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Just wait untill my 6 tumblr mutuals hear about this
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I have a lot of thoughts abt them young n have many drawings i wish to do of wee Nishitani adventures but for now I gotta keep moving to keep up with this
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Oh fic links are working again huh
here ya go I wrote longform y0 evil uncle footstuff (sagamaji, nishimaji, implied past saemaji)
with stunning artwork by my friend g.c. houle
enjoy!!!!
#ryu ga gotoku#rgg#rgg fanfic#yakuza#yakuza fanfic#laura's writing#sagamaji#nishimaji#saemaji#majima goro#sagawa tsukasa#nishitani homare#saejima taiga
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Kissing her and getting a disease but it鈥檚 worth itttt
#oh my god#oh my god????#oh my godddddddddddddd#like soooo goromi adjacent im sick#huge brain bk. huge
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love when pets walk by like they have somewhere to be
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Mediterranean Holiday!Raph is coming back y'all.
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I will forever be profoundly unimpressed with people who take pride in their unkindness to others
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(opening the author鈥檚 works page after finishing a fic) and if im lucky they鈥檒l have written this exact same fic but different a bunch more times
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me: i guess it's just the more i think about it, the humor in/around bg3 starts to feel like larian cares more about pleasing people, even if it breaks immersion or flattens/flanderizes characters, than making a game that's fun and funny because of a consistent internal logic and sense of genre and setting.
the tulpa of tom wambsgans i keep in the attic: people do like funny games.
me: but what does it mean for a game as an interactive medium to be funny? like, people find it funny if a game is broken or janky, but a game can also be funny because the mechanics are working and they're designed in a funny way. like, the disco elysium skills are effectively their own cast of characters as a part of the mechanics, and intentionally made into a huge element of the game's humor. watching harry fumble is a lot funnier when the peanut gallery always has something to say about it. or even, i dunno, the very obsidian bit of dialogue choices going 'yes,' 'no,' '[lie] yes,' '[lie] no.' that's humor that relies on the nature of dialogue trees.
tulpa wambsgans, who i've forced to play disco elysium: right. there's plenty of times when you thought the mechanics of bg3 led to funny situations, though.
me: that's not exactly what i'm trying to get at. or it's not the biggest part of it. like, i feel like i've brought this up one too many times already, but the 'hot githyanki girlfriend' dialogue choice you get when romancing lae'zel - it's 'funny,' right? it's supposed to be funny.
tulpa wambsgans: i mean, it is, funny. isn't it?
me: i mean, not to me. i think it's fucking cringe. but it's like, why is that cringe to me, and not disco elysium's 'i want to have fuck with you?' on the surface, it seems like kind of similar humor, like it's your character saying stupid shit. but in disco elysium, the joke is on you-as-harry, because that became your dialogue option after you failed. and the... i'd argue central conceit of disco elysium, maybe, is that harry as an amnesiac wreck with a bunch of skills talking to him in his head is the only way to in-world make sense of a guy who acts like a video game character. and the joke is that you're a video game character selecting dialogue options, but if you were a real person, like harry's supposed to be, you'd seem like a fucking weirdo, and people in the game treat you like a fucking weirdo.
tulpa wambsgans: so what's the problem with baldur's gate 3?
me: i guess it feels like the joke is on the game for being a game that wants to be taken seriously? on the characters within it, for being characters that can only take the game seriously? i don't know if that makes sense. when you incorporate in memes like the god's favorite princess stuff or whatever it was, that's for the player, like almost as a reward for making that joke about the game outside of the game. but it's also, i mean, it's a huge... oversimplification of everything shadowheart's got going on, right? like, shar is or was explicitly abusing her.
tulpa wambsgans: it's a joke, though.
me: right, but what kind of relationship does that create, between the player and the studio, and the player and the game, if the player is rewarded for these kinds of jokes by having them funneled back into the game as part of its reality? the game of fandom telephone where canon events and characters get simplified and miscommunicated over and over, but this time the studio, the makers of canon, are in on it. i mean, it doesn't need to be about jokes, i think that just bothers me more because people tend to have such a positive reaction to jokes. like, lae'zel's dismiss to camp dialogue being changed as well as minthara's recruitment no longer conflicting with halsin's is i would argue part of the same problem.
tulpa wambsgans: ....does any of this really matter?
me: tulpa tom wambsgans you know i only come up into the attic to talk to you about shit that doesn't matter
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more of fem!Majima!
ko-fi.com/relina
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Commission for聽https://twitter.com/sigmanas聽 of their amazing FemMajima cosplay! Check out their works, it鈥檚 really cool!
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This bc nishida needs to get his shit rocked fr
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