peterswonderland

[peterswonderland]

If you do not like Gaylor or Swiftgron content, feel free to block and/or keep scrolling!

I do not know Taylor Swift or Dianna Agron. This is celebrity gossip, and everything is alleged.

This would not be possible without the Swiftgron Masterpost – credit where credit is due!

This is a follow up to my Part One analysis of “Peter is…Dianna?” which you can find here. Part One made the case that Dianna is the muse for “Peter” and “I Look in People’s Windows” (“ILIPW”). 

This part will be connecting “Peter” & “ILIPW” to other Taylor songs commonly attributed to Dianna.

So that you are not bombarded with text, the heavy lyrical analysis will have images from https://ts-lyrics.netlify.app/ to make this post seem less clunky!

Connections to “Peter”

We explored the connections between “Peter” and “ILIPW” in Part One. We will be focusing on other alleged Dianna-inspired songs here.

These are not all the songs associated with Dianna, and some of these you may not believe are about Dianna at all. Those are completely valid takes, and I’m not here to fight with anyone! This is just an overview.

“Wonderland”: Both songs touch on the theme of longing for a magical relationship that is ultimately unattainable. Again, the theme of yearning from Part One is revealed here, along with danger and excitement.

“Everything Has Changed”: Both this song and “Peter” discuss a) the passage of time, b) the impact it has on relationships, c) again, yearning.

“Treacherous”: Both songs explore the complexities of relationships and the risks one takes for someone they love. Themes of danger and excitement are in both narratives.

“Come Back…Be Here”: “Peter” and “CBBH” highlight yearning for someone (Peter/the muse) who is physically and/or emotionally distant. An undergoing discussion of reuniting with the muse is also conveyed throughout both songs.

“Clean”: Both touch on themes of healing and moving on from past relationships and broken promises. There’s a universal theme of acceptance, emotional catharsis, and renewal in both songs (in Peter, the latter is showed through: “the woman who [stood] by the window has turned out the light.”)

“Cowboy Like Me”: Both songs delve into the allure of fleeting connections, and transient lifestyles. Cowboys move around as they please, much like Peter or Alice do in their stories. Taylor conveys her shared experiences with the muse, despite their unconventional lifestyles. The theme of danger and excitement weaves through “Cowboy Like Me” as well.

Lyrical Parallels

Stars, Skies, & Windows

Several songs thought to be about Dianna can be tied back to key themes and imagery from Peter Pan.

“cowboy like me” is often attributed to Dianna. The line “you’re a bandit like me” is reminiscent of the Lost Boys, and eyes full of stars coincide with the imagery of stars throughout Peter Pan - the second star to the right.

In “Call It What You Want,” Taylor seems to be mending from an old relationship that left her brokenhearted. This line about windows being boarded up is interesting, even if the song isn't connected to Dianna (as far as we know...)

Yet AGAIN Taylor is referencing windows as a “portal” and even “time travel.” I haven’t heard anyone connect this song to Dianna, but the symbolism of windows and how Taylor writes about/views windows is FASCINATING. Additionally, “Midnight Rain” obviously has a water theme, which ties back into “Clean." More on that later.

OKAY. “I’d PICK YOU UP and WE’D GO BACK IN TIME”!??!!? Peter would pick Wendy up and go back to Neverland, where they NEVER. GROW. UP. Obviously, Taylor is not over the muse she is writing about.

I have SO many feelings about “seven.” It was mentioned briefly in Part One of my analysis. It echoes so many of the sentiments of “Peter”: closets, being kids, skies, the general feeling of loss.

Also, if you're iffy on "long story short" being connected, you should at the very least consider this:

Water

“Clean” has lots of water imagery. So do several other songs people think Dianna may be the muse of.

This also ties into “Midnight Rain,” whose lyrics are mentioned in this analysis. Though I haven’t seen this song tied to Dianna and personally am not convinced of it, the lyrical and theme ties do exist!

Lights, Lamps, Lanterns 

Lights are a recurring lyrical analogy in songs attributed to Dianna.

The lights in “Treacherous” illuminate a risky and forbidden path.

In “Wonderland,” flashing lights indicate the beginning of a love affair with this muse.

The lack of light indicates that the relationship with the muse is over.

Light indicates hope that her relationship could be salvaged; Taylor lets the lamp burn.

...until she turns out the light.

At the end of “Peter,” Taylor lets us know she has given up hope, at least for now.

***

I hope this makes sense! I didn't include every mention of a word or phrase; I made sure it fit with the overall theme of this post and connecting songs to "Peter."

I will put up Part Three when/if I've gathered enough analysis to warrant it! I hope this is has been a fun read.

[peterswonderland]

Being lesbian is all fun and games until religious guilt hits your partner and she leaves you for Christ😀 and this is why "i choose you and me... religiously" hits HARD if you open your mind to queer interpretation

I'm so sorry that happened to you. I hope you found happiness and peace in your life after that.

The religious imagery on this album is definitely a choice.

[peterswonderland]

Cardigan definitely was about Di*anna even when the song came out in 2020 people (gaylors) recognised so many Dianna/Swiftgron lyrical connection also Dianna's ex husband posted a IG post with Cardigan lyrics same day when the song came out(2020) but later he deleted it and a month later Dianna and her husband announced their divorce...👀

I know, the lore is so intriguing!

I think you can make an honest case for Dianna or Matty tbh.

It's easy to fall down the rabbit hole... ;)

[peterswonderland]

PART TWO: SONG ANALYSIS IS UP!

Introduction

By now, we all have our opinions of The Tortured Poets Department: The Anthology. It has received mixed reviews from critics to fans alike.

In the Gaylor community, many have dubbed it her “straightest album,” which I am inclined to agree with. BUT.

If you do not like Gaylor or Swiftgron content, feel free to block and/or keep scrolling!

I’ve seen and read theories for years. In this post I will be referencing the Swiftgron Masterpost. I’m also an avid listener of the What I Will Say podcast. (No one affiliated with the podcast is involved with this post, and for all I know might disagree with it entirely. However, I will be referencing the masterpost at points, and it is only fair to give credit where credit is due.)

This is celebrity gossip, and everything is alleged. I do not know Taylor or Dianna. This is alleged (don't sue me, tysm!)

Peter is…Dianna?

Halfway through my first listen of “Peter,” I was fully convinced this song was about Dianna. That Peter was Dianna.

First, I will go through the lyrics that most pointedly seem Dianna-coded to me.

Forgive me, Peter My lost fearless leader In closets like cedar Preserved from when we were just kids Is it somethin' I did?

Taylor references closets in “seven” on folklore:

And I've been meaning to tell you I think your house is haunted Your dad is always mad and that must be why And I think you should come live with Me and we can be pirates Then you won't have to cry Or hide in the closet

Cedar closets are used as a "safe haven" to put valuable items in. The closet has preserved everything from when Taylor and the muse were "just kids" (likely meaning their early twenties.) Shoutout to Kristin in the WIWS Discord for mentioning this!

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Another interpretation I found on Genius mentioned that the closet line in “Peter” could also be a reference to another fantasy story, The Chronicles of Narnia, wherein stepping into a closet revealed a new fantasy world. This fantasy narrative ties in with “Peter”/Peter Pan and “Wonderland”/Alice in Wonderland, which we’ll get to in a second.

The line “And I think you should come live with/Me and we can be pirates” can also be connected to Peter Pan. Peter Pan and the Lost Boys often have to fight off Captain Hook and his pirates. There are also theories that pirates/Captain Hook are old Lost Boys. TL/DR: Old lost boys are either killed by Peter Pan or can choose to become Lost Boys…at least by these fans’ interpretations. A weak link I know, but still an interesting one. 

“We can be pirates” because you’ve been forced to grow up too quickly…? Hm.

Further connecting “seven” to “Peter” is the idea of being just kids, although in “seven” it seems to be more literal, while in “Peter” she might be referring to when she and Dianna actually met: Taylor was ~20 years old, and Dianna was ~24. 

From “Peter”:

Are you still a mind reader? A natural scene stealer? I've heard great things, Peter But life was always easier on you Than it was on me

Dianna is stunning, and has often been referred to as a scene stealer.

Credit

“When we cast Dianna as Quinn, she ruined the part for me,” Murphy says. “She was supposed to be the Cybill Shepherd, Last Picture Show cunt, so to speak, but she humanized it. She can cry at the drop of a hat. So now her character has a conscience, a soul and great vulnerability.” Ryan Murphy, Rolling Stone. Credit

Credit (Shoutout to ellie from the WIWS Discord server for bringing the TCA nominations for "Female Scene Stealer" to my attention!)

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More from “Peter”:

And I won't confess that I waited, but I let the lamp burn As the men masqueraded, I hoped you'd return

I viewed this through a queer lens upon first listen; the definition of masqueraded (verb) is “to go about disguised/to assume the appearance of something one is not.”

When Taylor sings “as the men masqueraded, I hope you’d return,” the you is implied to not be a man. 

We’ll circle back to lamps burning/lights in Part 2.

And you said you'd come and get me, but you were twenty-five And the shelf life of those fantasies has expired Lost to the "Lost Boys" chapter of your life

Dianna was twenty-five when she and Taylor allegedly began dating.

Dianna, through multiple interviews and her old tumblr blog (that often mentioned children’s fantasies and stories), seems to cherish her inner child and not be in any rush to “grow up.”

From an interview for Galore Magazine in 2014:

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There are also Dianna’s frequent posts on Tumblr about fairytales and children’s stories - this could lend itself to the idea she was living a “Lost Boy’s life.” More on that later.

But the woman who sits by the window Has turned out the light

Again, there is a reference to light, which is a theme (amongst many) we will visit in Part 2 of this analysis.

These lyrics draw natural parallels to Disney’s animated Peter Pan film, wherein Peter Pan visits the Darling children through their window. Wendy is seen sitting by the window, yearning for something more.

In another TTPD track about windows, “I Look in People’s Windows,” there are obvious parallels to “Peter.” These parallels are so strong that I believe these songs are almost certainly about the same person.

Credit | Credit

In “cardigan” from folklore, Taylor seems to categorize herself as Wendy and an unknown muse as Peter.

I knew you Tried to change the ending Peter losing Wendy

More “cardigan” parallels will be drawn in Part 2. Part 1 is focusing on “Peter” itself as well as its tie ins to another TTPD song, “I Look in People’s Windows.”

I Peter Looks in People’s Windows

Connecting “Peter” and “I Look in People’s Windows” is almost too easy, yet I didn’t catch it on my first few listens. Let’s break it down.

The images referenced above show that windows are a central plot point to Peter Pan. Waiting by the window symbolizes yearning for something more, something magical. Wendy is waiting for something more: for Peter’s return. We can draw parallels between Wendy’s window and the rabbit hole in Alice in Wonderland: a portal to something whimsical and dangerous.

If you’re new here, “Wonderland” from 1989 is known to many as one of Taylor’s most blatant songs about a woman: Dianna Agron. I encourage you to read this portion of the Swiftgron masterpost if you’re new or need a refresher!

Sit and Wait, Sit and Wait

The first theme we’ll discuss is longing/yearning. Both in “Peter” and “I Look in People’s Windows,” Taylor conveys a strong sense of yearning for a person with whom a relationship has permanently died, despite her hopes.

From “Peter”:

The goddess of timing Once found us beguiling She said she was trying Peter, was she lying? My ribs get the feelin' she did And I didn't want to come down I thought it was just goodbye for now

/

Said you were gonna grow up Then you were gonna come find me Words from the mouths of babes Promises oceans deep But never to keep

/

Forgive me, Peter, please know that I tried To hold onto the days when you were mine (Hold onto the days) But the woman who sits by the window has turned out the light

The woman (Taylor) who sat by the window has given up hope (turned out the light.)

Also, fun fact about "my ribs get the feeling she did": Dianna Agron removed a Wonderland tattoo after the song "Wonderland" was released. Guess where the tattoo was?

On. Her. RIBS.

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"We're all mad here."

Also, "What will we become? We become ourselves," is a quote from poet Patti Smith. Yes, the same Patti Smith referenced in the title track for The Tortured Poets Department. (Thanks to thea from the WIWS discord for pointing out the Patti Smith connection to me!)

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(Shoutout to reddit user aztraps for pointing out the rib lyric to me!)

The themes of yearning continue on “I Look in People’s Windows” during essentially the entire song, but here are some highlights:

A feather taken by the wind blowing I'm afflicted by the not knowing so

I'd be remiss not to mention that Peter Pan, throughout many adaptations, is known for his feather in his cap. 

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The Paradise of Peter Pan by Edward Mason Eggleston, 1934

You might notice in this painting that Peter looks like...well, a woman (stereotypically and historically!) The character of Peter Pan is normally played by a woman on stage and is often depicted with female features. This makes Dianna being Peter even more...suspicious.

More from “I Look in People’s Windows”:

I look in people's windows In case you're at their table What if your eyes looked up and met mine One more time

This is a love that is ended, yet Taylor can’t help but wonder what might happen if flames rekindled. 

I know what you’re thinking – Taylor Swift isn’t walking around random neighborhoods peering into neighbor’s windows. You’d be right (hopefully.) This song is a metaphor, in my view, for “insta-stalking” or social media “stalking” an ex, constantly checking up on them to see what they’re up to, who they’re with. She checks mutual friends’ pages, looking to see if she sees her love (Dianna) “at their table” (with them.)

The real question is - why use windows as the metaphor for internet stalking your ex? Perhaps to tie it into another song about that same ex?

More "ILIPW" lyrics:

I tried searching faces on streets What are the chances you'd be Downtown, downtown, downtown Does it feel alright to not know me? I'm addicted to the "if only"

Taylor is YEARNING for this person. She also seems to be unable to believe this person has been able to seemingly move on without her (just like Peter has.)

In “Peter,” Taylor’s relationship didn’t turn out as she hoped. She hoped this person would come back, and they didn’t. (“Come Back…Be Here” anyone??? PART TWO)

“I Look in People’s Windows” highlights the fact that Taylor has not completely moved on. As she goes about her daily life, she still “peers in people’s windows” (checks instagram/twitter/etc.) for this person. IT’S THE SAME MUSE!!! (Allegedly.)

In addition, the line: “I'm addicted to the "if only"” is especially interesting given Dianna’s interesting response to rumors of dating Taylor in a May 2023 (!!!) Rolling Stone article:

The theme of waiting is also important to discuss. In “Peter,” Taylor is waiting for someone who said they would grow up and find her; she’s sitting by the window waiting for them. In “ILIPW,” Taylor is looking through windows waiting for this person’s eyes to meet “mine one more time.” Both songs have this sense of sit and wait, sit and wait, sit and wait.

Taylor looking into people's windows and obsessing over gatherings where the muse might be in attendance reflects a sense of longing and yearning, reminiscent of Wendy's yearning in Peter Pan to reconnect with Peter despite being unable to bridge the gap between their realities:

Lyrics from “Peter”:

We both did the best we could do underneath the same moon In different galaxies

Eternal Youth

More from “I Look in People’s Windows”:

I look in people's windows Transfixed by rose golden glows

To view something in rose colored glasses is to see something in “favorably disposed opinions : optimistic eyes.” 

One could compare this to the rose colored glasses Wendy takes on when visiting Neverland, or when Alice visits Wonderland. (Again, we will be reviewing Wonderland’s connection amongst many other songs in connection to “Peter”/“ILIPW” in Part 2.) Both of these fairytales cater to the inner child and youth.

The theme of eternal youth in “Peter”, based on the fairytale of Peter Pan, is self explanatory, and I don’t feel the need to go into detail in this already MASSIVE post.

For this example, we’re going with the theory that “Peter” and “ILIPW” are inspired by the same muse/relationship. “ ILIPW’s” theme of yearning can be interpreted through the lens of Wendy's relationship with Peter—a story that encapsulates the longing for eternal youth (which Taylor writes about in “22” on Red, a song that is DEDICATED TO DIANNA, the pain of growing up, and the poignant realization that some connections are meant to remain in the realm of dreams and memories.

Rediscover Your Sense of Wonder

Peter appears unexpectedly and at random to seemingly bring a sense of magic and wonder to those around him, including Wendy and her siblings. Peter visiting the Darling children through their window symbolizes the allure of escapism, especially for someone like Taylor who cannot lead a normal life, and the desire to remain forever young.

“ILIPW,” if you allow the interpretation that it is intrinsically connected to “Peter,” indicates a longing to recapture, if anything, the innocence and adventure embodied by Peter/the muse. Taylor’s fixation on windows is a search for moments of enchantment and wonder that the Peter muse gave her.

If we follow this line of thinking and allow Dianna to be the muse of “Peter” and “I Look in People’s Windows,” it’s very interesting that the song canonically dedicated to Dianna centers around the very idea of youth and wonder: “22” from Red, as seen in the Rolling Stone piece mentioned above.

From “22”:

We're happy, free, confused, and lonely at the same time It's miserable and magical / It seems like one of those nights We ditch the whole scene and end up dreaming Instead of sleeping / Everything will be alright If we just keep dancing like we're 22

Tumblr / felldowntherabbithole

Dianna once had a tumblr with the url felldowntherabbithole. While I searched what archives I could find, it was quite overwhelming, and I didn’t get through many of her posts throughout the years she was active. However, I will mention posts I did find that showcased her interest in fairytales, and why Taylor might choose one (or two…“Wonderland,” anyone?) as inspiration for songs she has written about Dianna.

FIRST: This old post was found by Cam from whatiwillsay. She is not affiliated with this post and did not endorse it. However, I was unable to find this screenshot myself on the Wayback Machine, so I want to give her credit for finding this post on Dianna’s blog:

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Now, onto some screenshots I found myself of Dianna’s love of fairytales, all courtesy of the Wayback Machine:

References from bottom to top: Goodnight Moon, Dr. Suess, Alice in Wonderland, Little Red Riding Hood, Underland (a retelling of Alice in Wonderland)

Part Two Coming Soon

PART TWO will be linked here when finished. If you have any comments, suggestions, or questions, I’m more than ready to hear your thoughts!

Part Two will cover "Peter" and "ILIPW's" connections to other songs associated with Dianna.

Part 3 will cover anything I missed that I didn't feel I could edit into Part 1 or 2, as well as some more reach-y theories that I still feel deserve an honorable mention!

This post will be edited for grammatical and factual errors as necessary, as well as adding more evidence I feel needs to be included in this post.

[peterswonderland]

If you do not like Gaylor or Swiftgron content, feel free to block and/or keep scrolling!

I do not know Taylor Swift or Dianna Agron. This is celebrity gossip, and everything is alleged.

This would not be possible without the Swiftgron Masterpost – credit where credit is due!

This is a follow up to my Part One analysis of “Peter is…Dianna?” which you can find here. Part One made the case that Dianna is the muse for “Peter” and “I Look in People’s Windows” (“ILIPW”). 

This part will be connecting “Peter” & “ILIPW” to other Taylor songs commonly attributed to Dianna.

So that you are not bombarded with text, the heavy lyrical analysis will have images from https://ts-lyrics.netlify.app/ to make this post seem less clunky!

Connections to “Peter”

We explored the connections between “Peter” and “ILIPW” in Part One. We will be focusing on other alleged Dianna-inspired songs here.

These are not all the songs associated with Dianna, and some of these you may not believe are about Dianna at all. Those are completely valid takes, and I’m not here to fight with anyone! This is just an overview.

“Wonderland”: Both songs touch on the theme of longing for a magical relationship that is ultimately unattainable. Again, the theme of yearning from Part One is revealed here, along with danger and excitement.

“Everything Has Changed”: Both this song and “Peter” discuss a) the passage of time, b) the impact it has on relationships, c) again, yearning.

“Treacherous”: Both songs explore the complexities of relationships and the risks one takes for someone they love. Themes of danger and excitement are in both narratives.

“Come Back…Be Here”: “Peter” and “CBBH” highlight yearning for someone (Peter/the muse) who is physically and/or emotionally distant. An undergoing discussion of reuniting with the muse is also conveyed throughout both songs.

“Clean”: Both touch on themes of healing and moving on from past relationships and broken promises. There’s a universal theme of acceptance, emotional catharsis, and renewal in both songs (in Peter, the latter is showed through: “the woman who [stood] by the window has turned out the light.”)

“Cowboy Like Me”: Both songs delve into the allure of fleeting connections, and transient lifestyles. Cowboys move around as they please, much like Peter or Alice do in their stories. Taylor conveys her shared experiences with the muse, despite their unconventional lifestyles. The theme of danger and excitement weaves through “Cowboy Like Me” as well.

Lyrical Parallels

Stars, Skies, & Windows

Several songs thought to be about Dianna can be tied back to key themes and imagery from Peter Pan.

“cowboy like me” is often attributed to Dianna. The line “you’re a bandit like me” is reminiscent of the Lost Boys, and eyes full of stars coincide with the imagery of stars throughout Peter Pan - the second star to the right.

In “Call It What You Want,” Taylor seems to be mending from an old relationship that left her brokenhearted. This line about windows being boarded up is interesting, even if the song isn't connected to Dianna (as far as we know...)

Yet AGAIN Taylor is referencing windows as a “portal” and even “time travel.” I haven’t heard anyone connect this song to Dianna, but the symbolism of windows and how Taylor writes about/views windows is FASCINATING. Additionally, “Midnight Rain” obviously has a water theme, which ties back into “Clean." More on that later.

OKAY. “I’d PICK YOU UP and WE’D GO BACK IN TIME”!??!!? Peter would pick Wendy up and go back to Neverland, where they NEVER. GROW. UP. Obviously, Taylor is not over the muse she is writing about.

I have SO many feelings about “seven.” It was mentioned briefly in Part One of my analysis. It echoes so many of the sentiments of “Peter”: closets, being kids, skies, the general feeling of loss.

Also, if you're iffy on "long story short" being connected, you should at the very least consider this:

Water

“Clean” has lots of water imagery. So do several other songs people think Dianna may be the muse of.

This also ties into “Midnight Rain,” whose lyrics are mentioned in this analysis. Though I haven’t seen this song tied to Dianna and personally am not convinced of it, the lyrical and theme ties do exist!

Lights, Lamps, Lanterns 

Lights are a recurring lyrical analogy in songs attributed to Dianna.

The lights in “Treacherous” illuminate a risky and forbidden path.

In “Wonderland,” flashing lights indicate the beginning of a love affair with this muse.

The lack of light indicates that the relationship with the muse is over.

Light indicates hope that her relationship could be salvaged; Taylor lets the lamp burn.

...until she turns out the light.

At the end of “Peter,” Taylor lets us know she has given up hope, at least for now.

***

I hope this makes sense! I didn't include every mention of a word or phrase; I made sure it fit with the overall theme of this post and connecting songs to "Peter."

I will put up Part Three when/if I've gathered enough analysis to warrant it! I hope this is has been a fun read.

[peterswonderland]

i just read your analysis on peter and i look in people's windows and i am FLOORED holy shit i had no idea there were so many receipts

i saw you mention cardigan, and lots of people say they think cardigan was abt matty and that cardigan and peter are connected

your thoughts?

Thank you, anon!

As for Matty being the muse for "cardigan," is it possible? Absolutely!

Could there be multiple muses for "cardigan"? Yes!

Could there be multiple muses for "Peter"? Also yes!

Do "cardigan" and "Peter" have to be connected? No, though it's likely they are!

Could Matty be the muse for "Peter"? Anything is possible, but the lyrics and tone for "Peter" are a far cry from any other song about Matty, which makes me pause. It was the lyrics and and how different sonically it was from most of the album that caught my attention with "Peter".

Still - yes, Matty could be the muse. I don't think that means you shouldn't pursue other analyses, especially when it's this strong (in my opinion.)

[peterswonderland]

leaving this here to be annoying

[peterswonderland]

Late Stage Swiftgron Part 1

Update from November 2021 - I really don’t believe much of this is meaningful at all.  I don’t think they’re sitting around referencing one another on social media or anything but some of Dianna’s interactions with Karlie are interesting Dianna shows up explicitly in Taylor’s life a couple more times so I’m leaving these sections here.;

From here on out everything but the 2014 AMAs and Dianna’s somewhat shocking appearance at Taylor’s 2019 SNL performance are just odd social media shenanigans (or subtweets) between the two, and Taylor appearing to release at least one more song about Dianna (Babe in 2018) (and let’s be honest you can make a strong argument for The 1 being about Dianna as well other post 1989 songs.)

Some of this might be complete crack or coincidence but as you all know I want this to be the most thorough Swiftgron document possible.  

If anything it proves they both certainly still have similar interests and they really do seem to be in touch.

There are some interactions claimed by others to be Swiftgron related that I’m not going to include because they’re just a bit too reachy for me (though I completely support the theorizing!) but in general, if I personally can see the hint of a Swiftgron connection, I’m going to include it here. Draw your own conclusions and take everything, particularly the alleged subtweets/social media shenanigans, with a grain of salt.

And yes there’s tons of Kaylor and other Gaylor/Gaygron content that will be left out of this segment because this masterpost is focused on Swiftgron.  Someday it would be cool to make a giant masterpost/timeline that documents all of it, but for now it’s just going to be Swiftgron stuff. August 26, 2014 - Dianna tweets, and then deletes “Withdrawals, clearly…we had fun.” 

There’s no screen shot of this tweet but some retweets/responses of it remain:

If Dianna is indeed referencing the song Clean (in which their relationship is compared to an addiction hence, “withdrawals” from it) then Taylor would have had to give her advanced knowledge of the song since 1989 did not come out until October 2014.

Taylor did claim she ran 1989 by the muse that inspired it and they were both in LA in late August 2014. Maybe this is when.

November 1, 2014 - Taylor posts about Clean

November 19, 2014 - The 2014 AMAs Kaylorgron Explosion Extravaganza:

Taylor, Karlie, and Dianna are at the event.  Taylor and Karlie are clearly on a date and Dianna is there to present Sam Smith’s performance of I’m not the only one.  Dianna seems a bit out of her element/gloomy when interviewed on the red carpet and Taylor flexes Karlie hard, dancing with her throughout the night and even sitting on her lap during an interview.

Click here for photos, video, gifs, and a live L chat reaction to the night.

December 28, 2014 - The writer for the tv show The Originals, Carina Mackenzie, tweeted that 1989 was about Dianna:

It’s of course notable that someone in the industry is “confirming” Swiftgron on main (particularly before gaylor went mainstream with Kaylor being so obvious in 2015/2016) however what’s even more interesting and notable about this tweet is that an actor named Michael Trevino was on the show The Originals and he dated Jenna Ushkowitz from 2011-2014.

Not only that but Michael was at Dianna’s 26th birthday when Taylor was in attendance as well.

It’s possible that Michael witnessed Swiftgron in real life and spilled a bit to the writer of the TV show he was on.

January 5, 2015 - Taylor likes a Swiftgron related post on Tumblr of Dianna saying she’d go on the road with Taylor and carry her bags at the Giffoni Film Festival in 2012:

February 9, 2015 - Style is released as a single

February 13, 2015 - The Kaylor “Best Friends” on a road trip Vogue Spread comes out.  You’re probably familiar with it but if you aren’t google it.  It’s incredibly romantic and pda filled.

The Style music video is released on this day as well.

We don’t have to go through the whole video but one egg I just have to note is the cave pictured in the MV is in Morocco the same country Dianna seemed to flee to after Swiftgron was outed:

February 14, 2015 - Dianna tweets 143 remember those days (for some reason it has not been deleted) seemingly in response to the Kaylor vogue shoot:

143 is a code that means “I love you” that originated from Mister Rogers.  Both Taylor and Dianna have publicly shown that they are fans of his.  Taylor has even made certain songs 3 minutes and 41 seconds long seemingly referring to this number and wore a Mister Rogers pin on a jacket for a photoshoot once.

Here’s a bit more in depth analysis on the significance of the 143 post.

This tweet is how we know that it is 100% in Dianna’s character to occasionally subtweet Taylor and why a lot of this social media analysis has been done.  

February 16, 2015 - Just two days later Dianna attends a fashion show in which Karlie walks and is noted to “have kept a smirk on her face” during.  Dianna doesn’t clap at the end of the show and looks miserable in photos of the event:

February 17, 2015 - Taylor releases Wonderland

I’m going to pause here and discuss the song Wonderland for a brief moment because it is some of the most incredibly airtight evidence for Swiftgron available.

Dianna’s favorite book of all time is Alice in Wonderland.  She brought it up in interviews all the time, tweeted about it, auctioned off a signed copy of it for charity, her private Tumblr and instagram account are called whosirmesir which is a reference to it, her private Tumblr is filled with reblogs about Alice, and her public Tumblr was called fell down the rabbit hole.

So the fact that Taylor writes an entire song describing a relationship through the lens of and packing full of references to Alice in Wonderland is incredibly interesting.

Let’s take a look at some of these lyrics:

Flashing lights and we, took a wrong turn and we Fell down the rabbit hole (literally Dianna’s tumblr name and url)

Didn’t you flash your green eyes at me (Dianna is famous for her beautiful almost hypnotic green eyes and yes they are green)

Haven’t you heard what becomes of curious minds (queer coded)

Too in love to think straight (queer coded)

But there were strangers watching And whispers turned to talking And talking turned to screams (seems to reference when they were outed) You searched the world for something else (Dianna very publicly went travelling around the world right after April 2013 when they seem to break up)

Taylor literally put Dianna’s Tumblr URL in the song.  Frankly I’m kind of shocked she released this song at all it is so obviously and clearly about Dianna.  Truly a Swiftgron anthem!

Back to the timeline…

March 8, 2015 - Taylor posts Flamingos for her dad’s birthday:

The caption was “Happy Birthday, Dad. Thanks for all the unconditional love, sarcastic comments, and interesting Christmas presents.”

May 1, 2015 - Dianna posts a flamingo for her birthday (post is now deleted):

The caption was “This is 29. Spoiled rotten. Funny enough, at work they were painting the hallways white and the roses (hallway doors) red, then I actually went to Wonderland (@AliceUnderLdn) and came home to a surprise flamingo. Here we go. Another year around the sun…feeling lucky and loved and loved and lucky.”

Taylor also gave Emily, another rumored ex, a flamingo bandana for her birthday.  i also think it’s odd that Dianna mentions Wonderland specifically in the post.

January 15, 2016 - Dianna’s engagement to Winston is announced and Kaylors notice Taylor is liking sad posts on Tumblr including several posts related to Clean:

November 7, 2016 - Lorde’s birthday party where Kaylor is together in public for the last time for 20 months.

January 5, 2017 - Claire (who is still very close with Taylor) comments on one of Dianna’s Instagram posts):

March 2, 2017 - Dianna posts her James Dean inStyle UK photo to Instagram:

This is actually the second time she has posted this as a throwback photo.  She also posted it on February 4, 2016 with simply the caption “TBT” and did not include the “rebel without a clue” bit which is a reference to James Dean (Rebel Without a Cause). She’s never posted the same TBT photo twice before or after this (as of the writing of this post in October 2020).

It I may be permitted to go real far out on a limb here it’s almost as if she wanted people to connect that photo of her in the UK InStyle magazine to James Dean.  James Dean is of course the way Taylor describes her lover in the song Style.  

At any rate it’s very odd that it’s the only photo she’s posted twice whether it’s related to Taylor or not.

April 25, 2017 - Fans notice Dianna is having her script tattoo removed:

This is significant because a part of the tattoo was dedicated to Alice in Wonderland - it said “We’re all mad here” 

Tattoo removal is a years long process:

So it’s possible she started getting it removed around the time that Wonderland came out.

It’s also possible part of the tattoo was dedicated to Lea (the part that said “here I am”) so this whole removal situation is very interesting.

In 2019 she was still getting it removed and commented this at a Cafe Carlyle session:

“i was like i don’t know i wanna explain all my tattoos or the one that i’m getting removed on my side…you know you’re like…WHATEVER we’re stopping we’re moving on”

February 13, 2018 - Dianna attends the Carolina Herrera fashion show, so does Karlie. Dianna is introduced to Karlie by Derek Blasberg and very audibly calls Karlie “gorgeoouusss” as they meet. 

Kayda play “Gorgeous” by Taylor Swift.

Click here to keep reading!

[peterswonderland]

The Swiftgron Timeline Remastered

Hey Guys!  It’s Cam from @whatiwillsay

It’s high time the Swiftgron Masterpost was updated with more content and a cross reference of the Achele timeline and other newly learned information.

Now if you’re just looking to prove that Swiftgron is real to your friends click here for a more succinct summation of proof.  But if you want to read the sad, beautiful, tragic (no that’s not a Swiftgron song) story of Swiftgron, to go through the ups and downs, from the Hunger Games to SNL this is the place for you!

I was inspired to do this partially by this conversation.  TL;DR is there was some lively discourse in the fandom about who the breakup songs on Red are about.  

Personally, it doesn’t make sense to me for them to be about Dianna when the falling in love songs are obviously about her (mentions of green eyes, her name in the 22 liner notes, ect.)  For one quick example: the songs The Last Time and Come Back…Be Here were written and recorded right around the same time.

I’m sorry but I just cannot fathom those two songs being about the same person.  One is about the softest start to a relationship you’ve ever imagined - pining away and missing someone you barely know but are already infatuated with and the other is a gut wrenching heartbreak song about someone you’ve been on and off with for a long time.

Furthermore the Swiftgron masterpost and timeline was laid out by either Kaylors or general Gaylors, but no one who seems to have an in depth knowledge of Achele or even of Taylor’s relationships before Dianna, other than Emily which by all accounts ended in 2008.  

So I wanted to fill in all the blanks left open on the original Swiftgron masterpost to see if it’s possible that it missed anything.

Plenty of this data will still come from the original Swiftgron masterpost and shoutout to them for building such an amazing document!  It’s a great primer but it does gloss over a lot of events such as the Glee tour in the summer of 2011, the circumstances around all the early Swiftgron meetings, and the obvious Achele interactions through early winter 2012, and of course it’s missing all the weird late stage Swiftgron social media shenanigans.

I wanted to make this masterpost to be able to stand alone so I ripped some gif sets and other info (mostly on Achele) that I didn’t personally build because I don’t ever want anyone running into dead links.  If you see an edit or content you made that I haven’t credited please let me know and I will credit you or remove it if you really want me to.

The other reason I made this was I wanted to have one succinct and chronological place to store every single Swiftgron photo, video, or media of any other type.  If it’s Swiftgron related I will find it and add it here.  If I missed something you can let me know by reaching out to me on my usual blog @swiftgron-get-married. 

For those of you that are new to Gaylor here’s a few notes:

1.  If Taylor seems fruity to you it’s cause she does to everyone else.  Welcome.

2.  Swiftgron is the pairing of Taylor Swift and Dianna Agron.

3.  Achele is the pairing of Dianna Agron and Lea Michele.  It happened before Swiftgron (I think summer 2009 - Early 2012).  Achele was real 100%.  Go to Achele References on Tumblr for more info but just know I have reason to believe Achele actually dated beyond public information.  Take that with a grain of salt of course and look at the evidence for yourself.

4.  At some points in this document I reference a forum called The L Chat - that place is a wasteland of biphobia, transphobia, and other gross things but they did closely track Swiftgron and Achele.  I don’t recommend going there as it can be very triggering to some.  I have gone and pulled out relevant data so you don’t have to go there.

5.  There is a notion in the Gaylor fandom that Dianna was toxic, a serial cheater, and I’ve even heard the word “abusive” thrown around due to the fact that the breakup songs on Red do seem to be about a toxic relationship - Taylor has said as much.  

Given what I’ve heard about DIanna from people who have actually had contact with her - this would be incredibly out of character.  She does have the reputation of being a bit of a player but is literally famous for how kind, giving, compassionate, and amiable she is to fans, coworkers, and friends alike.

I believe that this document proves that due to events on the timeline that although Swiftgron definitely had their ups and downs (Babe definitely suggests at least one instance of a lack of faithfulness, and I’ve clocked at least two obvious breakups before Taylor commits to Karlie and the Swiftgron romance is over for good) however the idea that it was a completely toxic mess is just not supported by actual public data, gathered evidence, and Taylor’s own music and words.

With that enjoy!  The pandemic has done some weird things to people hasn’t it?  This what I did instead of going outdoors.  (I streamed Folklore six billion times while building this, honestly it was a blast!)

Click here to keep reading!

Orrrr 

If you want to skip all the preamble of Achele and Tayliz click here to jump into the Swiftgron Spring!

Table of Contents

Early Stages - Ships Passing in the Night

The 2011 Vanity Fair Oscar Party

Spring 2011 - The Achele of it All

The 2011 Met Gala Klossgron Extravaganza

Glee Live Tour Part 1 - Achele is ON

Glee Live Tour Part 2 - Rivergron in Paris

Glee Live Tour Part 3 - Seriously what the fuck was Shirtgate

Glee Tour Part 4 - Dianna’s Gay Panic Shirtgate Essay

Let’s Check In With Taylor - Speak Now Tour and Tayliz

Fairfax Flee Market - Finally Some Swiftgron!

Fall 2011 - Red and Achele winds down

Winter 2012 - Achele sunset / Swiftgron dawn

The Swiftgron Spring - Everything Changes

Shirley MacLaine’s Birthday

Dianna’s 26th Birthday

The Swiftgron Summer Part 1 - Dominick’s and The Glaad Awards

The Swiftgron Summer Part 2 - Hyiannis Port and The First Breakup

Fall 2012 - They Reuinte in Paris and Haylor Rises

Winter 2013 - The Beginning of the End

Spring 2013 - Fall 2013 - The End?

Winter 2014 - Taylor is Clean but then Swiftgron never goes out of Style

Late Stage Part 1 Spring 2014 - Winter 2018

Late Stage Part 2 Spring 2018 (Babe!) - Fall 2019 (SNL!)

Late Stage Part 3 Folklore Shenanigans 

Late Stage Part 4 Evermore!

[peterswonderland]

Introduction

By now, we all have our opinions of The Tortured Poets Department: The Anthology. It has received mixed reviews from critics to fans alike.

In the Gaylor community, many have dubbed it her “straightest album,” which I am inclined to agree with. BUT.

If you do not like Gaylor or Swiftgron content, feel free to block and/or keep scrolling!

I’ve seen and read theories for years. In this post I will be referencing the Swiftgron Masterpost. I’m also an avid listener of the What I Will Say podcast. (No one affiliated with the podcast is involved with this post, and for all I know might disagree with it entirely. However, I will be referencing the masterpost at points, and it is only fair to give credit where credit is due.)

This is celebrity gossip, and everything is alleged. I do not know Taylor or Dianna. This is alleged (don't sue me, tysm!)

Peter is…Dianna?

Halfway through my first listen of “Peter,” I was fully convinced this song was about Dianna. That Peter was Dianna.

First, I will go through the lyrics that most pointedly seem Dianna-coded to me.

Forgive me, Peter My lost fearless leader In closets like cedar Preserved from when we were just kids Is it somethin' I did?

Taylor references closets in “seven” on folklore:

And I've been meaning to tell you I think your house is haunted Your dad is always mad and that must be why And I think you should come live with Me and we can be pirates Then you won't have to cry Or hide in the closet

Cedar closets are used as a "safe haven" to put valuable items in. The closet has preserved everything from when Taylor and the muse were "just kids" (likely meaning their early twenties.) Shoutout to Kristin in the WIWS Discord for mentioning this!

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Another interpretation I found on Genius mentioned that the closet line in “Peter” could also be a reference to another fantasy story, The Chronicles of Narnia, wherein stepping into a closet revealed a new fantasy world. This fantasy narrative ties in with “Peter”/Peter Pan and “Wonderland”/Alice in Wonderland, which we’ll get to in a second.

The line “And I think you should come live with/Me and we can be pirates” can also be connected to Peter Pan. Peter Pan and the Lost Boys often have to fight off Captain Hook and his pirates. There are also theories that pirates/Captain Hook are old Lost Boys. TL/DR: Old lost boys are either killed by Peter Pan or can choose to become Lost Boys…at least by these fans’ interpretations. A weak link I know, but still an interesting one. 

“We can be pirates” because you’ve been forced to grow up too quickly…? Hm.

Further connecting “seven” to “Peter” is the idea of being just kids, although in “seven” it seems to be more literal, while in “Peter” she might be referring to when she and Dianna actually met: Taylor was ~20 years old, and Dianna was ~24. 

From “Peter”:

Are you still a mind reader? A natural scene stealer? I've heard great things, Peter But life was always easier on you Than it was on me

Dianna is stunning, and has often been referred to as a scene stealer.

Credit

“When we cast Dianna as Quinn, she ruined the part for me,” Murphy says. “She was supposed to be the Cybill Shepherd, Last Picture Show cunt, so to speak, but she humanized it. She can cry at the drop of a hat. So now her character has a conscience, a soul and great vulnerability.” Ryan Murphy, Rolling Stone. Credit

Credit (Shoutout to ellie from the WIWS Discord server for bringing the TCA nominations for "Female Scene Stealer" to my attention!)

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More from “Peter”:

And I won't confess that I waited, but I let the lamp burn As the men masqueraded, I hoped you'd return

I viewed this through a queer lens upon first listen; the definition of masqueraded (verb) is “to go about disguised/to assume the appearance of something one is not.”

When Taylor sings “as the men masqueraded, I hope you’d return,” the you is implied to not be a man. 

We’ll circle back to lamps burning/lights in Part 2.

And you said you'd come and get me, but you were twenty-five And the shelf life of those fantasies has expired Lost to the "Lost Boys" chapter of your life

Dianna was twenty-five when she and Taylor allegedly began dating.

Dianna, through multiple interviews and her old tumblr blog (that often mentioned children’s fantasies and stories), seems to cherish her inner child and not be in any rush to “grow up.”

From an interview for Galore Magazine in 2014:

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There are also Dianna’s frequent posts on Tumblr about fairytales and children’s stories - this could lend itself to the idea she was living a “Lost Boy’s life.” More on that later.

But the woman who sits by the window Has turned out the light

Again, there is a reference to light, which is a theme (amongst many) we will visit in Part 2 of this analysis.

These lyrics draw natural parallels to Disney’s animated Peter Pan film, wherein Peter Pan visits the Darling children through their window. Wendy is seen sitting by the window, yearning for something more.

In another TTPD track about windows, “I Look in People’s Windows,” there are obvious parallels to “Peter.” These parallels are so strong that I believe these songs are almost certainly about the same person.

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In “cardigan” from folklore, Taylor seems to categorize herself as Wendy and an unknown muse as Peter.

I knew you Tried to change the ending Peter losing Wendy

More “cardigan” parallels will be drawn in Part 2. Part 1 is focusing on “Peter” itself as well as its tie ins to another TTPD song, “I Look in People’s Windows.”

I Peter Looks in People’s Windows

Connecting “Peter” and “I Look in People’s Windows” is almost too easy, yet I didn’t catch it on my first few listens. Let’s break it down.

The images referenced above show that windows are a central plot point to Peter Pan. Waiting by the window symbolizes yearning for something more, something magical. Wendy is waiting for something more: for Peter’s return. We can draw parallels between Wendy’s window and the rabbit hole in Alice in Wonderland: a portal to something whimsical and dangerous.

If you’re new here, “Wonderland” from 1989 is known to many as one of Taylor’s most blatant songs about a woman: Dianna Agron. I encourage you to read this portion of the Swiftgron masterpost if you’re new or need a refresher!

Sit and Wait, Sit and Wait

The first theme we’ll discuss is longing/yearning. Both in “Peter” and “I Look in People’s Windows,” Taylor conveys a strong sense of yearning for a person with whom a relationship has permanently died, despite her hopes.

From “Peter”:

The goddess of timing Once found us beguiling She said she was trying Peter, was she lying? My ribs get the feelin' she did And I didn't want to come down I thought it was just goodbye for now

/

Said you were gonna grow up Then you were gonna come find me Words from the mouths of babes Promises oceans deep But never to keep

/

Forgive me, Peter, please know that I tried To hold onto the days when you were mine (Hold onto the days) But the woman who sits by the window has turned out the light

The woman (Taylor) who sat by the window has given up hope (turned out the light.)

Also, fun fact about "my ribs get the feeling she did": Dianna Agron removed a Wonderland tattoo after the song "Wonderland" was released. Guess where the tattoo was?

On. Her. RIBS.

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"We're all mad here."

Also, "What will we become? We become ourselves," is a quote from poet Patti Smith. Yes, the same Patti Smith referenced in the title track for The Tortured Poets Department. (Thanks to thea from the WIWS discord for pointing out the Patti Smith connection to me!)

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(Shoutout to reddit user aztraps for pointing out the rib lyric to me!)

The themes of yearning continue on “I Look in People’s Windows” during essentially the entire song, but here are some highlights:

A feather taken by the wind blowing I'm afflicted by the not knowing so

I'd be remiss not to mention that Peter Pan, throughout many adaptations, is known for his feather in his cap. 

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The Paradise of Peter Pan by Edward Mason Eggleston, 1934

You might notice in this painting that Peter looks like...well, a woman (stereotypically and historically!) The character of Peter Pan is normally played by a woman on stage and is often depicted with female features. This makes Dianna being Peter even more...suspicious.

More from “I Look in People’s Windows”:

I look in people's windows In case you're at their table What if your eyes looked up and met mine One more time

This is a love that is ended, yet Taylor can’t help but wonder what might happen if flames rekindled. 

I know what you’re thinking – Taylor Swift isn’t walking around random neighborhoods peering into neighbor’s windows. You’d be right (hopefully.) This song is a metaphor, in my view, for “insta-stalking” or social media “stalking” an ex, constantly checking up on them to see what they’re up to, who they’re with. She checks mutual friends’ pages, looking to see if she sees her love (Dianna) “at their table” (with them.)

The real question is - why use windows as the metaphor for internet stalking your ex? Perhaps to tie it into another song about that same ex?

More "ILIPW" lyrics:

I tried searching faces on streets What are the chances you'd be Downtown, downtown, downtown Does it feel alright to not know me? I'm addicted to the "if only"

Taylor is YEARNING for this person. She also seems to be unable to believe this person has been able to seemingly move on without her (just like Peter has.)

In “Peter,” Taylor’s relationship didn’t turn out as she hoped. She hoped this person would come back, and they didn’t. (“Come Back…Be Here” anyone??? PART TWO)

“I Look in People’s Windows” highlights the fact that Taylor has not completely moved on. As she goes about her daily life, she still “peers in people’s windows” (checks instagram/twitter/etc.) for this person. IT’S THE SAME MUSE!!! (Allegedly.)

In addition, the line: “I'm addicted to the "if only"” is especially interesting given Dianna’s interesting response to rumors of dating Taylor in a May 2023 (!!!) Rolling Stone article:

The theme of waiting is also important to discuss. In “Peter,” Taylor is waiting for someone who said they would grow up and find her; she’s sitting by the window waiting for them. In “ILIPW,” Taylor is looking through windows waiting for this person’s eyes to meet “mine one more time.” Both songs have this sense of sit and wait, sit and wait, sit and wait.

Taylor looking into people's windows and obsessing over gatherings where the muse might be in attendance reflects a sense of longing and yearning, reminiscent of Wendy's yearning in Peter Pan to reconnect with Peter despite being unable to bridge the gap between their realities:

Lyrics from “Peter”:

We both did the best we could do underneath the same moon In different galaxies

Eternal Youth

More from “I Look in People’s Windows”:

I look in people's windows Transfixed by rose golden glows

To view something in rose colored glasses is to see something in “favorably disposed opinions : optimistic eyes.” 

One could compare this to the rose colored glasses Wendy takes on when visiting Neverland, or when Alice visits Wonderland. (Again, we will be reviewing Wonderland’s connection amongst many other songs in connection to “Peter”/“ILIPW” in Part 2.) Both of these fairytales cater to the inner child and youth.

The theme of eternal youth in “Peter”, based on the fairytale of Peter Pan, is self explanatory, and I don’t feel the need to go into detail in this already MASSIVE post.

For this example, we’re going with the theory that “Peter” and “ILIPW” are inspired by the same muse/relationship. “ ILIPW’s” theme of yearning can be interpreted through the lens of Wendy's relationship with Peter—a story that encapsulates the longing for eternal youth (which Taylor writes about in “22” on Red, a song that is DEDICATED TO DIANNA, the pain of growing up, and the poignant realization that some connections are meant to remain in the realm of dreams and memories.

Rediscover Your Sense of Wonder

Peter appears unexpectedly and at random to seemingly bring a sense of magic and wonder to those around him, including Wendy and her siblings. Peter visiting the Darling children through their window symbolizes the allure of escapism, especially for someone like Taylor who cannot lead a normal life, and the desire to remain forever young.

“ILIPW,” if you allow the interpretation that it is intrinsically connected to “Peter,” indicates a longing to recapture, if anything, the innocence and adventure embodied by Peter/the muse. Taylor’s fixation on windows is a search for moments of enchantment and wonder that the Peter muse gave her.

If we follow this line of thinking and allow Dianna to be the muse of “Peter” and “I Look in People’s Windows,” it’s very interesting that the song canonically dedicated to Dianna centers around the very idea of youth and wonder: “22” from Red, as seen in the Rolling Stone piece mentioned above.

From “22”:

We're happy, free, confused, and lonely at the same time It's miserable and magical / It seems like one of those nights We ditch the whole scene and end up dreaming Instead of sleeping / Everything will be alright If we just keep dancing like we're 22

Tumblr / felldowntherabbithole

Dianna once had a tumblr with the url felldowntherabbithole. While I searched what archives I could find, it was quite overwhelming, and I didn’t get through many of her posts throughout the years she was active. However, I will mention posts I did find that showcased her interest in fairytales, and why Taylor might choose one (or two…“Wonderland,” anyone?) as inspiration for songs she has written about Dianna.

FIRST: This old post was found by Cam from whatiwillsay. She is not affiliated with this post and did not endorse it. However, I was unable to find this screenshot myself on the Wayback Machine, so I want to give her credit for finding this post on Dianna’s blog:

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Now, onto some screenshots I found myself of Dianna’s love of fairytales, all courtesy of the Wayback Machine:

References from bottom to top: Goodnight Moon, Dr. Suess, Alice in Wonderland, Little Red Riding Hood, Underland (a retelling of Alice in Wonderland)

Part Two

PART TWO is here!

If you have any comments, suggestions, or questions, I’m more than ready to hear your thoughts!

Part Two will cover "Peter" and "ILIPW's" connections to other songs associated with Dianna.

Part 3 will cover anything I missed that I didn't feel I could edit into Part 1 or 2, as well as some more reach-y theories that I still feel deserve an honorable mention!

This post will be edited for grammatical and factual errors as necessary, as well as adding more evidence I feel needs to be included in this post.

[peterswonderland]

spending the rest of my day making the argument the "Peter" by Taylor Swift could be about Dianna Agron....how's your Friday going?