queen-mcgregor

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I love Tobias Forge he created the most back-assward bullshit inconsistent rule-of-cool wild takes for his canon so we may be all freed from the Lore Police

Praise be 🙏

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I loved this scene

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in Maine sheep are released on offshore Islands in spring to graze for summer. With no natural predators on these islands sheep thrive. To be corralled up and brought back to the mainland in early fall.

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I am spoiling the live action Lilo & Stitch. And I am doing it up front and plainly.

Do not fucking see this movie. Do not waste your money on this. Period.

They made Nani give Lilo up to the American government. They made Nani LEAVE Hawaii and pursue being a marine biologist. They made a native Hawaiian character give up her sibling to pursue a dream that she originally did not have. This is imperialist propaganda at its FINEST.

The original fucking movie is about family staying together. It's about indigenous people being able to stay with each other and stay in their home and be together! That's the whole fucking point! Nani is Lilo's last living relative on her homeland—it is jarring, it is disgusting and disturbing that Nani would not only leave her last blood relative alone, give her up to the very government that is harming native Hawaiians TODAY, but also travel to the "mainland" for her dream!

Not to mention, Nani's actress isn't fucking Hawaiian. She's much paler in photos and real life. They fucking darkened her for this movie.

Don't even get me started on the transgender subtext of Pleakley's "human" disguise from the original movie being completely erased in favor of him being played by a regular ass white man. Jumba doesn't have his accent, they made him more villainous, and his "human" disguise is a non-fat white man—which part of his original joke, I know, is that he was bigger and was more clumsy in the movie because of his size, but to have the main shape of his character completely removed is also fucking weird.

This live action movie is a desecration to the original. I encourage you to not see it, please. Don't give Disney any of your money on this one. Just watch the original. Please just watch the original.

The new message in the live action movie is disturbing and gross.

This is one of the most disrespectful live actions I've seen and heard of. I implore you to not watch it.

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THIS WAS WHAT WAS MEANT TO BE IN ARCANE HUH??? Arcane made a mistake becuase this fits so well

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Lol, good stuff.

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don’t dish it if you can’t take it, copia

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I wasn’t crazy about this piece so I wasn’t intending on publicly posting it again, but it keeps getting stolen every five minutes so I figured I’d put it here so people at least know who to attribute the original thing to lmao

[Digital illustration, Procreate App, 2020]

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A hug. He needs it.

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I apologized in advance to the cashier for getting these at the same time. They couldn't stop laughing. From a Goodwill

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Yeah Mr. Darcy’s proposal was a complete turd and a half but you gotta understand. You got your life together. A good career, stable income, retirement plan, all that shit together. And you meet this girl. And she’s everything. Clever, outspoken, funny, calls you on your bullshit. Grade A cutie, right? And she doesn’t go out of her way to spend time with you but she’s nice, and sometimes you catch her looking your way in a way that makes you think you might have a shot.

But her family. Holy shit.

First off, it’s p much ALL women, and mostly UNMARRIED women, which at this time means of something happens to her dad then you’re financially responsible for like. Four grown ass adults, potentially forever

Because mom in law is DEFINITELY gonna need someone to take care of her when dad in law kicks it, and they have like. NO money. So already you’re accepting that if all goes well, you’re gonna be one random old bag’s retirement home. That’s expensive and exhausting, yeah? Imagine asking someone on a first date knowing that if they say yes and things go good her high-strung chihuahua mother is gonna move in with you. IMAGINE.

And girly’s other sisters. Well, one is a sweetheart, yeah, so she probably won’t be an issue, but that still leaves three more, and two of those ones are INSUFFERABLE. Never went to school, dumb as rocks, spend cash like it’s toilet paper

And while one of the two is young still and might grow out of it the OTHER one is actively torpedo’ing her entire family’s reputation by wandering off with random dudes and chasing ass. She’s never gonna work, she can’t build connections, she’s a fucking sinkhole, and she’s being led on by the same goddamn con man ass leeching tit who’s been bleeding you dry while telling anyone who’ll listen that your family is full of ratty thieving bastards.

And if he dumps her after a week- WHICH YOU KNOW HIS BITCH ASS IS GONNA- you’ve got a SECOND UNMARRIABLE GROWN ASS ADULT TO PROVIDE FOR. And you KNOW she’s gonna be a tantrum-throwing little shit about it, and it’s not like you can lock her in the basement or something, you’re gonna have to bring her fucking. Everywhere. And give her an allowance and shit while she contributes zero, because again, she NEVER GOT EDUCATED AND HAS NO MARKETABLE SKILLS. She’s not even good to TALK to. FUCK

And you’re looking at this girl’s father like “please for the love of fuck get your spawn under control, marry them off, get them working on their résumé, learning to sew or be nursemaids or manage staff or SOMETHING, yall got no money and one foot in the grave” and that old man just laughs like “haha yeah, what can you do. lol”

So you’re looking to the mom and finally it’s making sense how she got that twitch in her eye and as MUCH as she is you’re starting to realize she’s the SMART one, desperately throwing her armloads of girls at random men like they’re a bunch of fucking lifeboats bobbing around a sinking ship, like yes Jesus Christ sweetly that life boat IS old and ugly and kind of boring but for FUCKS SAKE PICK ONE

And you look back at this girl who is ALSO REFUSING THE LIFE BOATS BY THE WAY and god damn it she’s still the most radiant thing you’ve ever seen so fine, fuck it, Christ alive, you’ll do it. You’ll shoot your shot. She’s everything you’ve ever wanted in anybody abut it’s not even just about that anymore, it’s about being her best fucking shot at a future, and even if she doesn’t like you all that much she’s still gonna say yes and that might break your heart a bit knowing it’s about the money but who knows, maybe it will at least be civil, or companionable, and even if she doesn’t LOVE you at least you’ll know she’s well and cared for

And so you’ll do it. You’ll take on the neurotic stress mess mother in law, the absent father, the broke ass wingnut no brain no money no future airhead sisters, the bad mannered relatives and the embarrassing behaviour and the impending future of sharing your entire shit with a clown parade of freeloaders, you’ll risk it all and accept the absolute certainty of financial ruin and emotional exhaustion for the rest of your whole ass life and you’ll make your own family deal with it too, you’ll do it, you’ll fucking DO IT, you stupid lovesick motherfucker

And so you go to this chick like “look. Your whole family’s a shitshow. You’ve got fucking nothing and you’re gonna die on the street. But for some reason- and I don’t get it either- I’ve fallen in love with you, and I wish I didn’t, but I did, so I’m telling you that whether you like me or not, I’ll give you everything. I’ll give you everything even if it’s the dumbest shit I ever done. Fuck my stupid Baka ass, I’ll marry you.”

And she looks at you- having heard or considered absolutely none of your months-long internal debate and monologue- and goes “The fuck did you just say about my family, you son of a bitch?”

And the shock of that is enough to jolt you back into a reality where you are able to actually hear and process what just came out of your damn mouth And yeah

Yeah, I think I kinda get it

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reblog to give your headache to elon musk instead

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— To me, Lord Jinshi is Lord Jinshi. That's how I truly feel.

BONUS: •ᴗ•

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katniss: oh my god i cant believe it! we actually stopped president snow AND coin. we can start rebuilding towards something better-

haymitch: me and your dad skinnydipped together

katniss: wha-

haymitch: me and your dad naked in tha water

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Katniss *thinking about the Mockingjay pin*: Wow this was Madge’s aunt’s, what a precious and valuable family heirloom, it must have been special to her, I’ll treasure it forever.

Maysilee *thinking about the Mockingjay pin*: this bird is ugly and stupid I’m literally never going to wear this.

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What I think is most different and most striking about Sunrise on the Reaping is how CYNICAL it is. To some extent we knew it was going to be. This is a midquel. That the reapings go on and the Hunger Games only ends 25 years later is a forgeon conclusion. We know nothing that happens here is going to work.

The book is about implicit submission, and why, with numbers on their side, the many submit to the few, even when the few are unjust. And it's because, the book seems to say, numbers aren't ENOUGH. the Newcomers alliance is much bigger than the Careers. They should be able to team up and defeat them easily. But they don't. Eighteen of them are killed outright, because the Careers have the strength, the skill and the training. And that's just that.

Plutarch asks why the tributes don't overwhelm the Peacekeepers during training, and Haymitch is rightfully outraged at the privilege of this question. Why don't they? Because they probably couldn't kill them all, and even if they could, what good would it do? It wouldn't stop the Hunger Games. It wouldn't change a thing. No one would even know about it outside that room, because the Capitol would change the narrative. Just like Katniss and the Star Squad can't REALLY take on the Capitol single handed and assassinate the president, the scrappy alliance of kids can't really do any real damage to the system the Capitol has in place. All they can do is choose if they want to die now or later. So why don't they, if there's no difference to them, as Plutarch asks. Because, as Snow puts it. Hope. The slight chance that one of them will come out of it. And, more cynically, the hope that if they are good tributes and obey, their families will be left alone. If they choose to rebel and choose to die now they guarantee retaliation against their families and perhaps their entire district. We see that even in the tributes that attack the Gamemakers in the arena. They rise up, they break that bond of implicit submission--and they die bloody for it.

Why don't they rebel? Because they don't have the privilege to lose.

Even Lenore Dove, the Joan of Arc of Twelve, fails to do any real damage or have any real effect. All she does is get herself a reputation for being a trouble maker, and eventually get herself killed. Was she killed as part of the retaliation against Haymitch, or was her punishment because she's a rebel, and that's what happens to rebels? (and Snow hates covey girls.) but she fails because she IS alone. She focuses on small, symbolic acts that do nothing, but that she hopes will rally the people to action.Unfortunately, the people of Twelve don't want their lives to get any worse, and they don't have the privilege of spending time and energy on revolution the way a teenager girl whose family doesn't need her income to survive does--sadly, Twelve will remain this way, in an uncanny valley where they're beaten down enough to need change, but not enough to have NOTHING to lose. They are not one of the districts that rise up. So acting alone does nothing, teaming up does nothing. How does one fight an enemy with better technology, better weapons, and better organization? Beetee's plan doesn't work out. Of course it doesn't. Could it ever? Was it just borne out of grief for his son? And even if it had, then what? What was the plan? Haymitch's poster gets edited away. The Newcomers fail. Lenore Dove dies. The most you can say is Haymitch himself becomes too important to kill, like Beetee, and Snow let him live to fight another day, but so destroyed that he no longer WANTS to.

So, then, what WORKS?

The answer is, quite cynically, Plutarch's version of the world. Numbers mean something, there are more of US than there are of THEM , but that isn't enough. You need weapons, you can't bring a knife to a gun fight, you need EVERYONE on your side. You need organization, not just a series of disconnected rebellions, and you need an Army, provided by Thirteen, as problematic as they are. The timing just needs to be right. And most crucially, what I think Plutarch and everyone involved here learned is that victory belongs to those who control the narrative. Those who control the flow of information and tell their story. And it's not Plutarch, for all his cameras and his propos and his idea behind The Mockingjay, who eventually does that well.

It's Haymitch.

Who learned to tell a story and sell a narrative with himself and the Newcomers. Who tried to paint his poster in the arena only to see it rewritten in front of him. Who won't make that mistake again. When it's time for the deciding factor in the revolution, it's Haymitch who creates the Mockingjay-- and is he also using Katniss and her image? Yes. but he at least sees Katniss and the human she is inside it, unlike Plutarch who hasn't changed much from the man who makes a grieving family do reshoots over and over so he can get his footage, while congratulating himself for letting Haymitch have his goodbye.

When Katniss sets off the spark twenty five years later, the world is ready. The work is in place. Plutarch, Haymitch, Beetee, everyone can say GO , and this time it'll work. So buckle in, and wait for the Long Game, even though only Plutarch really has the privilege to wait, the rest of them don't have a choice. It's cynical. It's awful. People die. The lone rebels and the plucky girls and the alliance depending on its numbers all fail. Plutarch motherfucking Heavensbee, the richest of the rich the privilegedest of the privileged, pulls off the revolution, takes the credit, and lives to see the end of it, without ever once examining his own privilege, and unpacking the fact that despite his head being on the right side of history, he's never managed to see the Districts as PEOPLE . (and you could argue, ANYONE as people. ) But it's just the only way.

But this book isn't the middle of the series. It's the end. How awful would it be to read if we didn't know that Katniss and the Mockingjay rebellion would eventually succeed. We know that despite the cynism of a failed revolution and all its players, that one day it WILL work out. This book is called sunrise on the Reaping....the sun rises on a world where this is inevitable. But one day it won't be.