29. Please don't DM me if you're a minor. Multi-fandom. Here for the pretty, witty, and gay things. Terminal Daddy Issues.
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Do you remember….
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Susan Sontag, As Consciousness Is Harnessed to Flesh
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I haven’t been super active the last few weeks due to becoming an unexpected caretaker, but I hope all of my mutuals have a good New Year. Whatever you’re doing, whatever you’ve done, I hope you are able to do something nice for yourself soon. Please stay safe.
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Reginald Hargreeves after a ton of random people break into his office and claim him as their father:
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kind people are kind because they know first hand that life isn’t
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Anastasia (1997) dir. Don Bluth and Gary Goldman
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Yeah, well… ‘tis the season, whatever that means.
Buffy the Vampire Slayer 3x10: Amends
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Virginia Woolf, from a diary entry written c. October 1931 featured in “The Diaries of Virginia Woolf,” | art (x) | Susan Sontag, As Consciousness Is Harnessed to Flesh | Beya Rebai - Robot | Florence and the Machine -No Choir | art (x), art (x) by Charlotte Ager
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We don’t need to be friends. We’re family.
Stoker (2013) dir. Park Chan-wook
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22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”
Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.
Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.
THE PRINCE OF EGYPT (1998)
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