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‘I’m just gonna dry my thumb for a bit’ drawing monsters as I traveled through Copenhagen alone in 2019

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A hard note from an old time

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Nam June Paik photographed by Elliott Erwitt, New York, 1982.

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Andrei Tarkovsky’s final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide—the Stalker—leads a writer and a scientist into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself—Stalker envelops the viewer by opening up a multitude of possible meanings.

STALKER

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Pierrot le fou (Jean-Luc Godard, 1965)

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Goodbye Mr. Lynch I’ll see you in my dreams

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Maeve (1981) dir. Pat Murphy

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Lorenzo Mattotti

Amazing, right?  Mattotti’s powerfully beautiful and totally unique comics are a must to experience.  For a limited time, Copacetic is offering brand new copies of the Fantagraphics hardcover edition of The Crackle of the Frost pictured above at the Copacetic-Do-Youself-a-Favor™ price, HERE.

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A Northern ghost bat (Diclidurus albus) hangs from a leaf in Carara National Park, Puntarenas, Costa Rica

by Yamil Saenz

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Kashan, Iran – 1989: Women weaving Persian carpets by hand, preserving centuries of tradition.

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Andrea Zittel.

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Amarcord (Federico Fellini, 1973)

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Photographe non identifié