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Hania Rani - F Major.
A magnetic and meditative dance on the deserted shores of Iceland.
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Festive lights at Kew Gardens in London, England.
Photo by Chris Jackson for Getty.
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(via The beauty of swimming pools captured from above by aerial photographer Brad Walls | Creative Boom)
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A replica Porsche Type 64 at the 2020 GP Ice Race at Zell am See, Austria.
This photo is featured amongst the winners of International Photography Awards, where creatives were asked to submit their best single image depicting motion.
‘Porsche Type 64 Ice Race’ by Richard Seymour (United Kingdom). Second Place, Technology/Machine.
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New Years Day Morning at Kohimarama Beach
All's quiet after the big night. Hardly any traffic or people on the morning of New Years Day 2020. Also, cloudy.
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During the flooding of Venice earlier this month, a woman takes a seat at the Piazza San Marco.
Photograph by Luca Bruno for AP.
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A solitary woman stands by the Mediterranean Sea in the French Riviera city of Nice.
Photo credit: Valery Hache / AFP / Getty
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(via On ‘Killing Eve,’ Jodie Comer’s Villain Is Delightfully Dangerous. Here’s Why. - The New York Times)
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Rainbow over Yosemite Valley in front of El Capitan in Yosemite National Park,California
Photo: Lucy Nicholson / Reuters
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In the courtyard of the Louvre, to mark the 30th anniversary of the museum’s glass pyramid, a giant patchwork was installed around the pyramid structure to give the impression the pyramid extends into a deep quarry of white rock.
Hundreds of volunteers working in teams of 50 spent four days pasting strips of printed paper on the cobbles of the courtyard, creating a giant patchwork around the structure.
On Saturday the artist, JR, tweeted a photo of the 17,000 sq metre (183,000 sq ft) work, inviting the public to come and view it. Which they did. By Sunday the 2,000 fragile sheets of paper were torn to pieces from all the foot traffic.
Jean Rene, the artists real name, was philosophical. “The images, like life, are ephemeral,” he tweeted. “Once pasted, the art piece lives on its own. The sun dries the light glue and with every step, people tear pieces of the fragile paper. The process is all about participation of volunteers, visitors, and souvenir hunters.”
He added: “This project is also about presence and absence, about reality and memories, about impermanence.”
Photograph: JR-ART.net/AFP/Getty
Source: The Guardian
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A young woman, working on her fathers’ farm in Bushnell, Nebraska, cradles a new-born calf that had a difficult delivery.
This photograph, titled Guardian Angel, is a finalist in the American Experience category of Smithsonian Magazine’s 2018 Photo Contest.
Photo credit: Cerrina Smith
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