photobombingcryptid

[photobombingcryptid]

SEND ME  “  🍆 “  AND I WILL WRITE A NSFW / SMUTTY DRABBLE BETWEEN OUR CHARACTERS.

18+ muns and muses please!

[photobombingcryptid]

goodbye.  for your muse to hold mine as they lay dying in their arms.

All good things must come to an end, don't they?

Even if the doesn't want it to. The book is still being written; he doesn't want it to end.

Alas, he is running out of ink.

Running out of time.

He doesn't recall much from the last very moments. It was a fight, gunshots, explosions and— now Vortex is holding tight on him, shouting, pleading to him.

Stay with me.

Stay. With. Me.

Just a little longer, right?

But there won't be any longer.

Unless... Unless he goes against the rules. Against the unwritten rules of the universe.

What strength he has left allows him to pry open Vortex's chest panels. There it is. It glows and flutters and that light is calling to him.

Blaze's chest panels snap open and with the final embrace, the sparks merge.

He will always, always be with you.

[photobombingcryptid]

Would he prefer warm servos? Rodimus is quick good at massaging and he’s always pleasant heated.

"You know..."

"Me and you? We share similarities. Like literally living up to our names — or your paintjob, in your case."

[photobombingcryptid]

They did say some prefer a HOT stone massage, and Beastie has two in each servo from cooking them in fire. "Warm, chicken up."

"Well, that's new."

He stretches and flattens some more.

"You could lay coal around me and that would be just perfect."

[photobombingcryptid]

No massage. Only ice cold servos on the small of his back. :)

Add "HHRAAGHGAHAGH" to the soundboard of Blaze noises.

[photobombingcryptid]

Blaze gives me the "Squirrel horded enough in a pole to actually kill the internet" vibe. But instead of a pole it's his back..

Most of the time those things find in his back by complete chance.

He kills his back by lifting things several times his weight, more or less...

[photobombingcryptid]

Proceeds to knead Blaze's back with his claws.

All of his back panels flare open for better access.

... And to maybe dig out some bullet shells.

[photobombingcryptid]

Said gray face pops on to Blazes back and begins to knead like a cat. Throwing out the scrap casings and other unwanted items in his back.

Just try not to throw them out.

Some trinkets still have value.

[photobombingcryptid]

Blaze. Blaze can you lay down it looks like you need a massage

Oh. Yea.

I need it. I need it every damn time.

Go wild.

[photobombingcryptid]

✏ [I've always wanted to see Blaze as a merc and actually /managing/ to capture Megatron. Bonus Points if they reach this weird equilibrium with each other.]

// I'd be so down for that. And you know merc Blaze would be utterly bamboozled how he's managed to catch Megatron of all people

[photobombingcryptid]

Send “ ✏“ plus a scenario you’ve always wanted to rp with our muses and I’ll tell you whether or not I’m interested!

(If you cannot see the emoji send “Pencil” plus a scenario.)

[photobombingcryptid]

42 character development questions!

Please specify which muse for multimuse blogs!

PHYSICAL PRESENCE AND GESTURE.

1. How do they move and carry themselves? Pace, rhythm, gestures, energy? 2. How much physical space do they use, active and at rest? 3. How do they position themselves in a group? Do they like to be the center of attention, or do they hang back at the edges of a crowd? 4. What is their size and build? How does it influence how they use their body, if it does? 5. How do they dress? What styles, colors, accessories, and other possessions do they favor? Why? 6. What are they like in motion–in different environments and in different activities? What causes the differences between these? 7. How do they physically engage with other people, inanimate objects, and their environment? What causes the differences between these? 8. Where and when do they seem most and least at ease? Why? How can you tell? 9. How do they manifest energy, exhaustion, tension, or other strong emotions? 10. What energizes and drains them the most? 11. How are they vocally expressive? What kind of voice, accent, tones, inflections, volume, phrases and slang, and manner of speaking do they use? 12. How are they bodily expressive? How do they use nonverbal cues such as their posture, stance, eyes, eyebrows, mouths, and hands?

DISPOSITION AND TEMPERAMENT.

13. How do they greet the world — what is their typical attitude towards life? How does it differ in different circumstances or towards different subjects? Why do they take these attitudes, and why do they change? How do these tend to be expressed? 14. What do they care deeply about? What kind of loyalties, commitments, moral codes, life philosophies, passions, callings, or spirituality and faith do they have? How do these tend to be expressed? 15. What kind of inner life do they have — rich and imaginative? Calculating and practical? Full of doubts and fears? Does it find any sort of outlet in their lives? 16. Do they dream? What are those dreams like? 17. Are they more shaped by nature or nurture — who they are or what has happened to them? How have these shaped who they’ve become as a person? 18. What kind of person could they become in the future? What are some developmental paths that they could take (best, worst, most likely)? What would cause them to come to pass, and what consequences might they have? What paths would you especially like to see, and why?

CONNECTIONS WITH OTHERS.

19. How do they behave within a group? What role(s) do they take? Does this differ if they know and trust the group versus finding themselves in a group of strangers? Why? 20. What kind of individual relationships do they have with others, and how do they behave in them? How are they different between intimate relationships like friends, family, and lovers versus more impersonal relationships? 21. What kind of relationships do they tend to intentionally seek out versus actually cultivate? What kind of social contact do they prefer, and why? 22. How do people respond to them, and why might these responses differ? 23. How do they respond to difficult social moments? What makes them consider a social situation difficult? 24. How do they present themselves socially? What distinguishes their “persona” from their “true self”, and what causes that difference? 25. What do they need and want out of relationships, and how do they go about getting it? 26. How do they view and feel about relationships, and how might this manifest in how they handle them if it does?

ACTIVITIES AND PREFERENCES.

27. What do they strongly like and dislike in any category? Why? 28. What are they likely to do if they have the opportunity, resources, and time to accomplish it? Why? 29. What kind of activities, interests, and hobbies do they have? What significance and impact do these have in their lives, both positive and negative? 30. What is their preferred level of activity and stimulation? How do they cope if they get either too little or too much? 31. Is there anything that counts as a “dealbreaker” for them, positively or negatively? What makes things go smoothly, and what spoils an activity or ruins their day? Why? 32. Do they have any “props” that are a significant part of their life, identity, activities, or self-presentation somehow? What are they, how are they used, and why are they so significant? How would these props’ absence impact them, how would they compensate, and why?

THINKING AND LEARNING.

33. How do they learn about the world? What is their preferred learning style? Hands-on learning with trial and error? Research, reading, and note-taking? Observation or rote memorization? Inductive or deductive reasoning? Seeking patterns and organization? Taking things apart and putting them back together? Creative processing via discussing, writing about, or dramatizing things? 34. How do they understand the world–what kind of worldview and thought processes do they have? Why? 35. How and why do they internalize knowledge? What effect has that had on them? 36. How much do they rely on their minds and intellect versus other approaches like relying on instinct, intuition, faith and spirituality, or emotions? What is their opinion on this? 37. Have they had any special education or training that colors their means of learning about or understanding the world? Conversely, do they lack some kind of education considered essential in their world? What kind of impact has this addition or lack had on them? 38. Is there anything they wish they could change about their worldview or thought processes? What, and why? 39. What sort of questions or thoughts recur in their lives, either specifically or as a theme? Why are these never answered, or answered permanently to their satisfaction? 40. What do they wonder about? What sparks their curiosity and imagination, and why? How is this expressed, if it is?

FREE FOR ALL.

41. What associations do they bring to mind? Words or phrases, images, metaphors, or motifs? Why? 42. I have a question of my own!

[photobombingcryptid]

Send '🤛' to hit my muse as hard as possible.

[photobombingcryptid]

Ow.

Aw. Wow.

He got his aft handed at the fight club this morning — that was just sparring.

It's been a while since he's ever felt this stiff, sore and barely making his way through the streets back to his ship.

[photobombingcryptid]

Ow.

Aw. Wow.

He got his aft handed at the fight club this morning — that was just sparring.

It's been a while since he's ever felt this stiff, sore and barely making his way through the streets back to his ship.

[photobombingcryptid]

✧ — ⋆   𝐅𝐈𝐑𝐒𝐓 𝐌𝐄𝐄𝐓𝐈𝐍𝐆 𝐏𝐑𝐎𝐌𝐏𝐓𝐒 .

some  ideas  for  first  meeting  prompts  that  may  help  break  the  ice  between  characters .  feel  free  to  amend  contexts  &  roles  where  required !  violent  &  alcohol  related  prompts  present . 

[ BAR ]  :   for  your  muse  to  join  mine  at  a  bar  [ DINER ]  :  for  your  muse  to  join  mine  at  a  diner / restaurant   [ SAVE ] :  for  your  muse  to  step  in  to  save  my  muse  in  a  fight  [ FAKE ] :  for  your  muse  to  pretend  to  know  my  muse  in  public  to  save  them  from  a  difficult  encounter [ RUN ] :  for  your  muse  to  grab  my  muse’s  hand  and  tell  them  to  run  [ STEAL ]  :  for  your  muse  to  try  to  steal  from  my  muse  ( pickpocketing ,  in  their  home  etc  –  feel  free  to  specify  context ! ) [ STUDY ] :  for  your  muse  to  join  mine  to  study / read   [ PICNIC ] :  for  your  muse  to  join  mine  on  a  picnic  [ FIRST  DATE ] :  for  your  muse  to  meet  mine  for  a  first  date   [ BREAK  IN ] :  for  our  muses  to  break  in  somewhere  together  [ ATTACK ] :  for  your  muse  to  try  to  attack  mine  ( specify  context ! ) [ DANCE ] :  for  your  muse  to  invite  mine  to  dance  [ PAY ] :  for  your  muse  to  pay  for  my  muse’s  item(s)  ( specify  context ! ) [ TAXI ] :  for  our  muses  to  share  a  taxi  ride  somewhere [ CAR ] :  for  your  muse  to  jump  in  my  muse’s  car  and  tell  them  to  drive [ LOCKED  OUT ] :  for  your  muse  to  be  locked  out  of  their  apartment  &  to  ask  for  help  from  mine  [ DIY ] :  for  your  muse  to  ask  mine  for  help  with  diy  in  their  home  [ DARE ] :  for  your  muse  to  approach  mine  on  a  dare [ PATCH ] :  for  your  muse  to  help  mine  with  an  injury [ COMFORT ] :  for  your  muse  to  comfort  mine  [ SWIM ] :  for  your  muse  to  throw  mine  into  the  sea /  a  river /  pool  ( specify ! ) [ RESTRAINED ] :  for  our  muses  to  be  tied  up  together  [ CRY ]  :  for  your  muse  to  find  mine  crying   [ KIDNAP ] :  for  your  muse  to  kidnap  mine [ DRUNK ] :  for  your  muse  to  look  after  mine  while  drunk  [ ZOMBIE ] :  for  our  muses  to  be  caught  in  a  zombie  attack  together  [ TRAPPED ] :  for  our  muses  to  be  trapped  somewhere  together  ( stuck  in  a  storm ?  kidnapped  together ?  dodgy  lock  on  a  door ? )  [ WARN ] :  for  your  muse  to  warn  mine  of  incoming  danger [ COFFEE SHOP ] :  for  your  muse  to  join  mine  at  a  coffee  shop  /  café [ WORK ] :  for  your  muse  to  help  train  mine  on  the  first  day  of  their  job  [ ROOMMATES ] :   for  your  muse  to  be  my  muse’s  roommate  ( feel  free  to  specify  whether  in  a  college  or  a  regular  setting ! ) [ BOOKSHOP ] :  for  our  muses  to  meet  in  a  bookshop  [ EVENT ] :  for  our  muses  to  meet  at  a  charity  event   [ FUNDRAISING ] :  for  our  muses  to  team  up  to  raise  money  for  charity  ( feel  free  to  specify  potential  ideas ! ) [ COMPETITORS ] :  for  our  muses  to  be  rivals  in  a  competition  [ KARAOKE ] :  for  our  muses  to  sing  karaoke  together  [ MUTUAL  FRIEND ] :  for  our  muses  to  meet  through  a  mutual  friend [ STOOD  UP ] :  for  your  muse  to  join  mine  on  a  date  after  noticing  that  they  have  been  stood  up [ MISSION ] :  for  our  muses  to  meet  on  a  mission  [ UNDERCOVER ] :  for  your  muse  to  approach  mine  while  undercover [ MUSUEM ] :  for  our  muses  to  meet  at  a  museum  [ ABANDONED ] :  for  our  muses  to  meet  in  an  abandoned  building  [ STARGAZING ] :  for  our  muses  to  meet  while  stargazing  [ ROOFTOP ] :  for  your  muse  to  find  mine  on  a  rooftop 

[photobombingcryptid]

Don't get him wrong.

Blaze likes the silence. He likes not having to check every notification, every news pop-up, every message—

It's simply nice to turn off once every now and then and only allow those small moments to be his company. The subtle hum of Voyager's internals, the backlog of movies and music to listen to, the sound of tinkering with some archaic radio...

It's therapeutic.

But this has its downfalls.

He misses on events. Small or big, life-changing or downright devastating to the whole species. Oh, he still remembers the day he discovered Cybertron quite literally in flames.

This time? It's personal.

Too personal.

From the messages, that had been sent days ago, he has pieced together a tale, not unlike one straight from some horror thriller. Except this is real, real as the air around him, real as the growing urgency to do something about it.

It's his duty now.

His entire lifetime of being a bloodhound of valuables sneaking into places where he shouldn't be could never come at a better place. Voyager left behind in the orbit, Blaze slips through the cracks like the black shadow he is. Security all around isn't any brighter by his intrusion.

The window cracks open for him to enter the top floor of the clinic. The ward is pristine, and yet—

—it reeks of death.