quoththemaiden - Tumblr blog

[quoththemaiden]

Not a thought behind those eyes.

[quoththemaiden]

Some fluff~

[quoththemaiden]

This is something the new Pokémon Go update does really well. The biomes are SMALL.

My house shows up as urban. The park I walk in is forested, and its lake shows up as a lake. The grassy area near my office (which is big enough to support hawks and falcons) is distinct, too.

And it honestly feels realistic. The difference between squirrel territory and chipmunk territory can be a quarter-mile. The crows flock on the golf course while the woodpeckers are in the park that lets the dead trees stay standing. The red-winged blackbirds are in the cemetery that has the marshy bit while the swans will only ever be on the river.

So yeah. A single city can have a LOT of variety. That's real life!

everyone always wants to know what country i would base a pokemon game off of if i could make one but that is my twisted little secret. if i could make a pokemon game.... there would be no region.... it would all take place in one city

[quoththemaiden]

Little Aardwolf today

[quoththemaiden]

"Six thousand years in love" part 2

"Eden" 2/8

[quoththemaiden]

The art director & the Good Omens book cover tier list of doom, part 1

This is going to have to be a multi-part series because there are *checks notes* 64 different covers that I've found so far.

I am your resident Art Director/Good Omens enthusiast, and welcome to my completely meta-free book cover tier list. Listen, making a book cover is HARD. I should know. But while we salute these artists for their hard work and time, I think we can all admit that once in a while, the vision is just not on. And on very rare occasions, publishers seemed to have managed to commission the cover art directly from hell... 1. The original UK cover

Ahh, the standard by which all shall be judged. We're starting off with a nice & easy cover, with adorable woodcuts of Aziraphale and Crowley flanking a custom Good Omens font! While I have to take a few points off for the terrible kerning of the word "GoOD", the blockprint vibes and general bitchiness of Aziraphale's teeny weeny wittle face, along with the sick colour palette puts the orignial in my good graces. Tier: Great

2. The duelling US covers

Progress! Hail to the designer who figured out trying to make "GoOD" and "OMeNs" fit the same width was a fool's errand, and even managed to IMPROVE on the original handmade title by adding a little halo and devil's tale to the design. Aziraphale and Crowley are facing each other, while also managing to serve absolute cunt. Aziraphale is wearing EIGHTIES SNEAKERS. Crowley's little snake boots have HEELS. They've managed to keep the woodcut vibes and colour simplicity, while balancing out the full title of the book. Both authors get to trade off on who's name comes first! Dare I say, this is a work of genius. I could dock some points for Crowley's sad bat wings growing out of his right clavicle, but who am I to question greatness.

Tier: Blessed by God Herself

3. The Halo Master Chief(?) cover

How the mighty have fallen... As a Canadian child, I was subjected to maybe the most horrifying ad in existence by the War Amps warning children about machine safety. This cover is the paper embodiment of that ad. I am confused by the purple haze. I am frightened by the seeming ethereal flatness of Adam and Dog. I am strangely aroused by Aziraphale's eyebrows, and intensely saddened by the terrible outline/drop shadow they had to inflict on the type to fit "Pratchett" in that god awful space. Tier: WTF

4. Germany, Ein Gutes Omen covers

This cover inexplicably exists in two colour ways: red and teal. I put the audiobook cover here so you could experience the full illustration, and also how fucked up it is that they cropped the book version to include three horse-people of the apocalypse, but cut off DEATH on the regular cover. Points must be given for drawing a pretty slick Bentley, but I think we have to take even more points away for turning Crowley into a Ray Charles/Mike Wazowski hybrid. The ducks are nice. Tier: Not so Good (Omens)

5. Germany, Ein Gutes Omen covers continued

I don't know if the German designer of this cover *knew* that they were using western yeehaw cowboy woodblock letters when they made this cover, but judging by how they spaced the rest of the text at the bottom, THEY DID NOT CARE. And that seems to be a running theme for this one. We get kind of a duality thing going on with the black and pink background, but it just seems like somebody whispered the general themes of Good Omens into a jar, and threw it down a well, and this poor chap came along and picked it up. The baffling choice to align every piece of text on the cover *except* Neil Gaiman's name which is right aligned and rotated 90 degrees (not even real vertical type) will haunt my dreams, I think.

Tier: Bad

6. US, UK The Traffic Jam cover

For the love of Good Omens, WHY. I can think of so many more interesting symbols to put on the cover of this book than the ODEGRA SIGIL TRAFFIC JAM. Props for keeping the good colours and type, but like, I think this cover was secretly designed by @amtrak-official, or someone who just really, really likes public works. Tier: Does the Job

7. France, De bons présages cover

Leave it to France to make sure people know that Aziraphale and Crowley fuck severely. While I can't condone leaving out half the title of the book (and thinking a red carpenter's square counts as decoration), I can begrudgingly acknowledge that Ron Pearlman and Benedict Cumberbatch's love child is excellent Crowley casting. I think I give this a solid dark academia/10. Tier: Good (Omens)

8. France, De bons présages covers continued

Just imagine with me, if you will, the absolutely hilarious reality that this cover posits: Good Omens is exactly the same in every respect, but Crowley drives a pink 1950s convertible. Why do all of the colours on this cover look like they've been pre-digested? Why are the font choices and placement so bafflingly bad. My face is the demon's face holding that car. I feel his pain.

Tier: WTF

9. France, De bons présages covers continued

Minus points for not managing to write the full title of the book once again. I don't know what it is with the French. They seem pretty set on Good Omens being demonic. While I do appreciate a good Bosch-style demon party, the dude in the middle confounds me. All-caps Museo Sans that isn't even *centred* in the frame is just so lazy. I am le tired. Tier: Bad

10. France, De bons présages covers continued

Uhh. The font. The font is okay.... I think? Yeah. The font and kerning are. Okay. OHHH GOD I LOOKED DOWN BELOW THE TEXT WHYYYY. Tier: WTF

END of round one. I need a nap.

[quoththemaiden]

Crowley on the ceiling is my new thing!

full comic on my patreon, i’ll post it up here in a fortnight or so <3

[quoththemaiden]

Literally the only reason I'm subscribed to both Amazon and Netflix. (My Amazon subscription is ongoing for the obviously vital Good Omens rewatches.)

I subscribed to Netflix again only for Dead Boy Detectives, and some months ago I subscribed to Prime only for Good Omens. At this rate I'm only paying stream services for Neil Gaiman.

[quoththemaiden]

Inspired by John Singer Sargent's "Man Reading." Just Crowley and Aziraphale getting some quiet time reading together.

[quoththemaiden]

Dear Prudence

The sun is up, the sky is blue, it's beautiful and so are you.

[quoththemaiden]

Snake kisses (snisses)

[quoththemaiden]

“Use your gifts and your talents to greatest possible effect while you can. Spread joy wherever possible. Laugh at jokes. Tell jokes. Make puns and bugger the embuggerances. Read books. Read my books. You might like them. You might find something else you like even more than them. Look for these things in life.

Question authority. Champion good causes. Speak out against injustice. Do not tolerate bullies or bigots or racists or anti-intellectuals or the narrow-minded. Use your education to challenge them. Broaden their perspectives. Make the world you interface with a happier place.

These are your choices. Choices you have been fortunate to have been given, so don’t waste them while you have them. Don’t look back in years to come and wish you had grasped a fleeting opportunity. Grasp it now with both hands, Live. Strive. Love.”

from A Little Advice for Life taken from ‘Terry Pratchett: from birth to death, a writer.’

—Sir Terry Pratchett; April 28, 1948 – March 12, 2015

One of the greatest compliments I've ever received is that I resemble Sam Vimes.

Mind how you go.

[quoththemaiden]

Some Random Thoughts on the Nature of Free Will

Thinking about that conversation from the book that got put into The Resurrectionists. Aziraphale is explaining how he and Crowley are good and wicked, respectively, but they have no choice while Elspeth does. Bc humans can't be truly good unless they have the choice to be wicked.

(This is where I usually end up arguing with someone on Twitter lol bc they think Aziraphale is being Mean to Crowley by calling him wicked. It's just a brand name darling, not a judgment call. He literally said in the same breath that he's not TRULY wicked bc he wasn't given a choice.)

So I'm sitting here thinking about free will and the choices the celestials are given, which are not many. And I wonder if one of the reasons they were drawn to the Arrangement was to give them each the choices that humans were born with. One can't be truly good without the opportunity to do wrong, so perhaps being able to work both sides of the equation helped them develop into truly moral beings and not just extensions of their offices. We see in Uz how they're able to work together and bounce off each other to save Job's family, even though the Arrangement didn't properly exist yet.

I've also seen lots of takes and metas that indicate that people view Heaven and Hell as a class system: Heaven is the upper-class privileged majority, while Hell is oppressed, kicked out, downtrodden. I think people forget that the primary difference between the two is aesthetic. Hell has all the same powers as Heaven, and they both intend to burn humanity to the ground in order to prove their gang is best.

No, if we're going to talk about who's got privilege, it's definitely humanity over heaven or hell. We have free will and imagination, which are more miraculous than anything. Sure they've got all these powers and can work miracles and so on, but where's that gotten them? We can actually change things. All they can do is try and influence us to change things, and their success rate isn't high. Two of the most powerful beings in the universe couldn't convince an eleven year old boy to blow things up. That's. Pathetic, actually.

Which brings me back around to the ineffables. Because they actually DO have free will, but I don't think they're used to realizing that they do, which might be why they act a little bone headed sometimes. The show implies and the book comes right out and says that they picked it up from being around humans. And like I said earlier, I think the Arrangement played a big part. They were actually able to choose to do good or evil, a luxury that normally only humans can enjoy.

And the best part of this, for me anyway, is knowing that everything that they are to each other is a conscious choice. Aziraphale didn't want to be a fighter, so he gave his sword away and made the conscious choice to be soft and silly and get into scrapes. And Crowley chooses to come to his rescue because he likes it, not because he is obligated. It's a way for him to choose to do good without getting in trouble. They are each other's outlet to explore humanity in a way that would be impossible if they were on their own.

Aziraphale speaks French badly and flutters his eyelashes and plans elaborate Balls because he loves doing human things and he wants to do them with Crowley. Crowley drives a sleek classic sex machine with bullet hole stickers on the windows and goes on capers and performs daring moves because he loves doing things the human way and he wants to do them with Aziraphale. The way they interact and work together because they WANT to, and not because it's their Great Bloody Destiny or whatever, is so fucking beautiful to me.

[quoththemaiden]

In 2018, I had weird dream that Yugi's dad was a weird little man and highly skilled pizza maker.

And in 2021, I redrew some of those ideas again.

(old doodles below cut)

The cherry on top is, there actually IS a pizzeria place run by a guy named "Mr. Moto" at least

[quoththemaiden]

This is so beautifully done. Just watch it. It’s amazing.

[quoththemaiden]

Adding another +1 to @greenchrysanthemum20's comment about "You simply just don't say the lovey-dovey things you are thinking, because you don't want to presume too much of the relationship" and anxiety. That hits really close to home to me too, and it vibes a lot with Aziraphale as well. Excellent analysis all around by both of you!

This is just a personal opinion, but I'll leave it here and you can decide what you want to do with it:

I don't follow the crowd with the 1941 scene just after Crowley handed Aziraphale the books he saved being the moment Aziraphale fell in love, or realized he was in love, with Crowley.

I don't buy it, because Aziraphale has ALWAYS looked at Crowley with hearts in his eyes.

Nope... Personally, I think that look in 1941 was because it was at that moment that Aziraphale realized it was actually possible Crowley might love him. Up until that night, all of Crowley's little acts had been passed of as part of "the game" or "the Arrangement" or brushed off as nothing by Crowley. But in 1941, Crowley did several pretty amazing things in quick succession, that simply had no other explanation but he cares about Aziraphale:

He deliberately set foot on consecrated ground with the sole purpose of keeping Aziraphale from getting blown sky-high by a bomb, or shot by Nazis.

He stayed there, in the church, with Aziraphale, knowing a bomb was coming, trusting the angel to protect him, with a full, open font of Holy Water very nearby.

In the midst of all of this, he had the forethought to save the case full of books that even Aziraphale had forgotten about in the mess of everything, simply because he knew Aziraphale would be distraught if they were destroyed.

All of this would have added up to Aziraphale to a sense of wonder, his heartbeat running faster as he contemplated the maybe, it might me possible, that Crowley might at least be capable of caring about him, and maybe, someday, that might turn into love.

That's what I've always read in that expression. No telling if I'm right, but it's what I'm going with.

[quoththemaiden]

The last time we were on a long flight, my wife and I invented a game we call "Little Guy."

You start a game of Little Guy by saying, "I'm gonna hand you a little guy." The little guy is some kind of baby animal you are imagining. "Oh," she might say in response, "Okay," and hold out her hands for it. I will then mime handing her the animal. This provides some clues as to the little guy's size, weight, and general ungainliness.

She then gets to ask questions about what kind of little guy this is, BUT NO QUESTIONS ABOUT HIS ACTUAL APPEARANCE OR SPECIES ARE ALLOWED. Qualitative questions, or questions about his behavior, are the only ones permitted. She can ask "Is he soft?" or "Does he seem nervous about being held?" or "If I put him in the bathtub, does he seem okay with that?" or "Would he like a lil grape?" or "Is he the sort of little fellow who would wear a vest in a children's book?" but not "Does he have fur," "Is he a reptile," "Is he from Asia," etc. Some questions are in a grey area so you have to follow your heart, but the point is not to identify the animal as fast as possible: the point is to guess the animal purely based on vibes + how he would act if he were in your living room right now.

And I'm not limited to yes or no answers! If she asks, "Would it feel appropriate to see this little guy in a propeller hat?" I can reply, "Oh no, he has a gravity to him. A bowler hat would be a more appropriate hat." Or if she asks, "Does this little guy have protagonist energy?" I can say something like, "he probably wouldn't be the main character in a children's cartoon. He'd probably be the main character's ditzy best friend who's always eating sandwiches, or something."

We're big Twenty Questions to kill time in a waiting room people, but Little Guy is more about the journey than the destination. It's got a different kind of sauce that's nice if "killing time" and "lowering anxiety" need to happen hand in hand.