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mar-vadu · 5 months
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crawling on the ceiling gnawing at the iron bars of my enclosure
"because he cares about Mobius more than anyone he's ever cared about," Executive Producer Kevin Wright.
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mar-vadu · 5 months
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😔 sigh
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mar-vadu · 5 months
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Ok yeah sure mushrooms are cool and are the most obviously visible and charismatic and such when looking for/at fungi but like pls there are so many more types of little fungal guys you can look at other than mushrooms that are just as cool if not cooler.
I just wanna talk about chytrids more without having to give people an initial long conversation about what they even are
(They are microscopic aquatic fungi and they are important in certain ecosystems for nutrient cycling between lower trophic levels and they are beautiful and I love them so much and like the amount of people in the world that actually professionally study them is so few and it’s sad 😞)
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mar-vadu · 5 months
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you... soft and only
you... lost and lonely
you... just like heaven
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mar-vadu · 5 months
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I made a fanart of one of my favorite chapters of ATLA🍃
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mar-vadu · 6 months
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Middle of the night GO thoughts after reflecting on a couple of comments that the 'you're being silly' scene is actually not just the adorable soft exchange I have been caught up in. I mean it is, but it also isn't.
And it got me thinking that the whole of season 2 is like this, almost the entire time we have two truths in play. The whole season is one of duality.
A few examples (there are many more woven throughout but just to illustrate the point):
Right off the bat, the opening scene, it's both ominous and hopeful. Aziraphale is restrained while angel Crowley full of abandon; one angel is aware of the danger of questioning, the other is naïve. Both are experiencing the same moment in rather different ways. It sets the tone of the season immediately and puts in motion this layered truth within the story.
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The minisode with wee Morag and Elspeth, the entire graverobbing premise presents us with the dual truth that digging up the dead is bad but the selling of the bodies to the surgeon, thus contributing to saving lives, is good.
Aziraphale grapples with the duality here, justifying the actions of Elspeth by convincing himself that one truth is greater than the other. We also see that Crowley is far more able to recognise the complexity of multiple truths being valid depending on circumstance. This whole minisode feels like Neil showing his hand a little bit, the duality is so explicitly addressed, meanwhile we, the audience, are engaged in a larger unfolding story in which we are observing similar layered truths playing out in different ways.
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Now the scene that made this whole thought process unravel, still one of my favourite scenes and will remain so, is the "smitten, I believe...you're being silly" exchange. It is both tender and awful.
Here we have Crowley, expressing his very real fear of JimGabriel, opening up to Aziraphale that he doesn't feel safe in the bookshop because of the constant fear he will wake up, and Aziraphale just looks at him with heart eyes and tells him he's being silly. This flags so loudly that we're watching two characters who are experiencing very different versions of their current reality, due to past experience, yes, but also, Aziraphale and Crowley each have their own idea about the right way to react to the current situation.
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It's been pointed out by many before me, but the ball is another example of incredible juxtaposition and an extraordinary display of two truths existing at once. It is both incredibly romantic and an actual nightmare.
It is reflected, once again, in the way Aziraphale and Crowley are experiencing it, we know one character is caught up in the romance, the other in the horror show, but as a viewer, we are being tasked with holding both truths in our mind simultaneously. And both are true.
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Aziraphale the entire season is both giddy in love and completely dismissive of Crowley. It is adorable and infuriating at the same time.
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And yes, it is a reflection of the very duality the entire premise of Good Omens presents us with - that something can be good and bad at the same time, pure and corrupt, that the entire binary of Heaven and Hell/good and evil is flawed because those concepts can and do co-exist.
But the way it is seen in the interactions on a personal level this season is what has leapt out at me. It's why I think we see people falling into different interpretations of a lot of the scenes and moments, because they are more than that, they are observations. We are often observing two sides of the same coin, and both are true. The sheer genius of it and the way it is a mirror to the characters and the entire concept of the show we are observing is, quite frankly, mind boggling.
And it all comes to a head in the final fifteen™. There is so much duality in play here that it is no wonder there are hundreds of posts untangling bits of it and trying to extract the meaning from within the many layers. It's because we are given two truths in this final scene that are both heartbreaking.
Crowley loves Aziraphale and wants them to be together, free at last. Aziraphale loves Crowley and wants them to be together, free at last.
BUT
Aziraphale wants to use the system to keep them both safe. Crowley wants to escape the system to keep them both safe.
And then all the moments of duality between them throughout the season reach a critical juncture: Aziraphale in love but dismissive, Crowley understanding that Heaven = good is too simplistic and trying to compel Aziraphale to remember the lesson from Edinburgh ("when Heaven ends life here on Earth, it'll be just as dead as if Hell ended it"), Crowley trying to use the notion of romance to counter the nightmare with a desperate kiss.
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It's a complete inversion of those two truths in the opening scene of the season, the entire scene is at the same time ominous and hopeful, but it is Aziraphale who largely being naïve and Crowley who is aware of the danger.
I mean, it was all spelled out for us really, this duality and the fact that those multiple truths in play were always going to come to a head. It was all there, wrapped up in this quote:
"What does your exactly mean, exactly? I feel like your exactly and my exactly are different exactlies".
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mar-vadu · 6 months
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Absolutely stunning! @chalktwins
Credit: Chalk Twins on Xitter
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mar-vadu · 6 months
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infatuation makes your heart race love is quiet. love sets you at ease.
and because most of my pieces are mental screenshots of little scenes in my head, here's the scene:
Crowley was tugged into consciousness bit by bit. The afternoon light slowly filtered in, as well as the hum of music from the other room and the weird angle his neck was at. He was warm and content and wanted to sink back into his nap, but the threads of sleep fluttered away the more he tried. Finally, he took a deeper breath, shifting in the armchair, and cracked an eye open just a sliver. There he was, the angel, sitting at his desk. Had hardly noticed Crowley was awake, engulfed in his task of retouching a damaged page. Looking at his hands, Crowley became aware of the fuzzy warmth covering his own and peeked down to see a blanket tucked around his shoulders.
The feeling hit him so hard he let his head loll to the side, eyes closed. His chest tightened and he just…buckled. Finally came undone under the weight of his love for Aziraphale. Its inexorable, steadfast pull which he had been pushing back against for millennia, it had finally caught him off guard, sleepy and vulnerable and so tired from holding back, from refusing to name it. It was a quiet surrender. Crowley looked back at Aziraphale with the understanding of a man meeting his end and embracing it.
Perhaps he could gently pull the blanket to the side and get up. Perhaps he could cross the few steps to the desk and place a freshly made cup of tea to Aziraphale’s right. Perhaps he would hold his gaze, for longer than needed to answer “Don’t mention it”. Perhaps he would ask him if he would like a scone with that. Perhaps Aziraphale would understand that this was not about the scone at all. And yet, what Crowley was asking of him was also exactly about scones. And tea. And quiet afternoons together. Perhaps the angel would finally put down his sword, too, and the world would let out a breath it had been holding for millennia.
the soulmate to this piece, i guess.
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mar-vadu · 6 months
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posting this as the finale releases im gonna throw up
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mar-vadu · 6 months
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He changed his mind.
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mar-vadu · 6 months
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LOOK AT THIS NEW IROH ART FROM AVATAR STUDIOS
I bet that tea is hot af.
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mar-vadu · 6 months
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I’m so sad that I don’t live anywhere near the east or west coast because I wanna go to one of these concerts so badly 😭 I hope they at least record one of them and post it to YouTube!!
Link to purchase tickets:
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mar-vadu · 6 months
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Official new Avatar posters in 2022?!?!!
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mar-vadu · 6 months
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Queen of my heart the pirates
Pssssst, commissions OPEN
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mar-vadu · 6 months
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mar-vadu · 6 months
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They are smitten, I believe <3
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mar-vadu · 7 months
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David Tennant and Michael Sheen between takes on the set of Good Omens (source)
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