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magicpotatothoughts · 10 hours
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earlier i was trying to find the scene where sqq first meets lqg and i somehow managed to pan to EXACTLY the first page of that scene in my ebook copy
anyway, why is sqq?? so fucking funny??
the first thing he says to us upon seeing lqg’s face:
Fuck! Of all people, he had to meet that guy! Before, he’d wanted to help, but now all he wanted was to flee for his life.
It was too late. The person in white swung his head around, having already detected his presence.
In any other state, Shen Qingqiu might have declared, “What a beautiful man!” But a man could be as beautiful as he wanted, and if he glared at you with crimson eyes and bulging veins, you’d scramble to kneel, okay?!
he’s running at you and you’re thinking about how beautiful he is….
after he saves lqg and starts telling us about bai zhan peak and the fandom:
In his headcanon, Liu Qingge had been a sharp and manly man, powerful and magnificent. A war god, right?!
Shen Qingqiu looked down at that face, as beautiful as a fine woman’s, and his dreams shattered and died. The fantasies he’d always held, destroyed.
fantasies????? you’ve fantasised about a sharp, powerful, magnificent manly man??
Undefeatable in battle, an arrogant disposition, and an attractive face. With Bing-ge around, a second character in the same mold was unnecessary. No wonder “Great Master” Airplane had offed him so early.
This is the real reason I went looking for this scene. It’s… a stallion novel. The appearance of male side characters isn’t overwhelmingly important to the target audience. Had lqg showed up, his appearance probably would barely have been described?? Literally only YOU keep thinking “wow this man is almost as beautiful as binghe… how is that even possible….”
It hadn’t occurred to Shen Qingqiu in the moment, but as he thought about it now, how might saving this person impact Luo Binghe’s satisfaction points?
definitely. but not in the ways you’d think :)
Shen Qingqiu continued to pat his back. “Liu-shidi, to tell you the truth, lately Shixiong has been in seclusion, and he’s come to realize many things,” he said earnestly. “Seeing you at death’s door, a beauty fading—ahem, dying so young, it brought back so many memories. Shixiong is deeply ashamed and filled with regret.”
and of course, his iconic top-tier bullshitting to try and be friends with lqg now. so focused on lqg’s appearance he says it out loud!!!
anyway i love sqq, the repressed idiot. trying to convince himself that binghe is the exception and he doesn’t like men, when that is so clearly not the case 😂
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who knew all took to save anime was autistic protagonists with weirdly specific hyperfixations (thank you laois dunmeshi, frieren, and maomao apothecary diaries)
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☀️
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Well…I almost finished reading Svsss, so I made a Liushen animation, they are so wonderful💖
Maybe someday I'll colour it🤔
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I've seen some people express some confusion about what Fortnight is about, why it opens the album, what's happening in the video, etc, so here's my attempt at an analysis. For the most part I'll be referring to the characters in the video with the names of the people playing them (Taylor and Post) but at times I'm going to be making direct reference to the events of Taylor's personal life and referring to the muses by their names (Joe and Matty) for the sake of clarity and simplicity.
The song itself uses the suburbia conceit as an extended metaphor for the beginning of her relationship with Matty (he's the neighbor she runs away to Florida with, Joe is the cheating husband.) For more eloquent and detailed thoughts on the narrative of the song you can check out Jaime @cages-boxes-hunters-foxes's post here.
The video is really dense, and I'm not 100% confident in every aspect of my interpretation, but I feel pretty sure that it's making extensive use of visual metaphor in order to tell roughly the same story as the song, just in a different setting. To start, Taylor wakes up chained to a bed in a white dress.
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To me this suggests that she's been driven mad by being left at the altar, and is now trapped, surveilled and controlled, in a type of asylum. This represents the end of her relationship with Joe--waiting for a marriage that never came, feeling trapped, mentally unwell etc.
She then takes 'forget him' pills which reveal Post's tattoos on her face when she looks in the mirror.
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This represents Matty (the "miracle move-on drug") and shows that he made a mark on her while she was still in the asylum--that is, still in her relationship with Joe. Additionally, in the wide shot where we see the mirror, its size and shape are very reminiscent of a one-way mirror, often seen in interrogation rooms and psychological experiments, further reinforcing the idea that Taylor is imprisoned here.
She then is able to go to the typewriter room and do her work, creating art about how she's feeling, shown by her repeatedly typing "I love you, it's ruining my life" on the typewriter. She's still in pain and feeling trapped. While there, she encounters Post and they create art together, which creates beauty and color in her life. The blue and gold obviously reference her writing about Joe, but the fact that her work is gold and Post's is blue may be a deliberate choice to draw parallels between Matty and Joe, as she does on numerous songs throughout TTPD.
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The next scene, where Taylor's hair is down and she and Post are wearing the same black coat and pants, takes place inside her head (symbolized by the shape of the papers they're laying on.) She is dreaming about them being free and creating art together, represented by the papers surrounding them and book she's holding, which has the word "us" written on the cover. She's writing their story before it's begun.
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She then reaches for his hand in her fantasy, accepting and asking for this relationship
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Then we see that she's being studied and experimented on--the results of the lie detector test read "I love you, it's ruining my life." Her pain is an object of fascination.
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Interestingly, Post is part of the group experimenting on her, but when the experiments begin to cause her pain, he liberates her.
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This inspires Taylor to destroy the place where she's been trapped, which we see through her opening the filing cabinets that cover the walls and destroying the mirror. I also find the shot of her standing still while papers burn around her interesting and significant; I interpret this as Taylor destroying her own work about Joe. By choosing to leave, she is metaphorically burning--rejecting--the story she wrote about them.
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Finally, Taylor and Post enter the dangerous outside world together; the rain echoes the lyric "I chose this cyclone with you" on the album's title track. While I do feel the meaning of Post being in the phone booth is somewhat ambiguous, the framing and the accompanying lyric--"I've been calling ya but you won't pick up" suggest that he's attempting to communicate with her but can't reach her. They are free of her prison, but still separated.
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Then, he hangs up the phone and reaches for her hand, and she takes it. The final shot of the video is a close up on their linked hands, presenting us with a cautiously optimistic ending--they are lost and vulnerable in the middle of a storm, but they have each other.
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I feel this is a somewhat less sinister, for lack of a better word, portrayal of the start of Matty and Taylor's relationship than is suggested elsewhere on the record, though I believe Post's character being part of the group experimenting on her is significant and the editing creates some ambiguity about exactly when and why she decides to break free. But I hope this clarifies how the video sets up the beginning of this story, the fallout of which is then chronicled over the course of the rest of TTPD.
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Fortnight by Taylor Swift sounds like if Cigarettes after Sex and Lana del Rey had a baby
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the Evil King's daily routine💕🪞💘
✨yaaaayy another fairytale au, another day of Yin Yu dealing with his masters crush on the prince✨
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happy lesbian visibility week
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leitmotifs never get old to me like holy shit dude there’s this melody that corresponds to this one guy and if you hear the melody it means the guy is there. holy shit. and sometimes it refers to ideas too not just guys. has anyone heard about this
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As the revised version of TGCF is proving, so many readers just make up complete fanon personalities for the characters and treat them as canon.
Because why are people so shocked and call it OOC that XL would dance in woman's clothing for money, saying he would never do that and that the people translating the revised novel are supposedly making stuff up? When in the original version of TGCF XL has also crossdressed on multiple occasions, once as a bride, once as a pregnant woman, and once as a young mother, and never even once had been uncomfortable about it (aside from the bride gown at first being an ill fit until being readjusted).
Same with the amount of people I have already seen who can't believe that in the new version XL and HC have an explicit sex scene, and that they are not some chaste couple who never have any sexual thoughts ever. Despite the fact that the original version did also heavily hint at their sex lives as well. Because believe me, XL didn't end up with ghost essence in his lower abdomen by only ever kissing HC.
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Shen Yuan was a bigger villain then Shen Jiu as Shen Qingqiu
Shen Jiu was just a shitty abusive asshole but at least it was on purpose and with intent
Shen Yuan was just wandering about and obliviously awakening obscure and strange fetishes and kinks in every man he met
The psychic damage he enacted without even meaning to will never be answered to
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e'ming (plus bonus version with claw rings)
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TGCF author's notes translation
@/camilikha on twitter kindly provided links to TGCF author's notes and I translated the ones I find informative and interesting. See translations below:
chapter 58 notes: The second book is all about the overconfident Xie Lian with delusions of grandeur and the tender little flower (mxtx means kid Hua Cheng) and their diaries of the downfall of Xianle. Word count is undecided, I'm never accurate at estimating word counts anyway. It's just like the xianxia I write doesn't fit into your regular xianxia, the royalty I write doesn't fit into your regular fictional depictions of royalty - just the outlandish made-up worlds and social customs in the author's imagination...
chapter 60 notes: If we put Qi Rong in a modern context, we could say that he has bipolar disorder.
chapter 72 notes: about the chapter title "To Meet You in the Mortal Realm; to Find Flowers Beneath the Rain" - eventually I feel that "To Meet You" is more romantic than "To Meet Someone". Just think about it, "meeting you" is one of the most romantic things in the world.
chapte 80 notes: Of course (HC) won't give (XL) a handjob or help him [...], but Huahua's sexual awakening starts with this incident... (XL is seriously obssessed with martial arts combat!)
chapter 88 notes: Xie Lian never gets tanned, I envy him... I finally reached this place - in a dilapidated temple, a god about to be forgotten and a believer who's still young - this is the first mental image I have about this story, which drove me to wrote the story. I'm the kind of person who'd make up a whole book just to get to write a certain passage...
chapter 119 notes: Actually Huahua is just being naughty and wants to joke around playing dead, who'd have thought...
chapter 123 notes: So Black Water made his appearance long ago, he's been hanging around before your eyes all along. Wind Master never knew the real Mingyi, it's always been the same person before him - and before you readers. (Black Water) officially recognized as Best Actor of this story! I've been holding it a secret for so long and so has he, now I can finally let it out.
chapter 141 notes: If you heat up Huahua in the kiln, he'll grow bigger~
chapter 175 notes: "Hua Cheng! Your diary! We've read it all!!!"
chapter 229 notes: Huahua low-key sucking up to the elderly to make a good impression
chapter 242 notes: Why do you like to spook yourselves? - why on earth would there be such plots as (XL) waiting for another 800 years - too long, impossible! Happy ending is around the corner!
SVSSS is my first work so it has some exceptions that I won't discuss here, but MDZS and TGCF both only have one main couple. I said this repeatedly in the author's notes when MDZS was being serialized and in other places. As for Mo Xuanyu, he is a little gay dude but he died at the beginning of the story so he doesn't count as a serious character...It's fine to have headcanons you like as long as you don't seperate the main couple. But for me personally, my taste leans towards having only one gay couple in the story, and I have no plans to write about another secondary couple. I'm stating this to avoid some unnecessary disputes.
XL is good at making pickled vegetables. Because pickled vegetables are needed with steamed bun and rice porridge, so XL became quite experienced after practicing for hundreds of years. Also you can just leave the pickled vegetable by itself most of the time and let it undergo chemical reaction. XL mostly fail because he get inventive.
XL and Mu Qing chose the same path of cultivation and are both Daoists. But Feng Xin never studied under a master at the Holy Royal Pavillion so he's not a Daoist and simply a plebeian martial god, so he doesn't need to observe the celibacy rules like XL and Mu Qing.
My passion for inventing new dishes (or rather weapons) cooked by Xie Lian is only slightly less than my passion for making Huahua change into new clothes
Huahua often turn into human forms, in which he has two eyes, so you guys can stop counting the number of his eyes.
In the setting of this story, if you want to be a god,you need to be a human hero first, which means you need to be the best of the best among humans. Only heaven officials who ascended are real heaven officials and belong in the Upper Court. How do you ascend? Firstly it depends on your personal ability, you have to be outstanding in some aspect (such as martial arts or literary talents) to enter the path of ascension. Secondly it depends on luck, if you're extremely lucky and a favourite of fate, and just picked up some rare secret guides (to ascension) or immortal pills by the roadside, that works too. Officials in the Middle Court are appointed, which means someone in the Heavenly Realm could promote you to that position. But Middle Court officials have the opportunity to become a bona fide Upper Court official too if they're capable enough.
Black Water indeed owes Hua Cheng a huge sum of money and is a very impoverished Calamity, seriously lowering the income standard of the Calamities (although there're only three of them). But his debt isn't completely due to eating too much. As for the money Black Water owes, it's an ancient debt - 40% is the cost of buying gifts for heaven officials of Upper Court and planting agents there (bribery!), 30% is maintenance fee for his territory and expenses on pet food, the rest 30% is food (for himself).
Talismans are probably the equivalent of the business cards (of heaven officials)... "Hello this is my consecrated talisman" = "hello this is my business card"
You can't get rid of ghostly essence (which XL is tainted with because he spends too much time with HC) simply by brushing your teeth with plain water...you need to use consecrated spell water (which is super bitter and weird).
The weapon forged by a heaven official is called fabao (literally "dharma treasure"); if it's a weapon forged by mortal Daoists and monks, it's called faqi (literally "dharma tool") - only after their ascension can their weapons be called fabao.
In my imagination, Xianle ia the kind of small ancient kingdom that's overall culturally Han, but has peculiar customs...although I feel like what I wrote on Xianle is mostly just peculiar hahahaha [facepalm] [beat myself up]
Not only are the forms, customs, cultures, and politics of countries in this story made-up, the kind of arcane stuff like occult sciences and philosophical values are all made-up. Although I did research but the records I consulted are too difficult to understand, so I just made things up on my own. Please bear with me If you're knowledgable in this sort of thing hahaha.
Puqi refers to water chestnut.
Look up "Blood-Soaked Fire Social" (xue she huo) if you're interested, it exists in real life and is very thrilling. What I wrote is different from the traditional festival, there're some made-up elements to make it more exciting
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day four - kiss
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Xie lian wanted to show hua Cheng his new outfit 🤏
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