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PEDRO PASCAL re-watches scenes from his career | Vanity Fair

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give yourself a sense of place and time. rotate your wardrobe when the weather changes. update your playlists every month. write down three things you did today. do it everyday. message your friends good morning. buy yourself different flavours of tea based on your mood, the packaging, the weather, your heart. save the little paper labels; stick them in your notebook until the inside cover is full of little colored tags. have it hot in the winter. have it cold in the summer. learn to make apple cider, raspberry cordial. spend the summer knitting a scarf for the colder months. spend the winter sewing loose flowy blouses for the summer. open the windows, five minutes a day if it's cold, all day if it's warm. give yourself a sense of place and time and weather.

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(Elana Marie / De Los; Photos by Bexx Francois / For The Times)

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those ads for ai integration on phones are so funny bc it seems like they cant. come up with that many use cases that arent already on a phone? "ask gemini to give you recipes when youre cooking!" "use our AI assistant to find the perfect gift for your girlfriend" yeah or i could just like. google it. you've spent millions on a slightly fancier version of an alexa. good job man.

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something vindictive but ultimately harmless I do at work is that if you’re at my register and you’re rude to me and you pay with cash I am finding the most disgusting desolate fucked up unspeakable coin I can to give to you. oh you were mean to me? you’re getting the yucky nickel bitch

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DIEGO LUNA as a guest host on Jimmy Kimmel Live!

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whoops lost myself for about eight years there

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THE OFFICE 4.13 — "Dinner Party"

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EKKO & JINX || JAYCE & VIKTOR ARCANE (2021 - 2024): 2.07 || 2.09

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Look, I gotta be real clear here.

THE PUNISHER — 1.02 "Two Dead Men"

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there is something erotic about irritating a man. i’m really enjoying pissing you off. do you want fuck me yet

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MEAN GIRLS 2004, dir. Mark Waters

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THE OFFICE 6.09 Double Date

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Elizabeth Olsen as Wanda Maximoff in WandaVision | 2021

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Feminism that treats men as natural enemies rather than as products of an oppressive socialization does not seek to end patriarchy – it merely seeks emotional comfort in victimization. It is easier to point fingers and say “men are just like that” than to admit that change requires collective effort, reeducation, and yes, their participation in overcoming this system. This kind of essentialist discourse not only reinforces useless divisions but also throws away any real possibility of transformation. Perhaps this feminism doesn’t even want a world without patriarchy, because that would mean letting go of the simplistic narrative of “bad men vs. good women” and facing the fact that liberation requires much more than just likes on angry tweets.

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There's no place like home.

Judy Garland as Dorothy in The Wizard of Oz (1939) dir. Victor Fleming