Welcome to shockyeahmiguelohara, a tumbleblog dedicated to Miguel O'Hara of Spider-Man 2099, created by Peter David and Rick Leonardi. Comic panels, news, fanwork and other media appearances in one place. We are not a spoiler free blog.
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Hii, love your blog!!
I was wondering if you have any recommendations for Miguel fanfics?
Hello! I'm glad you're enjoying the blog, anon.
Unfortunately, I don't have any real recommendations to provide in terms of fanfiction. When I started exploring the 2099 fandom, there really wasn't one, and fanfic for Miguel was almost non-existent (or not to my taste).
Best I could do is plug my own story, Tales of the Spider-Men. It was written in 2012 and it's not beta'ed. But it was a response to not being able to find Miguel Centric stories.
Across the Spiderverse is bound to drag up interest in Miguel fics, if it hasn't already, so hopefully, you'll get a good mix of 90s era 2099, rebooted comics 2099, PS3 2099, and Spideverse 2099 in the future.
Anyone reading this ask can rec Miguel fics here. Please keep it clean, no rape (non-con, dub con, fetish) material. You will be blocked.
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Spider-Man 2099 v1 #11 / Spider-Man 2099 v2 #1
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Spider-Man 2099 (vol. 1) #2 (1992)
Unhhhh! Fingers alone… weren’t holding me… Talons on my feet too… must be angled different… supporting me. Okay… whatever happens don’t look down, loser. Move don’t look down. [Miguel looks down] Okay… whatever happens… don’t look down again.
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Hello! I love your blog and find your posts really insightful I was wondering, what do you think is a key aspect of Miguel's character that makes him challenging for writers outside of Peter David to write? Some people told me that the key part of Miguel’s essence that ATSV failed to portray is that he’s a rebel is that true? I hope I'm not bothering you with the question I'm just fascinated by your perspective
what do you think is a key aspect of Miguel's character that makes him challenging for writers outside of Peter David to write?
The short version: I think a lot of writers try to make Miguel O'Hara a version of Peter Parker that works for them or that they grew up with. It falls in line with the idea that there is only "one true Spider-Man" of the franchise that fuels the backlash to Miles Morales. But instead of overt racism, you end up with a milquetoast version of Miguel that's closer to Peter Parker than a genuine iteration of Miguel.
Some people told me that the key part of Miguel’s essence that ATSV failed to portray is that he’s a rebel is that true?
I think Miguel is a collaborator by nature, but rebels when something directly opposes his principles' and moral compass (and usually after he cannot ignore it any longer).
Take for instance, the catalyst that led to his becoming Spider-Man. Alchemax experimented on a human being without any real authorization, and Miguel's cooperation led to the senseless death of Mr. Sims.
The only way he felt he could hold himself accountable for his part was quitting and putting distance between himself and Alchemax. Tyler Stone undermined that by spiking his drink with an addictive drug that would eventually kill him. The aftermath of an deliberate attempt to murder him basically gave him the means to fuck up Stone's corporation and make some kind of amends for his complicity. But it also left him with disabilities (extreme sensitivity light being one of them).
So, in general, I think Miguel is a team player when it counts, but prefers to do things his own way (which, I guess is a rebel depending on the context).
Other elements that make Miguel 'difficult' for other writers is
1): Generation Gap and the Passage of Time
In particular, Spider-Man 2099 came around the time of the much derided "extreme era" of Marvel Comics, and comics in general. Which was nothing, if not a reaction to the Comics Code Authority and its particular brand of censorship (ah-la BS&P), and the desire to cater to a much older audience of readers.
So, the end result was overcompensation and a lot of antiquated ideas that remain fairly prevalent within the modern industry's of comic book publishing (see: Ultimate X-Men, Ultimatum, One More Day, Dan Slott, Comics Gate, etc.).
Spider-Man 2099 is very much a reflection of that "extreme era" ethos, from its character design, writing, and particular depiction of the future. It's Robocop or Judge Dredd flavored, so to speak. I also think it's easy to forget that Spider-Man 2099 was apart of a larger comic book series that included Ghost Rider 2099, Hulk 2099, Punisher 2099, and etc. It was beta Ultimate Comics.
The original Spider-Man 2099 debuted in 1992, and ended in 1996, officially putting the character on ice. Even as one of the better received titles of their 90s catalogue, with a cult following, it's hard to ignore the fact that Marvel treated their 2099 titles like damaged goods, something they had to run away from to recuperate their image.
As a result, they intentionally never did anything else to really promote Spider-Man 2099 so that he'd become a household name.
A similar thing happened to May Day Parker and the Spider-Girl franchise. Despite being relatively well received, Marvel as a company did its best to basically make sure she'd never become a household name.
So, by 2014 you've got 22 years of nothing happening with Miguel O'Hara. Then Dan Slott's Spider-Verse title debuted, and introduced a bunch of a Millennial and Gen Z era readers to all of these Spider-Mans they've never heard of, or only knew in the vaguest concept.
Almost immediately after, Peter David gets to write two more volumes of Spider-Man 2099. Except this time, he more or less does away with original continuity and all its narrative ties to cater to newer readers.
2): He's treated like a novelty or an aesthetic
The cancelled Spider-Man Unlimited series from Fox Kids, a reaction to Batman Beyond (Kids WB), was initially shopped around as a Spider-Man 2099 series. But because the general audience didn't know Miguel O'Hara (a consequence of the lack of promotion), Marvel decided to use the trappings and ideas of 2099, and created another Spider-Man series with Peter Parker. They treated the series like a spiritual sequel to Spider-Man: The Animated Series (a show they cancelled).
Prior to Spider-Verse, we got things like Timestorm 2099, Shattered Dimensions, and Spider-Man: Edge of Time.
Like an extension of Unlimited, with instances like Marvel's Spider-Man that uses Miguel's costume as an alternate skin to unlock in the PS4 game. It's why The Amazing Spider-Man production process wholesale lifted the design scheme of Miguel's costume as a possible final costume for their version of Peter Parker (see: the film's concept art), but never considered, maybe, making Miguel an actual character. (But honestly, given that its TASM, that's probably for the best.)
Thirteen years after the original comic, Timestorm 2099 was some kind of an attempt to introduce Miguel O'Hara to another generation of readers (Ys and Zs). I guess, to see if they could turn a profit with him. It's one of the few SM2099 titles not written by PAD. It solidified my belief that no one at Marvel, except PAD, really considers Miguel a unique character, just a reskin of Peter Parker.
Timestorm 2099's Miguel is a really bland version of teenage Peter Parker, whose dad is a genius scientist, and no elements of his family and life from SM2099 vol 1 (Gabri, Conchata, Xina, Dana) exists in different/alternate forms. The story basically exists just to get Peter to meet teen Miguel, and not much else. It's a less entertaining version of Spider-Man 2099 meets Spider-Man.
Exceptions to the rule are Edge of Time, a story co-written by PAD. It treats him like a whole and fully realized character, it uses an iteration of his universe as part of the stakes for Miguel and Peter, whose futures are altered by Dr. Sloane. It builds on their back and forth through dialog that doesn't just fill game-time space, but informs their character. And they do this with, arguably, the most recognizable Peter Parker voice actors of their time (Christopher Daniel Barnes, and Josh Keaton).
Were it not for the game's less than stellar performance, I'd argue that was a solid selling and starting point for newcomers to Miguel that Marvel could've really pushed. If I can say anything about Dan Slott, he kept trying to make his "fetch" idea (Spiderverse) happen, and it was, in part, the reason why we ended up with more PAD-helmed 2099 stories for Miguel.
But even with that in mind, the novelty aspect of Miguel's universe as one that Marvel constantly reinforces. It refuses to give 2099 its own space to exist outside of sporadic moments. To a large degree, Across the Spiderverse is very much a representation of how Miguel is treated like a niche or kitchy idea.
And you'll notice, with Miles (the one alternate/legacy Spider-Man they're capitalizing on, however disengeniously), the way they legitmized him is by keeping him trapped within the sphere of Peter Parker (specifically, alternate or cloned versions of Peter Parker).
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Iconic Miguel O’Hara splash page redraw but with his Spiderverse design!!

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SPIDER-MAN: ACROSS THE SPIDERVERSE Peter B. Parker, Miguel O'Hara & Mayday Parker
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every night i think about you (spider-man 2099 letters column xinamiguel writers)
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Gabriella Kwan-O’Hara, for @xinakwans <333
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father daughter bonding
alt text: Miguel O'Hara and his daughter Gabriella playing with his hair with accessories.
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Do you know about the Global Energy Embargo for Palestine? I encourage you to look into it and support it in every way you can: https://linktr.ee/palenergyembargoo?fbclid=PAZXh0bgNhZW0CMTEAAaZDqbcId-e_ICKPFhoTmWu3yntWEzrefPBJaMbmoe0iWBthq9jjVt6uf8Q_aem_uOKZgYD1m9dD1LUvzsEfyQ


WORD. THANK U FOR SHARING ANON.
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Spider-Man 2099
Art by Colin Craker
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Bloodsword / Bloodhammer / Bloodmace in Spider-Man 2099 (v1) #17
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Spider-Man 2099 (Vol. 1) #17 (1993)
Miguel: […]Now, no more arguing, okay? Conchata: Do you hear me arguing? C’mon, let’s get to the car. Miguel: Where did you get this? Conchata: Stole it. Miguel: Oh. Okay. Ma are you crying? Conchata: I just [sniff] I can’t believe you did that. Miguel: Ma, I’m your son. I couldn’t abandon— Conchata: Not that you yutz! I can’t believe you lied about seeing Thor! Everything was great until you made me realize what idiots they were. …Believing any fool thing they were told! Miguel: How’d you know I lied? Conchata: I’m crazy, but I’m not stupid.
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Maybe someone's asked you this before, but if you had a chance to write a 2099 series (for this new universe), what would you do?
Not to sound like an after-school special sentiment, but I'd honestly love to see what a Mexican-American writer could do with Miguel O'Hara's original origin story for our current modern audience.
Like, what could they as writers bring to the table that PAD was unable to, or not able to without coming off as extremely dated (racist/anti-Mexican)?
It wouldn't necessarily have to be something like, say, Blue Beetle (2006), tone-wise, that's the level of care and attention I'd love to see for Miguel in the Marvel universe. Honestly.
But, me, personally, I'd just avoid any and all time travel narratives that displace Miguel from his universe, and build on the world that was established. The age of Heroes, the 2099 Heroes/Villains.
The class politics of Neuva York. How does someone level in a future that is so mechanized that nature itself seems utterly destroyed? What impact does that have on the human body, and our ability to survive?
How could his family figure more into his stories outside of guest spots? How could his fractured (or not fractured) relationship with Xina or Dana look like outside of the first volume?
How could I incorporate Tempest or Gabri into his storyline without time travel? Y'know, those kinds of questions are things I'd love to see explored and would probably be my chief concern as a writer.
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Tempest (redesign) and Miguel concept. I don’t love it, but… I don’t hate it. Going to revisit it at any rate, the goal is to repaint some of their original comic scenes
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