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redwritr · 1 month

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Flo! I love how this story is unfolding, and the connection they make over art, and to see the possibility of this whirlwind opening him up ("or if he cares to stop it" - leaving us with that lovely thought) - beautiful work - can't wait to read what's next! 🌺🎨💗

Painted Red 🖤

Pairing: Arthur Morgan x Reader (f)

Words: 5487

Ao3 Link

Summary: Arthur revisits Rhodes Parlour House, hoping to get information about the Braithwaite gold from working girl Ettie. He leaves with more questions than answers and a gift he wasn't expecting.

Warnings: 18+ minors dni, smut, sex work, period typical attitudes, strangers to lovers, medium honour Arthur Morgan, angst, emotional smut.

Chapter Two - The Whore

[Chapter 1]

Arthur.

The air in Lemoyne is cloying. Sticky and thick like Molasses. He hates it here, hates waking up wet with sweat, bitten to an inch of his life by the mosquitos that swarm the lake behind his tent. He’s never been this far south and would gladly leave soon as convenient, except for Dutch’s insistence that gold lies somewhere between the warring Gray and Braithwaite families. He’s less convinced but far from him to try to question Dutch once his mind is set on something.

A high-pitched buzz by his left ear is met with the thwack of his open palm. Gotcha.

Something else is gnawing away at him, too, besides the mosquitos. A stirring in him, he thought, all but laid to rest after Mary, after— the kind that makes itself known only when he’s here, lying alone in his tent, staring up at the ceiling.

Want.

Fuck. He wants her so bad. Ettie, that working girl, up in Rhodes. With her daring eyes and smart mouth — her hands on him, days ago, in the parlour house. Bold as anything. God, if the very thought of her didn’t make a beeline straight down to his cock. He don't like it, don’t like it at all — what she does to him, how she makes him feel. Unarmed. Weak even. But also lighter.

He is appalled to admit he’s considered taking himself in hand more than once now to the thought of her breasts, her smile, the way she looked at him, full of doe-eyed devilment. He’s like some hapless kid. Should be ashamed.

He’s not been with a whore since his 20s. There was that one Dutch paid for when he turned 17, a string of them after Mary ended things the first time around. Abigail? Once. The last time he lay with a woman was when he and Mary briefly came back together before she married. What was that 94… 95? Would he even remember what to do? Would he be able to last? As a whore she ought not to care, especially if he’s paying for the privilege. But he wants to please her. Wants to fill her smart mouth with sounds of pleasure. Watch those daring, teasing eyes roll back in her head as she comes undone for him.

He’s stroking himself now. Her imagined sighs. His name on her lips—

Arthurrr—

“—ARTHUR!”

Dutch shouts him from outside his tent. Inescapable like the soupy Lemoyne air. Goddamnit, he hates it here.

“Best I can stoop to is twenty.”

Arthur nods, weighing the expensive-looking silver bracelet loosely in his palm before handing it over. Hosea was better at knowing the worth of fine things, but the fence was on his way back to camp, and it didn’t make sense to make two trips. Still, twenty dollars wasn’t bad for an afternoon playing errand boy to two star-crossed lovers. Not quite the gold Dutch was hoping for, but something at least.

“Deputy.” The man flashes him a knowing wink, touching the brim of his hat. He winces before stiffly nodding back—damn badge.

He won’t feel too bad about it; the Braithwaite girl, Penelope, had seemed more than content with just the letter, and neither family looked short on finary, as ill-gotten as it was. No, no harm done.

The sun is at its hottest, leaving him half-blind as it beams punishingly up from the road ahead. Sweat pours from his brow, and he can barely see where he’s going when he finds himself steering Branwen right up the hill towards Rhodes rather than carrying on straight in the direction of camp.

Only the stench of the butcher’s meat left out too long in the midday heat is enough to break him from his trance and acknowledge where he is. As though Branwen had been steering herself, with him merely passenger.

Too late to turn around now, he concedes. Might as well carry on heading where he’s heading.

He takes a long glug from his waterskin before dismounting. Hitching Branwen to the shadiest post of the parlour and making sure she has her fill from the water trough provided—a few extra sugar cubes for good measure.

“Won’t be long, girl.”

The heat was just as hard on the horses.

He assures himself he’s here for reconnaissance— nothing more. If anyone’s likely to have information on the Grays and Braithwaites, it’s her. Probably had enough of them to pick something up the gang could find useful, what with her knack for seeing the stuff folk didn’t want seen.

The twenty dollars burns a hole in his pocket.

Ettie had seemed willing the last time, hadn’t she? Not put off or disgusted by him that he could make out. Maybe the badge had its uses, after all.

Hell, maybe if he slept with her, got it out of his system, he could get on with the job at hand and stop all this silly early morning pining.

The parlour house is sleepy as he enters, too late for the lunchtime trade, too early for the field workers to have downed tools and made their way into town. His eyes skirt sheepishly across the bar.

He’d found himself coming here quite a bit since the gang moved south, not just to avoid Pearson’s cooking but because it was one of the few places that offered solace from the outside sun, the thick leafy green curtains keeping out the worst of the rays. I was nicer than most places he tended to frequent, the white-clothed tables suggesting a level of expected cleanliness from its clientele. And though he’d made sure to kick the mud from his boots before entering, he now chose to stand on the hardwood rather than risk marking the floral rugs that lined the rest of the room.

He can’t see her. Not even sure she's started working yet. And though a couple of girls at the bar make him double-take, none of them are Ettie.

He’s just about ready to skulk out, feeling old and feckless, when he hears her. Laughter carrying brightly from behind him, awakening the entire place from its slumber. He’d forgotten how alive she was. The rough sketch he’d drawn of her the night he’d got back to camp had barely captured her likeness, let alone her charm.

She is sat in one of the wooden booths, perched on the lap of a stout-looking man, happy and light, head thrown back, though he’s certain the man at her seat did little to merit such pleasant sounds.

He stalls for a moment, watching her work and is reminded of Hosea’s ability to tell a person exactly what they want to hear in order to rob them blind — except he isn’t sure who would be robbing who in the current circumstance.

The stout man’s hand paws lecherously at Ettie’s waist, bouncing her on his knee as he ogles up at her. Surely, no amount could be worth the touch of a man like that. Is that how he had looked, too? Leering and pathetic? Sucked in by talk of sketching and paints. She had read him like a book, and he’d allowed it — a fool to think her interest was in anything other than the dollars in his pocket.

Well, if money is all it will take to get her pretty face out of his waking thoughts, so be it.

“Miss White?”

Ettie shifts to face him mid-conversation and grins impishly as though expecting his arrival.

“Hello, stranger.”

But as he opens his mouth to respond, the words of solicitation stick in his throat, and he realises how unpracticed he is at this whole buisness. The man beneath her glares back, warning him off what’s his. Arthur swallows dryly, raising an arm to rest awkwardly on the booth’s divider, the other hooking into the buckle of his belt.

“I believe— Last time I was here you—”

Ettie raises an eyebrow, choosing to watch him flounder rather than step to his salvation.

So she’s toying with him. He sees how it is. Hadn’t acted quick enough the first time around and had her plucked from his side by the drunkard Leigh Gray. Now if he wants her, she’s expecting him to do the same to the dolt under her. He grits his jaw. The glint of his badge catches his eye, and he tries a different tack.

“I’ve heard word there’ve been dangerous men spotted in the area.”

Ettie scans the empty bar and looks back at him plainly.

“Everything seems fine from where I’m sittin’, Deputy.” She puts a playful hand on the stout man’s knee. “Wouldn’t you say so Ernest?” The man nods, wrapping his arm ever tighter around Ettie’s waist.

“Would you just—I’d like it if—” He can feel his cheeks starting to burn as he avoids meeting her eye and instead looks over his shoulder towards the central staircase. He speaks low, “Last time I was in, you asked to show me your work— but we was interrupted.”

A twinkle of recognition from Ettie. “Oh? You still interested?”

“Yes.” He sniffs. It’s out there now. Can’t take it back.

She silently weighs up some mental calculation before placing a palm on Ernest’s chest. “I’m sorry, Darlin’. Would you mind terribly if you bought me a drink some other time? The Deputy and I have a prior arrangement.”

He almost sympathises as he watches the man’s face shift from confusion to disappointment, but before it has a chance to twist into anger, Ettie kisses Ernest squarely on the mouth. “Wait right here. I’ve got someone who’ll know how to make it up to you.” She leaves with a wink and no room for protest, springing up and scurrying across to the bar.

Arthur regards Ernest with an awkward salute, unsure what to say given the circumstances. At least when he robbed men at gunpoint, there was no pretence of polite conversation.

It’s Ernest who is first to break their silence, “She’s a wily one, Deputy. Not as perky as some of the younger girls, but makes up for it with experience.” He slaps Arthur’s arm in a fashion far too familiar. It makes his skin crawl. “Clean, too.”

“They’ll be cleanin' you off this floor if you speak about the Lady like that again. We understood?” He’d done his best not to raise his voice, Dutch’s instructions of keeping a low profile never far from his mind, but the man is still white as a sheet as Ettie arrives back at the booth. With her is a lofty-looking girl with ashy blonde hair, who regards Arthur with an amused up and down as she passes. She doesn’t bother to say hello, instead making a beeline straight to Ernest’s side.

“A birdy told me you were in need of company since yours is being so rudely snatched away,” she says pointedly.

Although Ettie rolls her eyes, it’s obvious she’s in on the bit.

“Ernest, Ida’s going to take good care of you while I take the Deputy upstairs. Don’t have too much fun without me now.”

The walk up to Ettie’s room is long enough for the dread to start to kick in. He can feel his heart pumping in his throat and remembers why he stopped all this nonsense years ago, but then the warmth of her touch meets the small of his back, and she smiles at him gently from under her lashes.

“I’ve been wantin' to get you away from prying eyes,” she says quietly, for his ears alone. “Here’s my room, first on the left.”

As the door closes behind them, he can finally allow his shoulders to relax as he is greeted by the smell of lavender and something sweet he can’t quite place—chamomile, maybe? Her room is small, with sunny yellow walls and surfaces laden with bric-à-brac, the type which collects only once a space has been lived in for some time. Things that would be prone to getting lost or damaged travelling from pillar to post as he did, things he wanted to pick over and admire.

A painting hung to his right catches his eye: a handsome-looking dark bay drinking from what looks like Flat Iron Lake. He moves towards it to inspect it up close.

“You wanna leave your gun by the door, Deputy?” Ettie says softly.

He looks down. Of course. And undoes his gun belt, wrapping it around itself before setting it on the side, along with his hat. He stands before her, disarmed, not quite sure what to make of the curious way she watches him or where to rest his twitching fingers without the cool metal of his buckle to anchor to. He folds his arms.

“That’s Burdock, my baby. I take him out ridin’ whenever I can.” Ettie says, gesturing to the painting that caught his attention.

“You painted this?”

She grins, sticking up her nose with pride. “I did!” Her lack of reticence surprising.

“S’good.”

He’d never been much of a smooth talker when it came to women. Even when first courting Mary it had taken months to build up to asking her for a kiss. But this wasn’t courting, and he’d do best to remember that.

“As flattered as I am, I know you didn’t come up here just to look at my art.”

“Can a man not appreciate a paintin’?”

“They can,” she says, slinking up to him and running a trail of fire across his chest. Pressing herself flush against him. Her hair smells like rose water — not mud, or sweat, or blood. And it disturbs him to think that the last time he felt the heat from another’s body so close, his hands were wrapped around their neck. The tip of her nose aligns with his collarbone, and he could rest his chin on her crown if he felt bold. “But it would be an awful expensive trip just to look at a picture.”

She steps back slowly to look at him, her absence leaving him cold. For a moment he fears she’s sensed the danger he’s sure he radiates — realising a beat too late, the expected next step of their dance.

“How much do I owe you?” he says, flusteredly reaching into his satchel.

“Five dollars. Anything ‘French’ is an additional two — Though considering I’m due payment from our little sweepstakes, I’d be happy to waive the fee for that on this occasion.”

He’d almost forgotten about the bet placed on his head and wondered how often the women discussed what went on behind closed doors, how he would fair in comparison. He cringes at the thought and tries to push it to the back of his mind.

“I ain’t expectin’ special treatment, don’t worry.”

He hands over five dollars, and with the money on the dresser, Ettie retakes her position. The plainness of the transaction and the affection it now entitled him to feeling implausible.

“Relax a little,” her voice comes out like a breath, encouraging him to breathe deeply in time with her. “It’s okay. We’re gonna have fun.” She guides him over to the bed before stepping back to remove her shirtwaist and skirt, each button revealing new skin he now had permission to touch.

As he stands there watching, something about the ungraceful practicality of her undressing fascinates him, how in contrast it felt to the choreographed movements of the rest of her performance. He wonders if this is her more natural state, all furrowed brows and uncoordinated limbs, and if so, what it took for her to keep up appearances.

When down to her corset and underthings, Ettie faces the mirror to unpin the hair fixed neatly atop her head. He is silent as it falls like water, spilling over the ridge of her shoulders and pooling loosely at the base of her spine.

“Your turn now.” She says, and he hardly has time to react before her nimble fingers are working open the buttons of his shirt.

From this angle, he can see how the sun has caught the high points of her face, leaving behind a sprinkle of freckles lightly masked by powder. The slope of her neck is decorated by loose curls and a small silver locket that bobs up and down above her— He dares not gaze lower. Only as she begins to work at his fly does his sluggish brain arrive at the moment in hand.

“You ain’t taking this off?” His voice comes out hoarser than he expects, and for the first time, Ettie looks a little startled, stepping back to look at him hesitantly. He hadn’t meant to scare her.

“I wasn’t planning on. My draws are split, and this unties. Look—” She pulls the ribbon at her shoulder. And he hates that it’s Ernest’s words that colour his view as the loosened cotton strap of her chemise falls away to expose a pretty breast, pushed up by the boning of her corset. Was the man blind? “It’s a little cumbersome to get on and off.” He aches to see her fully, to touch the skin still hidden from view, but he won’t push.

Her hand dips back into his open fly, sliding between a gap in his union suit. He lets out a wince to feel the pads of her fingers making contact with the base of his dick. “That feel good?” she goads. His whole body gone rigid. Barely able to summon words. Nodding sharply in response, as she begins to ease him out.

The pace in which she palms him feels foreign compared to his hand's efficient strokes, but she is responsive to each breath, learning him with every shudder and tense of his jaw. His eyes flutter closed, and for a moment, he allows himself to get lost in the sensation of her experienced hands. Rare he is permitted such selfish pleasure. Rare anyone did anything for him without expectation of its return tenfold. And yet— The lopsidedness of the arrangement suddenly feels too much to bear. He needs to touch her, needs to make her feel as good as she’s making him.

As her speed quickens, he moves a cautious hand to her breast, cradling her delicately before lightly skimming his thumb across her nipple. Testing. Her rhythm falters slightly, and he is rewarded with a small whimper that escapes half-bitten through her lips. That’s it. He circles the pebbled skin, harder this time, and delights to feel her swell under his touch. Confidence growing, he dips his head lower to taste her. She moans again, but this time unrestrained, head lolling back as he sucks.

“Arthurrr—”

Her strokes hasten, and he needs to hear her keen for him again. Needs to touch her. He reaches down between them, between her legs, trying to find the source of her heat amongst rumpled cotton, but then she is pulling away. Stepping back. Straightening up.

“Hey, this is about you. Don’t worry about me, okay.” She says.

“But—”

“Shhhh, trust me,” Ettie whispers calmly and presses a soft kiss to his forehead. He worries that he has done something wrong, hurt her in some way he didn’t intend, too forceful, too coarse. But like she can read his mind—

“Stay put, I ain’t goin' nowhere.”

She’s good at that, he thinks, toeing the line between gentle and firm. Never going as far to bruise a man’s ego but not coming across as a pushover either. Had she always been that way, or had she learnt how to soothe a man, just as he’d learnt how to intimidate them? Through necessity. What was her natural temperament? What was his?

Ettie walks over to the dresser and grabs a small glass jar, scooping out a little of the contents before returning to the bed.

“You wanna get a little more comfortable?” She says, eyeing his half-open union suit and the jeans around his ankles with amusement. What a sight he must look. But if she was going to remain in her underthings, shouldn’t he? It didn’t seem proper to be exposed when she was not. He kicks off his jeans but leaves his Union suit open, but on.

“What’s that?” He nods to the creamy concoction cupped in her hand.

“Just a little somethin’ for my comfort.” That playful look again. “You are quite… sizable. I wanna make sure I’m ready for you.”

His cheeks darken, her lack of arousal confirming his worst fears.

“Maybe if you let me touch you, you might enjoy it more.”

Her sigh is affectionate. “Who said I wasn’t enjoying myself? Anyone ever told you you worry too much?”

They face each other at the precipice of the bed. His toes curling whilst she slicks up his length with the salve in what feels like one continuous gliding motion, till he is rock hard and panting before her. She shifts herself to bend over the bed, guiding him behind her with a hand on his hip. She arches her back to rest with her forearms on the mattress.

“You ready to show me what you can do, Deputy?”

“Arthur. Please.” He manages to huff out, unable to look away from the way she is presented so brazenly for him.

Ettie gives him a wry grin over her shoulder. “Arthur, I want you to show me what you’ve been dreamin’ on since we first met.” And he wants to show her, too.

Swallowing thickly, he carves a hand between the slit of her draws, spreading them open to finally expose the supple flesh of her backside. The sight alone has his dick twitching in anticipation, helpless to prevent the full handful of her ass he takes in his grasp.

“You’re somethin’ else, you know that?” He croaks.

“Might have heard it mentioned.”

He runs a shaky hand through his hair, steadying his breath, before aligning himself with her entrance. He is mindful not to push into her too quickly, and though the salve helps some, he hears her breath hitch in her chest as she takes him, inch by inch.

“Too much?” He asks, trying to mask his trepidation, but he is answered by an enthusiastic grind of her hips, which sheaths him fully inside. He stops breathing for a moment, caught by the clutch of her cunt. Senses all but lost to the sensation of her heat. His lids grow heavy, but the sight of his cock buried to the hilt has him straining to keep them open. Hypnotised by the way she encases him.

He gently rocks himself backwards and then forward, shallow at first and then deeper, slowly increasing his pace with each slap of their hips.

“Ettie-”

“That feel good, Arthur?” So good. So good. And he wishes he could look into those teasing eyes as she spears herself back onto him. At first, matching his tempo and then provoking him to speed up, take her faster, harder.

He won’t last much longer at this rate. And tries to bat away the sinking feeling that that might be something she wants. For this to be over quickly. She’s making all the right noises, but then again, he walked into this room with a badge on his chest, so honesty was hardly something he felt entitled to.

He wants her closer, craving the reassurance only her face could bring. He arches down over her, carefully hooking an arm around her chest, drawing her up into him, until she kneels upright on the bed with him holding her weight from behind, bodies remaining locked.

“This ok?” He huffs.

“Mhmmm” She nods back hazily.

From this position, he can see her better, the rise and fall of her chest, the growing flush that has spread from her cheeks down her neck, the way her eyes shutter when he reaches for her breast, his other seeking out her heat from below. She hums a little then, a sound so pure it answers all suspicions about the authenticity of those proceeding it. God how he wants to watch her come around him, if only he can last long enough to get her there.

His fingers slip between her folds, spreading her open as he continues to fuck up into her, the slick of her cunt undeniably her own making now. Ettie’s back arches wildly as he begins to rub a tight ring around her clit, and she lets out a noise halfway between a shriek and a moan like she is surprised by the pleasure. But when he tries to continue, she is grasping his wrist, pulling it away from her core and bringing it up to her mouth to suck hard on his fingers. The debauched way she looks at him then almost sends him over the edge.

“Come for me, Arthur.”

God, his name sounds like honey on her lips.

“Just like that—”

Surely she’s not inferring what he thinks she is? But he is near losing himself in the thought alone.

“So close—” She coos, “Just let go, fill me—”

Fuck. Fuck—

He drags his erupting cock out of her just in time as he spills violently onto her ass and then the floor, staggering backwards, trying to catch his breath.

“Jesus! Jesus. I nearly— I’m sorry.” He babbles, feeling boorish and out of control.

“Hey there. I know. I said you could.” She says, turning around to run her fingers through his ruffled hair. He looks back at her, confused, still out of breath.

“Ain’t you worried about—” he stops, trying to find the correct phrasing but becoming aware of the fond, almost patronising look on Ettie’s face.

“I ain’t worried, no.” She smiles gently, “Wouldn’t be much good at my job if I didn’t take precautions.”

He nods sheepishly, though still not entirely at ease, before sitting back down at the edge of the bed, sighing deeply, struggling to enjoy the last twitches of his high.

When his breath returns to normal, he grabs his jeans from the foot of the bed, trying not to cringe at the mess he’s made of her and her floor.

“Don’t feel like you have to rush on account of me,” Ettie says, making her way to a small porcelain jug and basin in the corner of the room. She dampens a washcloth and wipes away all trace of his spend still marking her skin.

“Want me to clean you up?” She approaches him cautiously.

“I’m alright.” He says.

She raises a silent eyebrow.

“I mean, I can manage for myself.”

She nods and hands him over the rag. He’s not sure how to feel as he tidies himself up, but he's aware of her eyes on him, watching, trying to figure him out. Knowing he’s been read before she even opens her mouth.

“When did you last lay with a woman, Deputy?”

He pauses. That bluntness that throws his head through a loop. Dangerous. And he doesn’t know how to answer—what she’s wanting to hear— that it was likely five years since he’d been touched like that? That he’d touched someone else? Was she looking for an explanation for his rustiness or an apology?

“Was it obvious?” he asks, unable to fully meet her gaze.

“Well, you ain’t got a ring and—” She hesitates momentarily. “I shouldn’t say it,” The apples of her cheeks start to ripen uncontrollably until she breaks into laughter. “You fuck like you’ve somethin’ to prove.”

He might be inclined to take such a comment to heart if it wasn’t for the pleasure he took in seeing her so genuinely amused, and before he knows it, he’s chuckling too.

“I just didn’t want it to be awful for you.”

Ettie nudges him with her heel. “You paid me to make you feel good. So as long as you had fun, I did too.”

She lights a cigarette and offers him one from her case: silver, engraved with the initials A.B. in an ornate filigree. He accepts and allows her to light the smoke from the tip of her own. He still doesn’t quite know how to make conversation but is relieved to have something to occupy his hands.

“Still wanna see my paints?” She asks after a few moments quiet.

“That’s why I’m up here, ain’t it?” He says wryly. She scoffs before darting across the room, opening draws, rooting through cupboards, pulling things out left and right—a tornado, leaving a trail of smoke in her wake.

When she returns, her arms are laden with supplies, and she settles down next to him cross-legged on the bed, spreading out her wares between them. She opens a battered-looking sketchbook and smooths out the page.

“See,” she says, stroking the paper and encouraging him to do the same. “Just like the paper in your journal—Oh, wait a second.”

She stands abruptly before dashing off again, this time to the water jug. Her back turned, Arthur flicks through the pages and is rapt by a flurry of faces looking back at him. A few he recognises as girls from the parlour, but there are others too: an elderly woman in a bright feathered hat, a rakish-looking man in spectacles, a little girl with pigtails holding a ragdoll, each of them living and breathing on the page like she had rendered their very souls.

“You snoopin’?” Ettie tuts in mock disapproval, though she doesn’t seem bothered by the intrusion. “And after all the grief you gave me for looking at your art.”

Art.

Arthur had never thought about his sketches in that way before. Sure, he sometimes felt pride if he managed to capture something or someone’s likeness in a way that felt true, but he’d never had any training to consider what he did art. Not like the pretty pictures spread out in front of him now. These felt so full of life he swore he wouldn’t be surprised to see one of them moving.

“These are good,” he says as she settles beside him, her thigh resting lightly against his.

She rolls her eyes, then nudges his arm. “Get your journal out— Don’t worry, I don’t wanna look at any of the drawings— Well, I do, but I’m not going to force you. Just want to show you something.”

He relents and gets his journal from his satchel, handing it over suspiciously, realising only after it’s in her hands how reckless he’s being, and for what? He hadn’t asked her about the blood feud between Grays and Braithwaits, nothing about the gold. The only information gleaned was that his dick still worked, and even that had only served him.

Keeping to her word, Ettie opens the book to an untouched page and submerges her paintbrush into the jug, tapping off the excess water and swirling the tip into a square of dried paint. Her hand hovers over the blank page before gliding the brush across the paper in a flourish of crimson, blooming as it settled, like petals opening at dawn.

“Here, you try.”

She dips the brush back into the jug to clean it off before holding it out towards Arthur. Following her direction, he scrubs the brush into a dark green pan and brings his hand to the paper. His line comes out fainter than hers and less fluid, the brush strokes looking scratchy as he reaches the edge of the page.

“Not enough paint. Got to get it saturated.” She smiles. “But look,” she flicks over the page, “it hasn’t gone through.” She starts to explain about wetting the paper before applying the paint, working in layers, letting stuff dry, getting more and more animated, that he starts to laugh.

“You have to start adding colour to your work. I could—” She stops. “You planin’ on seein’ me again?” The question is abrupt, as though she realises she is getting ahead of herself and needs to square off the basics first.

He hadn’t considered that this would be more than a one-time occurrence but he’d be lying if he didn’t acknowledge the sense of relief that had spread throughout his body and mind in the past half hour. More settled than he’d been in months, maybe even years. Perhaps next time he could get some information out of her. Perhaps next time he could prove himself a less selfish lover.

“I’d like to if you’ll have me.”

“Marvellous! Here—” She thrusts a small wooden box into his hands.

“What’s—?”

***

“A watercolour set for travelling. Not amazing quality but perfect for a beginner or someone on the move.” She gives him a wry smile “You can borrow it and show me how you get on next time you see me.”

She’s a whirlwind, and even as he’s riding Branwen back into camp he still feels bowled over. Not sure how he’s agreed to as much as he has, or if he’s being played, or if he cares to stop it.

Tag list: @redwritr, @twola, @ultraporcelainpig, @cassietrn & @milesology

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#rdr2 #arthur morgan #arthur morgan x fem!reader #arthur morgan x oc #arthur morgan smut #readingcoco

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redwritr · 2 months

Text

Always love an update of Devil's Backbone! ❤️

Devil's Backbone - Owanjila VI

Pairing: Arthur Morgan x FemOC/Reader POV

Tags: Longfic, Slow Burn, Smut (18+), Violence, Canon-Typical Injuries

Limpany’s burning was a lot more than meets the eye. Deception, greed, and murder follow everyone touched by Leviticus Cornwall. A story where the Van der Linde gang gets even more inescapably involved in Cornwall’s dealings, with the survivor of the massacre at the heart of it all. Slow burn. Pre-Blackwater and beyond.

Owanjila VI: Fevered Dreams

Arthur’s entanglements weigh heavily on him, while a fever strikes in camp.

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“I’ve… You’re… Oh, you’ll never change… I know that.”

He stares back at her, his eyes following when she dips into the train car following her brother until they find seats.

Arthur doesn’t quite know what he wanted from this. The letter begging for his help - the fool that he is, he rode to her beck and call. His dark-eyed beloved, even now, after years gone by, she’s just as beautiful as the last time he saw her.

That last time, when she broke off their engagement. A letter some months later told him she was getting married, and it was like their love had never existed.

And yet… the fool he is. The fool he is cannot say no to her, he will likely never be able to say no to her. That scarred heart of his - he reckons it will always belong to her. Wanting. Waiting. For something that will never be. She had even said herself - he’ll never change. He’ll never be what she wants, what she needs.

But damn well if he did not wish.

He makes eye contact with her once more through the window - god damnit, she’s just as beautiful as he remembers, age having sharpened her jaw, but those eyes, he can still get lost in them.

He still loves her.

The train jerks forward and slowly pulls away from the station. Mary Gillis leaves him and he’s alone once again, unable to change his ways. Unable to be what she needs.

He is a damned fool.

Arthur stares down at the worn planks of the station’s platform, kicking at it slightly to stop himself from staring at the train receding into the distance. He grits his teeth, one hand going into his satchel and pulling out his half-empty pack of cigarettes. His jaw clicks as he clenches his teeth, annoyed that he’d have to go to the general store and get another pack. God only knows he can’t go without a smoke now, not now. Not when that heavy feeling in his chest, like he’s been shot, threatens to drown him.

His eyes close heavily after he lights the cigarette, breathing the tobacco in deeply.

He still fucking loves her. And still, still, even widowed, she does not want to be with him.

Arthur rips the half-smoked cigarette from his mouth and tosses it to the ground, grinding it under his boot with much more force than necessary. Sighing, he grabs his hat from his satchel and places it back on his head, moving from the platform back toward the road where the Walker is hitched.

Christ, maybe a drink could take the edge off his frustration. By the time he reaches his horse and pulls the reins from the post, he’s made his decision. A drink or two at that saloon in town. He swings himself up into the Walker’s saddle and guides the old horse down the mud-clogged street. By the time he reaches Smithfield’s, he’s edging on wanting to drink himself stupid - maybe then he could forget Mary’s damn eyes.

“Arthur!”

He looks up and finds Lenny Summers leading his horse urgently toward him. Arthur glances around before placing a hand on his hip, “The hell you doin’ way out here?”

Lenny’s face is ashen, sweat dotting his temples, “Strawberry - it was Micah -”

“Of course it was,” Arthur interjects, rolling his eyes as he slides down off the horse, taking the reins and knotting them on the hitching post before grabbing the reins of Lenny’s horse from him, knotting it as well.

“They almost lynched me!” The young exclaims, arms akimbo in agitation.

“Okay, alright, now calm down there kid.” Arthur places his hands on the young man’s shoulder, “Tell me what happened.”

Lenny recounts the sorry tale - that he had met Micah in Strawberry and the outlaw was three sheets to the wind already in a damn dry town - and ended up shooting some feller that he knew - and everything devolved into chaos. Micah was dragged to the jail, and now there was talk of hanging him.

Arthur cannot help but smirk as he guides Lenny up the porch of Smithfield’s, chuckling to himself at Micah’s predicament. He couldn’t wish it on a better man.

Pushing Lenny toward the bar, Arthur digs his thumbs into the boy’s shoulder blades to attempt to relieve some tension. “C’mon now, kid. Let’s have a drink.”

“And Micah?” Lenny asks.

“He’ll be fine. Let ‘im dry out in a cell.” Arthur retorts with a grin as they reach the bar, “Alrigh- We’ll just have a couple, settle you down, then head back, okay?”

Lenny nods, and leans on the bar, rubbing at his face with frayed nerves, “Just one or two… right, Arthur?”

Arthur nods, motioning to the bartender, “Course, just a drink… no big drama. Can we get a couple of beers, please?”

The large tent on the hillside blazes with yellow-orange light, lanterns interspersed on tables and barrels in and around the canvas.

Dutch Van der Linde is in a magnanimous mood. A gramophone, of all things, blares music into the night upon the shores of Owanjila, and various members of the gang sit and mull about the campfire.

Molly O’Shea sits upon his lap as if she sat on a throne, her emerald eyes surveying her kingdom and subjects as if the rest of the folk existed to serve. Her arms thrown loosely around his neck, one of his wrapped around her thigh, his rings glinting in the night.

She looks upon you with some kind of bored disdain from across the campfire. You pass the bottle of brandy that was foisted upon you back to Karen - you had acquiesced to her request and taken a healthy sip, frowning at the sweetness.

Mary Beth laughs under her breath, rubbing your shoulder. “Ain’t my favorite neither.”

The men had returned from some sort of score, having ridden out the day before with Dutch all riled up - the kind of energy radiating from them like when they rode out to Blackwater those weeks ago. Horses stamping, voices hooting and hollerin’, but unlike the Blackwater fiasco, when they returned later in the night, it was in some sort of triumph.

For a moment, the glumness that had settled upon the camp was lifted - chores were set aside, and alcohol flowed freely. Even stern Grimshaw sat with a beer around the fire as the night fully settled.

“So, this train - obviously y’got something good, or you wouldn't be in such a mood.” Hosea tips his beer across the campfire at Dutch, who grins as his grip tightens on Molly’s thigh.

“Bearer bonds, courtesy of one Leviticus Cornwall.”

“Cornwall? The railroad magnate?” Hosea arches an eyebrow at Dutch, who seems completely unperturbed.

Across the fire, your stomach drops. You nearly drop the newly opened beer bottle in your hand, but by some divine providence, you don’t lose it. Ripping your stare away from Dutch, you look into the fire as the dread creeps into your chest, clawing at you like some kind of untethered beast, threatening to choke you and steal your breath.

You stare into the fire and see Limpany.

However you feel, you fear - about what the men just did, you kept it to yourself for the rest of the night. You excused yourself from the festivities and went to sleep without much further fanfare, but when you awoke in the morning, the stone of guilt and fear lay upon your chest much in the way it did when you had fled to Blackwater.

You busy yourself with morning work, getting the coffee pot ready while Pearson began the stew of unbeknown origins for the day. For all of the bragging that man did about his Navy days, he seemed to be a one-pony show. Maybe you could ask Hosea or Arthur to bring you to Strawberry so that you could eat something other than this stew.

Speaking of which, you noted Arthur’s absence last night - he hadn’t returned with the other men after the job - actually a few of the men hadn’t returned, now that you think about it.

Breaking open the tin of coffee, you dump grounds into the percolator before pouring water from the bucket, drawn fresh from the lake to set the coffee up. Placing it on the hook suspended above the fire, you lean over it for a few minutes as it brews.

The sound of footsteps behind you draws your attention from the percolator, and you turn your head from where you are stooped down to see who it is. Abigail slowly trudges toward you, rubbing at one eye with the back of her wrist. Grabbing one of the empty coffee mugs scattered about the ground, you wipe the inside with your skirt before pouring it full of coffee, standing up from where you had stooped down.

“Didn’t get much sleep?”

Abigail frowns before yawning, covering her mouth for a moment as you hold out the cup of coffee to her.

“Jack was fussin’ all damn night. Kicked at me like a damn mule.” She mutters as she takes the cup, nodding in thanks as she immediately takes a long sip. You give a half-hearted frown as you look behind her, to the lean-to that the two of them sleep in, where Jack is still asleep under a blanket. It is strange for the boy to still be asleep, but if he was up most of the night…

Abigail blows at the hot coffee before taking another sip, “Been a while since he’s been like that. Hopefully was just one night.”

You nod in agreement before she turns to walk back to her lean-to. Going back to the coffee, you start pouring another cup as more footsteps draw you to stand again.

“Good morning, dear.” Hosea smiles, placing a hand on your shoulder as you hand him the next cup of coffee.

“Morning, Hosea. You stay up much later last night?”

“Nah,” he shakes his head before bringing the cup to his lips, “I ain’t much for the late nights and bottles of whiskey like I used to be - hangovers are a bitch when you get as old as I am,” he chuckles.

You laugh and shake your head, leaning over to prepare your own cup as a horse whinnies in the distance, a rider arriving back into camp. Hosea squints toward the horse as it approaches, “Ah, it’s Lenny.”

Lenny guides his horse to where the others are tied off, and slides out of the saddle, nearly stumbling to the ground a step after landing.

“Oh, Lenny, you look like you’ve seen better mornings,” Hosea notes as Lenny staggers toward the two of you, looking absolutely miserable and the slightest shade of green. As he groans and walks closer, the overwhelming stench of alcohol wafts off of him and makes you scrunch your nose. You’re pretty sure there is vomit on his collar. You cover your nose to stop from gagging as Lenny wipes at his mouth, noticing your discomfort.

“Did’ya leave poor Arthur in another state?”

“He’s…somewhere. He was still in Valentine once they let us out of jail.” Lenny drolls, his eyes bloodshot as he bends over and places his hands on his knees, obviously trying to quell his roiling stomach.

“Jail?!” You exclaim as your eyebrows raise.

“Ah, one of those kinds of nights,” Hosea chuckles. Lenny groans and continues onward toward the shared lean-to where his bedroll is spread out, stooping down on one knee before giving up and flopping down onto the bedroll.

Your eyebrows still raised in concern, Hosea waves his hand in a cheery dismissal, “Don’t worry ‘bout him. He’ll slink back to camp and sleep it off. Boy can get a bit rowdy when he goes overboard.”

Christ, even his damn eyes hurt. His hat’s brim slung low over his face to keep the sun from his eyes - as if this damn headache could get any worse. The Walker sways beneath him, this ride from Valentine taking twice as long as the ride to town, and he hadn’t even gotten the new horse he meant to.

Arthur thought it smart to leave town quickly after being let out of jail - evidently almost drowning a man in a pig trough is frowned upon in these parts. He’d like to blame the bender on trying to cheer Lenny up, but he knew, he knew that he had let things get out of hand partially on purpose. That drinking himself stupid would push the thought of Mary Gillis from his mind.

Instead, it gave him a massive hangover, a lighter wallet, and still at a loss about Mary. He quietly enters the camp with little fanfare, not wanting and very unwilling to make small talk with anyone.

Fortunately, he’s able to slink back to his cot without needing to talk to anyone, sitting down and pulling his hat off, tossing it further down on the cot as he rubs at his eyes with the heel of his palms.

Hanging his head, his forearms rest on his knees as he stifles a pained groan. A canteen appears in his field of vision. He looks up, ready to tell whoever off, but finds you standing in front of his cot, holding out that canteen full of water. In the back of his hangover-addled brain, instead of shooing you off, he wants to call you an angel - that the water you’re offering him must be holy in the wake of his bender last night. He can already taste its freshness before even taking the canteen.

You smile, “I heard you had an interestin’ night, Mister Morgan.”

The morning light glints off your hair like it was some kind of spun gold. He swallows, taking the canteen from your hand, and mumbles some kind of thanks as he brings it to his mouth, the cool water just godsend that he believed.

“Well, at least you didn’t come back with vomit on your shirt,” You chuckle lightly, taking a step back as you place your hands behind your back, “See you later, Arthur.”

“Missus Shaw.”

He stares down at the canteen for a moment, then flits his gaze back up to your frame, walking down toward the lake. The tendrils of your unbound hair bounce with each step you take. The sway of your skirts….

Oh god damnit.

Arthur rubs at his eyes with one hand once again, gritting his teeth against the creeping feeling in his chest. He downs another large gulp of water from the canteen. Chucking it onto the table across from his cot, he grabs at his hat as he lays down on his cot, sighing as he places the hat over his face, praying that sleep will take him quickly and that this headache will subside.

It did - at least he had that going for him today. A few hours of undisturbed sleep was entirely what he needed - by the time he woke, the sun was setting behind the ridge. He pulls himself from his cot, rubbing at his jaw with one hand as he rifles through his satchel for his cigarettes.

He’s approached by Susan Grimshaw, who steps in front of him with her hands crossed over his chest. Arthur looks past her toward the main fire, not wanting to be lectured at the moment. Susan arches an eyebrow before turning her head to follow where Arthur is looking. He lights a cigarette from his pack as she looks back up at him.

She snorts under her breath, looking back at Arthur with a tinge of amusement.

“Missus Shaw.” Grimshaw shifts her eyes back and forth toward the direction of the main campfire, where all of the women are gathered, chirping like sparrows as they eat their dinner on beat-up metal plates.

“What about Missus Shaw?” Arthur retorts; the lit end of his cigarette throwing shadows on his face in the night.

“She’s a nice girl. Doesn’t talk back, works hard, easy on the eyes.”

He doesn’t respond.

“And she don’t have a mean ol’ drunk of a daddy whispering things in her ear.” Susan narrows her eyes in an almost threatening manner, “Don't think I don't know who that damn letter came from.”

The next night proves to Abigail that Jack’s sleeplessness wasn’t a fluke. He had been lethargic all day, overtired and fussy. By the time night fell, the boy’s head was hot to the touch as Abigail scooped him up into her arms, beginning to fret as the night went on and he seemed only to get warmer.

You’ve fallen in next to Abigail, urging her to get Jack out from their flimsy lean-to and into the sick tent, having recently been vacated by John, who had healed enough to get out of bed.

“C’mon, let’s get him into bed,” You reach down to Abigail, sitting on the ground next to Jack, and guide her by her shoulders to stand enough for her to gather her son up. The two of you walk slowly toward the tent, as you reach it, you step inside and turn up the oil lantern as Abigail lays Jack down in the cot. You root around for a blanket for a moment, finding an old one stowed beneath the cot, and spread it out over Jack. Abigail rubs at her brow worryingly.

“Think - think he’s breathin’ okay?” She asks, and the both of you lean over the boy on either side of the cot, holding your ears close to his face.

Jack whines then coughs harshly, and both you and Abigail recoil backward, sitting up straight next to the cot. Abigail frowns, looking apologetic - “God, sorry, Ruth - he -”

You shake your head, “It’s fine. He’s gonna be fine.”

You’d like to think it was the lack of sleep for staying up all night with Abigail, but as Jack rolls into another full day of fever, as the next night falls in, you can hardly stave off the exhaustion setting in.

“Shit, Ruth -” Abigail curses from the other side of the cot as she sits back down having brought the oil lantern in from refilling it, “You’re flushed - you - shit, you got a fever?”

You wipe at your brow, damp in the night, “ M’fine,” brushing her off.

But as the hours creep on, it becomes increasingly clear that yes, you had whatever Jack had come down with. It's not much after you start to nod off in your seat that Abigail picks Jack up, gathering him into her lap, and orders you to lie in the cot - your resolve broken by that point.

The night stretches on as you start to shiver in the cot. Jack pitifully whines in his mother’s arms as she hunches over in exhaustion.

“Give - give him here, I’ll hold him. You’re gonna get sick yourself if you don’t get some rest.” You reach toward Jack, huddled in Abigail’s lap. The poor woman’s eyes are bloodshot, dark circles appearing beneath them at her lack of sleep.

Abigail is unable to hide the guarded look in her eye - her hesitance to let go of her greatest treasure. But after a moment, she acquiesced, exhausted.

She leans forward, Jack huddled to her breast like you’re sure she did when he was a baby. Handing him to you, you situate the child against your chest, pulling the blanket above you both. He does not awaken with the movement, but unconsciously, the boy curls himself into your embrace, his clammy cheek pressed against the exposed skin of your collarbone.

Your hand rubs his back slowly, softly, and when you close your eyes, you wonder if your boy would have curled himself into you the way Jack does. Clutch at you, searching for the comfort only a mother can give.

You choke back a sob, trying to keep quiet, but your attempt is in vain as Abigail notices, drawing closer to you again.

“Ruth - are y’ al-... I can take ‘im back-” Abigail stutters, placing her hand on Jack’s back again to brace him, about to pick him up from the cot.

“ ‘s alright,” You sniffle, unable to stop the tears tracking down your cheeks, “Jus - hic - my baby-”

Abigail’s face falls further, her hand moving from Jack’s back to grasp at yours, her fingers wrapping around yours, “Oh, Ruth, I’m sorry-”

“He… he was too early, b-but -” You shudder with another stifled sob, trying to not disturb the sleeping child in your cot, “ ‘e had his just a bit of his father’s dark hair-”

Abigail’s free hand reaches into the bowl of water, grabbing the rag and squeezing the excess water from it. She dabs it gently to your forehead, holding your hand tightly, comfortingly.

“And now… hic - I’ve got nothin, I’ve got no one, they’re g-gone-” You croak, tears falling down your cheeks freely. You draw the child at your chest in closer, as if Abigail’s son could temporarily fill the depthless void in your chest.

You devolve into sobs, and Abigail holds your hand.

The ponderosa pines wave in the warm breeze, the sweet vanilla wafting through your nose as the clearing opens before you.

The cabin stands quiet across the way. Far quieter than when you left.

The door was left open.

Aethon isn’t hitched up, but the wagon is still next to the cabin.

The door was left open.

With unsteady steps, you slowly reach for the doorframe, looking down when your boots make a muted squelch on the wooden floorboards of the porch.

The door was left open.

Blood runs in wretched rivulets from the inside of the cabin, out the threshold, and into the world.

You step into the cabin, and upon the ground, his body is contorted into a death throe, his eyes wide open and blood running from the hole in his forehead.

As if you were caught in molasses, you move slowly toward the body, reaching out toward your dead husband who seems to be just out of reach. Finally, finally, when you reach him, you touch his cold form, hands on his shoulders, slowly coating your arms with his blood.

Your Frederick, dead on the floor. You weep into his shoulder, loudly wailing the mourning dirge.

A loud noise from outside draws your attention, and you turn to see a large shadowed figure in the door. A lantern is thrown into the cabin by the figure, bursting into flames on the wooden floor.

Smoke quickly fills the room, and you begin to cough as you crawl toward the open door, taking your chances with the shadowed figure outside rather than with the flames. As you reach the threshold, you look back forlornly at your dead husband’s body before dragging yourself out the door. You stumble to your feet, coughing as you unsteadily step off the porch. You make it only a few steps before doubling over, coughing violently as one of your hands braces on your knee.

As your eyes water over, the shadowed figure appears again, walking slowly toward you. The figure becomes two. Two become three.

“Why, if it isn’t the lovely Missus Shaw. We’ve been looking for you.”

A gunshot pierces the night.

The canvas to the sick tent swings shut after Susan steps out, a basket of linen on one hip. He watches as she moves back toward the center of camp, calling for one of the girls to wash it.

He grimaces, the stitches in his skin pulling tightly as he works his jaw. Christ, his face itches something awful, but at least now he’s no longer bedridden, having thrown off the yoke of invalidity a few days ago.

John knows, of course, that Jack has taken sick. Christ, the way that Abigail tutted and fretted about, the whole damn world knows the kid has a fever. He’s kept a wide berth as the boy was relegated to the sick tent that he had so recently occupied.

He was just going to take a quick look in. He’s been listening to Abigail’s damn voice for the past two days through the canvas of the tent, and being stuck in camp and not well enough to ride yet, there was little else to do. She’s finally gone quiet. Hopefully, both her and the boy are asleep.

John barely notices that he’s almost crushed the unlit cigarette between his fingers as he approaches the tent, quietly leaning inside the canvas opening, blinking as his eyes adjust to the lantern light from the darkness outside.

Abigail sits on a stool, her head pillowed on her crossed arms on the small table. She’s dead to the world, exhausted as she’s sprawled out over that table. He looks over to the cot, the mess of blankets piled up over a still form. A mess of sandy brown hair tucked into a shoulder.

You’re awake. He wasn’t expecting that, standing in the tent’s opening. Stuck, unable to escape, John can do nothing but take in the scene, the fevered blush staining your cheeks, the clammy pallor of your skin. The mess of your blonde hair pulled into some kind of bun that was falling apart. The matching, flushed look of the child pillowed on your chest, the boy’s labored breathing loud in the silence of the night.

Your hand moves to cradle the back of Jack’s head as he subconsciously curls further into you in his sleep.

John audibly swallows, knowing he’s been caught. Under your unfailing gaze, he turns and leaves the tent.

#rdr2 #rdr2 arthur morgan #devil's backbone #twolafic

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