NERVOUS!!!

Kane does not remember their mother. Taker both envies and pities him.

They basically take turns being mad at and then forgiving Paul for all the shit he put them through. In general, Kane is more forgiving of Paul than Taker is, which is interesting because a good deal of Taker's anger at Paul comes from the shit Paul did to Kane.

They have different ways of expressing brotherly affection. Taker is physically affectionate but emotionally constipated; Kane is verbally affectionate but touch-averse. This leads to silliness like Kane just casually dropping an "I love you" into the conversation and Taker doing the verbal equivalent of a keysmash as he tries to figure out how to respond in a way that saves face/preserves his reputation before ultimately just giving Kane a flustered Headbutt of Love.

They give each other Headbutts of Love a lot, actually. In lieu of hugging, which Kane usually dislikes, they'll gently knock their foreheads/temples together. They do it as a way of expressing affection as well as to cheer each other up.

They need each other like they need air, whether they're fighting or friends.

They each prioritize their relationship with the other over all other relationships in their lives—again, whether they're fighting or friends. This has caused problems with their romantic partners. Girlfriend/boyfriend: I swear, it's like you care about your brother more than you care about me! Taker/Kane: Um... duh?? Why wouldn't I??? They genuinely just Do Not see the issue.

Kane has a lot of phobias, most of them relating to his childhood trauma. Hospitals, doctors, needles, baths, enclosed spaces... He also tends to freak out at the sound of raised voices and slamming doors.

Kane is autistic. Thank you, good night.

Kane is honestly "looks like he would kill you, is actually a cinnamon roll." Taker is "looks like he would kill you, would actually kill you."

Taker is the mean sibling, but Kane is the petty sibling.

Taker is technologically illiterate. Man can barely open his email. Kane does not get paid enough to put up with it.

Taker doesn't get paid enough to put up with Kane's shenanigans. Kane is the mischievous little brother and he absolutely delights in his role. Taker: Every time you pull off some bullshit, another one of my hairs goes gray. Kane: False. Redheads don't go gray. Taker: Which should tell you just how up to here I've had it with your bullshit, Kane. Your bullshit is so heinous it breaks the laws of nature. Kane: Big deal. We do that every day. Taker: *the longest, deepest, weariest sigh you've ever heard in your entire life*

Kane has food insecurity, which comes from a solid decade of not being fed regularly by Paul in the basement.

Everyone knows Kane is traumatized, but few people realize Taker is just as traumatized, albeit in his own way. Kane's trauma is more obvious, manifesting often enough as panic attacks and crying fits that most people can take a look at his rage fits and recognize them as yet more panic attacks. Taker's trauma, however, manifests as outbursts of rage 100% of the time, which a lot of people write off as either mere temper tantrums or an expression of masculinity. But Taker has nightmares just like Kane does, and half the time, his rages are actually anxiety that he's expressing in a way that makes him feel more powerful than just admitting he's scared.

Taker is capable of dying, but he's not capable of staying dead. Kane, I think, just straight-up can't die. I think. My headcanon for his mortality (or lack thereof) is still kind of fuzzy...

You mess with one, you get the other—even when they're mortal enemies.